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ALT 301: Theory and Methods in Oral Literature
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The commentary begins with by briefly reviewing UNESCO's activities in the documentation, preservation, and dissemination of cultural traditions worldwide, and particularly in sub-Saharan Africa. Suggestions are then made regarding how the observations reported by Bodomo & Mora (2007) might be augmented by various theoretical, musical, and ethnolinguistic perspectives. The commentary also addresses challenges of designing and conducting research regarding integrative performance events and the construction, communication, and interpretation of cultural meaning. Since the 1950s the influential international organization, UNESCO, has formulated, published and systematically sought the implementation of specific "policies," especially those concerning the documentation, preservation, and dissemination (important terms) of music, dance and other cultural traditions, worldwide. Eventually, as each country (especially postcolonial societies) redefines its new postcolonial i...
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Contemporary oral literature fieldwork : a researcher's guide
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- Cover; Title page; Copyright page; Dedication; Contents; List of Pictires; List of Maps; List of Figures; List of Tables; Foreword; Acknowledgements;
- 1. Introduction; Orality and Literacy; Oral Literature as Verbal Art; Oral Literature and Tradition; Oral Literature as History; Functionality of Oral Literature; Growth of Oral Literature Scholarship in Kenya; The False Step; Anyumbaism in Kenyan Oral Literature Tradition;
- 2. Research in Oral Literature; Qualitative and Quantitative Research Methods; Demystifing Fieldwork; Multidisciplinary in Oral Literature; Fieldwork Defined.
- Responsibilities of a FieldworkerOral Literature and Globalization; Importance of Fieldwork; Critical Ethnography; Exploratory Fieldwork; Intensive Fieldwork; Supervised Fieldwork; Independent Fieldwork; Home-based Fieldwork; Outward-bound Fieldwork;
- 3. Theory and Oral Literature; Theory and Scholarship; Theory in Oral Literature; Traditional Theories of Oral Literature; Modern Theories of Oral Literature;
- 4. Methodology in Oral Literature; Methodology and Oral Literature Research; Observation Method; Structured and Unstructured Interview Methods; Fieldwork Design; Fieldwork Preparatory Phase.
- Fieldwork PhasePost-Fieldwork Phase; Qualities of a Consumate Fieldworker; Fieldwork Participants; Lead Researcher's Check-list; Field Research Assistants; Field Local Assistant; Research Driver; Fieldwork Accountant; Fieldwork and Wellness; Literature Review and Sampling; Rapport Building; Fieldwork Documentation; Interview Method; Transcription and Translation; Performance Settings; Importance of Methodology;
- 5. Documentation, Preservation and Access; Performance and Memory; Archiving Oral Texts; Disconnect between Researchers and Archivists; University of Nairobi and Archiving of Oral Text.
- Archivists and NeutralityDigital Technology and Archiving; Ong and Secondary Orality; Importance of Digitalization; Challenges of Digitalization;
- 6. Data Analysis; Oral Literature Criticism; Transcription and Translation; Data Analysis; Coding in Oral Literature; Textualization in Verbal Art; Computer-Assisted Qualitative Data Analysis Software; Report Outline;
- 7. Fieldwork Ethics, Challenges and Strategies; Ethics and Oral Literature; Ethics and Reciprocity; Omondi Tawo the Bard; Ethics and Accountability; Ethics and Informed Consent; Managing Expectations; Non-Compensation School.
- Self-CompensationFieldwork in Conflict Zone; Ethical Dilemmas; Ethics and Creative Deception; Release Form A; Release Form B; Other Fieldwork Challenges; Bibliography; Index; Back cover.
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