The fish jumped a ladder built of electricity and concrete. Swimming up the Columbia is a lesson in progress.

The fish jumped a ladder built of electricity and concrete. Swimming up the Columbia is a lesson in progress. Even before the dam, the waterfalls would have battered her forefathers. The rocks would have packed a wallop, broken the skin, bruised the flesh. Now the flesh starts bruised, already whaled on by 40-pounds-per-inch spray kept narrow and forceful by the steel holes boring through 200 feet of cement. The water directs her toward the spillway. She directs her body against the current.

All the roe she had to hoe.

Eggs were flying out of her tubes like baseballs firing out of a pitching machine. Follicular. Funicular. She looked at the cables of fire streaming above her. Follicles polishing those little apples.

Apple of her eye. Her silver skin turning apple-skin—ripening. Dying.

Water polishing the concrete to a smooth, slippery, no-holds, no-nook, no-rub step.

She flipped her body up the next.

Ten more flights to go.

Share a step with another salmon.

She had swum by him a while ago.

Now he swims in circles.

She has to jump over him as well as the stair.

Head over fin.

I am 11 years old and holding on to a fishing pole, trolling for big fish in the deep water off Florida’s coast. I must have been beautiful then. Three grown men stand around me. One with a stubbly beard lifts my feet and places them in the hold. To hold on. To get leverage. To bear down.

The other man, with a pair of sunglasses on his face and another on a pair of Chums around his neck, holds my hand, folds it around the handle of the reel.

My father stands to my left, cheering me on. Don’t let it go. It’s huge. Hold on tight.

Sunglass man pulls my hand toward my body, then out to sea. Following the turbines of the engine. Circling.

The fish, as it jumps out of the water, arches its back. It looks stubbly faced man in the eyes.

Sunglass man holds the fish. Stubbly man hits it over the head.

No one eats 48-inch barracuda.

They throw it in the cooler anyway.

Cooking filets of fish is not complicated. Salt and pepper the fish. Press the water out of the skin with a knife. Slide it across at a 20-degree angle. In the pan, in some oil, two minutes on the skin side, one minute on the flesh.

It’s the sauce that’s difficult.

First you need an herb rarely paired with food, like rue or lavender or chamomile.

Sometimes green tea. Or use demiglace.

Then you need an emulsion. One stick of butter per dinner party. OK, maybe two.

Reduce the green tea or lobster-body fish stock. Or warm the demiglace.

Strain through a chinois. Strain through cheesecloth. Strain one more time for good measure.

With a steel whip, turn in a cube of butter. Don’t let it melt. Emulsify means “to make one.” Make the reduction open up and hook elbows with a molecule of the fat. Water and oil don’t mix, my ass. Water and oil are the same thing—if you whisk fast enough and if you add the butter slowly.

Puddle the emulsion in the middle of the plate.

Pile under the fish some truffled risotto, some roasted potatoes, some chard wilted in wine.

For color, add citrus or tomatoes or little dices of carrot, strewn around the plate.

Let the fish rest for a minute or so. To redistribute the juices. To firm the flesh. Do not let the fish get cold.

Creative Writing Prompts

Ocean Writing Prompts: Dive into Marine Narratives

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My name is Debbie, and I am passionate about developing a love for the written word and planting a seed that will grow into a powerful voice that can inspire many.

Ocean Writing Prompts: Dive into Marine Narratives

Ocean Writing Prompts: Dive⁣ into Marine Narratives

– exploring the depths: ⁤uncover the ⁣intriguing ​world of ocean life through writing, exploring the ⁤depths: uncover the intriguing world of ocean ​life ‌through writing, – tales‌ of ‍the sea: craft captivating⁣ stories inspired by the ocean’s wonders, – writing with the waves: how the ocean can ignite your creative⁣ spark, 1. ⁣shipwrecks:, 2. ⁢mermaids:, – delve into nature’s ‍poetry: expressing the beauty​ of​ the ocean through words, – dive into conservation: promoting marine⁢ awareness in your writing, dive into conservation: promoting marine awareness in⁢ your writing, – harnessing the power of ocean imagery: using‍ vivid descriptions ⁤to enrich your narratives, frequently asked ‍questions, insights and conclusions.

Are you ready to submerge yourself in a world of marine⁤ adventures? ⁣Our ⁤ocean writing prompts will transport‍ you to the depths ‌of the ​sea, sparking your⁣ imagination and unleashing a⁢ flood ‍of creative⁤ ideas. Whether you are a⁣ seasoned writer or just starting your ​journey⁣ with words, ‌these prompts will help you craft compelling ⁢narratives and explore the wonders of the ocean.

1. Sunken Secrets: Imagine ‍stumbling upon a long-lost shipwreck⁢ deep below the surface. What mysteries lie within its corroded hull? Who were its ⁤passengers,‌ and what happened​ to them? ‍Let⁤ your imagination run wild as you⁤ delve ​into ‍the⁤ untold ⁢tales⁣ of this forgotten vessel.

2.‌ Surreal Serenade: Picture yourself drifting silently in ‌the middle⁤ of the ocean ⁤at night. Suddenly, the ⁣water​ around you starts⁢ to‍ glow with⁣ a mesmerizing bioluminescent display. Write about this ethereal encounter and the‍ otherworldly⁢ creatures that call⁢ the deep sea their home.

3. Whispers‍ of Whales: Explore the ⁤enchanting⁢ world ‌of these ‍majestic ‌creatures by narrating a heartwarming encounter between a lost sailor and a⁤ friendly whale. What lessons will they⁣ teach each⁣ other during this remarkable encounter? Dive into the depths of‍ their​ communication and the magical bond that forms ‌between the two.

4.⁢ Tidal Tales: Imagine being a resident of‍ an ​ancient coastal ⁣village that has thrived for centuries ⁢on the bounty of the⁢ ocean. Write a captivating story about the daily struggles, triumphs, ⁣and‍ folklore of the​ villagers as they rely on the ever-changing tides for their livelihood.

From the ‌mysterious depths to the vibrant surface, the⁤ ocean ​holds infinite⁣ inspiration for storytelling. Let these writing⁤ prompts be the catalyst to⁣ embark‌ on unforgettable ⁢marine narratives⁢ that will transport readers⁣ to‍ a world teeming ⁤with maritime ​wonders.

- Exploring⁤ the⁢ Depths: Uncover the Intriguing World of Ocean Life through Writing

‍ ⁤ ⁤ ‍ Dive into the fascinating realm ​of ocean life through‌ the⁢ power of⁣ the written word. Join us as‍ we embark on a journey‍ to explore the depths of the vast oceans,⁣ discovering the mysteries and wonders that lie ‍beneath the rolling waves. Through the ​art of writing, we⁢ open a portal to an enchanting​ realm, where ‍we can delve into the lives ⁢of ⁣majestic marine creatures, the‍ hidden treasures of the ⁤coral reefs, and⁢ the delicate ecosystems that exist ⁤beneath the surface.

‍ By harnessing the power of language, ⁤we can⁣ transport readers to the vibrant world beneath the ocean’s ⁢surface. Let ‍your imagination ‌run wild as you craft vivid descriptions of the ⁣brilliant ⁢colors that adorn tropical fish, the playful dance of dolphins, and​ the graceful movements of elegant⁣ sea turtles. Share knowledge ​and insights ⁢into the challenges faced by ‍marine life, shedding light ⁤on⁣ the importance of​ conservation and⁤ our role in protecting‍ these delicate ‍ecosystems. ⁢Through​ writing, we have the opportunity to educate, inspire, and create awareness about the mesmerizing‍ wonders of‍ our oceans,⁣ leaving readers with a newfound appreciation ⁢for the aquatic world.

  • Discover: Uncover the secrets⁤ of creatures that dwell in ⁢the ​depths, from the mighty whales ⁣to the tiniest⁤ seahorses.
  • Inform: Educate readers about the threats faced​ by marine life, raising awareness about the⁣ importance of conservation.
  • Inspire: Capture the imagination of your​ readers, sparking a ⁣sense of wonder ⁣and awe for the fascinating world that lies beneath the waves.
  • Connect: Foster ​a connection between humans and the ⁤ocean, encouraging readers to develop a deeper understanding and empathy towards marine life.

- ⁤Tales of the Sea: Craft‍ Captivating Stories Inspired​ by the Ocean's Wonders

Step into a world filled with​ mystery and enchantment​ as you embark on a journey through the mesmerizing tales of the sea. Inspired by the vastness ⁢and⁤ beauty of the ocean, these captivating ⁢stories will transport you to hidden depths and far-off shores, awakening your imagination ⁣and stirring your curiosity.

Discover ⁣the fascinating legends ‍surrounding mythical sea creatures and legendary lost cities that have‍ fascinated sailors and adventurers throughout the ages. Dive into ⁣the rich history of maritime exploration, unearthing tales of‍ intrepid explorers who braved ​treacherous waters⁢ in search ⁤of new lands and untold treasures. These tales of⁢ courage ⁤and ⁤ perseverance ‍serve as a testament to the indomitable⁣ spirit of humanity.

  • Uncover the secrets ​of ‍ancient underwater civilizations and the⁣ echoes of their existence.
  • Delve into the eerie legends‍ of ghost ‍ships that ⁣sail the seas, forever ‍lost in ⁢time.
  • Explore the ​mesmerizing beauty and vibrant life​ of⁤ coral ⁤reefs,⁤ home ‍to a‌ myriad of ‌fascinating creatures.
  • Marvel at the power ⁢and majesty of mighty sea storms that have tested​ the mettle of countless seafarers.

Immerse yourself in the ⁢world of maritime wonder and let your imagination run⁤ wild with stories inspired by the ocean’s wonders. These tales of the ​sea ⁣are bound to⁢ captivate readers of all ages⁣ with their ⁣sense of adventure and untamed magic.

Are you ready to set⁤ sail on a literary voyage like no other?

- ‌Writing with the Waves: How the ⁤Ocean ​Can Ignite Your Creative Spark

Unlocking the Untapped Potential beneath the ⁣Rhythmic Tide

Dive deep into the ⁢realm of ⁢imagination as you embark on a⁤ journey​ through the captivating world of ocean-inspired creativity. The vastness⁢ of the ocean holds within its depths ⁢a mysterious allure that ⁢has long captivated the human spirit. ⁣From the rhythmic​ crashing waves to the mesmerizing shades of blue, the ocean offers a limitless source of inspiration that can⁤ set your creative​ fire ablaze.

Embark on a quest ‍to explore​ the⁣ uncharted territories of ​your mind,⁤ guided by the ebb and flow of‍ the waves.⁢ Immerse yourself in‌ the ⁣gentle whispers ⁢of the ocean breeze, allowing the cool mist to⁢ envelop your senses. As ‍you wander along the sandy shores, let the creativity wash over you like the foam of a ​crashing‌ wave, igniting sparks of inspiration you never knew‍ existed.

Unleash‍ Your Inner Wordsmith: Words ​That Echo the Ocean’s Magic

Language itself takes on a ⁤new⁢ dimension⁣ when dipped in the ⁣salty waters of the sea. Like the tides, words⁤ ebb and flow, carrying⁢ stories from far-off ⁢lands. As you immerse ⁤yourself in the ocean’s⁣ embrace, let the lexicon of its depths seep into your⁤ writing. Brush strokes of aquamarine, coral, and seashell enchantments ‍can color your prose, painting⁢ vivid pictures that come to life in the reader’s mind.

Summon your inner poet and explore a⁤ palette⁣ of maritime metaphors.⁢ Comparisons ‌to the ocean’s ⁣mighty strength⁢ or the ​serenity of a calm sea ​at twilight can infuse ‌your words with⁤ a deeper meaning. Unlock the treasure⁣ chest of⁤ nautical⁤ expressions to imbue your ‌writing with the spirit of the seafaring soul. Let⁢ your pen​ dance across the paper like‍ a skimming‌ seagull, leaving behind​ a trail of ink that tells tales of the ever-inspiring ocean.

- From Shipwrecks to⁣ Mermaids: ​Unique Marine​ Themes to Fuel Your Writing

– From⁢ Shipwrecks⁤ to Mermaids: Unique Marine Themes ‌to Fuel Your Writing

Explore the depths of⁤ the ocean and unleash ‌your creativity with⁣ these ⁤captivating marine themes that will ⁤add a refreshing​ touch to‌ your writing. Transport your readers to a world ⁤filled with shipwrecks‍ and mermaids, where‌ mystery and enchantment intertwine. Dive right in to find inspiration‍ for your next adventure.

With countless tales of ‌lost treasure and​ haunting mysteries concealed ‌beneath the‍ waves, shipwrecks offer a ‌treasure trove of inspiration. From ancient vessels that sailed⁣ the seas hundreds of years ago to modern-day wrecks, each holds its own unique⁣ story waiting ⁤to be told. ⁢Consider exploring the following aspects:

  • Historical‍ Significance: ‍Research famous shipwrecks with grim or heroic pasts ⁣and⁢ let their stories ignite your imagination.
  • Mysterious Artifacts: Dive⁣ deep into the artifacts recovered from ⁤shipwrecks and imagine their purpose, value, or⁢ mystical properties.
  • Survivor Tales: Uncover stories of resilience‌ and survival against ‍all odds, painting vivid​ portraits of human ⁣spirit and determination.

Legends⁤ of mermaids have captivated seafarers for centuries, and they continue to enchant readers with their ​ethereal beauty and mystical allure. Delve into the mesmerizing world of mermaids and unleash your creativity with these ideas:

  • Origin Myths: Explore the various origins⁢ of mermaids⁢ and the cultures that‌ believed ⁤in ⁤their existence, weaving your stories around these fascinating legends.
  • Intriguing Personalities: Imagine ⁤the lives,⁤ emotions, ⁤and motivations of individual mermaids, ‌diving into their complex relationships with humans or their own underwater society.
  • Underwater Kingdoms: Envision stunning underwater landscapes, bustling mermaid cities, and the intricate ⁢ecosystems ‍they inhabit.

- Delve⁣ into Nature's Poetry: Expressing the Beauty of the Ocean through Words

Delve into Nature’s Poetry: Expressing the Beauty⁣ of the Ocean ⁢through Words

As one ⁢stands on⁢ the shore,‌ gently caressed by the salty⁤ breeze, it becomes⁢ impossible to ignore the ⁣mesmerizing ⁣allure of the boundless ​ocean. A poetic tapestry ⁢of sights, sounds, and emotions unravels before⁤ our eyes, revealing the power of​ nature’s artistry. The ocean, with its vastness and mystery,⁤ has been a muse for countless writers⁤ and poets, inspiring them ‌to write eloquently⁣ about‍ its magnificence. Let us embark on a poetic ‌journey, exploring the beauty of ‌the ocean ‌through the power ​of words.

In the ‍realm of oceanic poetry, authors strive⁤ to capture the essence of this enchanting landscape, skillfully weaving words into vivid tapestries that paint‌ a mental picture of⁣ the sea’s⁣ splendor. ​Through ​the ​use of metaphors and sensory language, they convey the rhythmic‌ dance‍ of waves, ‌the vibrant colors of coral‍ reefs, ⁢and the harmonious ⁢symphony​ of marine life. Such poetry transports readers to a tranquil ⁢seascape⁤ where they can⁤ marvel at the sheer‌ magnitude of the ocean’s ⁢expanse.

  • Metaphors: ⁣Poets ‍employ ​metaphors to liken ‍the ocean to various elements,⁢ such as a vast liquid canvas ⁤or an eternal mirror reflecting the sky.
  • Sensory Language: ‍ By incorporating⁣ descriptive terminology, poets enable readers to ‌experience the salty tang ⁣of the⁤ air, the ⁢gentle lapping of waves, or the warmth of the sun on⁢ their skin.
  • Rhythm‍ and Flow: The⁤ cadence of‍ oceanic ​poetry‌ often mirrors‌ the ebb and flow of the tides,⁤ creating a‍ mesmerizing ⁤rhythm⁤ that echoes the cyclic‌ nature ‌of‌ the sea.

- Dive into ‌Conservation: Promoting ‌Marine Awareness ⁢in ⁣your Writing

When it comes to writing, few‍ topics are as captivating and important as marine conservation. Our oceans ⁢are⁢ teeming ⁢with life, and they play a vital role in maintaining ‍the ⁤health of ⁢our planet. By incorporating marine awareness into your‌ writing, you​ can⁤ not only educate and inspire your ​readers, but also‍ contribute to the ⁣preservation of⁢ these ⁤remarkable ‌ecosystems. Here are some ‍tips to help you infuse marine awareness into your writing:

  • Research, research, research: Before diving ⁣in, take the ‌time to research⁤ and​ familiarize‍ yourself with various marine conservation topics. ‌Learn about ‌endangered species, coral bleaching, ⁢overfishing, and other pressing issues affecting our oceans. This will ensure your writing is accurate and ⁢well-informed.
  • Choose your perspective: ⁢Decide whether you want to approach marine ‍conservation ‍from a scientific,​ environmental, or human impact perspective. Each perspective offers a unique lens through which ‍to explore and raise awareness about the challenges our oceans face.
  • Create engaging narratives: Weaving ​captivating ⁣stories around marine conservation topics can‍ captivate readers ‍and allow them to connect emotionally with the issue at hand. Share real-life experiences, ⁢personal encounters, or ⁤explore the intricate relationships between‍ marine‌ species⁣ to evoke empathy and ⁢a sense of urgency.

Use vivid ‌descriptions: Paint ​a vivid picture with ⁤your words as you describe the enchanting depths⁣ of the ocean. Help readers ⁣visualize the vibrant‍ colors of a coral reef, the playful acrobatics of dolphins, or​ the majestic grace⁤ of a humpback whale. By enhancing their imagination, you can ignite a sense of wonder⁣ and appreciation for ⁢our marine world.

With the power ‍of ⁤your words, your writing has the potential to ‌raise awareness about marine‌ conservation, motivate action, ‍and ultimately ⁤contribute to a brighter future for our oceans. So, grab your pen‍ or keyboard and embark on a⁤ journey to dive into the depths⁤ of‌ marine awareness through your writing!

- Harnessing the Power of Ocean Imagery: Using Vivid Descriptions ‍to Enrich‌ your ⁤Narratives

In the world of​ storytelling, vivid descriptions⁤ play a crucial role ​in captivating readers and bringing narratives to‍ life. When it⁤ comes ⁢to harnessing the​ power of ocean imagery, the possibilities ⁣are truly endless. ​By⁤ incorporating ‍rich and ‍evocative descriptions, you can transport your ⁤audience to the ⁢depths of the⁤ vast ocean, ⁢immersing them in a​ sensory experience that complements your storytelling.

Imagine describing ⁤a scene where the ocean meets the horizon, with waves⁣ crashing against the shore⁢ in a ‌rhythmic symphony. The vivid⁢ imagery of the shimmering blue waters, the salty air kissing your skin, and the gentle sound​ of seagulls creates‍ a ⁤powerful sensory ‍experience for your readers. By harnessing these vivid descriptions, you can make your readers feel as though they are⁢ standing on the sandy ‌beach, witnessing the‍ unpredictable beauty of the ocean firsthand.

  • Use ⁤metaphors and similes:​ Compare the ocean to various elements, such as “The waves⁢ rolled towards the shore like a colossal herd of wild ⁢horses.”
  • Appeal to the senses: ‍Describe the ⁢scent of⁤ the ocean, the sound of crashing waves,⁢ the taste of salt in the air, and the⁣ feeling of⁢ sand between ⁢your‍ toes.
  • Explore the ocean’s diversity: Highlight the multitude‍ of ⁢vibrant marine life,⁤ from majestic whales gracefully swimming to colorful coral ‍reefs teeming with fish.

By⁢ harnessing the power of ocean ⁤imagery, you can⁣ evoke emotions, create memorable⁢ scenes, and enrich your narratives. So, whether you’re writing a novel, crafting a blog post, or simply ‌painting a picture with your words, ​diving into the depths of oceanic descriptions will undoubtedly captivate your ⁢audience and ‌leave ‌a lasting ⁣impression.

Q: What ‌are​ ocean writing prompts? A:​ Ocean writing prompts​ are creative prompts ⁤or ideas⁣ that encourage writers ⁤to dive into marine narratives. They‍ provide a starting point or stimulus to inspire and guide ​writers in ⁣exploring various themes related ⁢to the ocean.

Q: Why are ocean writing prompts ​important? A: Ocean writing prompts‌ can expand the imagination and‌ creativity of writers, pushing them‍ to explore the wonders ‌of the ​ocean. They ⁣help writers to discover and develop their⁢ unique‍ writing style while‌ exploring ​the beauty,⁤ mystery, and ⁤complexity of marine⁤ environments.

Q: ‌How can ocean ⁣writing prompts‌ be‍ used? A: Writers can use ocean writing prompts in many ways. They‍ can ⁣be used as a warm-up exercise to kickstart a writing ‌session or as a ⁢way to overcome writer’s block. These prompts can also be used as a tool for ⁣educational purposes, encouraging students ⁢to learn about marine ​life while improving their writing ‌skills.

Q: What types of ‍ocean‍ writing prompts can⁣ one expect? A: Ocean writing prompts⁢ can cover ⁣a wide range​ of topics. ⁣These may ‍include‌ descriptions of‌ marine‌ landscapes, exploration of underwater habitats, ‍adventures‍ with sea creatures, or ⁤even thought-provoking questions that delve‌ into environmental issues and ocean⁢ conservation. The prompts​ can‌ be ‌tailored to ⁢different ⁣genres,⁢ such‍ as ‍poetry, fiction, or non-fiction.

Q: Can ocean writing ⁤prompts be suitable for all ​writers? A: Absolutely! Ocean ⁣writing prompts can⁤ be suitable‍ for writers ‌of all levels ⁣and ages. ​Whether you are⁣ a beginner or an experienced writer, these prompts offer an opportunity for ⁤everyone ⁣to ‍connect ​with the ocean world ‌and foster their creative skills. They can be adapted‌ to ⁤cater to various​ writing abilities and ⁣interests.

Q:‍ How can ocean writing prompts inspire writers? A: Ocean writing ⁣prompts can evoke vivid imagery, sensory experiences, and emotional connections to the ocean, serving as a source of inspiration for writers. They‍ can spark‌ the imagination ⁣by encouraging writers to explore themes of adventure, ⁤exploration, science, conservation, or personal connections to ​the marine world.

Q: Where can one find ocean writing ‍prompts? A: Ocean ⁤writing prompts can be found⁢ in various sources, such as online ⁢writing platforms , ​writing workshops, creative writing books, or educational websites. Additionally, there are⁤ social media communities dedicated to sharing prompts,⁤ and​ writers can create their‌ own prompts⁢ based on ​their personal interests and experiences with the ocean.

Q: How can ocean writing ⁣prompts benefit the readers? A: ‍Readers can also enjoy ‌the fruits of ocean ⁤writing prompts. Engaging ‍with ‌marine⁤ narratives⁢ can allow readers to experience the beauty of‌ the ⁣ocean through the eyes of the writer. It provides an ⁤opportunity for‍ readers to⁢ learn about ⁤marine ⁢life, ​environmental ⁤issues, and conservation efforts, all‌ while‍ enjoying an engaging narrative.

Q: Can ocean writing prompts help raise awareness about the ⁤ocean? A:⁢ Yes, certainly! Through⁤ creative storytelling, ocean ⁣writing prompts can⁣ raise⁢ awareness about marine conservation, environmental challenges, and the importance of preserving the ocean. ‌This can inspire readers to develop ​a deeper understanding⁢ of the‌ ocean ecosystem ​and motivate them to take action to ‍protect our seas.

Q: Are there ⁣any specific tips for using ocean ⁤writing prompts effectively? A: To make​ the most of ocean writing prompts, it’s important to let your‍ imagination run wild. Don’t limit yourself to conventional ideas; explore unique ⁣perspectives ​and experiment⁣ with different genres. ⁣Embrace the natural⁤ beauty,‍ awe, and mystery ⁣of ‌the ocean‌ while weaving your ⁢narrative. Most importantly, enjoy ​the ⁤writing journey‌ and let the ​prompts guide you into ⁢a ‌marine-inspired⁢ story!

In⁣ conclusion, the ocean offers endless ​opportunities for storytelling. Whether it’s the⁣ beauty of marine life or the power of the waves, these writing prompts will inspire you ⁢to dive ‌deeper ⁣into the world of marine narratives.​ So grab your ⁣pen⁤ and ‍let ⁣your ‌creativity​ flow with the ‌vastness of the sea. Happy ⁤writing!

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Ocean Description for Writers: Exploring the Wonders and Mysteries of the World’s Oceans

By: Author Paul Jenkins

Posted on Published: August 30, 2023  - Last updated: September 1, 2023

Categories Writing , Creative Writing

You are standing at the edge of the vast ocean, gazing out at the seemingly endless expanse of water.

As writers, the ocean inspires us, and often features in our works. The purpose of this article is to look at ways to describe its nature, and dig into its essential characteristics as useful background for our research and writing.

The ocean is a truly remarkable feature of our planet, covering over 70% of the Earth’s surface and containing 97% of the planet’s water.

It is a vital component of our planet’s ecosystem, supporting a diverse range of life and playing a crucial role in regulating the Earth’s climate and weather patterns.

The formation of the oceans is a fascinating subject, with scientists still working to unravel the complex processes that led to the creation of the world’s oceans. The oceans are thought to have formed around 4 billion years ago, as the Earth’s surface cooled and water vapor in the atmosphere condensed to form liquid water.

Over time, the oceans have evolved and changed, shaped by a range of factors including the movement of tectonic plates, changes in sea level, and the impact of human activity.

Key Takeaways

  • The ocean covers over 70% of the Earth’s surface and contains 97% of the planet’s water.
  • The formation of the oceans is a complex and ongoing area of research, with scientists working to understand the processes that led to their creation.
  • The ocean plays a vital role in supporting life on Earth and regulating the planet’s climate and weather patterns.

33 Ways to Describe the Nature of the Ocean

To inspire you, here are 33 ways the ocean can be described:

  • Treacherous
  • Unpredictable
  • Tempestuous

Formation of Oceans

The oceans are vast bodies of saltwater that cover about 71% of the Earth’s surface. The most widely accepted theory for the formation of the oceans is that they were created by volcanic activity that released water vapor into the atmosphere, which then condensed and formed the oceans.

Over time, the Earth’s atmosphere changed, leading to the formation of an ozone layer that protected the planet from harmful solar radiation.

When the Earth was first formed, its temperature was well above the boiling point for water. Because of this, there was no liquid water on Earth. Instead, all water was in the form of a gas. However, over vast periods of time, our primitive ocean formed.

Water remained a gas until the Earth cooled below 212 degrees Fahrenheit. At this time, about 3.8 billion years ago, the water condensed into rain which filled the basins that we now know as our world ocean.

It is important to note that the formation of the oceans is a gradual process that occurred over millions of years. The movement of tectonic plates and the shifting of the Earth’s crust also played a significant role in shaping the oceans.

As the Earth’s crust moved and shifted, it created new basins and caused existing ones to deepen, which in turn allowed more water to fill them.

In summary, the oceans were formed through a combination of volcanic activity, atmospheric changes, and the movement of tectonic plates. The gradual process of ocean formation occurred over millions of years, and it continues to shape the Earth’s surface to this day.

Major Oceans and Seas

The Earth is mostly covered by water, with five major oceans and several seas. Each of these water bodies has unique characteristics and plays a vital role in our planet’s ecosystem.

Pacific Ocean

The Pacific Ocean is the largest and deepest ocean on Earth, covering more than 60 million square miles. It is located between Asia and Australia to the east, and the Americas to the west. The Pacific Ocean is home to numerous islands, including Hawaii, Tahiti, and Fiji. It is also known for the famous Ring of Fire, a region where many earthquakes and volcanic eruptions occur.

Atlantic Ocean

The Atlantic Ocean is the second-largest ocean on Earth, covering an area of about 41 million square miles. It is located between the Americas to the west and Europe and Africa to the east. The Atlantic Ocean is home to many important ports, including New York, London, and Rio de Janeiro.

Indian Ocean

The Indian Ocean is the third-largest ocean on Earth, covering an area of about 28 million square miles. It is located between Africa, Asia, Australia, and the Indian subcontinent. The Indian Ocean is known for its warm waters and abundant marine life, including whales, dolphins, and sharks.

Southern Ocean

The Southern Ocean, also known as the Antarctic Ocean, surrounds Antarctica and extends to 60 degrees south latitude. It is the smallest and youngest ocean, having been recognized as a distinct body of water only in 2000. The Southern Ocean is known for its strong winds and icy waters, which are home to many unique species of marine life, including penguins and seals.

Arctic Ocean

The Arctic Ocean is the smallest and shallowest ocean on Earth, covering an area of about 5 million square miles. It is located around the North Pole and is surrounded by landmasses such as Russia, Canada, and Greenland. The Arctic Ocean is known for its harsh climate and is covered by ice for most of the year.

Mediterranean Sea

The Mediterranean Sea is a sea connected to the Atlantic Ocean, located between Europe, Africa, and Asia. It is known for its warm waters and beautiful beaches, making it a popular tourist destination. The Mediterranean Sea is also home to many important ports, including Barcelona, Marseille, and Istanbul.

Gulf of Mexico

The Gulf of Mexico is a large body of water located between Mexico and the United States. It is known for its warm waters and abundant marine life, including fish, shrimp, and oysters. The Gulf of Mexico is also an important location for oil and gas drilling, with many offshore platforms located in its waters.

Each of these oceans and seas plays a vital role in our planet’s ecosystem, and it is important that we take care of them. By protecting these bodies of water, we can ensure that they continue to provide valuable resources and habitats for generations to come.

Oceanography and Research

Oceanography is the study of the physical, chemical, and biological features of the ocean, including the ocean’s ancient history, its current condition, and its future. Oceanographers are scientists who study the ocean and its processes.

They use a variety of tools and techniques to collect data, including satellites, ships, buoys, and underwater robots.

Research in oceanography covers a wide range of topics, from marine life and ecosystems to currents and waves, to the movement of sediments, to seafloor geology. The study of oceanography is interdisciplinary, and the ocean’s properties and processes function together.

One of the most important areas of research in oceanography is the study of climate change. The ocean plays a crucial role in regulating the Earth’s climate, and changes in the ocean can have significant impacts on the rest of the planet.

Scientists are studying the ocean to better understand how it is changing and how those changes will affect the climate.

National Geographic Explorers are among the many researchers working to better understand the ocean. They use cutting-edge technology and techniques to explore the ocean and its mysteries. Their work has led to many important discoveries and has helped to advance our understanding of the ocean and its processes.

Ocean Ecosystem

The ocean ecosystem is a vast and complex system that is home to a wide variety of marine animals, plants, and organisms. It is a delicate balance of physical and biological factors that work together to support life. In this section, we will explore the different components of the ocean ecosystem.

Marine Animals

The ocean is home to a diverse range of animal species, including whales, dolphins, crabs, and squid. These animals have adapted to life in the ocean in various ways, such as developing streamlined bodies for swimming, specialized feeding mechanisms, and unique methods of communication.

The blue whale, for example, is the largest animal on Earth and feeds on krill, while dolphins are known for their intelligence and social behavior.

Marine Plants

Marine plants, such as algae and seaweed, play a crucial role in the ocean ecosystem. They provide food and shelter for a variety of marine organisms, including fish and crustaceans.

Algae, in particular, are an important source of food for many marine animals and are also used in the production of various products, such as cosmetics and food additives.

Marine Organisms

The ocean is home to a vast array of organisms, ranging from microscopic plankton to large predatory fish. These organisms play a crucial role in the ocean ecosystem, forming the base of the food chain and cycling nutrients through the system.

Some organisms, such as coral reefs, are also important for providing habitats for other marine species.

In conclusion, the ocean ecosystem is a complex and diverse system that is home to a wide variety of animal, plant, and organism species. Understanding the different components of the ocean ecosystem is crucial for maintaining the delicate balance that supports life in the ocean.

Ocean Climate and Weather

The ocean plays a critical role in shaping the climate and weather patterns around the world. The ocean stores solar radiation, distributes heat and moisture, and drives weather systems. As a result, changes in the ocean can have a significant impact on climate and weather.

The ocean’s temperature and salinity play a crucial role in regulating the global climate. The sun’s energy heats the ocean’s surface, causing water to evaporate and form clouds.

These clouds reflect some of the sun’s energy back into space, which helps to cool the Earth. The remaining energy is absorbed by the ocean, which warms the water and drives ocean currents.

Ocean currents play a crucial role in distributing heat and moisture around the globe. Warm ocean currents carry heat from the tropics towards the poles, while cold ocean currents carry cool water towards the equator.

These currents help to regulate the Earth’s temperature, and they also influence weather patterns.

The atmosphere and the ocean are closely linked, and changes in one can have a significant impact on the other. For example, changes in atmospheric temperature can cause changes in ocean temperature, which can influence ocean currents and weather patterns.

Similarly, changes in ocean temperature can influence atmospheric temperature, which can impact weather patterns.

Climate change is also having a significant impact on the ocean’s climate and weather patterns. As the Earth’s temperature continues to rise, the ocean is absorbing more heat, which is causing ocean temperatures to increase.

This, in turn, is causing changes in ocean currents and weather patterns, which can have significant impacts on ecosystems and human societies around the world.

In conclusion, the ocean plays a critical role in shaping the Earth’s climate and weather patterns. Changes in the ocean can have a significant impact on the Earth’s temperature, ocean currents, and weather patterns. It is essential to understand these relationships to better predict and mitigate the impacts of climate change.

Ocean Currents and Motion

Ocean currents are continuous movements of water in the ocean that follow set paths, kind of like rivers in the ocean. They can be at the water’s surface or go to the deep sea; some are very large, while others are small and unnamed.

These currents are driven by wind, water density differences, and tides. Coastal and sea floor features influence their location, direction, and speed. Earth’s rotation results in the Coriolis effect which also influences ocean currents.

Similar to a person trying to walk in a straight line across a spinning merry-go-round, winds and ocean waters get deflected from a straight line path as they travel.

Ocean water moves in two directions: horizontally and vertically. Horizontal movements are referred to as currents, while vertical changes are called upwellings or downwellings. This abiotic system is responsible for the transfer of heat, variations in climate, and the distribution of nutrients and marine life.

Some of the most well-known ocean currents include the Gulf Stream, which carries warm water from the Gulf of Mexico to the North Atlantic, and the California Current, which flows southward along the western coast of North America.

The Kuroshio Current, off the coast of Japan, is equal in volume to 6,000 large rivers.

Ocean currents have a significant impact on global climate. The Gulf Stream, for example, helps to keep the climate of Western Europe mild and temperate. It is also an important factor in the distribution of marine life.

Ocean currents bring nutrients and oxygen to different parts of the ocean, which supports the growth of plankton and other organisms. These organisms, in turn, provide food for larger animals like fish and whales.

Understanding ocean currents and their motion is important for many reasons. Scientists study ocean currents to better understand climate change, predict weather patterns, and track the movement of pollutants and debris.

Shipping and fishing industries also rely on knowledge of ocean currents to plan routes and locate fish populations.

Ocean Floor and Depth

The ocean floor is the bottom of the ocean, and it is a complex and diverse environment. The depth of the ocean varies greatly, with an average depth of 2.3 miles (3.7 kilometers). The shape and depth of the seafloor are influenced by a variety of factors, including tectonic activity, erosion, and sedimentation.

The ocean floor features many distinct formations, including canyons, seamounts, and abyssal plains. Canyons are deep, narrow valleys that cut through the continental shelf and slope. Seamounts are underwater mountains that rise from the seafloor and can be active or dormant volcanoes.

Abyssal plains are flat, featureless areas of the seafloor that cover about 30% of the ocean floor.

The deepest part of the ocean is the Mariana Trench, which is located in the western Pacific Ocean and reaches a depth of 36,070 feet (10,994 meters). The trench is the result of tectonic activity, where the Pacific Plate is subducting beneath the Mariana Plate.

Continental shelves are shallow areas of the ocean floor that surround continents and extend to the continental slope. These areas are important for marine life, as they provide a habitat for many species.

The width and depth of continental shelves vary greatly around the world, with some being very narrow and others being very wide.

Overall, the ocean floor is a fascinating and complex environment that is still being explored and studied. Understanding the depth and features of the ocean floor is critical for understanding the ocean and its many ecosystems.

Ocean Pollution and Overfishing

The ocean is facing two major threats: pollution and overfishing. These two issues are causing significant harm to the ocean and its inhabitants, and it’s important to understand the impact they are having.

Pollution is a major problem in the ocean. It comes from a variety of sources, including agricultural runoff, oil spills, and plastic waste. These pollutants can harm marine life in a number of ways, such as causing physical harm, disrupting hormones, and altering behavior.

Plastic waste is particularly harmful, as it can take hundreds of years to break down and can be mistaken for food by marine animals, leading to injury or death.


Overfishing is another major problem facing the ocean. It occurs when fish are caught at a rate faster than they can reproduce, leading to a decline in their population. This can have a ripple effect on the entire ecosystem, as other species that rely on the overfished species for food or habitat are also impacted.

Overfishing is often caused by a combination of factors, including technological advances in fishing equipment, increased demand for seafood, and poor fisheries management.

Both pollution and overfishing are having a significant impact on the ocean and its inhabitants. It’s important to take action to address these issues, such as reducing plastic waste and implementing sustainable fishing practices.

By working together, we can help protect the ocean and ensure its health for generations to come.

Ocean and Earth Interaction

The ocean is a crucial component of the Earth’s system, and its interaction with the planet is complex and multifaceted. The ocean’s interaction with the Earth’s continents, gulfs, basins, lakes, and glaciers affects the planet in numerous ways.

The ocean’s interaction with the continents is particularly significant. The ocean’s currents and tides shape the coastline and help to create and maintain beaches, bays, and estuaries. The ocean also plays a crucial role in regulating the planet’s climate, by absorbing and redistributing heat from the sun.

The ocean’s interaction with gulfs and basins is also important. The Gulf Stream, for example, is a powerful current that flows from the Gulf of Mexico to the North Atlantic, and it has a significant impact on the climate of Europe. The ocean’s deep basins are also crucial for the planet’s carbon cycle, as they absorb and store large amounts of carbon dioxide from the atmosphere.

Lakes are another important part of the Earth’s water cycle, and they can have a significant impact on the environment. The Great Lakes, for example, are a vital source of freshwater for millions of people in North America.

Glaciers are also an important part of the Earth’s system, and they can have a significant impact on the ocean. As glaciers melt, they release freshwater into the ocean, which can affect the salinity and temperature of the water. This, in turn, can affect ocean currents and weather patterns.

The ocean’s interaction with boundaries and latitude is also significant. The ocean plays a crucial role in the formation of weather patterns, and it can affect the intensity and frequency of storms and hurricanes. The ocean’s interaction with Antarctica is also important, as the continent’s ice sheets are melting at an unprecedented rate, which could have significant consequences for sea levels around the world.

Finally, the ocean’s interaction with bays and the coastline is crucial for many species of plants and animals. Coastal ecosystems are some of the most diverse and productive on the planet, and they are home to a wide variety of species. The ocean also plays a crucial role in the formation of coral reefs, which are some of the most biodiverse ecosystems on the planet.

Overall, the ocean’s interaction with the Earth is complex and multifaceted, and it plays a crucial role in the planet’s climate, weather patterns, and ecosystems.

Ocean’s Role in Life Support

The ocean is a vital component of life on Earth, providing a range of resources that are essential for human survival. Here are some of the ways the ocean supports life:

The ocean produces more than half of the world’s oxygen through photosynthesis by marine plants, such as phytoplankton. This process is essential for sustaining life on Earth, as oxygen is necessary for the respiration of all animals, including humans.

The ocean is a major source of food for humans and other animals. It is estimated that over 3 billion people worldwide depend on seafood as their primary source of protein. The ocean also provides a variety of other food resources, including seaweed, shellfish, and other marine plants and animals.

The ocean plays a crucial role in generating renewable energy. It is a source of hydropower, which is generated by the movement of tides and waves. Additionally, the ocean’s temperature difference between the surface and deeper waters can be harnessed to generate electricity through ocean thermal energy conversion.

While the ocean is primarily composed of saltwater, it also contains freshwater in the form of icebergs, glaciers, and sea ice. The ocean’s role in the water cycle is essential for providing freshwater to land-based ecosystems and human populations.

The ocean’s saltwater is also important for sustaining life on Earth. It is a critical component of the Earth’s climate system, regulating temperature and weather patterns. Additionally, the ocean’s saltwater is used in a variety of industrial processes, including the production of salt and the desalination of seawater for human consumption.

Overall, the ocean plays a critical role in supporting life on Earth, providing essential resources such as oxygen, food, energy, freshwater, and saltwater. Understanding the importance of the ocean and taking steps to protect it is essential for ensuring the continued survival of human and other animal populations.

Unexplored Oceans

Despite covering over 70% of the Earth’s surface, the ocean remains largely unexplored. The vast and unknown depths of the ocean remain a mystery to us, with only a fraction of the ocean floor having been mapped and explored.

The ocean trenches, which are some of the deepest parts of the ocean, remain almost entirely unexplored. These trenches, such as the Mariana Trench, are deeper than Mount Everest is tall and are home to some of the most unique and fascinating creatures on the planet.

However, due to the extreme pressure and darkness of these regions, it is incredibly difficult to explore them, and we still know very little about what lies at the bottom of these trenches.

When compared to space exploration, the ocean is still a vastly unexplored frontier. While we have sent humans to the moon, only a handful of people have ever traveled to the depths of the ocean. Despite this, there is still much we can learn from the ocean.

The ocean plays a vital role in regulating the Earth’s climate and is home to a vast array of plant and animal species, many of which are yet to be discovered.

In recent years, there have been efforts to explore more of the ocean and to better understand its mysteries. However, due to the vastness of the ocean and the challenges of exploring its depths, progress has been slow.

Nonetheless, as technology advances and we continue to learn more about the ocean, we may one day unlock the secrets of this vast and unexplored frontier.

Human Interaction with Oceans

As a human, you have a significant impact on the marine environment. The actions you take on land can affect the oceans, even if you live miles away from the coast. Here are some ways in which humans interact with the oceans:

  • Transport : The oceans are an essential mode of transportation for goods and people. Ships and boats transport goods and people across the world’s oceans. However, shipping also contributes to pollution, including oil spills, sewage, and garbage disposal.
  • Rock and Sediment : Humans extract rocks and sediments from the ocean floor for various purposes, including construction, oil and gas drilling, and mining. This can have significant impacts on the marine environment, including habitat destruction and changes in sedimentation patterns.
  • Plains : Humans have also impacted the ocean’s plains by introducing structures like oil rigs and wind turbines. These structures can disrupt ocean currents, affect marine life, and cause pollution.
  • Salinity : Human activities, such as irrigation and damming of rivers, can affect the salinity of the ocean. The runoff from agriculture and other land-based activities can also increase the amount of nutrients in the ocean, leading to harmful algal blooms and other negative impacts.
  • Action : Humans engage in various activities in the ocean, such as fishing, recreational activities, and scientific research. Overfishing and destructive fishing practices can lead to the depletion of fish populations and damage to marine habitats.
  • Mapped : Mapping the ocean floor is essential for understanding the marine environment. However, the process of mapping can also have negative impacts, such as disturbing marine life and habitats.

Overall, human interaction with the oceans has both positive and negative impacts. It is essential to understand these impacts and take steps to minimize negative impacts while maximizing positive ones.

Frequently Asked Questions

What are the features of the ocean.

The ocean is a vast body of saltwater that covers approximately 71% of the Earth’s surface. It is divided into four main regions: the Pacific, Atlantic, Indian, and Arctic oceans. The ocean has many features, including currents, waves, tides, and diverse marine life. It also plays a significant role in regulating the Earth’s climate and weather patterns.

What are some interesting facts about the ocean?

The ocean is home to the largest living structure on Earth, the Great Barrier Reef, which is visible from space. It is also the deepest part of the ocean, the Mariana Trench, which is over 36,000 feet deep. The ocean contains about 97% of the Earth’s water, and only about 5% of it has been explored. Additionally, the ocean is responsible for producing over 50% of the oxygen we breathe.

What are the seven oceans of the world?

There is only one global ocean, but it is traditionally divided into five main regions: the Pacific, Atlantic, Indian, Southern (Antarctic), and Arctic oceans. Some oceanographers also consider the Southern Ocean to be a separate ocean, while others include it as part of the Atlantic, Indian, and Pacific oceans.

How do you describe the Pacific Ocean?

The Pacific Ocean is the largest and deepest ocean on Earth, covering about one-third of the planet’s surface. It is surrounded by the Americas to the east and Asia and Australia to the west. The Pacific Ocean is known for its vastness, strong currents, and frequent earthquakes and volcanic activity along its “Ring of Fire” boundary.

What is the difference between a sea and an ocean?

A sea is a smaller body of saltwater that is partially enclosed by land, while an ocean is a larger body of saltwater that covers most of the Earth’s surface. Seas are usually connected to oceans and are often shallower than oceans. Some examples of seas include the Mediterranean Sea, the Red Sea, and the Caribbean Sea.

What are the characteristics of ocean water?

Ocean water is salty, with an average salinity of about 35 parts per thousand. It is also dense, cold, and has a high heat capacity, which means it can absorb and release large amounts of heat without changing temperature significantly. Ocean water is also highly alkaline, with a pH of around 8.1, and contains dissolved gases such as oxygen and carbon dioxide.

When you write about Fish

Write about fish

Write About Your Fish?

All I know is that the new ferny-floaty plants I bought last week make my aquarium look like a tiny patch of fairyland, that my two tiny blue male dwarf gouramis have called ceasefire over disputed territories and seem to be getting along at last. The golden tetras have stopped dying. The last four seem to be eating well. My rummy nose tetras flaunt bright and lively red mouths, and my pretty blue-red cardinals play about this morning. The lone white angel is curious and hungry, at its healthful best.

To write about fish feels like writing about my writing, somehow.

All seems to be well with the world. For now. Or at least till I go to bed tonight, and slip into a dream.

What about you? Do you own an aquarium? Do you write about your fish?

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Damyanti Biswas

Damyanti Biswas

Damyanti Biswas is the author of You Beneath Your Skin and numerous short stories that have been published in magazines and anthologies in the US, the UK, and Asia. She has been shortlisted for Best Small Fictions and Bath Novel Awards and is co-editor of the Forge Literary Magazine. Her literary crime thriller series, the Blue Mumbai, is represented by Lucienne Diver from The Knight Agency. Both The Blue Bar and The Blue Monsoon were published in 2023.

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A good combination of a fish and a dream. Amazing story…keep it up Damyanti!!!

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Ahh fish in dreams! They can represent feelings coming to the surface and/or thoughts, fantasies and emotions swimming around inside us. They can be either nourishing or threatening. They can represent messages from the unconscious mind or aspects of your spiritual side surfacing or in this case needing recognition before they die. In a religious context they could also represent Christianity. Jesus was also considered a “fisher of men”. If you believe in the Zodiac you might look up some of the attributes of Pisces.

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Hello there ? I’ve tried to like your blog on fish but it won’t let me for some reason!? So this comment is to say I like it ?

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Dear me, I hope your dream-fish stay where they’re supposed to, now that you’ve written about them. I currently have one golden betta in a 2-1/2 gallon aquarium (with a top! I also have cats!). He’s the latest in a long line of beloved piscine presences who’ve shared my bedrooms since childhood, and he can lower my blood pressure with just one elegant turn around his little plant-filled world.

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No… I don’t own an aquarium… but the grand-kids do. It contains just two fish… Goldie the giant and Finn the fun! I actually posted a photo of Goldie just days ago. He/ she is a greedy guts that almost jumps out of the tank when a human comes near the tank… food, food and more food… that’s what it wants! Finn is mellow… and gets on just fine. Gosh… now you have me writing about fish… and they’re not even mine! What I do have is my own lobster pot… I still have to go put it to the test… and if I should be lucky enough to catch my own lobster I will have a meal fit for a king… and queen… ans a few other nobles! 😉

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Enjoyed your Post (content) your expression (writing style) and visuals!

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You left me a like on”Of Heaven, Hell and Walmart Bags.” Thank you. I like your “fish” hangup. I think you will like my “A Pregnant Guppy, Please” If you would like to try it, here is the link I’m checking you follow if I can find it. I like active bloggers who like active bloggers. 😀

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Thanks, Oneta. So cool you thought of following me–thank you! If you can’t find the follow button, and wouldn’t like to follow via email it will be easy to follow this blog via the sidebar.

I do most of my follows via Feedly, as I find the feedreader much easier on my phone.

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For some reason, the site doesn’t register my “ like “ (?)

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One of my elders once told me to dream about fish means someone close to you is either pregnant and/or become pregnant…

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I found this fascinating. Dreams can be real and sometimes terrifying and it was interesting to see you got up to check up on your fish just in case there was something to the dream. No aquarium in this house. The last one we owned was in Singapore. I found watching them swim and eat after a stressful day at work was calming. We did own an outside fish pool when I first retired complete with all the bells and whistles to keep them alive and well, but for some reason they died or were attacked by birds so we eventually gave up on keeping them.

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yah it is my teacher in TVE teach us about fishes….”mrs beatriz limbasan =)…..shes my favorite teacher…hahaha

dont u know that fish is a warm blooded aquatic vertibratewith gills for breathing fins for moving and scales for protection….

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Oh, what a wonderful post, all the way round, the writing, the imagery, the feeling…

I love fish. I am glad they are happy with the changes.

I’m a Pisces.

I am a water sign too, guess which ?

That gave it away, didn’t it? lols

I forgot you’re my facebook friend…:)

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Wow. Fish can have a great psychological impact, but I always thought it was calming, soothing. Your dreams indicate the opposite.

On the other hand, you’ve got some great story material there, and you do seem to have the aquarium stabilized. 🙂

Well….I did write stuff revolving around aquariums. Won’t put it up on the blog tho, cos then it becomes “pre-published”. Thanks for dropping by as usual….

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Samantha took a breath, steadied herself and then spoke, "It's okay to be enthusiastic about veganism and animal rights, I am too. It's good to care about the oceans and the fish who swim and live in the brine. I'm more than aware of the issues regarding dolphins and tuna. Yet there are some who cannot live without eating meat and fish, who cannot tolerate the processed foods that so often contain gluten, lactose or fructose. So as we speak of these food issues, let us remember to always nuance our words to show kindness to those who cannot walk this path. We can all work for better animal rights and ocean health no matter what we need to eat."
Organic veggies with fish? Now that has to win the prize for the most ironic dish ever.
"Nah, fish is dirty food, very polluted. For real. It's gross."
"Darling, fish can feel pain in the same way a person can. Heck, the senses we have evolved in them. They are intelligent, have wonderful memories, social lives and are sentient."
Below the ruffled water surface was a fish: small, barely a dart of silver, yet fast. Without visible effort it moved from plain sight, glimmering in the early morning sun, into the reeds before Talia could cry out that she'd seen it. A smile grew on her pale wintered face - spring had arrived.
With scales like the most delicate of armour plating, the fish made its way upstream, choosing the slower water of the shallows. Ryan moved his hand in the same way as it flexed its body, as if he wanted feel the same motion. As he stood there, feet in the mud, his eyes wandered too, taking in the pinkness of the belly and the stillness of the eye. And for that string of moments he tried to think like a fish, to immerse himself in the cold spring waters and experience life from an entirely new perspective.
C'mon man, how did they hook you? You never liked eating fish in the first place, should be easy to give it up. I mean, anything that needs that much vinegar and ketchup stinks, bleuch!

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Teaching Brevity: Nicole Walker’s “Fish”

October 2, 2017 § 6 Comments


Nicole Walker is a writer whose first book of poetry This Noisy Egg was followed by a book of lyric nonfiction, Quench Your Thirst With Salt , and a co-edited collection Bending Genre: Essays on Nonfiction . It is because of this thoughtful genre-bending she embraces that I enjoy teaching her work in multi-genre introductory creative writing workshops, in essay-writing courses, and, most recently, in a hybrid forms workshop.  In particular, I have great success with her short piece “Fish,” the opening essay in Quench , and a Brevity essay as well, which never fails to provoke heated discussions and compelling imitations.

“Fish” is a nonfiction piece that complicates students’ ideas of what an essay is and how it should behave.  A triptych, each part is only ¾–1 page long.  The first part resembles nature or environmental writing and describes, in a zoomed-in empathetic third-person point of view, a salmon fighting to climb a man-made fish ladder: “The fish jumped a ladder built of electricity and concrete.  Swimming up the Columbia teachers her a lesson about progress.” The second section, written in first person (but with an awareness that shifts between a child’s and an adult’s perspective), is a vivid memory of deep-sea fishing with her father and his friends, and struggling to reel in a huge barracuda: “I am eleven years old and holding onto a fishing pole, trolling for big fish in the deep water off Florida’s coast.  I must have been beautiful then.” The third part, written in second person, reads like food writing – in this case, how to prepare fish: “Cooking filets of fish is not complicated….  It’s the sauce that’s difficult.”

“Fish” represents three different kinds of nonfiction writing – nature documentary, memoir, and food writing – with which students are already familiar.  But how do they work (or not work) together as a triptych of styles seemingly linked only by topic?  Each section presents only a brief, image-based moment addressing some aspect of fish – only the recipe-like third section offers us much closure, and none gives that satisfying moral or meaning that students long for.  Their reaction to “Fish” is complicated further by unexpected lyric elements: “This isn’t an essay; it’s a poem,” they complain.  While each section has its distinct voice, images and words echo across the essay: the straining of the salmon upstream becomes the straining of the young girl and barracuda against each other, and returns as directions for making a sauce: “Strain through a chinois.  Strain through cheese cloth.  Strain one more time for good measure.”  Words like “circling,” “hold,” and “flesh” recur, accruing meaning.  And Walker breaks her prose into short paragraphs sometimes only a line long, which visually resembles poetry and affects the pacing of how we read her essay.  How can all of these elements co-exist in the same piece of writing?

As all of you are well aware, the verb “essay” or “assay” means to attempt.  Walker’s “Fish” makes explicit the many approaches we may take to our topics.  What is interesting is the way she tries to do several at once – create three distinct styles and voices and points of view, and yet tie them together not only through topic, but more subtly through recurrent words and images.  As a result, “Fish” offers much for discussion about the choices she’s made and the effects they have on readers, both in the individual sections and across the whole piece.

After discussing “Fish,” I like to lead students through a guided free-write imitation: I have them start by writing about a vivid memory involving a single-ingredient food item – an animal, a fruit or vegetable, a spice, etc.  Then, I have them try to write a brief scene from the sensory perspective of that food item.  Finally, they write directions for their favorite recipe for that item.  For their assignment, they can develop these sections, but I encourage them to explore other ways of considering that food item (its history, its cultural associations, etc.), so long as they end up with at least a three-part essay.  As they refine their piece, they should also experiment with creating distinct voices, styles, and points of view for each section, as well as finding ways to tie the sections together via language, imagery, or other elements.  This piece often is one of the strongest my students produce, and encourages them to play with a number of writing techniques in a short piece.

reprinted with permission, previously published in Assay

___ ‘Teaching Brevity ‘ is a special blog series celebrating the magazine’s 20th Anniversary, edited by Sarah Einstein. Read the other teaching posts here: 1 , 2 , 3 , 4 , 5 ___

Heidi Czerwiec is a poet and essayist and serves as Poetry Editor at  North Dakota Quarterly . She is the author of  Sweet/Crude: A Bakken Boom Cycle , the forthcoming collection  Conjoining , and the editor of  North Dakota Is Everywhere: An Anthology of Contemporary North Dakota Poets . She lives in Minneapolis, where she works with various literary organizations, including Motionpoems,  ROAR: Literature and Revolution from Feminist People , and the Minnesota Prison Writing Workshop.

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Tagged: Nicole Walker , nonfiction triptych

§ 6 Responses to Teaching Brevity: Nicole Walker’s “Fish”

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[…] (we’ll update the links as we post the other entries over the next two weeks: 2, 3, 4, 5, 6 ___ Amy Monticello is the author of the nonfiction chapbook Close Quarters (Sweet […]

[…] edited by Sarah Einstein. Read the other teaching posts here (once they are posted) : 1, 3, 4, 5, 6. ___ Penny Guisinger is the author of Postcards from Here. Her work has appeared in Fourth Genre, […]

[…] 20th Anniversary, edited by Sarah Einstein. Read the other teaching posts here: 1, 2, 4, 5, 6. ___ Lisa Romeo teaches creative nonfiction in the Bay Path University MFA program, at Montclair […]

[…] 20th Anniversary, edited by Sarah Einstein. Read the other teaching posts here: 1, 2, 3, 5, 6. ___ Frances Backhouse teaches creative nonfiction at the University of Victoria and is the author […]

[…] 20th Anniversary, edited by Sarah Einstein. Read the other teaching posts here: 1, 2, 3, 4, 6. __ Kelly Kathleen Ferguson is the author of My Life as Laura: How I Searched for Laura Ingalls […]

[…] Reprinted in the anthology Brevity in the Classroom, forthcoming 2018, and featured on Brevity’s blog […]

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A World in a Sandbox

A World in a Sandbox

Describe a day at the park where the sandbox turned into an entire miniature world.

Ocean of Tears

Ocean of Tears

Write a letter to your tears, recognizing each one of them as symbols of your pain, agitation, and love.

Marine Wonder

Marine Wonder

Imagine the mysteries of the underwater world and write a story of a fish exploring the ocean.

Sunny Vacation Escapades

Sunny Vacation Escapades

Write about your dream holiday in the sunny weather.

Ocean Front Glory

Ocean Front Glory

Depict a summer day spent basking in the sun on a lively beach.

Abyssal Palace

Abyssal Palace

Imagine a villain whose secret lair is an elaborate palace hidden deep within the ocean.

Ocean’s Ovation

Ocean’s Ovation

Pen down your feelings about the ocean’s importance and your personal connections with it.

The Serenade of Ocean Waves

The Serenade of Ocean Waves

Describe the journey of a wave from the middle of the ocean to a sandy shore.

Hidden City under the Sea

Hidden City under the Sea

Your protagonist finds a sophisticated yet uncannily advanced city submerged deep in the ocean.

The Ocean’s Balance

The Ocean’s Balance

Imagine a world where underwater and surface civilizations have pivotal roles in maintaining world balance. Write from the perspective of a liaison tasked with maintaining this balance.

Submarine Mission

Submarine Mission

You lead an exploration mission in the deepest part of the ocean. Describe what you find.

Mystical Marine Adventure

Mystical Marine Adventure

Write about a deep-sea diving adventure where you encounter magical sea creatures.

Tales of the Sea Turtle

Tales of the Sea Turtle

Narrate the life journey of a sea turtle, from its birth on a beach to its adventures in the ocean.

The Song of the Whale

The Song of the Whale

Imagine you are a whale, sing your song and tell your story.

In the Depths of the Ocean

In the Depths of the Ocean

Write about the mysterious world that exists in the deepest parts of the ocean.

Wave by Wave – Perspective of the Ocean

Wave by Wave – Perspective of the Ocean

Write from the perspective of the sea in summer.

Sands of Time

Sands of Time

Imagine a beach bonfire that has the mystical power to show the past or future. Write a story revolving around a character who discovers this power.

Innovative Solutions

Innovative Solutions

Imagine you have unlimited resources to combat one major environmental issue. What would your solution be?

Voyage Across the Poisoned Seas

Voyage Across the Poisoned Seas

Essay a treacherous journey across a perilous and poisoned ocean in search of a safe haven.

Ocean’s Silent Crisis

Ocean’s Silent Crisis

Write about the growing issue of ocean pollution and its impact on marine life.

Surface versus Depths

Surface versus Depths

Compare and contrast the tranquil surface of the ocean with its mysterious and intimidating depths.

Her Majesty’s Sea

Her Majesty’s Sea

Reflect on the power and majesty of the ocean.

Voyage into the Unknown

Voyage into the Unknown

Write a fictional account of discovering a new species in the dark depths of the ocean.

Beachside Reflections

Beachside Reflections

Write about a day at the beach during summer and your reflections while watching the waves.

Ocean Adventure

Ocean Adventure

Imagine you’re an explorer who discovered a new island. What does it look like? What challenges do you face?

Gifts Of Nature

Gifts Of Nature

Describe a natural landscape or phenomena that genuinely awes you and makes you feel grateful.

Decoding Emotions

Decoding Emotions

Write about the different emotions you have been feeling since the heartbreak.

Nature’s Song

Nature’s Song

Write a poem inspired by a natural element or scenery that has left a mark on you.

Sounds of Nature

Sounds of Nature

Write a poem that describes the different sounds you hear in nature.

Underwater Adventure

Underwater Adventure

Describe a thrilling underwater journey with various sea creatures and hidden worlds.

Under the Sea

Under the Sea

Invent a story where the ocean and its inhabitants are characters based on a colorful marine-life filled picture.

Ocean Life

Tell a story about a day in the life of a sea creature.

Dialogue with the Ocean

Dialogue with the Ocean

Write a conversation between yourself and the vast, insightful ocean.

Animal Adaptation

Animal Adaptation

Choose an animal and write a story about its adaptation to its environment.

Ocean Symphony

Ocean Symphony

Describe a symphony conducted by the ocean in your own poetic terms.

Ocean’s Embrace

Ocean’s Embrace

Describe the merging of sky and sea at a place where the horizon disappears.

Journey to the Edge of Earth

Journey to the Edge of Earth

Imagine visiting the least explored parts of our world. Write about your adventure and what you would discover there.

Creature’s Perspective

Creature’s Perspective

Write a story from the perspective of an elusive marine creature that has always observed life from the ocean depths.

Sunken Ships & Forgotten Lore

Sunken Ships & Forgotten Lore

Imagine you stumble upon a long-lost shipwreck, laden with treasure and forgotten stories. Write about the ship’s history, last voyage, and its lost souls.

Murky Waters

Murky Waters

Pen a suspenseful tale where a renowned detective has to solve a murder mystery on a luxury cruise ship.

Underwater Armageddon

Underwater Armageddon

Write a thriller revolving around a sudden, unknown threat emerging from the depths of the ocean.

Whispers of the Waves

Whispers of the Waves

Imagine a conversation you would have with the ocean at the end of summer.

The Animal Within

The Animal Within

If you could transform into any animal, which one would you pick and why?

Beneath the Ocean Waves

Beneath the Ocean Waves

Tell a tale of an underwater adventure, describing the aquatic life and unique features of the underwater world.

5. My Imaginary Water-world

5. My Imaginary Water-world

Create a water-themed imaginary world with its own unique rules and inhabitants.

Brook or Ocean: Life In a Drop of Water

Brook or Ocean: Life In a Drop of Water

Draw and describe what life looks like in a drop of water.

Ocean Exploration with Aquatic Friends

Ocean Exploration with Aquatic Friends

Imagine you can breathe underwater and have the underwater world to explore. Who are your new friends and what adventures you embark on?

Earth Anthem

Earth Anthem

Pretend you are a songwriter writing an anthem for Earth Day. What would its lyrics and message be?

Flying on a Magic Carpet

Flying on a Magic Carpet

Ride on your magic carpet and depict where you go. Then, write a timed story about your journey.

Ocean Explorer

Ocean Explorer

Pen down a collective adventure of a class submarine voyage exploring the ocean depths.

Lessons from the Land

Lessons from the Land

Explore a lesson that you’ve learned from nature.

Temperature’s Tale

Temperature’s Tale

Imagine if the Earth could speak, write a dialogue between Earth and its inhabitants regarding the rising global temperatures.

Animal Adventure Day

Animal Adventure Day

Imagine a day where you become your favorite animal, write about what you would do.

Nature’s Bountiful Gifts

Nature’s Bountiful Gifts

Write about your favorite element of nature that you are grateful for.

Animal Adventures

Animal Adventures

Choose an animal and write a sentence about what an adventure might look like with that animal.

Cliffs of Moher Contemplation

Cliffs of Moher Contemplation

Describe standing on the edge of the Cliffs of Moher, one of Ireland’s most famous landmarks.

The Ocean of Sadness

The Ocean of Sadness

Write a story where a character must navigate through an ocean of sadness.

Journey into Colors

Journey into Colors

Draw a picture of an imaginary friend and use words to describe all the colors you’ve used to bring them to life.

Strangers in Paradise

Strangers in Paradise

Imagine a chance romantic encounter with a stranger in a tropical paradise. How would the story unfold?

The Plastic Paradox

The Plastic Paradox

Explain your stance on the use of plastic and the harm it does to our environment.

Lessons from the Ocean

Lessons from the Ocean

Create a short story about a reef fish who teaches a scuba diver about the importance of oceans and marine life.

Creature of the Wild

Creature of the Wild

Pretend you are a wild creature living in a forest, jungle, or ocean. What’s your everyday life like?

A Virtual Vacation

A Virtual Vacation

Imagine you can use virtual reality to travel anywhere in the world or universe. Describe your ideal trip.

Aquatic Depths

Aquatic Depths

Narrate a memorable encounter with water; it could be a swim in the ocean, a rainy day, or even a tearful moment.

Pollution Pirate Adventure

Pollution Pirate Adventure

Write about a group of eccentric pirates who sail the seven seas, freeing oceanic creatures from pollution and fighting against those who harm the marine environment.

Whale’s Tale

Whale’s Tale

Imagine being a whale and describe Earth Day from beneath the ocean.

The Capsized City

The Capsized City

Detective Blake must solve a murder in a city that’s steadily sinking into the ocean.

Coastal Encounter

Coastal Encounter

Describe a walk along Ireland’s rugged coastline.

Splendor of the Ocean Depths

Splendor of the Ocean Depths

Recount a SCUBA diving experience, focusing on the magnificence of life deep within the ocean.

Dive Into the Unknown

Dive Into the Unknown

What if the depths of the ocean led to an entirely new universe? Write a micro story about this first exploration.

Ocean’s Whisper

Ocean’s Whisper

You’re the only human who can talk and understand the language of the ocean. Write a flash fiction around your dialogue with the sea.

The Secret Life of a Raindrop

The Secret Life of a Raindrop

Chart the journey of a single raindrop as it falls in a tropical rainforest.

Ocean’s End

Ocean’s End

Pen a journal entry of a retired sailor, reflecting on his voyages, the adventures/treasures he found, and the memories seared into his heart.

Song of the Sea Monsters

Song of the Sea Monsters

Write a short story about an ancient sailor who swears he’s seen sea monsters and lives to tell his tale.

Space vs Ocean Exploration

Space vs Ocean Exploration

Put forth an argument supporting why we should invest more in exploring space or our oceans.

Mysterious Mermaid Encounter

Mysterious Mermaid Encounter

Imagine your ship is stranded in the middle of the ocean and you encounter a mysterious mermaid.

The Wisdom of Nature

The Wisdom of Nature

Describe a moment in nature that led to a spiritual epiphany.

Ocean’s Unspoken Words

Ocean’s Unspoken Words

Capture the depth and breadth of the ocean in a letter the ocean might write to the shore.

Echoes from the Deep

Echoes from the Deep

Delve into the dark depths of the ocean and imagine a terrifying creature that resides there.

Letters from an Ocean Nomad

Letters from an Ocean Nomad

Every week, a bottle washes up on the shore with a letter from a self-proclaimed sailor adventuring across the seven seas.

The Sea’s Siren Song

The Sea’s Siren Song

Write a narrative about a sailor who is lured by a mysterious melody that seems to come from the ocean itself.

Ocean’s Cradle of Life

Ocean’s Cradle of Life

Imagine a story where scientists discover a deep-sea ecosystem teeming with a plethora of previously undiscovered life forms.

Mysterious Leviathan

Mysterious Leviathan

Write a story about a team of scientists venturing into the depths of the ocean to discover and decipher the myth of the giant sea monster.

Animal Life Swap

Animal Life Swap

Create a comic strip about swapping lives with your favorite animal for a day.

Uncharted Territory

Uncharted Territory

Create a vivid narrative set in an unforgiving landscape you are entirely unfamiliar with, such as a desert, deep ocean, polar ice cap or dense jungle.

Ocean’s Avenger

Ocean’s Avenger

Imagine a character who has been granted powers by the ocean to fight against pollution.

Ocean Odyssey

Ocean Odyssey

Describe a day spent exploring a coral reef.

Chronicles of Coral

Chronicles of Coral

Describe the journey of a coral reef in transition from a vibrant ecosystem to a bleached ghost town due to warming seas.

Endless Wave Chase

Endless Wave Chase

Write about your most exciting encounter with the ocean during a summer vacation.

The Language of Love

The Language of Love

Compose a poetic piece using symbolism to describe love in a unique and profound way.

Lost at Sea

Lost at Sea

Imagine a scenario where an experienced sailor disappears during a solo voyage.

Ocean Depths Exploration

Ocean Depths Exploration

Write about an underwater adventure as a marine scientist discovering a new sea creature.

The Solo Sailor

The Solo Sailor

Write about a solo journey across the ocean.

Life Under the Waves

Life Under the Waves

Describe a day in the life of a marine creature.

Marine Marvels

Marine Marvels

Create an underwater adventure with you as a scuba-diving explorer.

Underwater Wonders

Underwater Wonders

Dive deep into an ocean and describe the sea animals you see.

Underwater Explorer

Underwater Explorer

Pretend you are a dolphin exploring unfamiliar parts of the ocean.

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Fish Creative Writings Samples For Students

9 samples of this type

Do you feel the need to examine some previously written Creative Writings on Fish before you begin writing an own piece? In this open-access directory of Fish Creative Writing examples, you are granted a thrilling opportunity to explore meaningful topics, content structuring techniques, text flow, formatting styles, and other academically acclaimed writing practices. Exploiting them while crafting your own Fish Creative Writing will surely allow you to finalize the piece faster.

Presenting superb samples isn't the only way our free essays service can help students in their writing endeavors – our authors can also create from point zero a fully customized Creative Writing on Fish that would make a genuine foundation for your own academic work.

Teaching My Son How To Fish Creative Writing Sample

Aquaponics creative writing example, introduction.

The paper contains the entry plan for the Aquaponics farming in Russia. Aquaponics involves combination of growing plants without soil and fish farming. The technology is used to acquire solution of minerals, involving nitrogen fixing bacteria, from aquaculture bi-products. This type of farming is characterized of higher yield than the ordinary farming.

Make a basic market entry plan for Aquaponics in Russia

Creative writing on evaluating molecular diagnosis of babesiosis.

The main Babesiosis diagnostic tests available are microbiological and serological. Unfortunately these tests have low specificity and sensitivity. Two molecular tests, the Polymerase chain reaction (PCR) and Fluorescent In-Situ Hybridization (FISH) tests, developed by IGeneX have great potential. Using 100 mice models the sensitivity and the specificity of the two tests will be determined and compared with the serological test.

1.0 Introduction

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New Experiences In Paris Creative Writing To Use For Practical Writing Help

Example of ecological mammalian pest creative writing, good example of creative writing on escape, value proposition creative writing, value proposition, example of machine design creative writing, design of a power winch.

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Macaroni Grill In Dublin Creative Writing Examples

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Writing Beginner

What Is Creative Writing? (Ultimate Guide + 20 Examples)

Creative writing begins with a blank page and the courage to fill it with the stories only you can tell.

I face this intimidating blank page daily–and I have for the better part of 20+ years.

In this guide, you’ll learn all the ins and outs of creative writing with tons of examples.

What Is Creative Writing (Long Description)?

Creative Writing is the art of using words to express ideas and emotions in imaginative ways. It encompasses various forms including novels, poetry, and plays, focusing on narrative craft, character development, and the use of literary tropes.

Bright, colorful creative writer's desk with notebook and typewriter -- What Is Creative Writing

Table of Contents

Let’s expand on that definition a bit.

Creative writing is an art form that transcends traditional literature boundaries.

It includes professional, journalistic, academic, and technical writing. This type of writing emphasizes narrative craft, character development, and literary tropes. It also explores poetry and poetics traditions.

In essence, creative writing lets you express ideas and emotions uniquely and imaginatively.

It’s about the freedom to invent worlds, characters, and stories. These creations evoke a spectrum of emotions in readers.

Creative writing covers fiction, poetry, and everything in between.

It allows writers to express inner thoughts and feelings. Often, it reflects human experiences through a fabricated lens.

Types of Creative Writing

There are many types of creative writing that we need to explain.

Some of the most common types:

  • Short stories
  • Screenplays
  • Flash fiction
  • Creative Nonfiction

Short Stories (The Brief Escape)

Short stories are like narrative treasures.

They are compact but impactful, telling a full story within a limited word count. These tales often focus on a single character or a crucial moment.

Short stories are known for their brevity.

They deliver emotion and insight in a concise yet powerful package. This format is ideal for exploring diverse genres, themes, and characters. It leaves a lasting impression on readers.

Example: Emma discovers an old photo of her smiling grandmother. It’s a rarity. Through flashbacks, Emma learns about her grandmother’s wartime love story. She comes to understand her grandmother’s resilience and the value of joy.

Novels (The Long Journey)

Novels are extensive explorations of character, plot, and setting.

They span thousands of words, giving writers the space to create entire worlds. Novels can weave complex stories across various themes and timelines.

The length of a novel allows for deep narrative and character development.

Readers get an immersive experience.

Example: Across the Divide tells of two siblings separated in childhood. They grow up in different cultures. Their reunion highlights the strength of family bonds, despite distance and differences.

Poetry (The Soul’s Language)

Poetry expresses ideas and emotions through rhythm, sound, and word beauty.

It distills emotions and thoughts into verses. Poetry often uses metaphors, similes, and figurative language to reach the reader’s heart and mind.

Poetry ranges from structured forms, like sonnets, to free verse.

The latter breaks away from traditional formats for more expressive thought.

Example: Whispers of Dawn is a poem collection capturing morning’s quiet moments. “First Light” personifies dawn as a painter. It brings colors of hope and renewal to the world.

Plays (The Dramatic Dialogue)

Plays are meant for performance. They bring characters and conflicts to life through dialogue and action.

This format uniquely explores human relationships and societal issues.

Playwrights face the challenge of conveying setting, emotion, and plot through dialogue and directions.

Example: Echoes of Tomorrow is set in a dystopian future. Memories can be bought and sold. It follows siblings on a quest to retrieve their stolen memories. They learn the cost of living in a world where the past has a price.

Screenplays (Cinema’s Blueprint)

Screenplays outline narratives for films and TV shows.

They require an understanding of visual storytelling, pacing, and dialogue. Screenplays must fit film production constraints.

Example: The Last Light is a screenplay for a sci-fi film. Humanity’s survivors on a dying Earth seek a new planet. The story focuses on spacecraft Argo’s crew as they face mission challenges and internal dynamics.

Memoirs (The Personal Journey)

Memoirs provide insight into an author’s life, focusing on personal experiences and emotional journeys.

They differ from autobiographies by concentrating on specific themes or events.

Memoirs invite readers into the author’s world.

They share lessons learned and hardships overcome.

Example: Under the Mango Tree is a memoir by Maria Gomez. It shares her childhood memories in rural Colombia. The mango tree in their yard symbolizes home, growth, and nostalgia. Maria reflects on her journey to a new life in America.

Flash Fiction (The Quick Twist)

Flash fiction tells stories in under 1,000 words.

It’s about crafting compelling narratives concisely. Each word in flash fiction must count, often leading to a twist.

This format captures life’s vivid moments, delivering quick, impactful insights.

Example: The Last Message features an astronaut’s final Earth message as her spacecraft drifts away. In 500 words, it explores isolation, hope, and the desire to connect against all odds.

Creative Nonfiction (The Factual Tale)

Creative nonfiction combines factual accuracy with creative storytelling.

This genre covers real events, people, and places with a twist. It uses descriptive language and narrative arcs to make true stories engaging.

Creative nonfiction includes biographies, essays, and travelogues.

Example: Echoes of Everest follows the author’s Mount Everest climb. It mixes factual details with personal reflections and the history of past climbers. The narrative captures the climb’s beauty and challenges, offering an immersive experience.

Fantasy (The World Beyond)

Fantasy transports readers to magical and mythical worlds.

It explores themes like good vs. evil and heroism in unreal settings. Fantasy requires careful world-building to create believable yet fantastic realms.

Example: The Crystal of Azmar tells of a young girl destined to save her world from darkness. She learns she’s the last sorceress in a forgotten lineage. Her journey involves mastering powers, forming alliances, and uncovering ancient kingdom myths.

Science Fiction (The Future Imagined)

Science fiction delves into futuristic and scientific themes.

It questions the impact of advancements on society and individuals.

Science fiction ranges from speculative to hard sci-fi, focusing on plausible futures.

Example: When the Stars Whisper is set in a future where humanity communicates with distant galaxies. It centers on a scientist who finds an alien message. This discovery prompts a deep look at humanity’s universe role and interstellar communication.

Watch this great video that explores the question, “What is creative writing?” and “How to get started?”:

What Are the 5 Cs of Creative Writing?

The 5 Cs of creative writing are fundamental pillars.

They guide writers to produce compelling and impactful work. These principles—Clarity, Coherence, Conciseness, Creativity, and Consistency—help craft stories that engage and entertain.

They also resonate deeply with readers. Let’s explore each of these critical components.

Clarity makes your writing understandable and accessible.

It involves choosing the right words and constructing clear sentences. Your narrative should be easy to follow.

In creative writing, clarity means conveying complex ideas in a digestible and enjoyable way.

Coherence ensures your writing flows logically.

It’s crucial for maintaining the reader’s interest. Characters should develop believably, and plots should progress logically. This makes the narrative feel cohesive.


Conciseness is about expressing ideas succinctly.

It’s being economical with words and avoiding redundancy. This principle helps maintain pace and tension, engaging readers throughout the story.

Creativity is the heart of creative writing.

It allows writers to invent new worlds and create memorable characters. Creativity involves originality and imagination. It’s seeing the world in unique ways and sharing that vision.


Consistency maintains a uniform tone, style, and voice.

It means being faithful to the world you’ve created. Characters should act true to their development. This builds trust with readers, making your story immersive and believable.

Is Creative Writing Easy?

Creative writing is both rewarding and challenging.

Crafting stories from your imagination involves more than just words on a page. It requires discipline and a deep understanding of language and narrative structure.

Exploring complex characters and themes is also key.

Refining and revising your work is crucial for developing your voice.

The ease of creative writing varies. Some find the freedom of expression liberating.

Others struggle with writer’s block or plot development challenges. However, practice and feedback make creative writing more fulfilling.

What Does a Creative Writer Do?

A creative writer weaves narratives that entertain, enlighten, and inspire.

Writers explore both the world they create and the emotions they wish to evoke. Their tasks are diverse, involving more than just writing.

Creative writers develop ideas, research, and plan their stories.

They create characters and outline plots with attention to detail. Drafting and revising their work is a significant part of their process. They strive for the 5 Cs of compelling writing.

Writers engage with the literary community, seeking feedback and participating in workshops.

They may navigate the publishing world with agents and editors.

Creative writers are storytellers, craftsmen, and artists. They bring narratives to life, enriching our lives and expanding our imaginations.

How to Get Started With Creative Writing?

Embarking on a creative writing journey can feel like standing at the edge of a vast and mysterious forest.

The path is not always clear, but the adventure is calling.

Here’s how to take your first steps into the world of creative writing:

  • Find a time of day when your mind is most alert and creative.
  • Create a comfortable writing space free from distractions.
  • Use prompts to spark your imagination. They can be as simple as a word, a phrase, or an image.
  • Try writing for 15-20 minutes on a prompt without editing yourself. Let the ideas flow freely.
  • Reading is fuel for your writing. Explore various genres and styles.
  • Pay attention to how your favorite authors construct their sentences, develop characters, and build their worlds.
  • Don’t pressure yourself to write a novel right away. Begin with short stories or poems.
  • Small projects can help you hone your skills and boost your confidence.
  • Look for writing groups in your area or online. These communities offer support, feedback, and motivation.
  • Participating in workshops or classes can also provide valuable insights into your writing.
  • Understand that your first draft is just the beginning. Revising your work is where the real magic happens.
  • Be open to feedback and willing to rework your pieces.
  • Carry a notebook or digital recorder to jot down ideas, observations, and snippets of conversations.
  • These notes can be gold mines for future writing projects.

Final Thoughts: What Is Creative Writing?

Creative writing is an invitation to explore the unknown, to give voice to the silenced, and to celebrate the human spirit in all its forms.

Check out these creative writing tools (that I highly recommend):

Read This Next:

  • What Is a Prompt in Writing? (Ultimate Guide + 200 Examples)
  • What Is A Personal Account In Writing? (47 Examples)
  • How To Write A Fantasy Short Story (Ultimate Guide + Examples)
  • How To Write A Fantasy Romance Novel [21 Tips + Examples)

creative writing on fish

14 fun under the sea writing prompts

Under the sea writing prompts.

Here are some free printable under the sea writing prompts with pictures that will help your students get creative. The pictures will give your classes plenty of ideas and they can interpret them in any way they like.

Each under the sea writing prompt worksheet also has a suggested writing idea for anyone who has difficulty coming up with a story or plot based on the picture.

The first ocean writing prompt above is of a wooden boat at sea with a giant squid lurking underneath. You could propose that it is a story about a fishing crew doing battle with a squid or trying to catch it. It could also be about a deadly ocean that nobody dares to cross.

How to use the under the sea writing prompts

Once you have printed out these writing prompts there are a few ways that you can go about using them.

You can print several different worksheets and let your students choose one that inspires them or just give them one at random and see what they can come up with.

If your pupils are not very imaginative you can give them the suggested story to get them started. Another way is to provide them with an interesting title. In any case, each writing task should have a title first and foremost. Hopefully, your class can come up with their own!

Another way to assist with creative writing is to give your would-be authors a word bank. A list of verbs, adjectives, and nouns that relate to the prompts can really help to get them started.

You can also get writers to plan out their story first, what or who is the writing about, what will happen and how will it end. This can make the tasks much easier to complete once everything is mapped out.

under the sea writing prompt 2

This is a kind of fantasy writing prompt with a forest of sharks. It actually doesn’t even need to be about the ocean but one idea could be to call it “The underwater jungle”.

It could be a story about a place where everything can live and breathe underwater. Who lives there? Where is it? Is it a dangerous place or one of harmony?

under the sea writing prompt 3

The man who transforms in the ocean. This under the sea writing prompt could be about a man who changes into a polar bear when he enters the sea. What does he do with his life and his superpower?

How does he keep his power a secret? What does he usually eat and where does he live?

under the sea writing prompt 4

You can call this ocean story something simple like “The giant eye”. It can be a tale of a diver who finds this new lifeform that is extremely intelligent. The story can detail how it communicates, travels, and what abilities it has.

Alternatively, it could be an alien being or something very dangerous to humans.

under the sea writing prompt 5

The ancient city. A story about some ancient ruins that are one day revealed after an earthquake. The city was built thousands of years ago by people with advanced technology.

Think of Atlantis for further ideas.

under the sea writing prompt 6

The underwater home. This writing prompt can be about people living in a house deep in the sea. What can they see out their windows? How do they get in and out of the house? Where does their food come from?

There could be a leak or perhaps a window breaks…..what happens next?

under the sea writing prompt 7

The water god. A story about a Poseidon-like being that can control the water in the ocean.

What amazing things can he do with water? How does he interact with sea animals? Does he like humans or not?

under the sea writing prompt 8

A flooded world. A tale about the future where cities on earth have become completely flooded due to global warming.

Where do people now live and how do they travel?

under the sea writing prompt 9

The mermaid and the fisherman. This writing prompt could be about a mermaid who gets caught in a fisherman’s net.

What happens when the fisherman pulls her into his boat? Does he release her or can she escape?

under the sea writing prompt 10

The sea monster. This could be about a huge sea monster that travels underwater before arriving in cities and wreaking havoc.

Where did the monster come from? What abilities does it have and how can it be stopped?

under the sea writing prompt 11

The gigantic fish. This under the sea writing prompt picture could be about a massive fish that is bigger than anything else in the ocean.

What does it eat and where exactly in the ocean does it live? Will humans be kind to it or try to hunt it? Is it intelligent and how does it communicate?

under the sea writing prompt 12

The sunken treasure chest. This could be a yarn about a sunken chest that somebody finds while diving in the sea.

How can they get the chest out of the water? How can they open it and what is inside? How did the chest get to where it is and who once owned it?

under the sea writing prompt 13

The mega-shark. This could be a similar tale to the famous Jaws movies. A story about a super predator that terrorizes beachgoers and people playing water sports.

In which country’s waters does it live? What are its habits and who can stop it?

under the sea writing prompt 14

The magic seahorse. The writing prompt could be about a magical seahorse that helps people in need.

Perhaps it can communicate via telepathy. In what ways does it help people and other ocean animals ? How old is it and does it have a family?

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Landscapes & Letters

Paul McCarney

creative writing on fish

A Fishing Story of Your Own

  Posted on September 30, 2018 By Paul McCarney


Fishing seems to offer an endless supply of life metaphors. In A Fly Rod of Your Own , the writer John Gierach describes his approach to fishing tackle. Amidst all the shiny new gear and expensive gadgets, he reflects that sometimes everything we need to enjoy a day on the water fits into a pocket or a small tin tackle box. There is certainly a lesson here about happiness in life and this lesson can be learned as effectively out in the woods as anywhere else.

Gateway to Conservation

Like many outdoors people , fishing was my gateway into the worlds of hunting and conservation. It was the first time in my life that I deliberately engaged with the natural world and wildlife in its habitat. So I feel somewhat remiss for not having written more deliberately about fishing to this point.

My fishing career followed a trajectory that is probably familiar to many. I was about 6 years old the first time I hooked a log and was convinced I was about to become the old man from Ernest Hemingway’s famous story . I was 12 years old when I received my first fly rod and waded out into a lakeside to lose flies and tangle lines. I filled my tackle box with as many lures and rubber worms as I could get my hands on. I caught very little. At 33 years old, I caught my first Arctic char in a fiord at the base of the Torngat Mountains in Labrador.

Stories Shaped by Place and People

Fishing is often described as an art as much as a sport and fishing writing seems to follow suit. With only a passingly convincing understanding of rod weights, hook sizes, and fishing tactics, I am by no means a gear expert. So while I sometimes feel out of my element among both the artistic and technical writers, I appreciate fishing for its accessibility and its sense of simplicity that allows almost anyone to drop a hook into the water and with the correct mindset, enjoy themselves.

The cliché is true though, that a good fishing story is often about much more than fishing. Take the Montana fly fisherman Norman Mclean’s iconic story,  A River Runs Through It . Montana now has an annual festival dedicated to Norman Mclean and his contributions to fishing writing and culture. Though, as the Billings Gazette explains, “Norman Maclean’s appeal goes far beyond bookworms. Instead, it could be a template for celebrating the style of stories shaped by place as much as people that won Maclean acclaim.”

creative writing on fish

Nevertheless, fishing writing is a world that remains somewhat of a mystery to me. I suppose that part of the reason I have not attempted to write about fishing before now is a lingering worry about an adaptation of the Reverend Maclean’s old moral code about fishing from  A River Runs Through It , that perhaps nobody who does not know how to write about fishing should be allowed to disgrace fishing by writing about it. Powerful fishing writing has the ability to bring the reader into a new place and to make one feel at home there or instill a deep desire to visit the place.

Art, Sport, and Conservation

As both an art and a sport, fishing combines grace, excitement, uncertainty, curiosity, exploration, and the direct engagement with the natural world and its food that many of us love about hunting and other outdoor activities. As the writer and conservationist Steven Rinella has described it, fishing isn’t only about fish, casting into the water is like asking a question, and somehow an empty hook is still a satisfying answer.

But fishing is also full of ethical and conservation issues and I care deeply about the pressures facing fish and their habitat throughout the world. Freshwater ecosystems, including lakes, rivers, and streams, are some of the most vulnerable habitats to the environmental threats facing the world. Pollutants from agricultural and industrial runoff, invasive species, and the construction of dams threaten freshwater habitats and species around the world. The health of ocean habitats, including coral reefs, mangroves, and seagrass beds , has declined dramatically throughout the world. Eighty percent of fish stocks in the world’s oceans have experienced some form of overexploitation.

creative writing on fish

Over the last year, I have had the wonderful fortune to spend time fishing in the ocean for the first time in my life and I now fully understand the excitement of saltwater fishing. When I moved to Nain, the northernmost community on the coast of Labrador in spring 2017, I spent that entire summer fishing for Arctic char ( Salvelinus alpinus ), the favourite fish among most people in the community and delicious table fare. That summer was a good lesson in disappointment; I finished the season without catching a single char. In addition to questioning the deficiencies in my own method and skill, the experience also made me interested in the natural history of Arctic char.

Arctic Char

Arctic char is a member of the salmon family. Char occur throughout the circumpolar north and are the most northern freshwater or anadromous fish (ocean fish that migrate up rivers to spawn in the fall). Char are brilliantly metallic on the outside and have a bright pink, perfectly flaky and mild flesh when cooked. The botanist Carl Linnaeus first scientifically described Arctic char in 1758 as a species of salmon. In 1836, Arctic char was classified as a species in the genus Salvelinus and is now the most widespread species in the genus.

Arctic char dispersed throughout its range following glacial retreats at the end of the Pleistocene. In Canada, two forms of Arctic char are typically recognized: one that lives west of the MacKenzie Delta and one that extends east throughout the central and eastern Arctic. Its range in North America runs from Maine up through Newfoundland and Labrador, across the Arctic ocean and archipelago to Alaska.

Anadromous char live in coastal marine areas near their birth rivers while there are other freshwater populations that are landlocked and spend all of their time in inland lakes. Unlike other members of the salmon family, char do not die after they spawn. After spawning in the fall, adults will return to their ocean habitats the following spring. Char are classified as least concern by the International Union for the Conservation of Nature. However, research has noted that char, as with other northern fish species, are likely to be impacted by potential changes in their environments as a result of increased temperatures associated with climate change. There is ongoing research throughout their range to better understand stock structures, migration patterns, and the potential impacts of harvest.

Fishing for Arctic Char

This past July 2018, I had the opportunity to travel to the Torngat Mountains in northern Labrador and fish for Arctic char. During one of our afternoons, we took a boat into Torr Bay, a small cove on the south side of Saglek Fiord, just outside Torngat Mountains National Park. The water in these bays is clear to a sandy bottom that slopes gradually out from rocky and boulder-strewn shorelines.

I had prewarned the other four people in the boat that if I managed to catch a char, I would do very little to attempt to play it cool and hide my excitement. We were about 100 yards out from shore and casting with spinning rods and Blue Fox Pixee lures towards shore for char that were likely feeding on small fish and crustaceans in the shallower water. The method in these regions is a very basic smooth retrieve or a slight crank and retrieve that you might more commonly use with a Rapala.

creative writing on fish

A couple of the other people in the boat started to hook fish and brought in a couple beautiful char. At that point, char had become my unicorn of the fish world, so when I felt that first char take my hook and then saw the flash of silver and pink splash out of the water about 20 yards from the boat, it was one of the most exciting moments in my recent memory and one I would relive a hundred times if I could. I don’t think we often compare the excitement and sense of achievement we feel in catching a particular fish with killing a big game animal, but I am proud to say I felt as excited at that moment as I did the first time I shot a deer.

I’m not sure if there is any science to this phenomenon, but once I had managed to catch one char, it was like the fishing equivalent of adjusting your game eye to a new place – when you finally pick out a deer for the first time in a new landscape and train your eye, you wonder how you ever missed them. After the first fish, I felt somewhat more attuned to the nuances of where to target a cast, how deep to let the lures sink, and how to retrieve. For a time in the boat that day, I almost had a difficult time casting without catching a fish and it was absolutely thrilling.

A Fish of Place and People

Arctic char is the most fun fish I have ever caught. It’s perfect. They dive, splash, and run, allowing you to be patient and enjoy the time from hook set to landing. I was able to watch that fish fight and flash through the water as I brought it to the boat, and there was of course part of me that felt it was over too quickly. As I lifted the fish out of the water and looked at it, beneath the excitement of catching my first char was also a sense that I was a little less of an imposter now. It was a comforting feeling that, as if by catching a fish that is so appreciated here, I felt like I understood the landscape itself just a little better.

creative writing on fish

Maybe that’s what catching fish comes down to sometimes. It’s hard to really feel like you know a place until you begin to understand its rhythms and nuances. But when we enjoy a place, we want to cross that imaginary line between looking at its pieces and seeing its whole. Maybe being successful fishing shows us that we have come to learn that place a little better, and that’s a nice feeling.

I don’t consider myself a catch and release fisherman. My motivation to fish is always driven by the desire to catch food. So I was lucky that the group I was fishing with had plenty of interest in eating char on that trip. I will gladly and humbly admit that as soon as I started catching char, I did not want to stop catching char. Every fish I hooked refilled my excitement about the feeling of catching char. Every fish I took out of the water was magnificent in its connection to thousands of years of evolutionary history and in its deep cultural significance for human communities in Labrador who have relied on char as an important food source for many generations. I am also grateful that I now have a char fishing story of my own.

creative writing on fish

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Ocean and Seas Visual Story Prompts - Creative Writing Using All 5 Senses

Ocean and Seas Visual Story Prompts - Creative Writing Using All 5 Senses

Subject: English

Age range: 5-7

Resource type: Worksheet/Activity

First Maths For First Choice Resources

Last updated

30 June 2019

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creative writing on fish

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Act: Inspiration

The relationship of my texts to a dead fish.

By John Thackara , originally published by John Thackara blog

May 6, 2021

fish and chips

The following is a conversation with John Wood, professor at Goldsmiths, University of London, and joint editor (with Julia Lockheart) of the Journal of Writing in Creative Practice. Please cite: Thackara, John (2021), ‘The relationship of texts to dead fish’, Journal of Writing in Creative Practice, 14:1, pp. 5–11, doi:

John Wood (JW) : It’s kind of you to spare us some time. You are probably best known in creative circles as a notable editor of Design Magazine and for your informative and highly readable design publications, books like In the Bubble (2006), How to Thrive in the Next Economy (2015) and, of course, your trailblazing ‘Doors of Perception’ conferences. I note that, before dedicating yourself to supporting the design cause, you studied philosophy and journalism. I should explain why I mention this. Although the Journal’s name includes the word ‘writing’, some of us still feel strangely nervous about having to ‘do’ reading or writing. Arguably, quite a lot of artists, designers or craftspeople feel more comfortable hanging around the studio or workshop than they do in the library. So, although the Journal sometimes touches on the use of writing for creative discovery, or as a way to develop theory, I guess it is best at promoting writing that helps artists, craftspeople or designers to clarify their purpose, or to become better practitioners.

John Thackara (JT) : Good! I’m not good at talking about abstruse design theory – even though I did study philosophy before starting my first job. In that first job, which was with an architecture publisher, my task was to seek out developments at the edge of the design world and get people to write books about them. Later, when I evolved from being a commissioning editor to being a design critic, and when I was editor of Design, I still didn’t see it as my job to tell designers what to do. Rather, I tried to introduce new conversations that might enrich the practices with which they were engaged. But others saw my work differently. In the early 1980s, one of the founders of Pentagram (the celebrated graphic design company) accused me of stealing the word designer. In retrospect, I’m not unsympathetic to his complaint. These days, the word design has expanded almost to infinity.

JW : That’s a clear explanation of how you navigated what we tend to see as the gaps between practices of writing and design. Did any philosophies, or philosophers, have a strong influence on what you did?

JT:  Well, a training in philosophy encourages you to ask why things are as they are, and that habit has persisted. But I don’t want to exaggerate the amount of philosophy I use in my work. The other day I found one of my old university textbooks in a box. Hegel’s Philosophy of Mind. Every second or third line has a heavy notation, made by me as a student. Today, I can barely understand any of it. In my case, philosophy is more of an attitude than a method. I probably owe an apology to professional philosophers, as well as to professional designers – but I just can’t stop asking ‘why?’

JW : It occurs to me that there is a forgotten fault line in design education between, on the one hand, the western tradition of analytical truth-seeking and, on the other hand, the more hands-on practices of creating pictures and forms. These traditions have very different origins, aims and agendas. In the past, the ‘research’ mode sought knowledge that can be explained in written proofs and equations. However, in the art schools of my day, designers tended to be taught just to ‘make things work’, whether aesthetically or practically. Nobody expected us to produce written analysis or justification. In my experience, a high proportion of us were undiagnosed dyslexics, or people who had taught themselves to think in ways that were under the radar practices, I doubt whether universities notice the important chasm that separates the scholastic genres of writing from the way that we encourage creative practitioners to think. Of course, your question ‘why…?’ is familiar not only to philosophers but also to many creative artists, craftspeople and designers. Perhaps, when you have been asking the ‘why’ question, you have also, implicitly, been asking more practical questions, such as ‘how…?’ or, even, ‘how can…?’.

JT:  That’s an interesting way to put it. I hadn’t considered that before. Maybe the limitations of writing, as such, have drawn me to people who make and do things in a context, rather than those who reflect upon things in an abstract way. I have learned – belatedly – to respect the work of those you mention: the makers, dyslexics or less-wordy types. I get steadily more nourishment hanging out with local people growing their food, or indigenous people on their lands, or actors and performance artists.

JW : I used to love reading the philosopher Ludwig Wittgenstein, maybe because he was a bit of a designer. After studying engineering, he had the idea of ‘redesigning’ language so that it could communicate without ambiguity or using one word for different purposes. To do this he wanted to make it rational and consistent. He later realised that living beings are complex and impromptu; therefore, our utterances reflect this. However meticulous you are, there will always be aspects that could not be reconciled. I have another question for you. What might have happened, do you think, if your life had been run in a slightly different order? Let’s imagine you started out as an apprentice journalist and then picked up your interest in philosophy afterwards?

JT: That’s an intriguing question. I remember my first day at journalism school in Cardiff. The head of the school, Sir Tom Hopkinson, had hired a no-nonsense former sub-editor from the Glasgow Herald to run the induction course. It was like going to base camp. I can still feel the fear today. This guy said to me, ‘now, laddie, forget all these fancy abstract theories. The most important thing to remember, as a journalist, is that what you write today will be wrapped around the body of a fish tomorrow morning’. My mental equivalent of a dead fish, today, is an Amazon books warehouse. A new book is published every 30 seconds, and that warehouse contains millions of titles. Among them, somewhere at the back, are mine. I’ve learned not to worry too much about what happens to my words. They’re out there. That’s enough.

JW : Over the last 50 years or so, universities have increasingly expected artists, designers and craftspeople to accommodate what I would call ‘non-native’ practices of writing. These include the academic protocols of scholarship, such as critical thinking or evidence-based analysis. I am not saying that designers shouldn’t write, but I wonder whether they really have the time to acquire all the skills of a full-time theoretician.

JT:  Time, or motivation. When I worked at the Royal College of Art (as director of research), I encountered a strange phenomenon called ‘the thesis’, which was administered by a small Department of Humanities. The written thesis was a torture for many students, but it had acquired the status as a vital part of any design education, even if nobody could quite remember why. I agreed then – and do, now – that it’s important to reflect critically about what we do. But expecting a maker, or a director, or an artist, to sit down on their own and write 10,000 words is not the only way to reflect well.

JW:  This makes sense to me. I once spent a year doing my very best to write a book in the very simplest and clearest language possible. My grown-up son has a fine art degree, so I asked him what he thought of it. Yes, he’d enjoyed reading it, he said, but suggested that I just needed to redraft it in a simpler, clearer way. There is a paradox, here. We may see the need for global behavioural change, but human actions are sustained by our ingrained habits. And these, in turn, are shaped by the words and metaphors we happen to have at our disposal. It’s understandable to find readers recoiling from texts that are too difficult, or pseudo-intellectual, but how can ‘creative thinkers’ challenge popular beliefs unless they bother to get inside the language and bend it, or replace it with more useful shapes? Isn’t this why we will always need new or specialist words and concepts that may, at least initially, sound a wee bit pretentious?

JT : I question why artists and designers should be encouraged to write in an intellectual way. That question also applies to specialists of all kinds. After all these years, I still don’t understand the need to converse in abstruse language. For me, experts have a duty to communicate with the rest of us clearly. But too often, they don’t.

JW:  Are you saying we need to train more studio practitioners to be popularisers? If visionary artists, designers and craftspeople could communicate more persuasively, would society undergo a swifter paradigm change?

JT:  I prefer the word immersion, to persuasion. We need more than one-way communication skills. I attended an event called ‘Transition Anywhere’ in which the Transition Towns movement worked with Encounters Arts. Their special talent is getting diverse groups to talk to one another. They describe their practice as the art of invitation, or the art of hosting.

JW : This chimes with Julia Lockheart’s practical work on co-creative writing. It also reminds me of some of our metadesigners research. We wanted to see if we could turn small, heterogeneous groups of specialist designers into creatively open, non-hierarchical teams (e.g. Actually, we started by reinventing some of Meredith Belbin’s management tools based on the identification of ‘team types’.

JT:  It’s hard. In workshops with designers, there is often a tension when the people we consider to be the centre of the story, such as farmers, cooks or social activists, feel they are not being listened to. Listening is a practice in itself. It’s been life-changing for me to be working with Annika Göran- Rodell in Sweden. She’s an artist who has also done Theory U training. She designs and curates situations in which everyone feels they are being heard. We might spend, say, fifteen minutes in an ‘active listening’ exercise. It’s not just about silent reflection.

JW : Can we discuss how to deal with aspects of the system that are too complex to describe in words? A lot of designers are suspicious of the way that ‘design thinking’ has become popular. Maybe it’s because they are aware that a lot of knowledge is action-based and embodied. In our metadesign research, several of us received training from the Nowhere Foundation. I don’t know if you know them.

JT:  I know of them.

JW : As you probably know, their ‘Systemic Constellations’ workshops came out of Bert Hellinger’s Gestalt psychology theories. Hellinger looked at trauma in people, such as young children, who can’t articulate their feelings in words. He concluded that humans have more knowledge about the social level than at the individual level, but it’s a tacit kind of knowledge. We know more than we think we know, but without the factual details. So he invented a powerful group workshop method that can enable anyone to decode a given social problem, even though they know virtually nothing about the specifics of the particular situation. It all works by getting people to experience standing in the particular physical proximity that matches the problem under review. Humans seem very well attuned to complex emotional relations if they experience them at the physical level, rather than having them described in words. Do you think that our ‘emotional literacy’ might connect with the idea of an ‘ecological literacy’?

JT:  I hope so. I’ve spent many years looking for ways to reveal, or teach, ecological literacy – for myself, as much as for the people I work with. I’ve had a number of epiphanal experiences when I felt connected to a more-than-human world. I’ve been taken by people into forests, taken mescaline, spent time with soil scientists, gone on field trips with ecologists. None of these experiences lend themselves to being turned into a course. The best I’ve managed so far is to advocate that we all get out of our lecture rooms and studios and spend time in nature with someone who knows what’s happening there! But I haven’t given up in my search for a designed ecological experience. The software community answered a similar question in their own field – how to interest people in code – by inventing a teaching package called ‘Hour of Code’. It’s a one-hour experience in which small groups experience the fundamentals of coding in a hands-on way. Then, if someone in that group is gripped by it, they’re introduced to a vast amount of online resources. The organisers claim to have reached 20 per cent of all the high school students on the planet – 200 million people or more. I want someone to do the same for ecological literacy.

JW : That’s a great design brief for someone, John. If it’s alright, I’ve got a couple of more questions.

JT : Please, I’m enjoying this.

JW : It occurs to me that there are a few keywords that are critical for change. For studio practitioners, such as designers, these keywords may become either crutches or hurdles, depending on how you see them. Words like ‘growth’ but used in ‘economic growth’ are bandied around in political discourse. Similarly, the adjective ‘sustainable’ is unhelpful to designers or their clients, as it doesn’t say how, who or what should do the sustaining. In 1999, I came up with the word ‘co-sustainment’, but Daniel Wahl’s more recent term ‘regenerative’ is better. It may remind us that we can’t sustain ‘unsustainable’ lifestyles. Why then do people still hang onto the term ‘sustainable?’

JT:  I agree with you that the word sustainable can feel like a millstone around our necks. But it’s not just about finding a better word. What many people connect with are stories and ideally direct experiences. These stories should be about grassroots innovators, movers and shakers who often don’t know or care what the word ‘sustainable’ means. That said, there’s still one word I cannot ignore, the word ‘growth’. I spent years wagging my finger at people and telling them that growth is evil. Eventually, I noticed that most people tend to blank out when I started that particular rant. So I changed tack. These days I look for examples of ‘good’ growth – growth in the health of places, growth in the health of living organisms, growth in biodiversity. People also liven up when we discuss how living systems are present in unexpected places, such as weeds in cities. They say, ‘oh, really – so going back to nature isn’t just about going and living in a tepee on some damp hill?’

My theory of change is borrowed from Ilya Prigogene:

‘when a system is far from equilibrium, small islands of coherence have the capacity to shift the entire system’.

As a writer, my work involves a search for small islands of coherence – that I can later describe – in which social and ecological relationships thrive together. My aim as an event curator or teacher or workshop organizer is similar. I strive to enable embodied encounters with situations (or ‘islands’) in which we feel ourselves to be part of nature, rather than separate from it. These islands are my ‘studio’.

This work is not symbolic, like ‘systems thinking’. It’s more field work than head work. I want people to experience relational ecologies not just think about them. The artist Eva Bakkeslett describes this process – the cultivation of ecological and social connectivity using embodied experience – as social fermentation.

JW : Thank you, John. It’s been a pleasure

Teaser photo credit: Flickr/LearnngLark

creative writing on fish

John Thackara

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May 17, 2024

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Does US Climate Policy Have a Herring Problem? (Part 3)

By Joel Stronberg , Civil Notion

The ultimate question SCOTUS must answer is this:

Is there ever a time when the health of democracy trumps judicial philosophies and precedents? If not now, when?


37th Summer Fishtrap Gathering of Writers: Love

July 8-14, 2024 – wallowa lake lodge, oregon, adult workshops $925, $830 for fishtrappers.

Summer Fishtrap offers weeklong creative writing workshops in fiction, nonfiction, poetry, revision, and graphic storytelling, plus a cross genre virtual workshop. Each workshop is limited to no more than 13 participants, giving you the opportunity to build connections with a world-class instructor and your fellow writers. Throughout the week, we’ll bring the best of Summer Fishtrap to you through craft talks, discussions, open mics, and readings. Keynote from award-winning poet, Aaron Abeyta

creative writing on fish

Learn more about Summer Fishtrap Lodging, Meal, and Travel options here.

Download the Summer Fishtrap Participant Packet here.

Download the Summer Fishtrap 2024 Brochure here.

Watch the videos from Summer Fishtrap 2023

creative writing on fish

Weeklong Workshops

Aaron Abeyta – Poetry

Aaron Abeyta – Poetry

The Poem(s) for Which We Are Grateful

Stephanie Elizondo Griest – Nonfiction

Stephanie Elizondo Griest – Nonfiction

Elevating Life Into Art

Tim Z. Hernandez – Nonfiction

Tim Z. Hernandez – Nonfiction

Love: The Experiments

Nina McConigley – Fiction

Nina McConigley – Fiction

Only Connect: or What’s Love Got to Do With It?

Rena Priest – Poetry

Rena Priest – Poetry

The Secret Medicine

Laura Pritchett – Fiction

Laura Pritchett – Fiction

Lovin’ on Mother Earth through Imagination

Sharma Shields and Simeon Mills – Illustration and Graphic Storytelling

Sharma Shields and Simeon Mills – Illustration and Graphic Storytelling

Visual Storytelling

Kim Stafford – Cross Genre

Kim Stafford – Cross Genre

How to Love Your Reader through Revision – SOLD OUT – Join the Waitlist

Eliot Treichel – Cross Genre (Virtual)

Eliot Treichel – Cross Genre (Virtual)

Find Your Love

Yearlong Workshops

2024 Yearlong Workshop with Amy Irvine

2024 Yearlong Workshop with Amy Irvine

2023 Yearlong Workshop with Perrin Kerns

2023 Yearlong Workshop with Perrin Kerns

2023-2024 Yearlong with Perrin Kerns

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Science Leadership Academy @ Center City

Descriptive Essay- Fish

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Online Field Guide

Adjectives for Fish: Words to Describe Fish

creative writing on fish

Some of the most popular adjectives to describe a fish are abundant, hardy, and delicious. If you’re running out of ideas for what to call your new fish friend, don’t worry- these adjectives should help get you started.

  • Abundant – There are a lot of fish in the sea.
  • Beautiful – Fish come in a wide variety of colors and patterns.
  • Calm – Fish are often used as pets because they can help to create a feeling of calmness.
  • Delicious – They are a popular food all over the world and can be cooked in many different ways.
  • Exotic – Some fish come from very far away and are not commonly seen in pet stores.
  • Friendly – Fish are often kept as pets because they are generally docile and non-aggressive.
  • Hardy – Fish are able to live in a wide range of environments and can be very resilient creatures.
  • Iridescent – Many fish have an iridescent quality to their scales, which means that they appear to change color when viewed from different angles.
  • Long – There are many species of fish that are quite long, such as swordfish and certain types of sharks.
  • Metallic – Some fish have a metallic sheen to their scales, which makes them appear to be made of metal.
  • Narrow – Some fish, such as barracudas, have very narrow bodies.
  • Scaly – Obviously, all fish have scales.
  • Short – There are also many species of fish that are quite short, such as guppies and goldfish.
  • Slimy – Most fish have a slimy coating on their skin, which helps to keep them hydrated.

Final Thoughts

These are just a few of the many adjectives that can be used to describe fish. We hope this list has been helpful and given you some ideas for what to call your new fishy friend.

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  Short Story  -   Short Memoir   Flash Fiction  -   Poetry  10 from each published in  The Fish Anthology

creative writing on fish

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creative writing on fish

Short Story  -   Memoir Flash Fiction  -   Poetry Playwriting

creative writing on fish

Fish Anthologies and other Publications

Anthology 2023

Short Story Prize

CLOSED Results: 17 March ’24 €6,400 in Prizes + Publication

Judge: Sarah Hall Word limit: 5,000

Short Memoir Prize

CLOSED – closes 31 Jan ’24 Prizes + Publication

Judge: Sean Lusk Word limit: 4,000

Flash Fiction Prize

CLOSED – Results 10 April ’24 Prizes + Publication

Judge: Michelle Elvy Word limit: 300

Poetry Prize

CLOSED – results 15 May ’24 Prizes + Publication

Judge: Billy Collins Word limit: 60 lines

The Lockdown Prize

CLOSED (closed 15 June ’20) Prose / Poem / Haiku or Senryu

9 pieces to be published

Assistance for Writers and Poets: Select Option

Critique Service  is for:

  • Short Stories (up to 5,000 words)
  • Short Memoirs (up to 4,000 words)
  • Flash Fiction (up to 500 words)
  • Poems (up to 400 words)

Editorial Consultancy  is for:

  • Stories, Memoirs and Poems (length greater than above) 
  • Collections of Short Stories or Poetry
  • Non-Fiction Manuscripts

Mentoring Service  is for:

  • Writers who require on-going support and direction.

Still not sure which of the Editorial Services is for you? Email: editorial

  • Which One's for you?

Short Story Writing Course

10 modules designed to hone your writing skills within this exciting genre. This is an online course to be completed within 5 months. When you have enrolled on the course . . .

Memoir Writing Course

This tailored one-to-one course will guide and develop an ability to write from personal experience with literary purpose. . . .

Flash Fiction Writing Course

A series of lively and stimulating lessons online. All aspects of writing flash fiction will be explored, from sourcing material to shaping and producing a publishable work.

Poetry Writing Course

Each word has a little music of its own, which poetry rearranges so it can be heard. Delve deep into these arrangements, exploring poetic tools – symbolism, repetition, figurative speech, persona . . .

Playwriting Course

Complete a full-length play in your own unique voice. The work you create during the assignments will form the skeleton of your play, providing a solid foundation for you to develop it further at your own pace.

Fish Anthology 2023

Fish Anthology 2023

… a showcase of disquiet, tension, subversion and surprise … so many skilled pieces … gem-like, compressed and glinting, little worlds in entirety that refracted life and ideas … What a joy! – Sarah Hall

… memoirs pinpointing precise feelings of loss and longing and desire. – Sean Lusk

What a pleasure to watch these poets’ minds at work, guiding us this way and that. – Billy Collins

creative writing on fish

Fish Anthology 2022

‘… delightful, lively send-up … A vivid imagination is at play here, and a fine frenzy is the result.’ – Billy Collins ‘… laying frames of scenic detail to compose a lyric collage … enticing … resonates compellingly. … explosive off-screen drama arises through subtly-selected detail. Sharp, clever, economical, tongue-in-cheek.’ – Tracey Slaughter

Fish Anthology 2021

Fish Anthology 2021

Brave stories of danger and heart and sincerity. Some risk everything outright, some are desperately quiet, but their intensity lies in what is unsaid and off the page. These are brilliant pieces from bright, new voices. A thrill to read. ~ Emily Ruskovich

Fish Anthology 2020

I could see great stretches of imagination. I saw experimentation. I saw novelty with voice and style. I saw sentences that embraced both meaning and music. ~ Colum McCann

creative writing on fish

Fish Anthology 2019

These glorious pieces have spun across the globe – pit-stopping in Japan, the Aussie outback, Vancouver, Paris, Amsterdam and our own Hibernian shores – traversing times past, present and imagined future as deftly as they mine the secret tunnels of the human heart. Enjoy the cavalcade. – Mia Gallagher

Fish Anthology 2018

The standard is high, in terms of the emotional impact these writers managed to wring from just a few pages. – Billy O’Callaghan

Loop-de-loopy, fizz, and dazzle … unique and compelling—compressed, expansive, and surprising. – Sherrie Flick

Every page oozes with a sense of place and time. – Marti Leimbach

Energetic, dense with detail … engages us in the act of seeing, reminds us that attention is itself a form of praise. – Ellen Bass

Fish Anthology 2017

Fish Anthology 2017

Dead Souls has the magic surplus of meaning that characterises fine examples of the form – Neel Mukherjee I was looking for terrific writing of course – something Fish attracts in spades, and I was richly rewarded right across the spectrum – Vanessa Gebbie Really excellent – skilfully woven – Chris Stewart Remarkable – Jo Shapcott

creative writing on fish

Fish Anthology 2016

The practitioners of the art of brevity and super-brevity whose work is in this book have mastered the skills and distilled and double-distilled their work like the finest whiskey.

Sunrise Sunset by Tina Pisco

Sunrise Sunset

€12  (incl. p&p)   Sunrise Sunset by Tina Pisco Read Irish Times review by Claire Looby Surreal, sad, zany, funny, Tina Pisco’s stories are drawn from gritty experience as much as the swirling clouds of the imagination.  An astute, empathetic, sometimes savage observer, she brings her characters to life. They dance themselves onto the pages, […]

Fish Anthology 2015

Fish Anthology 2015

How do we transform personal experience of pain into literature? How do we create and then chisel away at those images of others, of loss, of suffering, of unspeakable helplessness so that they become works of art that aim for a shared humanity? The pieces selected here seem to prompt all these questions and the best of them offer some great answers. – Carmen Bugan.

Fish Anthology 2014

Fish Anthology 2014

What a high standard all round – of craft, imagination and originality: and what a wide range of feeling and vision. Ruth Padel

I was struck by how funny many of the stories are, several of them joyously so – they are madcap and eccentric and great fun. Others – despite restrained and elegant prose – managed to be devastating. All of them are the work of writers with talent. Claire Kilroy

Fish Anthology 2013

Fish Anthology 2013

The writing comes first, the bottom line comes last. And sandwiched between is an eye for the innovative, the inventive and the extraordinary.

creative writing on fish

Fish Anthology 2012

A new collection from around the globe: innovative, exciting, invigorating work from the writers and poets who will be making waves for some time to come. David Mitchell, Michael Collins, David Shields and Billy Collins selected the stories, flash fiction, memoirs and poems in this anthology.

creative writing on fish

Fish Anthology 2011

Reading the one page stories I was a little dazzled, and disappointed that I couldn’t give the prize to everybody. It’s such a tight format, every word must count, every punctuation mark. ‘The Long Wet Grass’ is a masterly bit of story telling … I still can’t get it out of my mind. – Chris Stewart

creative writing on fish

Fish Anthology 2010

The perfectly achieved story transcends the limitations of space with profundity and insight. What I look for in fiction, of whatever length, is authenticity and intensity of feeling. I demand to be moved, to be transported, to be introduced into other lives. The stories I have selected for this anthology have managed this. – Ronan Bennett, Short Story Judge.

creative writing on fish

Fish Anthology 2009 – Ten Pint Ted

I sing those who are published here – they have done a very fine job. It is difficult to create from dust, which is what writers do. It is an honour to have read your work. – Colum McCann

Fish Anthology 2008 – Harlem River Blues

The entries into this year’s Fish Short Story Prize were universally strong. From these the judges have selected winners, we believe, of exceptional virtue. – Carlo Gebler

creative writing on fish

Fish Anthology 2007

I was amazed and delighted at the range and quality of these stories. Every one of them was interesting, well-written, beautifully crafted and, as a short-story must, every one of them focused my attention on that very curtailed tableau which a short-story necessarily sets before us. – Michael Collins

creative writing on fish

Fish Anthology 2006 – Grandmother, Girl, Wolf and Other Stories

These stories voice all that is vibrant about the form. – Gerard Donovan. Very short stories pack a poetic punch. Each of these holds its own surprise, or two. Dive into these seemingly small worlds. You’ll come up anew. – Angela Jane Fountas

creative writing on fish

All the King’s Horses – Anthology of Historical Short Stories

Each of the pieces here has been chosen for its excellence. They are a delightfully varied assortment. More than usual for an anthology, this is a compendium of all the different ways that fiction can succeed. I invite you to turn to ‘All the King’s Horses’. The past is here. Begin. – Michel Faber

creative writing on fish

Fish Anthology 2005 – The Mountains of Mars and Other Stories

Literary anthologies, especially of new work, act as a kind of indicator to a society’s concerns. This Short Story collection, such a sharp and useful enterprise, goes beyond that. Its internationality demonstrates how our concerns are held in common across the globe. – Frank Delaney

creative writing on fish

Fish Anthology 2004 – Spoonface and Other Stories

From the daily routine of a career in ‘Spoonface’, to the powerful, recurring image of a freezer in ‘Shadow Lives’. It was the remarkable focus on the ordinary that made these Fish short stories such a pleasure to read. – Hugo Hamilton

creative writing on fish

Feathers & Cigarettes

In a world where twenty screens of bullshit seem to be revolving without respite … there is nothing that can surpass the ‘explosion of art’ and its obstinate insistence on making sense of things. These dedicated scribes, as though some secret society, heroically, humbly, are espousing a noble cause. – Pat McCabe

creative writing on fish

Franklin’s Grace

It’s supposed to be a short form, the good story, but it has about it a largeness I love. There is something to admire in all these tales, these strange, insistent invention. They take place in a rich and satisfying mixture of places, countries of the mind and heart. – Christopher Hope

creative writing on fish

Asylum 1928

There are fine stories in this new anthology, some small and intimate, some reaching out through the personal for a wider, more universal perspective, wishing to tell a story – grand, simple, complex or everyday, wishing to engage you the reader. – Kate O’Riodan

creative writing on fish

Five O’Clock Shadow

I feel like issuing a health warning with this Fish Anthology ­ these stories may seriously damage your outlook – Here the writers view the world in their unique way, and have the imagination, talent, and the courage to refine it into that most surprising of all art forms ­ the short story. – Clem Cairns.

creative writing on fish

From the Bering Strait

Every story in this book makes its own original way in the world. knowing which are the telling moments, and showing them to us. And as the narrator of the winning story casually remarks, ‘Sometimes its the small things that amaze me’ – Molly McCloskey

creative writing on fish

Scrap Magic

The stories here possess the difference, the quirkiness and the spark. They follow their own road and their own ideas their own way. It is a valuable quality which makes this collection a varied one. Read it, I hope you say to yourself like I did on many occasions, ‘That’s deadly. How did they think of that?’ – Eamonn Sweeney

creative writing on fish

Really good short stories like these, don’t read like they were written. They read like they simply grew on the page. – Joseph O’Connor

creative writing on fish

The Stranger

The writers in this collection can write short stories . . . their quality is the only thing they have in common. – Roddy Doyle

creative writing on fish

The Fish Garden

This is the first volume of short stories from Ireland’s newest publishing house. We are proud that fish has enabled 15 budding new writers be published in this anthology, and I look forward to seeing many of them in print again.

creative writing on fish

12 Miles Out – a novel by Nick Wright

12 Miles Out was selected by David Mitchell as the winner of the Fish Unpublished Novel Award. A love story, thriller and historical novel; funny and sad, uplifting and enlightening.

creative writing on fish

Altergeist – a novel by Tim Booth

You only know who you can’t trust. You can’t trust the law, because there’s none in New Ireland. You can’t trust the Church, because they think they’re the law. And you can’t trust the State, because they think they’re the Church And most of all, you can’t trust your friends, because you can’t remember who they were anymore.

creative writing on fish

Small City Blues numbers 1 to 51 – a novel by Martin Kelleher

A memoir of urban life, chronicled through its central character, Mackey. From momentary reflections to stories about his break with childhood and adolescence, the early introduction to the Big World, the discovery of romance and then love, the powerlessness of ordinary people, the weaknesses that end in disappointment and the strengths that help them seek redemption and belonging.

creative writing on fish

The Woman Who Swallowed the Book of Kells – Collection of Short Stories by Ian Wild

Ian Wild’s stories mix Monty Python with Hammer Horror, and the Beatles with Shakespeare, but his anarchic style and sense of humour remain very much his own in this collection of tall tales from another planet. Where else would you find vengeful organs, the inside story of Eleanor Rigby, mobile moustaches, and Vikings looting a Cork City branch of Abracababra?

News & Articles

Poetry prize 2024: results, short story prize 2023/24: results, flash fiction prize 2024: results, short memoir prize 2024: results, launch of the fish anthology 2023, find us and follow us.

Fish Publishing, Durrus, Bantry, Co. Cork, Ireland

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2024 creative writing prize winners.

Please join the Department of English and Creative Writing in congratulating the 2024 Creative Writing Prize winners!

Andrea Cohen reading at Creative Writing Prize Ceremony 2024

Andrea Cohen at 2024 Creative Writing Prizes Ceremony. Photo by Alberto Paniagua

Matthew Olzmann at Creative Writing Prizes Reading

Professor Matthew Olzmann at Creative Writing Prizes Reading. Photo by Alberto Paniagua

Ulla-Brit Libre reading at 2024 Creative Writing Prizes Ceremony

Ulla-Brit Libre reading at 2024 Creative Writing Prizes Ceremony. Photo by Alberto Paniagua

Sanjana Raj reading at 2024 Creative Writing Prizes Ceremony

Sanjana Raj reading at 2024 Creative Writing Prizes Ceremony. Photo by Alberto Paniagua

Ethan Gearey reading at 2024 Creative Writing Prizes Ceremony

Ethan Gearey reading at 2024 Creative Writing Prizes Ceremony. Photo by Alberto Paniagua

Maeve Kenney at 2024 Creative Writing Prizes Ceremony

Maeve Kenney reading at 2024 Creative Writing Prizes Ceremony. Photo by Alberto Paniagua

Zhenia Dubrova at 2024 Creative Writing Prizes Ceremony

Zhenia Dubrova at 2024 Creative Writing Prizes Ceremony. Photo by Alberto Paniagua

Anne Rhee

Anne Rhee at 2024 Creative Writing Prizes Ceremony. Photo by Alberto Paniagua

Jessica Yang at 2024 Creative Writing Prizes Ceremony

Jessica Yang at 2024 Creative Writing Prizes Ceremony. Photo by Alberto Paniagua

Andrea Cohen at 2024 Creative Writing Prizes Ceremony

Judge Andrea Cohen at 2024 Creative Writing Prizes Ceremony. Photo by Alberto Paniagua

The 2024 Creative Writing Prizes Ceremony was held on Thursday, May 9, 2024, at 4:30 p.m. in Sanborn Library, and included readings from the prize winners and this year's judge, Andrea Cohen .

Andrea Cohen's poems and stories have appeared in  The New Yorker, Poetry, The Threepenny Review ,  The New York Review of Books, The Atlantic Monthly, The New Republic, Glimmer Train ,  etc. A new book of poems,  The Sorrow Apartments,  is forthcoming from Four Way Books. Other collections include  Everything  (Four Way, 2021),  Nightshade  (Four Way, 2019).  Unfathoming ( Four Way, 2017),     Furs Not Mine  (Four Way, 2015),  Kentucky Derby  (Salmon Poetry, 2011),  Long Division (Salmon Poetry, 2009) , and  The Cartographer's Vacation  (Owl Creek Press, 1999). Awards include a Guggenheim Fellowship,  Glimmer Train's  Short Fiction Award, and several fellowships at MacDowell. Over the years, she has taught at The University of Iowa, Emerson College, UMASS-Boston, Boston University, The Fine Arts Work Center in Provincetown, and Merrimack College, where she was the founding director of the Writers' House. She directs the Blacksmith House Poetry Series in Cambridge, MA, and will be teaching at Boston University in the spring of 2024.

The Sidney Cox Memorial Prize

  • Sanjana Raj, "The Museum of Unnatural History"

Honorable Mentions:

  • Maeve Kenny, "The Four Seasons"
  • Eloise Langan, "Oh, Rats."

The Academy of American Poets Prize

  • Maeve Kenney, Poems

The Jacobson-Laing Award in Poetry

  • Ethan Gearey, "I've Been in Love"

The Mecklin Prize

  • Maeve Kenney, "The Four Seasons"
  • Armita Mirkarimi, "Nostalgia is a Wishing Well"
  • Eloise Langan, "Saint Bonnie"
  • Natala Schmitter-Emerson, "A Story that Never Ends"

The Grimes Prize

  • Yevheniia Dubrova, "Blue Heron"

The Lockwood Prize

  • Anne Rhee, Poems
  • Jessica Yang, "Pacific Ghosts"

William C. Spengemann Award in Writing

Erskine Caldwell Prize

Ralston Prize

  • Ulla-Brit Libre

The challenge of being a creative person once you’ve created a person

A very tired parent’s tips for writing a book while also doing all the other things.

creative writing on fish

Eight or nine years ago, an old friend called seeking advice. She was trying to write a novel, but she was also a new mom with a full-time job, and she was exhausted. I, who had breezily published a couple of books by then, offered my best wisdom. You have to push through, I told her sternly. You have to take your own writing seriously, or nobody else will. Set aside two hours every night. Put on the coffee and push through the exhaustion. You can and will do it.

Years passed. Then I, too, had a baby. Then I, too, set out to write a book while also being a mother with a full-time job. And somewhere in the middle of this endeavor, I called my friend and asked whether my advice had been as bad as I was beginning to sense it had been. No, she told me cheerfully, it had actually been much worse. The callousness of it had shocked her, she said, until she decided that I simply hadn’t known any better and that, when I did, I would apologize.

God, I’m so sorry.

My first post-baby book came out today, and I have been thinking, almost nonstop, about the relationship between creativity and motherhood. I used to love reading articles with titles such as “The daily routines of 10 famous artists,” until I realized that Leo Tolstoy may have finished his masterpieces by locking his study doors to ensure uninterrupted productivity, but, like, what were his 13 children doing while he was in there? Did anyone check in on Mrs. Tolstoy? For the women I know, there is no setting aside a few hours at the end of the workday. The end of the workday is the beginning of the parent day. The end of the parent day is never, because 2-year-olds wake cheerfully at 5 a.m., and strep throat comes for us all.

Where, in this schedule, was the life of the mind? TikTok would not stop showing me videos of mothers showing off their “realistic beauty routines,” but what I really wanted were realistic creativity routines: the mothers who didn’t give a crap about heatless curlers, but had somehow composed a cello sonata while working five days a week as a dental hygienist.

In my bleariest days of early parenthood, I met a woman at the playground who had just finished doing something extraordinary (Triathlon? Solo art exhibit?), and when the rest of us asked her how she’d found the time, she shrugged and said, modestly, “Oh, you know.” But the point was that we didn’t know, and we were desperate for her to tell us. (Live-in grandparents? Adderall?)

The bigger point is that we weren’t really trying to figure out how to compete in triathlons. We were trying to figure out how to be people.

When you have a baby or a toddler, reminding yourself that you are a full person with your own dreams and needs can feel both completely vital and completely impossible. But being a full person is a sacred legacy to give to a child. My own mother is a folk artist. When I was growing up, she made Ukrainian eggs in the frigid concrete sunroom, a space heater at her feet, and her works were shown and sold at galleries around the Midwest. I knew then, and I know now, that my mother would die and kill for me. But I also knew that she loved other things, too. She had loved those things before she ever knew me. She had secrets and wisdom to pass on.

Her work had nothing to do with me, yet it was a gift. It paid for my brother and me to go to summer camp. It went on display at the Art Institute of Chicago, and we visited it, as well as the Seurats and the Hoppers, and ate granola bars. When my mother dies, I will carefully unwrap the tissue paper surrounding the astonishing works of art she gave to me over the years, and I will sob.

I want that for my own daughter. I want her to know that motherhood doesn’t have to atrophy personhood; it can expand it.

And in wanting that, desperately, I came up with a routine that allowed me to maintain a grip on the parts of me that were me before I was a mother. A realistic creativity routine, if you will.

I write between the hours of 10 p.m. and midnight, unless it turns out that I write between the hours of 2 a.m. and 4. I write 300 to 400 words every time I am on the Metro; I write 30 to 40 words each time I pick my daughter up from day care, in the three-minute gap between when I ring the outer bell and when a teacher’s aide comes to let me inside. I write badly. I write very, very badly, vaguely remembering a quote I’d once heard attributed to author Jodi Picoult, about how you can always edit a bad page, but you can never edit a blank page.

Does it look like the routines of Tolstoy, or Virginia Woolf, or anyone else I may have once read about in an article about the routines of famous artists? It does not. But the bad pages get edited, and then they get good.

Pursuing creativity as a working mom means, in other words, letting go of any romantic notions of what creativity means or looks like.

It means not waiting for inspiration to strike, but instead striking inspiration, bludgeoning it upside the head and wrestling it to the ground. Inspiration is a luxury, and once you realize that, you can also understand that the ability to create something through sheer force of will — without inspiration, without routine, without time — is a far more creative act than relying on a muse.

If my old friend called me now, I think that is what I would say to her. That, and:

You will not be Mark Twain, summoned by a horn when it’s time to eat the dinner someone else has prepared. You will not be going on Tchaikovsky’s vigorous two-hour walks through the countryside or spending the morning shopping for inspiring objects like Andy Warhol.

But you will create something. Not by pushing through the exhaustion so much as living alongside it, and then peering beyond it, and then stopping, and then starting, and then having superhuman discipline, and then eating a whole package of Oreos, and then finishing something beautiful at 2 a.m. and sneaking into your child’s room to see another beautiful thing, and then thinking about how the things that make us the most tired are the things that give us reason to create at all.

creative writing on fish

Sacrifice Zone: A Wild, Wonderful, and Honest Zine of West Virginia

Sacrifice zone zine wvu mfa creative writing matthew powney

Zines are making a comeback in the creative writing world. 

If you open Etsy on your web browser and simply type “zine” in the search bar, you’ll discover a wonderland of beautifully crafted, pocket-sized art/writing made by genuine artists and creatives. A zine exists for any niche interest now: ranging from fanzines about the 90s TV show Frasier, to literary analyses on the cross-cultural implications of fan fiction in the literary world, to carefully curated handbooks for thrift shopping, among so many others. Chances are, if you’ve ever browsed an indie bookstore or explored a local art fair, you’ve probably come across a zine in the wild! 

And if you’ve never heard of a “zine” before, you might be wondering what exactly this art form is. As defined by Purdue University, “A zine (pronounced ZEEN) is short for ‘fanzine’ and is usually a small-batch, independently published work that circulates less than 1,000 copies. Anyone can be a zinester (aka ‘someone who creates a zine’), and most people make zines for the love of creating rather than for seeking a profit. In general, a zine is a pamphlet-like publication that can include text, images, artwork, found objects, or any other creative material that helps to express the author's message” ( Purdue ).

Matt Powney, a recent graduate of West Virginia University’s MFA program in the Poetry track, has spent the last year designing and creating a zine of his own making with his partner, Kay, aptly titled Sacrifice Zone . As a creative with a deep respect for the honest nature of writing, and the importance of producing work that deconstructs the extractive nature of corporate, economical culture in West Virginia society today, producing a zine tailored to Matt’s own interests seemed like the natural way to share his work with others.

After purchasing a copy of the first issue of Sacrifice Zone in fall 2023, I knew that Matt had found a metaphorical creative goldmine for himself. The collage artwork within the first issue of Sacrifice Zone features a fractured urban/rural landscape of our West Virginia that has been literally and metaphorically gutted by Big Pharma, corporate greed, incarceration, and predatory coal companies. The kaleidoscope-esque imagery is haunting and powerful, and pairs beautifully with the crisp poetry and painfully tender creative nonfiction on the page. I had the pleasure of learning more about Sacrifice Zone from Matt in the following Q&A:

You talk a lot about your intention for creating Sacrifice Zone in the first installment, and what it means to you and your readers – would you care to share any more insight about your intention for creating this zine, and what you hope to get out of it with each installment?

Mostly, I just hope to create some level of community and discussion about prison in Appalachia, and making art in Appalachia. I just want to give people a voice and platform for their art. Both Appalachians in general and people in prison are a silenced group of people, so the more amplification they can get, the better in my eyes. My main goal for this zine is to undo stereotypes, and sharing stories is a great way to do that.

Sacrifice Zone seems like a really collaborative project! How did you go about choosing pieces for the zine, arranging them in the order they’re in, as well as the art/images that were used in the zine? Did you and Kay work together in the making of Sacrifice Zone?

Sacrifice Zone is a collaborative project. I relied on a lot of friends and mentors to have this project come together. For this first installment, I just asked a bunch of my friends for submissions - people from all over Appalachia, with different relationships to the prison system. I got the inspiration for the art and for the general vibe of the zine from Thomas Martin’s zine , Martha Stewart Mixtapes, which Kay contributes to regularly. Their zine feels alive. It is what I wanted for Sacrifice Zone, so naturally, it became a model of what I wanted the zine to look like. Knowing that Thomas uses collage art from Martha Stewart Magazine to make Martha Stewart’s Mixtapes, I started thinking about what I could use for our magazine and realized I’d thrifted stacks of the perfect magazine already -  old copies of Wonderful West Virginia.

As for selection of the specific art we used, Kay and I spent an evening going through all of the magazines and matching them to our submissions. We had a lot of fun doing it, and found images we loved that weren’t right for this issue that we are excited to use for future volumes.

You mentioned that Thomas Martin, a previous MFA student, was an influence for Sacrifice Zone . Are there any other zines or forms of media that inspired you to create your zine?

  • Yes! I read Marking Time: Art in the Age of Mass Incarceration around the time I began working on this project. It is a book of art made by people in prison. It was also a huge inspiration. One of the poems I included in the zine, also called “Marking Time,” was inspired by this book.

Do you have an idea of what themes you want to cover in future installments for the zine?

Right now, we are open to any art that fits the project. Maybe in the future, we will think about themed volumes, but right now, we’d like to make as many connections as we can.

Do you have a current submission window for the next installment of Sacrifice Zone ? Or a future pub date?

  • I have already received some submissions for the next installment and am still open to receiving more. We are hoping to put another one out in May, but with Kay and my first child due in early May, there could be some delay. [As of this blog post, Matt and Kay are officially parents!]

How can people purchase this zine and future zines in the series, and for how much?

Right now, I am personally selling copies. The easiest way would be to contact the instagram page, , and a copy can be mailed to you. In the future, we hope to have an online store and to sell them through local vendors.

If you want to support Matt Powney and Sacrifice Zone , you can stay up to date by following the zine’s official Instagram page: 

Stay tuned for more news, events, and happenings among WVU’s Creative Writing program!

Read more news.


Creative Writing Program Marks Three Decades of Growth, Diversity

Black and white photo shows old American seaside town with title 'Barely South Review'

By Luisa A. Igloria

2024: a milestone year which marks the 30 th  anniversary of Old Dominion University’s MFA Creative Writing Program. Its origins can be said to go back to April 1978, when the English Department’s (now Professor Emeritus, retired) Phil Raisor organized the first “Poetry Jam,” in collaboration with Pulitzer prize-winning poet W.D. Snodgrass (then a visiting poet at ODU). Raisor describes this period as “ a heady time .” Not many realize that from 1978 to 1994, ODU was also the home of AWP (the Association of Writers and Writing Programs) until it moved to George Mason University in Fairfax, Virginia.

The two-day celebration that was “Poetry Jam” has evolved into the annual ODU Literary Festival, a week-long affair at the beginning of October bringing writers of local, national, and international reputation to campus. The ODU Literary Festival is among the longest continuously running literary festivals nationwide. It has featured Rita Dove, Maxine Hong Kingston, Susan Sontag, Edward Albee, John McPhee, Tim O’Brien, Joy Harjo, Dorothy Allison, Billy Collins, Naomi Shihab Nye, Sabina Murray, Jane Hirshfield, Brian Turner, S.A. Cosby, Nicole Sealey, Franny Choi, Ross Gay, Adrian Matejka, Aimee Nezhukumatathil, Ilya Kaminsky, Marcelo Hernandez Castillo, Jose Olivarez, and Ocean Vuong, among a roster of other luminaries. MFA alumni who have gone on to publish books have also regularly been invited to read.

From an initial cohort of 12 students and three creative writing professors, ODU’s MFA Creative Writing Program has grown to anywhere between 25 to 33 talented students per year. Currently they work with a five-member core faculty (Kent Wascom, John McManus, and Jane Alberdeston in fiction; and Luisa A. Igloria and Marianne L. Chan in poetry). Award-winning writers who made up part of original teaching faculty along with Raisor (but are now also either retired or relocated) are legends in their own right—Toi Derricotte, Tony Ardizzone, Janet Peery, Scott Cairns, Sheri Reynolds, Tim Seibles, and Michael Pearson. Other faculty that ODU’s MFA Creative Writing Program was privileged to briefly have in its ranks include Molly McCully Brown and Benjamín Naka-Hasebe Kingsley.

"What we’ve also found to be consistently true is how collegial this program is — with a lively and supportive cohort, and friendships that last beyond time spent here." — Luisa A. Igloria, Louis I. Jaffe Endowed Professor & University Professor of English and Creative Writing at Old Dominion University

Our student body is diverse — from all over the country as well as from closer by. Over the last ten years, we’ve also seen an increase in the number of international students who are drawn to what our program has to offer: an exciting three-year curriculum of workshops, literature, literary publishing, and critical studies; as well as opportunities to teach in the classroom, tutor in the University’s Writing Center, coordinate the student reading series and the Writers in Community outreach program, and produce the student-led literary journal  Barely South Review . The third year gives our students more time to immerse themselves in the completion of a book-ready creative thesis. And our students’ successes have been nothing but amazing. They’ve published with some of the best (many while still in the program), won important prizes, moved into tenured academic positions, and been published in global languages. What we’ve also found to be consistently true is how collegial this program is — with a lively and supportive cohort, and friendships that last beyond time spent here.

Our themed studio workshops are now offered as hybrid/cross genre experiences. My colleagues teach workshops in horror, speculative and experimental fiction, poetry of place, poetry and the archive — these give our students so many more options for honing their skills. And we continue to explore ways to collaborate with other programs and units of the university. One of my cornerstone projects during my term as 20 th  Poet Laureate of the Commonwealth was the creation of a Virginia Poets Database, which is not only supported by the University through the Perry Library’s Digital Commons, but also by the MFA Program in the form of an assistantship for one of our students. With the awareness of ODU’s new integration with Eastern Virginia Medical School (EVMS) and its impact on other programs, I was inspired to design and pilot a new 700-level seminar on “Writing the Body Fantastic: Exploring Metaphors of Human Corporeality.” In the fall of 2024, I look forward to a themed graduate workshop on “Writing (in) the Anthropocene,” where my students and I will explore the subject of climate precarity and how we can respond in our own work.

Even as the University and wider community go through shifts and change through time, the MFA program has grown with resilience and grace. Once, during the six years (2009-15) that I directed the MFA Program, a State Council of Higher Education for Virginia (SCHEV) university-wide review amended the guidelines for what kind of graduate student would be allowed to teach classes (only those who had  already  earned 18 or more graduate credits). Thus, two of our first-year MFA students at that time had to be given another assignment for their Teaching Assistantships. I thought of  AWP’s hallmarks of an effective MFA program , which lists the provision of editorial and publishing experience to its students through an affiliated magazine or press — and immediately sought department and upper administration support for creating a literary journal. This is what led to the creation of our biannual  Barely South Review  in 2009.

In 2010,  HuffPost  and  Poets & Writers  listed us among “ The Top 25 Underrated Creative Writing MFA Programs ” (better underrated than overrated, right?) — and while our MFA Creative Writing Program might be smaller than others, we do grow good writers here. When I joined the faculty in 1998, I was excited by the high caliber of both faculty and students. Twenty-five years later, I remain just as if not more excited, and look forward to all the that awaits us in our continued growth.

This essay was originally published in the Spring 2024 edition of Barely South Review , ODU’s student-led literary journal. The University’s growing MFA in Creative Writing program connects students with a seven-member creative writing faculty in fiction, poetry, and nonfiction.

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Android Police

What is textfx ai tools, textfx ai tools can be helpful for any creative writer.

If you're a creative writer, you've had writer's block more times than you care to admit. The TextFX Project is an artificial intelligence (AI) tool created by musician and producer Lupe Fiasco and Google Lab Sessions. It's a suite of writing tools made for rappers, writers, and wordsmiths. If you're ready to give writer's block a vacation, open a new browser window on your favorite Chromebook , PC, or mobile device and check it out.

What's the tech behind TextFX?

The TextFX Project is powered by Google's large language model, PaLM 2 (Pathways Language Model 2). Google put a lot of effort into scaling up large language models and has been a leader in that area since the early days of AI language models. Operating massive datasets and using advanced neural networks developed by Google Research have given Google an edge.

PaLM 2 can handle multiple language tasks simultaneously. This multitasking ability is part of what Google calls "pathways," a strategic approach to handling complex, large-scale AI model training. It uses a modular approach, where different components of the process can be specialized but still interact effectively with each other.

Top 8 best AI note-taking tools

Textfx has ten ai tools.

All the TextFX tools are offered for free on its website . When you visit the site, you're greeted with a split screen with its logo and a scrolling list of the tools. With names like Fuse, Unexpect, and Unfold , it can be confusing. The interesting thing about TextFX is that many of the tools are based on the techniques Lupe Fiasco developed in his approach to working with words creatively.

Lupo describes his approach as "word explosions." Taking a word and exploding the possibilities inherent in that word. One of the tools is Explode , which takes a single word and breaks it into similar-sounding phrases. You can peek under the hood by looking for the info icon under the tool names. Explode shows examples like taking the word "stabilize" and breaking it into "stable eyes."

What TextFX tools are available, and what can you use them for?

The rest of the tools take a similar approach to the Explode TextFX tool. You enter a word, thing, concept, topic, or scene, and the possibilities associated with that word unfold.

Some tools do exactly what they are named, and any wordsmith will be familiar with them. The Simile TextFX tool takes a thing or concept and outputs several possible similes. Take the word "waiting," and you get things like, "waiting for the train to arrive was like watching a pot of water boil." The Alliteration and Acronym tools in this AI toolset do the thing they are named for.

While Explode breaks a word into similar-sounding phrases, Chain gives you a series of semantically related items. Take a moment to think about what other words are related to the word "guitarist." A guitarist has an instrument that they play music with, possibly in a band . Maybe that guitarist is on tour on a bus , getting ready to play on stage . You get the idea. It's helpful when you know the subject you're writing about but want detailed ways to describe it or something related to it that you can elaborate on.

Unfold takes a word and pairs it with another word that's commonly found next to it. For example, when you type "guitarist," you get outputs like lead guitarist, rhythm guitarist, guitarist prodigy, and rock guitarist. Like most AI, you can get bad responses from these tools. We don't think "guitarist cat" is that common. But who knows? The internet loves cats.

Creating a detailed scene with TextFX is easy

The Scene tool can be helpful for any writer. A lot of writer's block comes when you can visualize or imagine something that's happening but can't describe it. "Watching a movie" is a simple scene. But what does watching a movie feel like? What sounds are around you? What can you see?

Scene outputs things that are familiar to most people and can viscerally draw you in. The feel of plush seats and sticky floors, the taste of cold soda and candy, the smell of fresh popcorn wafting through the theater, the darkness of the theater, and the sight of the bright lights illuminating the screen.

There's also the Unexpect tool. Enter a scene, and you get an unexpected and imaginative result. Want to make a scene where the character is "eating a doughnut" a little stranger? How about, your character is "eating a doughnut with chopsticks"? Or maybe they get a nasty surprise while "eating a doughnut filled with mashed potatoes"?

Explore topics from different perspectives with TextFX

The last few tools in TextFX help you explore a topic or concept in depth. POV is a tool that takes a topic and creates a list of what someone might think about that topic. If you want to explore "succulents," the output is in the form of "succulents are the..."

If you're familiar with succulents, you'll understand some of the points of view. Succulents are low-maintenance plants that thrive in dry environments, like cacti, jade plants, and dragon trees. TextFX outputs the common thoughts that "succulents are the perfect plants for people who don't know how to take care of plants" and "succulents are the perfect plants for people who don't have a green thumb."

On the other hand, some people may think that "succulents are the perfect plants for people who are too lazy to take care of real plants." Or have the hot take that "succulents are the hipster's pet rock." There aren't any detailed points of view, but it provides additional perspective to what you already think about a topic.

The Fuse tool is a bit more interesting. You can take any two things, and it outputs some commonality or intersection between them. It struggles when the fusion of the two things is a stretch, like succulents and guitarists. One output made a little sense and said, "Both succulents and guitarists can be associated with the idea of patience — succulents with their ability to thrive in harsh conditions, and guitarists with their ability to practice for hours on end to perfect their craft."

With so many AI tools focusing on recreating what artists produce , TextFX takes a refreshingly different approach. Instead of creating art similar to an artist or music similar to a musician, TextFX recreates a creative process.

One of the developers said that they thought this project would output writing similar to Lupe Fiasco's work. However, Lupe said the tools would be more helpful if they helped with his process. Now, we get a chance to create in a way that's similar to how Lupe creates. Let's hope the next generation of AI tools trends in this direction, making the lives of creatives easier so that they have more time to be creative.


  1. "The Rainbow Fish" Activity

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  2. Rainbow Fish Writing by Oh the Places We Go in First

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  3. Writing Prompt Ideas for Children

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  4. Fish Craft With Writing Prompts/Pages

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  5. Rainbow Fish Freebie

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  6. Creative Writing Fish!

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  1. Fish drawing from writing fish #drawing #surajarts

  2. 5 lines on fish 🐠 || fish|| 5 lines on fish in english for lkg and ukg classes

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  1. Fish

    The fish, as it jumps out of the water, arches its back. It looks stubbly faced man in the eyes. Sunglass man holds the fish. Stubbly man hits it over the head. No one eats 48-inch barracuda. They throw it in the cooler anyway. 3. Cooking filets of fish is not complicated. Salt and pepper the fish. Press the water out of the skin with a knife.

  2. 47 Free Ocean Writing Ideas to Inspire »

    27 Fabulous Describing the Ocean Writing Ideas. I could taste the salt in the air and knew I had to get to the ocean to…. The lapping waves…. The hypnotic motion of the ocean…. Describe the beauty of the ocean and how it makes you feel. The ebbing tide was…. I was hypnotized by the water because of its….

  3. Ocean Writing Prompts: Dive into Marine Narratives

    2. ⁢Mermaids: - Delve into Nature's ‍Poetry: Expressing the Beauty of the Ocean through Words. - Dive into Conservation: Promoting Marine⁢ Awareness in your Writing. Dive into Conservation: Promoting Marine Awareness in⁢ your Writing. - Harnessing the Power of Ocean Imagery: Using‍ Vivid Descriptions ⁤to Enrich your Narratives.

  4. Ocean Description for Writers: Exploring the Wonders and Mysteries of

    Categories Writing, Creative Writing. You are standing at the edge of the vast ocean, gazing out at the seemingly endless expanse of water. ... It is known for its warm waters and abundant marine life, including fish, shrimp, and oysters. The Gulf of Mexico is also an important location for oil and gas drilling, with many offshore platforms ...

  5. Writing about Fish: The #WritingLife as an aquarium

    The golden tetras have stopped dying. The last four seem to be eating well. My rummy nose tetras flaunt bright and lively red mouths, and my pretty blue-red cardinals play about this morning. The lone white angel is curious and hungry, at its healthful best. To write about fish feels like writing about my writing, somehow.

  6. Fish

    It's gross." By Angela Abraham, @daisydescriptionari, April 21, 2021 . "Darling, fish can feel pain in the same way a person can. Heck, the senses we have evolved in them. They are intelligent, have wonderful memories, social lives and are sentient." By Angela Abraham, @daisydescriptionari, April 21, 2021 . Below the ruffled water surface was a ...

  7. Teaching Brevity: Nicole Walker's "Fish"

    A triptych, each part is only ¾-1 page long. The first part resembles nature or environmental writing and describes, in a zoomed-in empathetic third-person point of view, a salmon fighting to climb a man-made fish ladder: "The fish jumped a ladder built of electricity and concrete. Swimming up the Columbia teachers her a lesson about ...

  8. 133+ 'Ocean' Writing Prompts

    The Ocean's Balance. Sep 22, 2023. —. by. DraftSparks. in Sci Fi Writing Prompts. Imagine a world where underwater and surface civilizations have pivotal roles in maintaining world balance. Write from the perspective of a liaison tasked with maintaining this balance.

  9. Creative Writing Prompts

    Creative Writing Prompts - The Sea. Here is the third list of ideas in my series of Creative Writingprompts. The purpose of these writing prompts is to encourage both children and adults to be more creative, get outside, be inspired by their natural surroundings and start writing about what they see and experience.

  10. De-boning the fish: Indexing Routledge's Teaching Creative Writing in

    Darryl Whetter was the inaugural director of the first Creative Writing master's degree in Singapore, in a degree conferred by Goldsmiths, University of London. He is the author of four books of fiction and three poetry collections, including the climate-crisis novel Our Sands (2020 from Penguin Random House). His other novels include the bicycle odyssey The Push & the Pull and the multi ...

  11. Fish Creative Writing Examples That Really Inspire

    In this open-access directory of Fish Creative Writing examples, you are granted a thrilling opportunity to explore meaningful topics, content structuring techniques, text flow, formatting styles, and other academically acclaimed writing practices. Exploiting them while crafting your own Fish Creative Writing will surely allow you to finalize ...

  12. 101 Picture Writing Prompts To Unlocking Creativity for Every Writer

    A long list of picture writing prompts. 1. A secret garden hidden behind an old, ivy-covered wall, with flowers that glow in the dark. 2. A futuristic city floating in the sky, connected by transparent walkways. 3. An underwater town with buildings made of coral and colorful fish swimming in the streets. 4. A world where trees are as tall as ...

  13. What Is Creative Writing? (Ultimate Guide + 20 Examples)

    Creative writing is an art form that transcends traditional literature boundaries. It includes professional, journalistic, academic, and technical writing. This type of writing emphasizes narrative craft, character development, and literary tropes. It also explores poetry and poetics traditions.

  14. 14 fun under the sea writing prompts

    The ancient city. A story about some ancient ruins that are one day revealed after an earthquake. The city was built thousands of years ago by people with advanced technology. Think of Atlantis for further ideas. The underwater home. This writing prompt can be about people living in a house deep in the sea.

  15. A Fishing Story of Your Own

    Nevertheless, fishing writing is a world that remains somewhat of a mystery to me. I suppose that part of the reason I have not attempted to write about fishing before now is a lingering worry about an adaptation of the Reverend Maclean's old moral code about fishing from A River Runs Through It, that perhaps nobody who does not know how to write about fishing should be allowed to disgrace ...

  16. Ocean and Seas Visual Story Prompts

    This includes a simple book about a fish, creative writing tasks about life in the ocean and a lovely presentation about life near and under the sea. It is an excellent starting point for any fish related topic. £5.00. Bundle. Oceans and Seas Bundle.

  17. The relationship of my texts to a dead fish

    May 6, 2021. The following is a conversation with John Wood, professor at Goldsmiths, University of London, and joint editor (with Julia Lockheart) of the Journal of Writing in Creative Practice. Please cite: Thackara, John (2021), 'The relationship of texts to dead fish', Journal of Writing in Creative Practice, 14:1, pp. 5-11, doi:

  18. Funny Fishing Story About Fish That Got Away

    Funny Story: The Fish That Got Away! Those of you who know me a little bit by now can attest to the fact that I grew up in a bit of a strange environment. That is not to say that I am complaining about it, you understand. Just stating the facts, folks. I have to say that as a prelude to my funny story about fishing - the fish that got away.

  19. 37th Summer Fishtrap Gathering of Writers: Love

    Summer Fishtrap offers weeklong creative writing workshops in fiction, nonfiction, poetry, revision, and graphic storytelling, plus a cross genre virtual workshop. Each workshop is limited to no more than 13 participants, giving you the opportunity to build connections with a world-class instructor and your fellow writers.

  20. Descriptive Essay- Fish

    Descriptive Essay- Fish. It was a Saturday morning the sun shining bright and vibrantly. i got up early excited for the day that was about to come i put on this plain t.shirt with these jumpers and boots that i got from this bait and tackle shop. around 10 or so my Grandpop began to get ready he asked if i was ready to fish but he could ...

  21. Adjectives for Fish: Words to Describe Fish

    Abundant - There are a lot of fish in the sea. Beautiful - Fish come in a wide variety of colors and patterns. Calm - Fish are often used as pets because they can help to create a feeling of calmness. Delicious - They are a popular food all over the world and can be cooked in many different ways. Exotic - Some fish come from very far ...

  22. The Lockdown Prize

    Clem, head of Fish Publishing, has had a lifetime of promoting and encouraging creative writing. Fish has published over 500 writers from around the globe to date, given feedback to thousands more and sought to improve writer's skill with mentoring and tutoring. In 1997, Clem started the West Cork Literary Festival.

  23. Welcome to Fish Publishing

    Flash Fiction Prize 2024: RESULTS. 10th April 2024. Winners Short-list Long-list From all of us at Fish, thank you for entering your flashes. Congratulations to the writers who were short or long-listed, and in particular to the 11 winners whose flash stories will be published in the Fish Anthology 2024.

  24. 2024 Creative Writing Prize Winners

    The 2024 Creative Writing Prizes Ceremony was held on Thursday, May 9, 2024, at 4:30 p.m. in Sanborn Library, and included readings from the prize winners and this year's judge, Andrea Cohen. Andrea Cohen's poems and stories have appeared in The New Yorker, Poetry, The Threepenny Review, The New York Review of Books, The Atlantic Monthly, The New Republic, Glimmer Train, etc.

  25. Perspective

    A very tired parent's tips for writing a book while also doing all the other things. Eight or nine years ago, an old friend called seeking advice. She was trying to write a novel, but she was ...

  26. Sacrifice Zone: A Wild, Wonderful, and Honest Zine of West Virginia

    As a creative with a deep respect for the honest nature of writing, and the importance of producing work that deconstructs the extractive nature of corporate, economical culture in West Virginia society today, producing a zine tailored to Matt's own interests seemed like the natural way to share his work with others.

  27. Creative Writing Program Marks Three Decades of Growth, Diversity

    By Luisa A. Igloria. 2024: a milestone year which marks the 30 th anniversary of Old Dominion University's MFA Creative Writing Program. Its origins can be said to go back to April 1978, when the English Department's (now Professor Emeritus, retired) Phil Raisor organized the first "Poetry Jam," in collaboration with Pulitzer prize-winning poet W.D. Snodgrass (then a visiting poet at ODU).

  28. TextFX AI tools: Everything you need to know

    TextFX is an AI writing suite made for musicians and writers. Lupe Fiasco and Google Lab Sessions created the tool, which uses the PaLM2 LLM. TextFX AI tools can be helpful for any creative writer ...

  29. Religions

    In this article, the authors will describe a creative writing therapeutic group program they developed based on narrative therapy and narrative medicine principles. This was a Social Science and Humanities Research Council—Partnership Engagement Grant funded project, the aim of which was to develop a facilitator's manual for people interested in offering this group, titled "Journey ...