Films I’ve Reviewed – Hindi
Aadhi Raat ke Baad (1965) Aakhri Dao (1958) Aakhri Khat (1966) Aan (1953) Aandhiyaan (1951) Aankhen (1968) Abe-Hayat (1955) Abhilasha (1968) Adalat (1958) Agra Road (1957) Akashdeep (1965) Akeli Mat Jaiyo (1963) Albela (1951) Amar (1954) Amrapali (1966) An Evening in Paris (1967) Anmol Ghadi (1946) Anokhi Raat (1968) Anuradha (1960) Apna Desh (1949) Apna Ghar Apni Kahaani (aka Pyaas, 1968) Apradhi Kaun (1957) Arpan (1957) Asli-Naqli (1962) Aurat (1940) Aurat (1953) Azaad (1955)
Baadal (1951) Baadal (1966) Baat ek Raat ki (1962) Baazi (1968) Baghdad ka Jaadoo (1956) Baharein Phir Bhi Aayengi (1966) Bahaaron ke Sapne (1967) Bahaaron ki Manzil (1968) Bahu Begum (1967) Bahurani (1963) Baiju Bawra (1952) Bandish (1955) Baradari (1955) Barsaat ki Raat (1960) Bees Saal Baad (1962) Benazir (1964) Beti (1969) Bhabhi (1957) Bhabhi ki Chudiyaan (1961) Bhai Bahen (1959) Bhoot Bungla (1965) Bhuvan Shome (1969) Biwi aur Makaan (1966) Bombai ka Babu (1960) Boot Polish (1954)
Chalti ka Naam Gaadi (1958) Chanda aur Bijli (1969) Chandralekha (1948) Changez Khan (1957) Chhaya (1962) Chhoomantar (1956) Chhoti Bahen (1959) Chhoti si Mulaqat (1967) China Town (1962) Chor Bazaar (1954) CID (1956) College Girl (1960)
Daaera (1953) Dahej (1950) Dastak (1970) Dekh Kabira Roya (1957) Dharmputra (1961) Dharti ke Laal (1946) Dholak (1951) Dhool ka Phool (1959) Dil Bhi Tera, Hum Bhi Tere (1960) Dil Deke Dekho (1959) Dil Diya Dard Liya (1966) Dil Hi Toh Hai (1963) Dillagi (1949) Dillagi (1966) Dil Ne Phir Yaad Kiya (1966) Dil Tera Deewaana (1962) Do Behnen (1959) Do Bigha Zameen (1953) Doctor (1941) Do Dil (1965) Do Dooni Chaar (1968) Do Dulhe (1955) Do Phool (1958) Doli (1969) Door Gagan ki Chhaaon Mein (1968) Dr Kotnis ki Amar Kahani (1946)
Ek Do Teen (1953) Ek Gaon ki Kahaani (1957) Ek Hi Raasta (1956) Ek Musafir Ek Haseena (1962) Ek Nari Ek Brahmachari (1971) Ek Nazar Ek Phool Chaar Kaante (1960) Ek Phool Do Maali (1969) Ek Saal (1957) Ek Sapera Ek Lutera (1965) Ek Thi Ladki (1949)
F Farz aur Mohabbat (aka Nausherwan-e-Adil) (1957) Ferry (1954) Funtoosh (1956)
Ganga ki Lehren (1964) Garam Coat (aka The Clerk and the Coat), 1955 Gateway of India (1957) Ghar Sansar (1958) Ghazal (1964) Godaan (1963) Goonj Uthi Shehnai (1959) Gumnaam (1965) Gustakhi Maaf (1969) Gyaarah Hazaar Ladkiyaan (1962)
Halaku (1956) Hamlet (1954) Haqeeqat (1964) Hariyali aur Raasta (1962) Hatim Tai (1956) House No. 44 (1955) Howrah Bridge (1958) Hulchul (1951) Humayun (1945) Hum Dono (1960) Humraaz (1967) Humsaaya (1968) Hum Sab Chor Hain (1956)
Insaaniyat (1955) Insaaf ka Mandir (1969) Insaan Jaag Utha (1959) Intequam (1969) Ittefaq (1969) Izzat (1968)
Jaadoo (1951) Jaagte Raho (1956) Jaali Note (1960) Jab Pyaar Kisise Hota Hai (1961) Jagriti (1954) Jahanara (1964) Jeevan Naiyya (1936) Jewel Thief (1967) Jhansi ki Rani (1953) Jhuk Gaya Aasmaan (1968) Jigri Dost (1969) Jis Desh Mein Ganga Behti Hai (1960) Johny Mera Naam (1970) Junglee (1961)
Kaala Bazaar (1960) Kab? Kyon? Aur Kahaan? (1970) Kabuliwala (1961) Kahin Din Kahin Raat (1968) Kalpana (1960) Kangan (1959) Kanoon (1960) Kashmir ki Kali (1964) Kathputli (1957) Kati Patang (1970) Khandaan (1942) Khamoshi (1969) Kismet (1943) Kohinoor (1960) Kohraa (1964)
Lahore (1949) Lala Rukh (1958) Lal-e-Yaman (1933) Leader (1964) Love in Bombay (2013) (released in 2013, made in 1971) Love in Simla (1960) Love in Tokyo (1966) Love Marriage (1959)
Madhumati (1958) Mahabharat (1965) Mahal (1949) Mahal (1969) Mai Baap (1957) Majhli Didi (1967) Mamta (1966) Marine Drive (1955) Maya (1961) Mem-Didi (1961) Mera Gaon Mera Desh (1971) Mera Saaya (1966) Mere Huzoor (1968) Mere Sanam (1965) Mirza Ghalib (1954) Mirza Sahiban (1947) Miss India (1957) Miss Mary (1957) Mohabbat Isko Kehte Hain (1965) Mohabbat Zindagi Hai (1966) Mr and Mrs 55 (1955) Mr India (1961) Munimji (1955) Mujrim (1958)
Nagina (1951) Nakli Nawab (1962) Nartakee (1963) Nau Do Gyarah (1957) Naujawan (1951) Naukri (1954) Naunihaal (1967) Nausherwan-e-Adil (aka Farz aur Mohabbat) (1957) Naya Daur (1957) Neecha Nagar (1946) Neela Akash (1965) New Delhi (1956) Night in London (1967) Nishaan (1949) Nishaan (1965) Noorjehan (1967) Noor Mahal (1965)
Oonche Log (1965)
Pakeezah (1972) Palki (1967) Parakh (1960) Pardesi (aka Khozhdenie Za Tri Moray) (1957) Parineeta (1953) Parivaar (1956) Patanga (1949) Pehla Aadmi (1950) Phir Wohi Dil Laya Hoon (1963) Pooja ke Phool (1964) Poonam ki Raat (1965) Prem Patra (1962) Priya (1970) Professor (1962) Pyaar ka Mausam (1969) Pyaar ka Sapna (1969) Pyaar ki Baatein (1951) Pyaar kiya Toh Darna Kya (1963) Pyaar kiye Jaa (1966) Pyaas (aka Apna Ghar Apni Kahaani, 1968)
Raat aur Din (1967) Raat ke Raahi (1959) Raaz (1967) Rail ka Dibba (1953) Railway Platform (1955) Raja Harischandra (1913 , silent; review of extant film ) Raj Hath (1956) Rajkumar (1964) Raj Nartaki (1941) [aka The Court Dancer] – in English Ram aur Shyam (1967) Rangeen Raatein (1956) Rani Rupmati (1959) Rattan (1944) Reporter Raju (1962) Roop ki Rani Choron ka Raja (1961) Rustom-e-Hind (1965) Rustom-e-Rome (1964) Rustom Sohrab (1963)
Saajan (1969) Saathi (1968) Saat Hindustani (1969) Sadhu aur Shaitan (1968) Sahib Bibi aur Ghulam (1962) Samadhi (1950) Sanam (1951) Sangdil (1952) Saqi (1952) Sara Akash (1969) Seema (1955) Shaadi (1962) Shagoon (1964) Shaheed (1965) Shahjehan (1946) Shama Parwana (1954) Sharaabi (1964) Sharaarat (1959) Sharmeelee (1971) Shart (1969) Shikar (1968) Shikast (1953) Shrimatiji (1952) Sikandar (1941) Singapore (1960) Sitaaron Se Aage (1958) Sone ki Chidiya (1958) Street Singer (1938) Suhaagan (1964) Sujata (1959) Sunehre Kadam (1966) Sunghursh (1968) Suvarna Sundari (1958)
Taj Mahal (1963) Talaash (1969) Tamasha (1952) Taqdeer (1967) Teen Bahuraaniyaan (1968) Teen Deviyaan (1965) Teesri Kasam (1966) The Train (1970) Tum Haseen Main Jawaan (1970) Tumsa Nahin Dekha (1957)
Ujala (1959) Usne Kaha Tha (1960)
Vachan (1955) Vidya (1948)
Waaris (1954) Waaris (1969) Wahan (1937) Wahan ke Log (1967) Waqt (1965) Woh Kaun Thi? (1964)
Yaadein (1964) Yasmin (1955) Yeh Raat Phir Na Aayegi (1966) Yeh Zindagi Kitni Haseen Hai (1966)
Zabak (1961) Zindagi (1964) Zindagi ya Toofaan (1958)
12 O’Clock (1958)
Note : For reviews of Urdu films made in Pakistan, check the list of films made in Other Languages .
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21 thoughts on “ films i’ve reviewed – hindi ”.
Hope you are doing well.
We at Dark Horse Media (Mumbai) are a digital marketing agency and primarily work on Bollywood related projects. I came across your blog, which we found very well-thought written and interesting.
We are currently working with Mr Ajay Devgn and managing his social properties, It would be great if you could blog about Mr Ajay Devgn depending on the areas of interest of-course.
Do let me know how we could take this forward.
Thanks, Cherry Khemka
Hi, thanks for commenting, but I’m afraid that’s not possible. If you look more closely at my blog, I write exclusively about pre-70s cinema. Mr Devgn doesn’t fit anywhere there.
Ruk Ruk Ruk, Kahan Chali Deewani ! Koyi Roke ========================================
May be you can watch following fims and post your valued comments
MASHAL (1950) – Ashok Kumar, Sumitra Devi and Ruma Devi Direction: Nitin Bose, Music: S D Burman Producers: Ashok Kumar + Savak Vacha
Good story (though dated), acting and one song: Hanste Huye Chal, Mere Man / Lata
DIL HI TO HAI (1963) – Raj Kapoor, Nutan and Pran (ofcourse) Direction: P L Santoshi + C L Rawal, Music Roshan
Fairly enjoyable film. 1 Great song – Laga Chunri Mein Daag (very nice performance) + few other good songs – Tum Agar Mujh Ko Na Chaho To …
DO USTAD (1959) – Madhubala, Raj Kapoor + Sheikh Mukhtar Direction: Tara Harish Music: O P Nayyar Producer: Qaidi Number 911
Marginal film, songs with lyrics targeted to very low IQ ‘insaans’ and even tunes are run-of-the mill. But 2 – 3 songs are very nice to watch, primarily because of that angel-face
Aug 1, 2015
Well your lists does not have any film, starting with Q for Queen and Z for Zebra
Did you watch Sehra(1963)?
great collection of movies. love to see them all
:-) Some aren’t that great, though – as I’ve explained in my reviews of them.
Hey, Dustoff thanks for sharing this. doing great job. i am big fan of bllywood. great collection of movies. love to see them all
A very wide canvas!
Ms Liddle could you kindly consider reviewing Madhubala movie Saiyan (1951).
I watched Saiyyaan a couple of years back, but now I don’t remember why I never got around to reviewing it. An unusual film, I thought: the somewhat tense relationship between the characters of Madhubala and Sajjan was unlike what one usually sees in Hindi cinema. Anupji (at the Mehfil Mein Meri blog) reviewed it some months back, though.
Is there any blog where the movies of the seventies are reviewed?
I suppose so. Try searching for ‘film reviews’ + some names of famous 70s films – you should be able to find blogs that do those. Most Hindi film bloggers who blog about old cinema don’t restrict themselves as I do.
But I think 70’s was the best decade for Hindi Cinema, where it was discovering its new facets, If you could be kind enough to include movies from the 70s as well on this blog
There are several reasons for me not including the 70s in my blog. For me, the 70s marks a watershed in Hindi cinema. There’s a marked difference in film-making styles, in tropes, even in fashions, that separate the 70s from the decades before. And for me, the decades before the 70s are far more interesting (I disagree with you on the 70s being the best decade for Hindi cinema – I’d say the 50s were). I get a lot of satisfaction out of exploring the decades from the 30s through the 60s, so I personally don’t want to venture further as of now.
I’ve published a movie guide based on the reviews and ratings from ‘ “Sarita” magazine under “Chanchal Chhaya” which were the first and most trusted film reviews ever to appear in print media, known for its strict reviews and stringent star ratings, hope you find it useful: https://notionpress.com/read/reviewing-hindi-cinema-since-1945-movie-guide-2020
Thank you for telling me about this, I’ve made a note of it. Will try to read.
Surprised you haven’t reviewed DDLJ yet Madhulika.. I have a lot to discuss on that movie when you do.. 😉
That wouldn’t happen, Harish, because my blog only focusses on cinema from before the 1970s. :-) There are a couple of films here from 1971 or 72, but that’s only because either the film was made before but released later ( Pakeezah, Love in Bombay ) or because it has a strong 60s vibe to it ( Sharmilee ).
Watch “Shatranj Ke Khilari {HD} Satyajit Ray – Sanjeev Kumar – Shabana Azmi Hindi Film (With Eng Subtitles)” on YouTubehttps://youtu.be/A3Fgm0yaWbA?si=75fvmmkOPJmzNEOZ
Oh, you meant Shatranj ke Khiladi . Yes, excellent film. I’ve seen it a couple of times.
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In the era of digital dominance, where cinema enthusiasts seek insightful critiques and comprehensive analyses before choosing their next cinematic experience, the role of movie review blogs & websites has become paramount. In India, a country with a rich tapestry of diverse film industries, several platforms have emerged as the go-to destinations for discerning moviegoers.
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Best Movie Review Websites | What is covered in this post?
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Top Film Review Blogs | What Movie Review Blogs Offer
One of the most popular activities in India is watching movies, and one of the best ways to stay up to date on industry news, entertainment, and your favorite industry influencers is to read movie blogs. You can also use them to establish yourself as a go-to authority on films and filmmaking. The greatest movie blogs provide their readers something special that makes them stand out from the competition, such as first-look interviews with actors and directors or lists of the newest releases in particular genres.
The top 10 movie blogs covering subjects that movie buffs adore are compiled here:
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- Synopses and Trailers For Movies
- List of events and movie premieres
- Movie Ratings
- Vintage Films
- Interviews with actors
Best Movie Review Blogs | Top 10 Movie Review Blogs in India
Rank 1 | cinegenics .in | best movie review blog & website.
In the dynamic landscape of Indian entertainment, where the demand for quality movie and web series content is at an all-time high, Cinegenics.in has emerged as a beacon for enthusiasts seeking the best reviews and curated lists . This online platform has successfully carved its niche as the go-to destination for cinephiles, providing a unique blend of insightful reviews and thoughtfully crafted lists that cater to the diverse tastes of the Indian audience.
Cinegenics.in is not just a website; it is a cinematic journey curated with passion and precision and one of the best movie review websites in India . As the digital pulse of the Indian film industry , the website stands as a testament to its commitment to quality and depth in film criticism . Boasting a team of seasoned critics and movie aficionados, Cinegenics.in transcends the realm of ordinary reviews, digging into the complex layers of storytelling, direction, and performances.
What sets Cinegenics.in apart is its dedication to capturing the essence of Indian cinema in all its diversity. From Bollywood blockbusters to regional gems, the website embraces the rich tapestry of storytelling that defines the Indian film landscape. Each review on Cinegenics.in is a thoughtfully crafted exploration, providing readers with a nuanced understanding of the film’s strengths, weaknesses, and cultural impact.
In addition to individual reviews, Cinegenics.in: Top Movie Review Blogs has gained popularity for its curated lists that serve as valuable guides for movie and web series enthusiasts . From “ Must-Watch Bollywood Classics ” to “ Top 10 Thriller Series to Binge-Watch ,” these lists are meticulously compiled to cater to specific genres and themes. This approach not only helps users discover hidden gems but also makes navigating the vast sea of content a more enjoyable and efficient experience.
The user-friendly interface of Cinegenics.in ensures that cinephiles can effortlessly navigate through a treasure trove of reviews, rankings, and curated lists. The website’s commitment to staying abreast of the latest releases, film festivals, and industry trends positions it as a reliable companion for those seeking informed opinions and recommendations.
Cinegenics.in also recognizes the growing influence of web series in the Indian entertainment landscape . The platform is at the forefront of tracking and reviewing the latest and most compelling web series , acknowledging the evolving preferences of the audience. This commitment to staying current with industry trends has helped Cinegenics.in maintain its relevance in an ever-changing media landscape.
In a world where opinions on cinema abound, Cinegenics.in: Top Movies Blog distinguishes itself by offering more than just reviews; it provides a cinematic experience through words. As the go-to destination for the best movie reviews in India , Cinegenics.in stands as a virtual cinephile haven, inviting audiences to explore, critique, and celebrate the magic of Indian cinema in all its glory.
Rank 2 | Film Companion | Top Movie Review Blog & Website
Founded by noted film critic Anupama Chopra , Film Companion has carved a niche for itself by providing thoughtful and comprehensive movie reviews that go beyond mere evaluations of performances and technical aspects. The website is a haven for those who seek a deeper understanding of the cinematic art form, as it explores the cultural, social, and emotional dimensions of films.
One of Film Companion ‘s notable strengths is its diverse pool of critics and contributors. The platform boasts a team of seasoned film enthusiasts and experts who bring a variety of perspectives to the table. This diversity ensures that reviews cater to a wide audience, covering genres ranging from mainstream blockbusters to indie gems. Whether you are a fan of Bollywood extravaganzas or a connoisseur of world cinema , Film Companion: Best Movie Review Blogs has something for everyone.
The website’s user-friendly interface adds to its appeal, making it easy for visitors to navigate and discover a treasure trove of reviews, interviews, and articles. The thoughtful categorization of content allows users to explore reviews based on genres, languages, or themes, providing a personalized and enriching browsing experience.
Film Companion ‘s commitment to fostering a community of film enthusiasts extends beyond traditional reviews . The platform hosts engaging interviews with filmmakers and actors , providing audiences with unique insights into the creative process. These interviews offer a backstage pass to the world of cinema , making Film Companion: Top Movie Review Blogs not just a review site but a hub for cinephiles to connect with the industry on a more personal level.
The website’s influence extends to social media platforms, where it actively engages with its audience. Film Companion ‘s social media presence keeps followers updated on the latest releases, industry trends, and exclusive content. This interactive approach fosters a sense of community among film lovers , turning the platform into more than just a review blog – it’s a virtual space where conversations about cinema thrive.
Film Companion ‘s commitment to inclusivity is evident in its coverage of regional cinema . Recognizing the richness and diversity of Indian filmmaking across languages , the platform ensures that regional gems receive the attention they deserve. This dedication to showcasing the breadth of cinematic creativity in India sets Film Companion apart as a truly comprehensive guide for movie enthusiasts.
Rank 3 | Blog To Bollywood | Movie Review Blog & Website
In the vast realm of Bollywood cinema , where every frame tells a story, Blog To Bollywood emerges as the go-to destination for movie enthusiasts seeking insightful reviews and comprehensive analysis. This online platform has cemented its position as the best movie review blog and website in India, offering a unique blend of expertise, passion, and a finger on the pulse of the ever-evolving film industry.
Blog To Bollywood: Movie Review Blogs stands out for its commitment to delivering honest and unbiased movie reviews . The team of seasoned reviewers goes beyond the surface, dissecting performances, storytelling techniques, and cinematography with a keen eye for detail. What sets this blog apart is its ability to cater to diverse audiences, from hardcore cinephiles to casual moviegoers, ensuring that everyone finds valuable insights tailored to their preferences.
The website’s user-friendly interface adds to the overall appeal, providing a seamless navigation experience for visitors. Movie buffs can easily browse through an extensive collection of reviews, ranging from the latest blockbusters to hidden gems that might have slipped under the radar. The blog covers a wide spectrum of genres, ensuring that there’s something for everyone, whether you’re into gripping dramas, heartwarming comedies, or pulse-pounding action.
Beyond reviews, Blog To Bollywood takes a holistic approach to film journalism . The blog features engaging articles, industry news, and exclusive interviews with actors and directors, offering readers a well-rounded cinematic experience . This multifaceted approach has transformed Blog To Bollywood: Best Movie Review Blogs into a one-stop destination for anyone looking to stay informed and entertained within the Bollywood universe .
What truly sets Blog To Bollywood apart is its interactive community. The comment sections of each review become virtual discussion forums where readers share their opinions, creating a dynamic and engaged community of film enthusiasts . This sense of community adds an extra layer to the overall movie-watching experience , fostering a sense of camaraderie among fans.
Rank 4 | Baradwaj Rangan | Movie Review Blog
Baradwaj Rangan’s movie review blog stands as a beacon of insightful film critique in the vast landscape of Indian cinema . With a writing style that is both erudite and accessible, Rangan has carved a niche for himself as one of the most respected and influential voices in the realm of movie reviews .
His blog serves as a virtual cinephile’s haven, offering a rich tapestry of reviews that delve beyond the surface of the silver screen. What sets Rangan apart is his ability to seamlessly blend his vast knowledge of cinema with a genuine passion for storytelling. Each review is a journey into the heart of the film , where Rangan dissects not only the plot and performances but also the nuances of direction, cinematography, and sound design.
One of the notable strengths of Rangan’s reviews is his nuanced understanding of regional cinema . Whether it’s a Bollywood blockbuster or an indie gem from the South , Rangan treats each film with the same level of scrutiny and respect. His inclusive approach has garnered him a diverse and dedicated readership, transcending geographical boundaries.
Furthermore, Rangan’s blog is a treasure trove for cinephiles seeking recommendations beyond mainstream releases. His reviews often shed light on hidden gems and underrated masterpieces, making his blog a go-to resource for those looking to explore the diverse landscape of Indian cinema .
In addition to reviews, Rangan’s blog is a platform for thoughtful essays and reflections on the evolving nature of filmmaking. His ability to contextualize films within the broader socio-cultural landscape adds depth to his critiques, elevating the discourse around cinema .
In a digital age where opinions abound, Baradwaj Rangan’s movie review blog stands out as a bastion of quality criticism. It not only informs but also engages readers, fostering a deeper appreciation for the art of filmmaking . As the cinematic landscape continues to evolve, Rangan’s blog remains an indispensable guide for cinephiles navigating the vast and dynamic world of Indian cinema .
Rank 5 | NDTV Movies | Movie Blog
NDTV Movies has established itself as a frontrunner in delivering insightful and comprehensive movie reviews through its engaging blog, making it the go-to source for cinephiles across India . Renowned for its credibility and in-depth analysis, NDTV Movies ‘ Best Movie Review Blog stands out in the realm of film criticism.
The blog’s success can be attributed to its team of seasoned and articulate critics who bring a wealth of cinematic knowledge to their reviews . Their writing transcends mere summarization, delving into the nuances of storytelling, cinematography, and performances. Each review is a thoughtful exploration of the film’s merits and demerits , offering readers a nuanced understanding before they decide to invest their time and money.
What sets NDTV Movies: Movie Review Blogs apart is its commitment to covering a diverse range of films , from mainstream Bollywood blockbusters to independent and regional cinema . This inclusivity resonates with a wide audience, catering to the varied tastes of movie enthusiasts . The blog’s reviews also extend beyond the confines of popular genres, ensuring that readers are exposed to a rich tapestry of cinematic experiences .
The user-friendly interface of the blog enhances the overall reading experience, allowing visitors to navigate effortlessly through a plethora of reviews . The blog doesn’t limit itself to traditional written reviews; it incorporates multimedia elements such as trailers, stills, and interviews, providing a holistic view of the film in question .
Moreover, NDTV Movies Top Movie Review Blog is adept at keeping pace with the ever-evolving film industry . It remains attuned to emerging trends, new releases, and the pulse of the audience. This adaptability ensures that readers receive timely and relevant information, making the blog an indispensable guide for moviegoers .
Rank 6 | A Potpourri of Vestiges | Film Review Blog & Website
Founded by Murtaza Ali Khan , a seasoned film critic and commentator, A Potpourri of Vestiges has become a go-to destination for those seeking thoughtful and comprehensive movie reviews . The blog boasts an extensive collection of reviews , covering everything from mainstream Bollywood blockbusters to niche independent films and international cinema . This diversity reflects the founder’s commitment to providing a holistic cinematic experience for readers.
What sets A Potpourri of Vestiges: Top Movie Review Blogs apart is its commitment to unbiased and honest reviews . The blog doesn’t shy away from critiquing popular releases while also highlighting hidden gems that might have slipped under the radar. The reviews are crafted with a keen eye for detail, delving into aspects such as storytelling, cinematography, performances, and overall thematic resonance.
Beyond reviews, the blog offers engaging features, interviews with filmmakers, and insightful articles on film theory and criticism . This multifaceted approach adds depth to the platform, making it more than just a review repository. It’s a community for film enthusiasts to engage in meaningful discussions about the art of cinema .
A Potpourri of Vestiges also stays attuned to the ever-evolving film industry , covering film festivals, industry trends, and emerging talents. This proactive approach keeps the blog relevant and ensures that readers stay informed about the latest in the world of movies .
In a country where cinema is more than just entertainment – it’s a cultural phenomenon – A Potpourri of Vestiges serves as a guiding light for those navigating the vast and diverse landscape of Indian and global cinema . As it continues to evolve and adapt to the changing cinematic landscape , this blog remains a vital resource for anyone passionate about the art of storytelling through moving images.
Rank 7 | R Crit Reviews | Film Review Blog
R Crit Reviews has carved a niche for itself by seamlessly blending insightful critique with a passion for cinema that resonates with readers. With a commitment to delivering unbiased and comprehensive reviews , the blog has become a trusted source for movie enthusiasts seeking guidance on what to watch and what to skip.
One of the key strengths of R Crit Reviews lies in its diverse team of seasoned critics, each bringing a unique perspective to the table. The reviews are not mere summaries; they are in-depth explorations of cinematic elements , from storytelling and character development to cinematography and sound design . This multifaceted approach caters to a broad audience, ranging from casual moviegoers to cinephiles seeking a more profound understanding of the art.
The blog’s user-friendly interface and well-organized content make it easy for readers to navigate and find reviews on their favorite films or discover hidden gems. The reviews are not confined to mainstream Bollywood releases ; R Crit Reviews also delves into regional cinema, indie films, and international masterpieces , showcasing a commitment to a holistic appreciation of the cinematic medium .
What sets R Crit Reviews apart is its ability to strike a balance between critique and celebration. While the blog isn’t afraid to highlight flaws, it also recognizes and applauds the achievements of filmmakers, actors, and the entire crew. This nuanced approach contributes to a positive and constructive discourse within the film community .
Rank 8 | Flickside | Film Review
Founded with a passion for storytelling and a keen eye for cinematic nuances , Flickside has evolved into a go-to platform for comprehensive movie reviews, analysis, and industry insights . What sets this blog apart is its dedication to covering a broad spectrum of films , spanning regional languages and genres, ensuring a holistic view of the Indian cinematic experience .
One of the key strengths of Flickside lies in its team of seasoned and perceptive reviewers who bring a wealth of knowledge and a genuine love for cinema to their critiques. Whether it’s Bollywood blockbusters, thought-provoking indie films, or regional gems , Flickside provides a platform for every cinematic voice to be heard and appreciated.
The blog’s user-friendly interface and well-organized categories make it easy for readers to explore and discover films that align with their preferences. Beyond reviews, Flickside offers in-depth articles on filmmaking techniques, emerging trends, and interviews with industry professionals , creating a space for cinephiles to engage with the art and craft of cinema on a deeper level.
Flickside ‘s commitment to objectivity and integrity in its reviews has earned it a loyal following, with readers trusting its recommendations and insights. The blog doesn’t shy away from addressing both the strengths and weaknesses of a film, providing a balanced perspective that resonates with audiences seeking genuine opinions.
In a country as culturally diverse as India, Flickside plays a crucial role in bridging the gap between mainstream and regional cinema, fostering a greater appreciation for the rich tapestry of stories that the Indian film industry has to offer. As Flickside continues its cinematic journey, it remains an invaluable resource for anyone looking to navigate the ever-expanding world of Indian cinema with discernment and passion.
Rank 9 | Don’t Call It Bollywood | Film Review Website
Don’t Call It Bollywood is a refreshing and insightful movie review blog that has taken the Indian film critique scene by storm. In a cinematic landscape dominated by traditional Bollywood narratives , this blog stands out for its diverse and discerning taste, offering a platform for films that often fall under the radar.
The blog, founded by passionate cinephile and critic , goes beyond the glitz and glamour of mainstream Hindi cinema , exploring the rich tapestry of Indian films from various languages and regions. With a keen eye for storytelling and a commitment to showcasing the depth and diversity of Indian cinema , Don’t Call It Bollywood has become a go-to destination for cineastes seeking more than just song-and-dance routines.
One of the strengths of this blog lies in its commitment to breaking stereotypes associated with Indian cinema . While Bollywood has long been synonymous with a particular style of filmmaking , the blog’s reviews delve into regional cinema , independent films, and experimental projects, celebrating the unique narratives that often go unnoticed. It serves as a bridge, connecting audiences with cinematic gems that might otherwise be lost in the vast sea of mainstream releases.
The blog’s writing style is engaging and accessible, making it equally appealing to both seasoned film enthusiasts and casual moviegoers . Each review goes beyond the surface, offering thoughtful analysis and shedding light on the cultural and social contexts that shape the films. The passion for cinema evident in every post creates an immersive experience for readers, fostering a deeper appreciation for the art of storytelling through film.
Don’t Call It Bollywood has successfully carved a niche for itself in the Indian film criticism landscape. It is a testament to the evolving tastes of audiences and the growing recognition that Indian cinema is not a monolith. As the blog continues to champion cinematic diversity , it serves as a beacon for those who seek a more nuanced understanding of the vibrant and multifaceted world of Indian cinema . In a country where Bollywood often takes center stage, this blog is a refreshing reminder that there’s much more to explore beyond the glittering lights of mainstream cinema .
Rank 10 | Moviezupp | Movie Review Website
With an intuitive interface and a user-friendly design , Moviezupp makes it easy for visitors to navigate through a vast collection of reviews. Whether you are a Bollywood buff , a fan of regional cinema , or someone intrigued by international films , Moviezupp caters to a diverse audience with its wide-ranging coverage.
One of the standout features of Moviezupp is its commitment to honesty and transparency. The reviews on the platform are crafted with care, offering readers a balanced perspective on various aspects of a film , including performances, direction, screenplay, and cinematography. The team at Moviezupp understands the importance of delivering unbiased opinions, allowing moviegoers to make informed decisions about what to watch.
In addition to traditional written reviews, Moviezupp also embraces multimedia content. Engaging video reviews and interviews with filmmakers and actors provide an immersive experience for users. It enhancs the overall appeal of the website. This multimedia approach sets Moviezupp apart in the competitive realm of online movie reviews .
The website also keeps users informed about upcoming releases, industry news, and exclusive behind-the-scenes content. Moviezupp is not just a review platform ; it’s a hub for cinephiles looking to stay connected with the pulse of the film industry .
Furthermore, Moviezupp encourages community engagement through user comments and ratings. This interactive feature allows movie lovers to share their opinions and engage in discussions. It fosters a sense of community among like-minded individuals.
In a world flooded with entertainment options, Moviezupp emerges as a reliable guide. It helps the audiences sift through the vast array of films to find the gems worth watching. Whether you are a casual viewer or a dedicated cinephile, Moviezupp is your trusted companion on the cinematic journey . It offers a blend of expertise, passion, and genuine love for the art of filmmaking .
Frequently Asked Questions | Movie Review Blogs
Q. what is the best blog about movies in india.
Cinegenics.in stands as India’s premier cinematic hub, captivating movie enthusiasts with its unparalleled blog. This digital haven transcends conventional reviews, offering a dynamic blend of insightful critiques, exclusive interviews, and behind-the-scenes glimpses. Cinegenics.in pioneers a fresh perspective on Indian cinema, navigating diverse genres with finesse. Seamlessly intertwining nostalgia and modernity, the blog navigates the labyrinth of Bollywood and regional gems. Its vibrant tapestry of articles celebrates the celluloid magic, making Cinegenics.in the go-to destination for cinephiles seeking an immersive, engaging, and culturally resonant movie experience. Discover the heartbeat of Indian cinema through Cinegenics.in, where every article unfolds a cinematic saga.
Q. What are some of the good movie review blogs?
Here is a list of Top 10 Best Movie Review Blogs & Websites :
- Cinegenics.in
- Film Companion
- Blog To Bollywood
- Baradwaj Rangan
- NDTV Movies
- A Potpourri of Vestiges
- R Crit Reviews
- Don’t Call It Bollywood
Q. What is the best film review site and why?
Cinegenics.in stands as India’s premier film review site, captivating audiences with insightful critiques and comprehensive analysis across diverse genres. Going beyond conventional reviews, the platform delves into the nuances of filmmaking, providing a reliable guide for cinephiles through its user-friendly interface and a team of seasoned critics. Known for its commitment to objectivity and eloquent expression, Cinegenics.in sets itself apart as the go-to destination for nuanced perspectives on both Indian and international cinema. Embracing the digital age, it seamlessly blends expertise with accessibility, solidifying its reputation as the pinnacle of film criticism in India.
Q. What is your favorite Hindi movie review website?
Cinegenics.in stands as India’s cherished destination for Hindi movie reviews, captivating cinephiles with insightful analyses in a succinct format. The website impeccably blends passion and professionalism, offering a nuanced perspective on Bollywood’s diverse cinematic landscape. Cinegenics.in navigates through the reels with a keen eye for storytelling, performances, and technical brilliance. Its reviews not only critique but also celebrate the magic of Hindi cinema, making it a go-to platform for film enthusiasts seeking a blend of intellect and entertainment. With a user-friendly interface and a commitment to quality content, Cinegenics.in continues to be the discerning moviegoer’s trusted companion in the dynamic realm of Indian cinema.
Q. What is your favorite bollywood movie review website? Why?
Cinegenics.in stands as India’s cherished Bollywood movie review destination, captivating cinephiles with its insightful analysis and vibrant critiques. With a finger on the pulse of the film industry, Cinegenics.in transcends mere reviews, offering a cinematic journey through eloquent storytelling. Navigating the diverse landscape of Bollywood, the website curates a collection of reviews that resonate with both seasoned movie buffs and casual viewers. Its user-friendly interface and in-depth assessments make it a go-to source for reliable and engaging Bollywood movie critiques. Cinegenics.in, a beacon for film enthusiasts, continues to shape the cinematic discourse, making it an indispensable hub for all things Bollywood.
Q. What’s the best conservative movie review website?
Cinegenics.in stands out as India’s premier conservative movie review platform, offering insightful critiques that resonate with traditional values. Known for its discerning analysis, the website caters to audiences seeking films aligned with conservative ideals. Cinegenics.in provides a curated selection of reviews, ensuring viewers make informed choices aligned with their values. With a focus on preserving cultural and moral sensitivities, the platform navigates the cinematic landscape, highlighting movies that align with conservative principles. Cinegenics.in is a trusted resource for those who appreciate thoughtful evaluations, making it the go-to destination for conservative audiences navigating the diverse world of cinema in India.
Q. What are some good websites for movie reviews?
Here is a list of Top 5 Best Movie Review Blogs & Websites :
Q. Which website do you recommend for movie reviews and criticism?
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Bollywood star Shah Rukh Khan resumes his much-anticipated comeback with “Jawan” (Hindi for “Soldier”), a high-toned action-adventure about a well-meaning terrorist and his crack team of hostage-taking girls with guns.
Khan’s revival began a year ago with a prominent cameo in the otherwise meh mythofantastic superhero pic “ Brahmastra Part One: Shiva .” Then in, January, he stormed the box office with the lead role in “ Pathaan ,” a manic spy thriller and the most recent installment in the Yash Raj cinematic universe. “Jawan” will probably delight Khan’s established fans, and maybe uninitiated viewers, too, if only because he’s comfortably playing the hits, now with somewhat greater conviction and a little more polish.
“Jawan” was produced by the star and his wife Gauri Khan’s Red Chillies Entertainment production company, so it’s not surprising to see how well-worn and carefully navigated the movie’s contrived plot and conventional mood swings tend to be. This is a Shah Rukh Khan vehicle, and by now, that conjures certain formulaic expectations. Still, the makers of “Jawan” spend a little too much trying to convince viewers that we don’t really know Khan’s mysterious antihero, who, after an overproduced but still rousing flashback action sequence, takes a train-ful of commuters hostage.
Khan’s character, soon revealed to be Azad, the warden of a women’s prison, seemingly executes a woman in a burqa, all while wearing a goofy bald cap, which he soon rips off. Khan, in character, rasps out his expectations-flouting demands to the generically incensed negotiator Narmada (Nayanthara): get the Agriculture Minister to pay off starving farmers’ extortionate loans, or more people will die.
“Jawan” careens from one twist to the next, fast enough that it almost doesn’t matter how familiar and ultimately staid its story and set pieces often are. A few plot twists are also easy enough to anticipate. Azad romances Narmada and charms her impressionable ten-year-old daughter Suji (Seeza Saroj Mehta). He denounces various government officials and combats their corruption with a handful of bloody, media-amplified demonstrations. Azad speaks for the common people but behaves erratically, performing a little soft-shuffle dance surrounded by terrified commuters. He proudly and laboriously explains that he’s actually a good guy fighting the real enemy: public servants who do not serve the republic.
There’s an involved and agreeably goofy subplot that ties Narmada and Azad’s story with the movie’s opening scene, set 30 years prior in an unnamed village that may or may not be Tibet (somewhere near “India’s border,” terrorized by Asian soldiers in white star-studded green caps). If you’ve seen Shah Rukh Khan movies before, you won’t be especially surprised at how these two subplots tie together, though you may be delighted anyway. It’s a major plot twist that predictably takes over the back half of the plot and re-orients Azad’s plot so that viewers know that this time, unlike all the other times, it’s personal.
This time, there’s a nefarious weapons dealer, Kalee (Vijay Sethupathi), who is as malicious as he is violent. There’s also a surprise cameo from a big Bollywood star, whose presence isn’t really a spoiler if you pay attention during the opening credits. And be on the lookout for a duet dance number led by Khan and Deepika Padukone, who have great chemistry, possibly because they know that, by now, they don’t have to really compete for viewers’ affection. Oh, and a couple of the fight scenes are maximalist show-stoppers despite being over-edited and under-directed. Loud and rote, sure, but never boring.
The main reason “Jawan” doesn’t deliver more than what Khan has previously delivered is because its creators seemingly included every masala-style subplot they could think of. Still, “Jawan” is unlike Khan’s last two comeback trail stops because its creators are better at navigating its many hairpin twists and turns. Kudos to director Atlee, a former assistant director whose credits include the Rajinikanth vehicle “Enthiran” and its sequel “ 2.0 ,” and his creative team.
Most importantly, in “Jawan,” Khan looks more relaxed than in years past, toggling leisurely through his repertoire of tics and poses. He looks especially comfortable in undemanding musical numbers, and he still gives great Blue Steel looks every time he turns on a slow-mo heel to pout at viewers’ and/or co-stars. Shah Rukh Khan is still a star, baby, and “Jawan” uses him about as well as his fans might hope.
Khan even looks good delivering a corny but impassioned speech later in the movie. As Azad, Khan reminds us that he’s just like you and me, the apathetic public who, despite our best intentions, have not always exercised good judgment when voting for government officials. There’s a general election in India next year, and while the makers of “Jawan” could have otherwise taken bigger risks, their efforts are appreciated.
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Simon Abrams
Simon Abrams is a native New Yorker and freelance film critic whose work has been featured in The New York Times , Vanity Fair , The Village Voice, and elsewhere.
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Film Credits
Jawan (2023)
167 minutes
Shah Rukh Khan
Vijay Sethupathi
Deepika Padukone
Sanya Malhotra
Sunil Grover
Sanjeeta Bhattacharya
Ridhi Dogra
Amritha Aiyer
Ashlesha Thakur
Rutuja Shinde
Astha Agarwal
Jaffer Sadiq
Kenny Basumatary
Priyadarshini Rajkumar
Ganesh Gurung
- Ramana Girivasan
Director of Photography
- G. K. Vishnu
Choreographer
- Shobi Paulraj
- Lalitha Shobi
- Vaibhavi Merchant
Action Director
- Spiro Razatos
- Craig Macrae
- Kaecha Kampakdee
- Yannick Ben
- Sunil Rodrigues
- Raja Kumari
- Irshad Kamil
Original Music Composer
- Anirudh Ravichander
Makeup Designer
- Preetisheel Singh
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Bollywood star Shah Rukh Khan resumes his much-anticipated comeback with "Jawan" (Hindi for "Soldier"), a high-toned action-adventure about a well-meaning terrorist and his crack team of hostage-taking girls with guns.. Khan's revival began a year ago with a prominent cameo in the otherwise meh mythofantastic superhero pic " Brahmastra Part One: Shiva."
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