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The movies, TV and music we're excited about this summer

Glen Powell stars in the new movie Hit Man . Brian Roedel/Netflix hide caption

Pop Culture Happy Hour

The movies, tv and music we're excited about this summer.

April 30, 2024 • Today, we're offering up a guide to spotlight some of the movies, TV, and music we are most excited about this summer.

A dying father looks for the perfect family to adopt his son in 'Nowhere Special'

Daniel Lamont, left, and James Norton in Nowhere Special. Peter Marley/Cohen Media Group hide caption

A dying father looks for the perfect family to adopt his son in 'Nowhere Special'

April 26, 2024 • John (James Norton) is a young single dad who has just a few months to live and no family to turn to. So he goes out in search of the perfect family for his 4-year-old son.

Watch a tense romantic triangle play out on the tennis court in 'Challengers'

Art (Mike Faist), Tashi (Zendaya) and Patrick (Josh O'Connor) are embroiled in a love triangle in Challengers . Metro Goldwyn Mayer Pictures hide caption

Watch a tense romantic triangle play out on the tennis court in 'Challengers'

April 26, 2024 • Three superb actors — Zendaya, Mike Faist and Josh O'Connor — star in this sweaty, sexy, entertaining drama about tennis stars with a very complicated past.

The Zendaya-led 'Challengers' is much more than a sexy tennis movie

Zendaya stars as Tashi in Challengers. Niko Tavernise/Amazon MGM Studios hide caption

The Zendaya-led 'Challengers' is much more than a sexy tennis movie

April 26, 2024 • The terrific new film Challengers is about being intense about tennis, sex, and competition. Directed by Luca Guadagnino, the film stars Zendaya as Tashi, a tennis coach and object of desire to two men. She's married to Art (Mike Faist), who is facing his old friend Patrick (Josh O'Connor) at a Challengers event. This reopens all the trio's old wounds, and they excavate all of their relationships with each other.

What makes a good sex scene?

Jennifer Tilly and Gina Gershon star in the 1996 film Bound . Alamy hide caption

What makes a good sex scene?

April 25, 2024 • It's easy to notice when a sex scene is bad. But what makes a sex scene good? Today, we are recommending films with good sex scenes, including Bound , Love & Basketball, Magic Mike's Last Dance, and Oppenheimer.

'The Beast' jumps from 1910, to 2014, to 2044, tracking fear through the ages

Gabrielle and Louis (Léa Seydoux and George MacKay) meet in 1910 Paris, 2014 Los Angeles and again in 2044 in The Beast . Carole Bethuel/Kinology hide caption

'The Beast' jumps from 1910, to 2014, to 2044, tracking fear through the ages

April 18, 2024 • This wildly original adaptation of the Henry James novella The Beast in the Jungle follows human alienation and anxiety, asking why, in every era, we disengage from life and the people around us.

Three eye-opening documentaries you can stream right now

From the HBO documentary Brandy Hellville & The Cult of Fast Fashion. HBO hide caption

Three eye-opening documentaries you can stream right now

April 14, 2024 • In the streaming era it can be hard to keep track of all the new docs and docuseries. We recommend checking out: What Jennifer Did, Brandy Hellville & the Cult of Fast Fashion and The Synanon Fix.

'Civil War' is a doomsday thought experiment — that could have used more thinking

Kirsten Dunst plays a battle scarred photojournalist in Civil War. Murray Close/A24 hide caption

'Civil War' is a doomsday thought experiment — that could have used more thinking

April 12, 2024 • This ambitious thriller comes across as an empty stunt — a democracy dystopia that sidesteps the politics of the present moment. But Kirsten Dunst is excellent as a battle scarred photojournalist.

'Civil War' envisions a too-near future

Kirsten Dunst as Lee in Civil War. A24 hide caption

'Civil War' envisions a too-near future

April 12, 2024 • The new film Civil War depicts a contemporary America torn apart by a military conflict between the federal government and an alliance of secessionist states. Directed by Alex Garland ( Ex Machina ), the film follows a small band of journalists led by Kirsten Dunst's jaded war photographer. They embark on a harrowing journey to the heart of the conflict, encountering brutality and bloodshed along the way.

'Girls State' provides hope and disappointment for the state of our democracy

Nisha Murali in the Apple TV+ documentary film Girls State . Apple TV+ hide caption

'Girls State' provides hope and disappointment for the state of our democracy

April 11, 2024 • The new Apple TV+ documentary Girls State asks: how would high school girls do things if they were in charge? The film is a follow-up to 2020's Boys State , and this time, follows an annual high school program that gives hundreds of girls a chance to create a mock government, complete with elections and a Supreme Court. It was made during the 2022 session, which ended days before the Supreme Court overturned Roe v. Wade, and the case is very much on the minds of the girls in the program.

A guide to Stephen King

Stephen King at a press conference in 2013, in Paris. Eric Feferberg/AFP via Getty Images hide caption

A guide to Stephen King

April 9, 2024 • Stephen King is one of the most successful living writers. He's written more than 50 books that have sold hundreds of millions of copies. And his works have been adapted into a number of classic films, including The Shining , The Shawshank Redemption , and It . This month marks the 50th anniversary of his first novel, Carrie , so we are revisiting our guide to Stephen King.

In 'Monkey Man,' Dev Patel gets revenge through gorilla warfare

Dev Patel in Monkey Man . Akhirwan Nurhaidi/Universal Pictures hide caption

In 'Monkey Man,' Dev Patel gets revenge through gorilla warfare

April 5, 2024 • The new action film Monkey Man is Dev Patel's film – he serves as star, director, and co-writer. He plays a young man whose village was destroyed and mother murdered by elite members of society. He sets out to infiltrate their corrupt, rarified existence and seek his bloody, bloody revenge. There's plenty of gunplay, knife-play, ax-play, bone-crunching, tuk-tuk chases, and gouts of blood.

'Coup de Chance' is a typical Woody Allen film — with one appalling final detail

Niels Schneider and Lou de Laâge star in Coup de Chance. GRAVIER PRODUCTIONS hide caption

'Coup de Chance' is a typical Woody Allen film — with one appalling final detail

April 4, 2024 • Set in France, Allen's latest film covers familiar territory, including an adulterous romance, a premeditated murder and a darkly cynical consideration of the role that luck plays in human affairs.

'La Chimera' is marvelous — right up to its most magical ending

Carol Duarte and Josh O'Connor in La Chimera . Neon hide caption

'La Chimera' is marvelous — right up to its most magical ending

April 2, 2024 • An archeological tomb robber wanders Italy, haunted by the memory of lost love. La Chimera is a playful fable that builds to not one but two thrilling scenes of underground exploration.

Revisiting the movies of 1999

Ron Livingston in Office Space . Getty Images hide caption

Revisiting the movies of 1999

April 1, 2024 • Movies had a big year in 1999. Today, we're going back 25 years to talk about some of the most interesting movies released in 1999 — including Drop Dead Gorgeous , Office Space, and The Talented Mr. Ripley . In this encore episode, we'll talk about what holds up, what looks really different, and what we miss the most.

'Godzilla x Kong' and 'Godzilla Minus One' revamp the classic monster story

Godzilla in Godzilla x Kong: The New Empire. Warner Bros. Pictures hide caption

'Godzilla x Kong' and 'Godzilla Minus One' revamp the classic monster story

March 29, 2024 • Godzilla has been around for 70 years and recently won his first Oscar. The beloved 2023 Japanese production Godzilla Minus One won an Oscar for visual effects. Now, the Hollywood MonsterVerse franchise rolls on with Godzilla x Kong: The New Empire , which pairs the two titans as they face a common enemy. Today, we talk about both movies and how they offer different takes on the decades-old monster story.

'Ghostbusters: Frozen Empire' is a chill hang

Finn Wolfhard, Celeste O'Connor, Paul Rudd, Kumail Nanjiani, Logan Kim and Carrie Coon in Ghostbusters: Frozen Empire. Columbia Pictures hide caption

'Ghostbusters: Frozen Empire' is a chill hang

March 25, 2024 • Ghostbusters: Frozen Empire is the latest entry in the blockbuster action-comedy franchise. This time, the crew has set up shop in New York, and, with the help of the surviving original Ghostbusters, tries to stop a demon looking to freeze the world and rule over it. The film is packed with both newer and nostalgic cast members, including Finn Wolfhard, Mckenna Grace, Paul Rudd, Dan Aykroyd, Ernie Hudson, and more.

This recycled 'Road House' can't capture the B-movie spirit of the original

Jake Gyllenhaal is a former UFC star who becomes a bouncer in Road House. Laura Radford/Prime Video hide caption

This recycled 'Road House' can't capture the B-movie spirit of the original

March 22, 2024 • The new remake of the 1989 Patrick Swayze film comes up short, caught between an unironic '80s homage and a more wised-up contemporary sensibility.

Jake Gyllenhaal punches up a 'Road House' remake

Jake Gyllenhaal in Road House . Laura Radford/Prime Video hide caption

Jake Gyllenhaal punches up a 'Road House' remake

March 22, 2024 • The 1989 movie Road House starred Patrick Swayze as a no-nonsense bouncer who saves a honky-tonk bar from a local toughs. Now, in the new remake, Jake Gyllenhaal plays a former UFC fighter who accepts a job to clean up a seaside bar in the Florida Keys that's being terrorized by a motorcycle gang. There's still plenty of fighting and plenty of brooding, but how does it hold up to the original cult classic?

You can expect a lot from this freewheeling film about the 'End of the World'

Angela (Ilinca Manolache) is an underpaid production assistant on a film about workplace safety in Do Not Expect Too Much from the End of the World. Unifrance hide caption

You can expect a lot from this freewheeling film about the 'End of the World'

March 21, 2024 • A new Romanian film about an underpaid production assistant driving from gig to gig crackles with brains, obscenity, political anger and jokes that will have you laughing out loud.

Sydney Sweeney is a devout scream queen in the twisted 'Immaculate'

Sydney Sweeney stars in Immaculate. Neon hide caption

Sydney Sweeney is a devout scream queen in the twisted 'Immaculate'

March 21, 2024 • In the new movie Immaculate, Sydney Sweeney plays Cecelia, an American woman who joins a convent in Italy. But after she arrives, she encounters strange occurrences and mysteriously winds up pregnant. Almost everyone in the convent touts it as a miracle, but Cecelia isn't so sure. Horror, of course, ensues. Immaculate was directed by Michael Mohan – who previously collaborated with Sweeney on the Hitchcock-esque thriller The Voyeurs .

Romantic Comedy Guide: Irish Wish, Anyone But You, Upgraded

Ed Speleers and Lindsay Lohan in Irish Wish . Patrick Redmond/Netflix hide caption

Romantic Comedy Guide: Irish Wish, Anyone But You, Upgraded

March 19, 2024 • If there is a spot in your heart-shaped like a rom-com, we've got some good news for you. You can stream a few playful love stories from your couch, whether you're a fan of Lindsay Lohan's red hair shining in Irish sunlight, Glen Powell's gleaming chest, or Camila Mendes navigating the glamorous art world. Today, we're rounding up three recent romantic comedies : Irish Wish, Anyone But You, and Upgraded.

A Beijing restaurant critic arrives at a crossroads in this absorbing family drama

Gu (Xin Baiqing) struggles with his own sense of impermanence in The Shadowless Tower. Strand Releasing hide caption

A Beijing restaurant critic arrives at a crossroads in this absorbing family drama

March 18, 2024 • A middle-aged protagonist struggles with his own sense of impermanence — and the return of his long-absent father. The Shadowless Tower is a subtle film that draws you in at every step.

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30 Most Popular Movies Right Now: What to Watch In Theaters and Streaming

Discover the top, most popular movies available now! Across theaters, streaming, and on-demand, these are the movies Rotten Tomatoes users are checking out at this very moment, including Challengers (see Zendaya movies ranked ), Civil War (see A24 movies ranked ), and Monkey Man (now on PVOD).

Other notable movies on the chart this week include Bill Skarsgard action/thriller Boy Kills World , Anyone But You (now on Netflix), and Alien   (back in theaters for its 45th anniversary).

Check back for latest updates to the charts, and also take a look at the most popular TV shows out right now !)

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Challengers (2024) 88%

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Civil War (2024) 81%

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Monkey Man (2024) 89%

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Late Night with the Devil (2023) 97%

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Boy Kills World (2023) 61%

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The Ministry of Ungentlemanly Warfare (2024) 71%

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Anyone But You (2023) 55%

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Rebel Moon: Part Two - The Scargiver (2024) 15%

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Abigail (2024) 83%

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Alien (1979) 93%

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Arthur the King (2024) 69%

' sborder=

Unsung Hero (2023) 64%

' sborder=

Rebel Moon: Part One - A Child of Fire (2023) 21%

' sborder=

Godzilla x Kong: The New Empire (2024) 54%

' sborder=

Hundreds of Beavers (2022) 95%

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LaRoy, Texas (2023) 100%

' sborder=

Dune: Part Two (2024) 92%

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Love Lies Bleeding (2024) 94%

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Immaculate (2024) 71%

' sborder=

Argylle (2024) 33%

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Rust Creek (2018) 86%

' sborder=

One Life (2023) 90%

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Ghostbusters: Frozen Empire (2024) 43%

' sborder=

The Beekeeper (2024) 71%

' sborder=

In the Land of Saints and Sinners (2023) 83%

' sborder=

Nowhere Special (2020) 100%

' sborder=

The First Omen (2024) 81%

' sborder=

Infested (2023) 96%

' sborder=

Humane (2024) 69%

' sborder=

Kung Fu Panda 4 (2024) 72%

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Why Anyone But You Is Rated R

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‘The Veil’ Lets Elisabeth Moss Kick Ass and Take Names. If Only It Gave Her a Real TV Show

By Alan Sepinwall

Alan Sepinwall

In the new FX drama The Veil , a colleague of British spy Imogen Salter pleads with her to change strategy on a new undercover assignment. “Please don’t speak to the real me,” she replies. “It is extremely unhelpful.”

The Veil repeatedly tries to figure out where the line exists between this persona and the real her, whose name isn’t even Imogen. The problem is that the version of the series about “Imogen” is vastly more entertaining, but the show mostly seems interested in her true identity. 

This seems like a fairly straightforward idea. The parts of The Veil that are just Imogen kicking ass, taking names, and smiling mischievously are pretty thrilling, and an intriguing change of pace for Moss, whose recent work ( The Handmaid’s Tale , Shining Girls , The Invisible Man ), while excellent, has almost entirely cast her as traumatized women who rise up against their abusers.

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Ratings and reviews parents trust.

Movies

Challengers

Smart, sexy tennis drama revels in desire and competition.

Civil War Movie Poster: A close-up of The Statue of Liberty's torch

Grisly violence in dystopian war tale; profanity, smoking.

Fallout TV show poster

Sly video game adaptation has tons of violence, language.

Baby Reindeer TV show poster: Richard Gadd is trapped in an overturned glass on a table. Jessica Gunning hovers above.

Baby Reindeer

Dark comedy about stalking has sexual assault, drugs.

Our Editors Recommend

Blue's Clues & You! Poster Image

TV Shows with Asian, Asian American, Native Hawaiian, and Pacific Islander Characters and Leads

Find great shows with strong representation for all ages.

A Big Mooncake for Little Star Poster Image

Books with Asian, Asian American, and Pacific Islander Characters

From ancient tales to immigrant struggles in the U.S., this list offers a wide variety of stories.

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Common Sense Selections

Robot Dreams Movie Poster: A cartoon dog and robot walk down the street holding hands

Robot Dreams

Piper Chen Sings book cover: Black-haired girl sings into hairbrush, surrounded by butterflies, a dachshund at her feet

Piper Chen Sings

Arthur the King Movie Poster: Mark Wahlberg and a shaggy, light brown dog look out into a forest

Arthur the King

Tigers on the Rise movie poster: Closeup of tiger

Tigers on the Rise

Popular with parents.

Wonka Movie Poster: Timothee Chalamet, as Willy Wonka, sits amid a colorful landscape of flowers, candy, and small images of other characters

50 parent reviews

"Best kids movie I’ve seen in years."

22 parent reviews

17 parent reviews

Kung Fu Panda 4 Movie Poster: Po is at the center, in an action pose; the other characters are pictured, smaller, around him

Kung Fu Panda 4

13 parent reviews

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Browse Reviews

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The incoherent drama Browse tries to look like a suspenseful horror movie, but there's nothing scary or thrilling about this rambling dud of a film.

Full Review | Jul 30, 2020

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A great deal of the movie consists of unfinished ideas, plot points, story threads, and character arcs.

Full Review | Original Score: 2/4 | Jul 22, 2020

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It's a thoughtful, curious piece of work which may not quite be successful in finding its destination but which manages to intrigue along the way.

Full Review | Original Score: 2.5/5 | Jul 21, 2020

Skip the film if you need an ending that answers the questions raised throughout. But check it out if you enjoy seeing a psychological thriller that makes you come to your own conclusions.

Full Review | Original Score: 7/10 | Jul 20, 2020

With such a tangled mess of a film it is hard to put your finger on what went wrong in the bringing it to the screen.

Full Review | Original Score: 2/5 | Jul 13, 2020

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In a perfect world, this thriller, with its onslaught of stomach-churning "oh no!" moments, would've had a point, something that connected it all together (or at least a conclusion), but it doesn't.

Full Review | Original Score: 2/5 | Jul 12, 2020

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An identity theft "nightmare" that fails every attempted thrill and chill. Quite possibly one of the most unimaginative and unmemorable films I've ever seen.

Full Review | Original Score: .5/5 | Jul 10, 2020

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An everyman's identify theft -- or is he just a deluded creeper? -- is fitfully explored in this underwhelming psychological thriller.

Full Review | Original Score: 2/5 | Jul 7, 2020

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Browse feels like glimpsing through a problematic story with little context as to why you should care let alone watch it.

Full Review | Original Score: 2/10 | Jul 7, 2020

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This thriller doesn't thrill. It occasionally amuses, and it rarely makes any real sense.

Full Review | Original Score: 4 | Jul 6, 2020

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‘Infested’ Review: Bugging Out

An apartment building in Paris is overrun by murderous arachnids and unsubtle allegory in this fleet and efficient debut feature.

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A man in a hoodie crouches outside with a muddied hand out and a spider crawling on top of it.

By Jeannette Catsoulis

There are no fresh ideas in the French creepy-crawler “Infested,” yet this first feature from Sébastien Vanicek scurries forward with such pep and purpose that its shortcomings are easily forgivable. Add a handful of eager young actors, a sociopolitical slam and a claustrophobic location swarming with venomous spiders and you’ll be hunting for the DEET long before the credits roll.

Set in a low-income housing block in a Paris suburb, the action — and there’s plenty of it — is led by Kaleb (Théo Christine), an industrious youth who sells black-market sneakers and fusses over his illegal collection of small critters. His latest acquisition is a spider that, unbeknown to Kaleb, was smuggled from a Middle Eastern desert after rendering one of its captors agonizingly kaput. In less time than it takes to say “arachnophobia,” it will escape, reproduce like a bandit and send its deadly progeny scampering into every unsealed nook and cranny. Woe betide anyone not wearing a hoodie.

On one level, “Infested” is a well-worn, thoroughly efficient creature feature with sleek effects and pell-mell pacing. While not especially scary, the movie gains traction from a script (by Vanicek and Florent Bernard) that finds ways to add a smidgen of back story to its panicked characters. So as the building becomes a giant, web-draped cocoon, the rapid-fire squabbling among Kaleb, his sister (Lisa Nyarko) and his onetime best friend (Finnegan Oldfield) feels entirely authentic. As do the labyrinthine corridors, the constantly failing lighting (props to Alexandre Jamin’s stuttering photography) and Kaleb’s kindhearted concern for his neighbors.

A police lockdown cues social commentary that, while glaringly obvious, is also apt in a movie whose French title translates as “vermin” and whose gun-and-gas-toting authorities may have their own ideas about the term’s definition.

Infested Not Rated. Running time: 1 hour 46 minutes. Watch on Shudder .

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In the last few years, as streaming services (and their budgets) have grown, it feels as if the true crime genre has seen a reinvention. Gone are the days of dry documentaries, often giving way to fictionalized tales of some of the most famous crimes, deaths and conspiracies in history. Based on James L. Swanson 's book Manhunt: The 12-Day Chase for Lincoln's Killer , Apple TV's "Manhunt" follows both Edwin Stanton and John Wilkes Booth after Abraham Lincoln’s assassination. The trailer promised not only a rapid chase, but the unfolding of the conspiracy that aided in Lincoln's death, set to the background of tense music. It’s clear though, as the series unfolds, that the trailer and the actual show at hand could not be more different. 

From the first episode of “Manhunt” it’s apparent that there’s a spark missing. Characters drone on, the lighting is quite bleak and it's not until the actual assassination that the promise of a “conspiracy thriller” feels real. Our gaze lays on Abraham Lincoln ( Hamish Linklater ) and his wife Mary Todd Lincoln ( Lili Taylor ) at the political satire Our American Cousin . Slowly, the curtains of the theater box pull back, and John Wilkes Booth ( Anthony Boyle ) is revealed behind him, cloaked in darkness like Billy from “ Black Christmas .” It’s a staggering shot, and what follows after Lincoln is initially shot is a cacophony of limbs wrestling, noise and a tense score. It’s a welcomed switch from the languid pace this episode takes, but it is also unfortunately unlike anything else in the series.

There’s a foreboding dread that continues on into the series’ second episode, but, by its third, this dread has quickly diminished. It’s a shame too, as the first two episodes directed by Carl Franklin are quite intriguing. For a story like this, there needs to be stakes, otherwise it feels like we’re watching a history book in motion. “Manhunt” would have benefited from being set during the weeks leading up to Lincoln’s assassination, with the back half of the episodes showcasing Stanton’s hunt for his killer. Instead, the assassination takes place in the first episode, and all scenes leading up to it exist in fragmented flashbacks. It’s a shame, because these scenes lay an important foundation to Lincoln’s death, and their existence almost feels like an afterthought. In turn, the chase to find Booth doesn't happen quick enough. What could have been an engaging thriller feels like a drama trying to reel viewers in by the promise of this chase, when in reality it doesn’t happen until the series is almost over.

On a performance level,  Tobias Menzies is quite good as Edwin Stanton, and his scenes with Hamish Linklater as Abraham Lincoln are one of the only things tethering the show to greatness as it treks along. Watching them makes it feel like maybe you’re watching something worthwhile, but again, when they aren’t on screen it's impossible to not feel like Linklater especially is wasted on a role that after the first episode is relegated to flashbacks. 

One of the show's highlights is the inclusion of Mary Simms ( Lovie Simone ), a Black woman trying to gain her freedom amidst Lincoln’s death and the impending revival of the Confederate cause. Simone is ecstatic to watch–whenever she gets screen time that is–and it's impossible not to miss her when she isn’t on screen. She plays Mary with a resolve and passion that feels unlike any other performance in the show, harnessing her character's stifled anger with a reverence some of her castmates seem incapable of. It’s performances like Simone’s and Menzies' that really make you wonder why their talents are being wasted on a show so incredibly dull. 

History buffs are the ones most likely to be intrigued by “Manhunt.” On a craft level, the show is embedded with a sense of history, from the costumes to the sets, making it one of the best-crafted shows of the year. It’s something Apple TV+ has on its peers; they don’t stray away from shelling out funds to shows they deem important. But there comes the question of whether a show like this is going to be able to stand out amongst an already busy first quarter of television if the writing doesn't connect with viewers. 

With seven episodes and too little narrative, it feels as if the writers are dragging a shorter project out, and a languid pace just doesn't work for a story that only took place over the course of twelve days. To keep regular viewers engaged, something that is billed as a conspiracy thriller needs to have stakes of some kind. While “Manhunt” is based on a true–and historically famous-story, what it reveals is that this story just isn’t all that interesting. What comes of it is instead proof that sometimes on-screen adaptations of non-fiction works just don’t need to be made. 

Whole series screened for review. Premieres on March 15th.

Kaiya Shunyata

Kaiya Shunyata

Kaiya Shunyata is a freelance pop culture writer and academic based in Canada. They have written for RogerEbert.com, Xtra, Okayplayer, The Daily Beast, AltPress and more. 

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Challengers and the Allure of the Sexy Tennis Movie

The Luca Guadagnino film is a hard-hitting metaphor for the most basic human urge: desire

In Challengers , tennis is a metaphor for the most basic human urge: desire. (At one point, I found myself feeling jealous of a racket Zendaya smashed to smithereens, or the ball being pummeled back and forth between Art and Patrick.) As directed by Luca Guadagnino, it’s a hot, sweaty spectacle—one that confirms the Sexy Tennis Movie as a definitive canon. Tennis and sex make the perfect match—the very act of flirting can feel like a metaphorical game of tennis. Plus, it’s a sport in which women have achieved greater parity with men, and what’s hotter than equality? Sexy Tennis Movies like Challengers might seem silly, but they’re really about power dynamics in relationships, human fallibilities, and ambition.

Whether it’s a movie about tennis or civil war, it’s my strong belief that any film is improved with the presence of Kirsten Dunst. Wimbledon , the 2004 film starring Dunst opposite Paul Bettany, is no exception. Wimbledon is the foundational tennis rom-com. Confident American pro Lizzie Bradbury meets bumbling English player Peter Colt during his final appearance at the sport’s greatest tournament. Lizzie lights a fire in Peter and, somewhere in between all the sex they’re having, the aging pro finds it in himself to beat the odds.

If Wimbledon is like a warm hug, then Woody Allen’s Match Point is … less so. In the 2005 film, retired tennis pro Chris (Jonathan Rhys Meyers) strikes up a friendship with one of his wealthy students, Tom. Chris embarks on a steamy affair with Tom’s beautiful fianceé, Nola (Scarlett Johansson), before things quickly get dark. (There is a gun hidden in a tennis bag.)

And if Wimbledon is a serve, then Challengers is an ace. The films might not be playing in the same league, but they share a central metaphor: Tennis is the prism through which we learn how the characters feel about each other and themselves. Sitting on the beach, a sirenlike Tashi tells an arrogant Patrick that he “doesn’t know” what tennis really is, before concluding: “It’s a relationship.” In the film, his and Art’s playing styles represent two conflicting factions of Tashi’s innermost desires. Bad boy Patrick plays “show tennis,” with flashy shots designed to make the crowd whoop. On the other side of the net, Art plays “percentage tennis”—a safer game, less exciting to watch, but more consistent. (Who among us hasn’t been torn between two men like this?)

challengers movie

Challengers is also a stunning visual spectacle. (Bone structure! Balls! Bodies! Backhands! It’s truly got it all.) Tennis has always had its own distinct aesthetic, from the rackets to the court and tennis skirts. Many real-life tennis legends, like Serena Williams and Roger Federer, have branched out into fashion design, underlining it as one of the more fashion-forward sports. Challengers marks the first film costuming credit for Jonathan Anderson, creative director at Loewe and founder of luxury fashion brand JW Anderson. The girls (and the gays) owe him big-time for masterminding Zendaya’s courtside looks, in which she’s impossibly chic in shades and Chanel flats, without a hair of her perfectly blow-dried bob out of place.

Speaking of which, Challengers feels remarkably queer for a film about a heterosexual love triangle. Perhaps this is the touch of director Guadagnino—who brought Timothée Chalamet eating that peach to our screens in 2017 gay romance Call Me by Your Name. The main three characters of the new film are partially naked for a lot of it, whether it’s Art and Patrick in a steamy sauna, or Tashi strutting around fancy hotel rooms rubbing lotion onto her body. The relationship between Patrick and Art feels familial, adversarial, and also homoerotic at points. (There is a particular scene involving churro sticks that I’m still thinking about.) Guadagnino leaves the specifics of their history together (and their true feelings about each other) open to interpretation.

Then there is Zendaya, whose portrayal of an alpha-female tennis girlboss seems destined to spark a million lesbian awakenings. Honestly? As a gay man, she briefly had me reconsidering my sexuality, too. (We say we want “gay representation,” but what we really mean is more films starring Dom Top Zendaya.) The first time Patrick meets Tashi, he turns to Art and whispers: “I’d let her fuck me with the racket.” This could be read as him objectifying her—and he is. But he is also drawn to her power, precisely because it’s an inversion of the standard heterosexual relationship dynamic.

Challengers almost feels like a queer movie about straight people. This might be a nod to the fact that, in the real world, some of its sport’s biggest stars are queer. In my experience, many LGBTQ+ people love tennis; and growing up, I was drawn to the sport at least in part because it’s more inclusive than most team sports. (And because female players in particular, like Serena and Venus Williams , embody a survivor spirit that unites most gay icons.)

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The story of one of tennis’s greatest queer champions is told in 2017’s Battle of the Sexes. The film, starring Emma Stone and Steve Carell, is based on the true story of the 1973 tennis match between Billie Jean King and Bobby Riggs. King had become one of the most prominent feminist figures in the United States, after founding the Women’s Tennis Association and campaigning for equal prize money for women. Riggs—a retired player and self-styled chauvinist pig—challenged her to the match to prove that men were inherently better tennis players than women. At a moment of major cultural change, the stakes couldn’t have been higher.

As the film depicts it, in the run-up to the match, King discovers she is attracted to women. While married to her husband, she embarks on an affair with hairstylist Marilyn. The movie has a wider social message, but it also reverberates with sexual tension. “I’ve never seen anything like it,” Marilyn says, the first time she sees King play. “It must be intoxicating being inside your skin.” Again, tennis is framed as a relationship. “You’re just a phase,” King’s husband, Larry, tells Marilyn, warning her off his wife. “Tennis is her true love—and if you get between her and the game, you’re gone.”

In the Sexy Tennis Movie canon, female leads are not presented as subordinate. In the final scene of Wimbledon , we’re told that Lizzie goes on to win both the U.S. Open and Wimbledon twice. In the movie and the real Battle of the Sexes match, King defeated Riggs in a symbolic victory for women everywhere, and has spent the rest of her life campaigning for gender equality and social justice. These hard-won rights transcend tennis, and sport itself. But I think equality is actually at the heart of why tennis films are often so wrought with sexual tension. An evenly matched game is always much more thrilling to watch, or play—and if tennis really is “a relationship,” the same rule applies.

In its final moments, Challengers lures its spectators into thinking Patrick and Art are the focus. (My fantasies were fulfilled when we, the audience, literally became the ball being smacked between the two of them.) But whoever wins their on-court showdown starts to feel less important compared with Tashi rediscovering her fire—and her roar. Beyond the serving and the sex, Challengers is really a story about being brave enough to fight for what—or who—you really want. What could be hotter than that?

Headshot of Louis Staples

Louis Staples is a freelance culture writer and critic based in London, UK. He writes “Cultural Staples” — a fortnightly culture essay at Bazaar.com. His work is featured in The Cut, The Guardian, Vogue, Rolling Stone, and Variety.  

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