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Home » Reviews » Malayalam Movie Reviews

Home Movie Review: A Feel-Good Film That Focuses On Characters Cinema Rarely Does, Indrans Wins Heart!

Rojin thomas, in his writing and direction, is headstrong about one thing, and that is not having a hero in his film..

Star Cast: Indrans, Sreenath Bhasi , Nalsen K. Gafoor, Manju Pillai, Deepa Thomas and ensemble.

Director: Rojin Thomas

What’s Good: Finally, a film acknowledging all the characters cinema has forever used as plot points, and making them the hero. The beauty is, there is no hero here, just Oliver Twist and his cuteness.

What’s Bad: The runtime as long as a period drama which leads to the film become preachy and dilutes the purpose.

Loo Break: Take time and watch this one. Have an empty bladder so you can enjoy the moments that are small but highly relatable.

Watch or Not?: It is a feel-good film, and one that has released after a very long time. I want you to watch and cherish your daily life on screen.

Language: Malayalam (Subtitles)

Available on: Amazon Prime Video

Children grow up but for their parents they are always the munchkins they one day brought home. Technically challenged Oliver Twist (Indrans) is father to two such boys who are now grown up and navigating their route in their respective lives but forget to acknowledge their father who is a silent giver, but never glorifies his victories. Get on board for this journey is heart breaks and Self-realisation; come out of it with a smile.

Home Movie Review: Script Analysis

The definition of family over the years has changed drastically. The dynamic that children and their parents share even more. Home, in its primary conflict, acknowledges this very argument and what it does to people who have a lot to learn about the modern world yet. Written by Rojin Thomas, the story is set in a house lavish enough to accommodate a joint family. The father is a silent doer. He almost does all the chores with his wife without complaining. Once when he does, he regrets it later.

So Rojin makes Oliver Twist, the father, aka Papa, the hero of his story. The perspective throughout is his and how he sees his ecosystem in a mansion unfold around him. Youngest son Charles (Nalsen), clever for his own good, is a lazy chap but still close to parents. Eldest Antony, a budding filmmaker is arrogant, and an outright toxic man, only spitting negativity because he has problems going on in his personal life. Of course, he has a soft corner too, but the arrogant side overpowers.

Now, Oliver, whom Antony sees like an average Joe good for nothing, has to become his son’s friend. He is also an old man wanting to learn the new technology, precisely smart phone. Home is a tale of a family we have seen or maybe one we are living in. The characters are people from around us, their problems and struggles are real, and so are their solutions. Thomas creates the main plot relatable to the tee and makes sure his audience connects to even the Fish Tank stand that breaks one day, signifying the chaos in the household and the pressure it has created. You will see.

Home at the core becomes a story of acceptance. Accepting your family with its simplicity, they need not be extra ordinary or superhumans to feel proud of them. Oliver Twist craves for his son to give him the same acknowledgement he provides to his overachiever father-in-law, but he never really gets angry at Antony for not giving it. Thomas definitely draws inspiration from people around him.

Rojin makes sure he doesn’t make Oliver a saint. In the beginning you see him being a rebel in front of his disabled father, and later when Sreenath’s Antony does it in full throttle, you observe genes have indeed passed from generation to generation.

But what pulls down the energy in this tale about love, longing, and acceptance is the writer deciding to branch out the story to the maximum. We are introduced to multiple conflicts that do have a stake in the summation, but not enough to invest our time into. For example, for a brief moment, Home acknowledges mental health, never to be spoken again. It talks about smartphone addiction, only to be used as a reason. It only becomes preachy and doesn’t add much.

Home Movie Review: Star Performance

Rojin Thomas wins a gold in casting. Every actor performing their parts to perfection and finesse. Indrans playing Oliver Twist is what experience does to a seasoned actor. Differentiating whether it is acting or documentation becomes difficult, and he wins heart with his smile. I was for real hurt when Antony burst out at him.

Sreenath Bhasi becomes the son parents don’t want theirs to become. He gets the tone right and becomes a layered character expected out of him. Nalsen K Gafoor gets to show his versatility in a week. A brainwashed teen in Kuruthi and a lively chap in Home, he has the charm.

Manju Pillai manages to win hearts even amid all these talented men. Her portrayal of the mother who is stuck between a family that is borderline crazy is worth watching.

Home Movie Review: Direction, Music

Rojin Thomas, in his writing and direction, is headstrong about one thing, and that is not having a hero in his film. It’s a family-like yours and mine, and this is the time camera zooms in into the ones it has neglected for years. He brings warmth in his direction, be it Indrans curiosity to learn smart phone, or him sad face that pierces out heart, he knows what draws audience.

Rahul Subrahmanian’s music serves the purpose and works well with the script, but I am not sure about the recall value.

Home Movie Review: The Last Word

It is a slice of life film for real. The family in Home is yours and mine. You will find characters that resemble people in your life. Watch Home and live the feel-good vibe for a few hours amid these testing times.

Home Trailer

Home releases on 19th August, 2021.

Share with us your experience of watching Home.

Check out our review of Sarpatta Parambarai , if you’re into good boxing dramas.

Must Read:  Sarpatta Parambarai Movie Review: Arya Is Impeccable In This Pa. Ranjith’s Winning Knockout Blow!

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After 3 years of hiatus, National Award-winning actress Ritika Singh came up with a new film called In Car. Directed by debutant Harsh Warrdhan, the movie released in theaters today. Let’s see how the movie is.

Sakshi Gulati (Ritika Singh), a college-going student, gets abducted by a group of three miscreants on the Machilipatnam National Highway. They kidnap Sakshi and try to sexually assault her in a moving car. Helpless Sakshi pleads with them to leave her. But the merciless trio try to abuse her physically. What does Sakshi do then? Did she escape from them or become prey to them? The main film has the answers.

Plus Points:

Director Harsh Warrdhan tackles one of the key problems that the majority of women face in our nation. Hundreds of females are being abducted by cruel-minded individuals in our country, but only a very few cases have come to light. This is what the director intends to narrate.

Ritika Singh needs to be appreciated for okaying this kind of project and she delivers her best as a helpless woman. One of the kidnappers, Ravi (Manish Jhanjholia) lives in the given role and his sadistic behaviour makes one feel that he should have been killed right in the car. His performance is quite realistic and makes everyone hate him for his filthy language and behaviour. Yashwanth (Sandeep Goyat) and Kittu (Sunil Soni) also performed well.

Minus Points:

The movie’s thin plot is dragged out for over 90 minutes. The runtime is not a big deal if the narration is engaging, but unfortunately, it is what In Car missed. The writer-director Harsh Warrdhan tried to make In Car a better survival thriller but failed miserably.

Ritika’s performance as Sakshi is okay, but what makes one wonder is she doesn’t even try to slap the men who abducted her. Despite resisting, she sits in silence and moans throughout the film. One will feel that the driver, who is not a part of the kidnappers, can do something to save the innocent soul.

The problem with the film is the excessive use of cuss words and abusive language. It’s high time for the censor board members to axe the usage of filthy language in movies.

The tedious screenplay, filled with foul language and irrelevant conversations, can test the audience’s patience. A better screenplay, shorter runtime, and a bunch of twists could have made the film at least an okayish watch.

Technical Aspects:

Harsh Warrdhan failed both as a writer and director. Although the film falls short on technical aspects, the cinematography by Mithun Gangopadhyay is exceptional, especially in its use of drone and close-up shots to create a specific mood. People who worked for sound designing and editing departments failed big time. If these two aspects had been handled well, In Car would definitely become an engaging thriller. Production values are just average.

On the whole, In Car falls short of engaging its audience, unable to hold their attention even for a mere five minutes. The use of foul language and the sluggish pace of the screenplay in both halves make it difficult for viewers to remain seated. Apart from the climax and the commendable performance by Ritika Singh, the movie lacks any significant appeal. It is advisable to avoid this dull survival thriller.

123telugu.com Rating: 2/5

Reviewed by 123telugu Team

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