essay on a book i have read

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6 Paragraphs on ‘A Book I Have Recently Read’

A Book I Have Recently Read: Books are the best resources of people. With which no earthly wealth can be compared. By reading books we can keep our mind healthy and happy. A good book opens the eyes of the human mind as well as expands and develops the knowledge and intellect and helps to light the mind. Many people like to read story books or other kinds of books. Reading books is a good habit. ‘A Book I Have Recently Read’ is an important paragraph for the students. In this post I have presented six paragraphs on ‘A Book I Have Recently Read’.

A Book I Have Recently Read

Reading books is my passion. I have recently read a book named “ Pather Panchali “. It was written by famous writer Bibhutibhusan Bandopadhyay. The novel is about a little village boy named Apu. The main characters of the book are Apu, Durga, Harihar and Sarbajaya. Harihar and Sarbajaya, a rustic couple, spent their days in miserable distress. But they dreamt of a rosy future. Apu and Durga are their children. Durga died a premature death. It was a great shock to the family. One cannot shed tears when one reads about the death of Apu’s dearest sister Durga. The novel gives us a very living picture of the beauty of a remote village in Bengal. The story reminds us of the hardship of the thousands of poor and helpless people of our country. Really it is an immortal creation of Bibhutibhushan Bandyopadhyay.

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I have little time to read books other than school books. But l heard the story of “Ramer Sumati” written by Saratchandra Chattapadhyay from my grandpa. The story charmed me very much. Recently I managed to have a copy of the book which I finished in a single sitting. It is entirely the story of a joint family of rural Bengal. Here are a few principal characters – Ramlal, the hero, Shyamlal, his step-brother and Narayani, the wife of Shyamlal. Apart from them there are Shyamla’s son and Digambari, his mother-in-law. Ramlal lost his mother when he was only two and a half years old. Narayani, the sister-in-law brought him up with all motherly love and affection. Digambari could not tolerate the sweet relationship between the two. Ramlal was very wayward and that was at the root of all problems. The ancestral home was partitioned and Ramlal was separated much to the pain of Narayani. The author’s portrayal of the characters of Ramlal and Narayani is simply unique. Details of the book cannot be given in this short span. But everybody should go through the book whenever he gets a chance.

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I am a genuine book lover. Reading books is my passion. Whenever I get spare time I read story books, novels etc. I am a big fan of cricket as well. My father recently gifted me the autobiography of Sachin Tendulkar “Sachin Tendulkar – Playing It My Way” on my birthday. The book is really very interesting. Sachin Tendulkar is not only a great player but also has become an icon. So a chance to peek into the life of such an icon is always sought after. The chapters describe all the important events of his life. The reader is bound to respect the legend more after going through the book. The book not only brings out Sachin’s passion for cricket but also reveals how caring a father and gentle son he is. I will cherish the experience of reading the book forever and this will be a guide force in my life. I wish to read it once again in future.

A Book I Have Recently Read

Reading books is my passion. I have recently read William Shakespeare’s “The Tempest”. It is the last play of the great playwright, which was written in 1611 at Stafford. Prospero was a learned man. He did not like to rule Milan as merely a Duke. His power was his wisdom. His brother, Antonio, took advantage of this craving for knowledge and conspired to drive him away from Milan with the help of the king of Naples, Alonoso.

Prospero and his daughter eventually took shelter in an alien island. It was a mystic land of which Prospero was little aware. Caliban was an evil spirit which was living in that island. Gradually, Prospero dominated Caliban and became a supreme power by way of his white magic. Dr. Faustus of Marlowe exercised necromancy, but Prospero used his magic for the welfare of the world. Hence his magic was a boon not a bane. His daughter, Miranda, was a lovable and beautiful young lady. Caliban wanted to seduce Miranda, but in vain. At last Ferdinand, the prince of Naples, came to the mysterious land. Miranda was very much appalled to see a beautiful young man for the first time. Seeing Ferdinand, she cried out, “O brave new world.” Later Miranda and Ferdinand fell in love. Prospero wanted to test Ferdinand’s devotion to his daughter. Ferdinand won the mind of Prospero. Using his white magic, Prospero taught everyone including his brother good lessons. Alonso, Antonio and Sebastian realized their misdeed. Gonzalo, who helped Prospero once to escape from his cruel brother, was rewarded.

Finally, everyone was reconciled. Prospero returned to Milan with his daughter and he freed Ariel, the spirit which helped Prospero in fulfilling his desires while living in the alien island. The happy reunion of the play implies the fact that Prospero is a major figure who by way of using his white magic helps everyone reconcile in spite of shortcomings. Honesty and goodness have been rewarded. I felt much aesthetic pleasure while reading the play. Shakespeare’s language, his style, above all, his blending of tragedy and comedy gave to my mind a soothing effect which I cannot forget ever.

Books are our best friends. Even in today’s world of internet and mobile, the importance of books cannot be ignored. I am a genuine book lover. Reading books is my passion. Whenever I get spare time I read story books, novels etc. Recently I have read Bibhutibhushan’s classic novel ‘Chander Pahar’. I loved the book so much that I have lost count of the number of times I flipped through the book even after I had finished reading it.

The book ‘Chander Pahar’ records the adventures of Shankar, the main character of the novel. Shankar, a young bengali boy, faces many adventures in Africa where he goes in connection with his job on the railways. He encounters many ferocious animals like lions, black mamba etc. But the real adventure begins when Shankar accompanies Diago Alverage, a European adventurer, to the Kilimanjaro mountain in search of diamonds. In the course of the events Diago gets killed by a terrible animal called ‘Buniyp’ and Shankar is left all alone in that unknown land of adversity and danger. But he braves it with extraordinary courage and valour.

After a great struggle, he is saved from the desert. Shankar is the embodiment of courage. I love the character very much. I am attracted by Bibhutibhusan Bandyopadhyay’s great narrative skill. He makes the description of African jungles and Shankar’s adventures alive with his narrative skill. Author’s creativity makes Shankar’s character one of the most popular characters of Bengali literature. Whenever I read the novel, I find myself engrossed in it. My mind also travels with Shankar in the land of Africa and feels the adventure. This is why ‘Chander Pahar’ holds such a special place in my mind.

Books are our best friends. Even in today’s world of internet and mobile, the importance of books cannot be ignored. I am a genuine book lover. Reading books is my passion. Whenever I get spare time I read story books, novels etc. Of all the books I have read, I like ‘The Story of My Life’ by Helen Keller the most. The episode centres round the hard struggle of life of Helen Keller. She writes with a natural ease and power, hardly equaled by any other writer of that category. In this book we see that Helen Keller became blind and deaf after a serious illness in her childhood. However, the day when Miss Sullivan came to her as her teacher was the most memorable day in her life. After a long hard process Helen learnt to read, in raised letters in Braille method . She learnt to write also in a special type of typewriter. In the book ‘The Story of My Life’ an account of the first twenty two years of Helen Keller’s life has been given. During this time she came into contact with many noble and affectionate persons. In her autobiography Helen describes her experiences with so much ease and sincerity in such a lucid style that it cannot but arouse love and wonder for her. But the most striking feature of this book is her strong will and iron determination to cross all the hurdles of a handicapped person in her own life. And therefore, it has the universal appeal to all the readers throughout the world. Everybody should go through the book whenever he gets a chance.

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Essay on My Favourite Book for Students and Children

500+ Words Essay on My Favourite Book

Essay on My Favourite Book: Books are friends who never leave your side. I find this saying to be very true as books have always been there for me. I enjoy reading books . They have the power to help us travel through worlds without moving from our places. In addition, books also enhance our imagination. Growing up, my parents and teachers always encouraged me to read. They taught me the importance of reading. Subsequently, I have read several books. However, one boom that will always be my favourite is Harry Potter. It is one of the most intriguing reads of my life. I have read all the books of this series, yet I read them again as I never get bored of it.

Harry Potter Series

Harry Potter was a series of books authored by one of the most eminent writers of our generation, J.K. Rowling. These books showcase the wizarding world and its workings. J.K. Rowling has been so successful at weaving a picture of this world, that it feels real. Although the series contains seven books, I have a particular favourite. My favourite book from the series is The Goblet of fire.

When I started reading the book, it caught my attention instantly. Even though I had read all the previous parts, none of the books caught my attention as this one did. It gave a larger perspective into the wizarding world. One of the things which excite me the most about this book is the introduction of the other wizard schools. The concept of the Tri-wizard tournament is one of the most brilliant pieces I have come across in the Harry Potter series.

In addition, this book also contains some of my favourite characters. The moment I read about Victor Krum’s entry, I was star struck. The aura and personality of that character described by Rowling are simply brilliant. Further, it made me become a greater fan of the series.

Get the huge list of more than 500 Essay Topics and Ideas

What Harry Potter Series Taught Me?

Even though the books are about the world of wizards and magic, the Harry Potter series contains a lot of lessons for young people to learn. Firstly, it teaches us the importance of friendship. I have read many books but never come across a friendship like that of Harry, Hermoine, and Ron. These three musketeers stuck together throughout the books and never gave up. It taught me the value of a good friend.

Further, the series of Harry Potter taught me that no one is perfect. Everyone has good and evil inside them. We are the ones who choose what we wish to be. This helped me in making better choices and becoming a better human being. We see how the most flawed characters like Snape had goodness inside them. Similarly, how the nicest ones like Dumbledore had some bad traits. This changed my perspective towards people and made me more considerate.

Finally, these books gave me hope. They taught me the meaning of hope and how there is light at the end of the tunnel. It gave me the strength to cling on to hope in the most desperate times just like Harry did all his life. These are some of the most essential things I learned from Harry Potter.

In conclusion, while there were many movies made in the books. Nothing beats the essence and originality of the books. The details and inclusiveness of books cannot be replaced by any form of media. Therefore, the Goblet of Fire remains to be my favourite book.

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Topic 1: Describe a book you have recently read

What kind of book it is
What it is about
What sort of people would enjoy it
And explain why you liked it.

Sample Answer:

I consider myself as a bookworm so when it comes to describing a book I read, I am really confused since I don’t know which one to choose, but I will tell you about the book that I have just ﬁnished most recently – Angels and Demons – a bestselling mystery-thriller novel written by Dan Brown. The whole story revolves around the protagonist named Robert Langdon who is on a quest to rescue the Pope and discover the underlying mysteries of the Catholic church. Though the book involves a lot of religious issues, it can cater to all kinds of readers as there aren’t many technical terms. From my point of view, it is a true masterpiece, enchanting and captivating, ﬁlled with conspiracies and plot twists that really send shivers down my spine. I was so fascinated by the book that I had to ﬁnd the ﬁlm adaptation online to watch afterwards, and it did not let me down at all. The movie was so action-packed that it kept me on the edge of my seat.

What I especially like about the book is that it is very thought-provoking and it kept me thinking for a very long time after I had ﬁnished reading. I appreciate the moral lessons of the book. The story, though may sound distant to our lives, conveys meanings that are relatable to readers, and I am grateful that I learnt something from the book.

All in all, it is an outstanding book that I would deﬁnitely recommend to my friends.

Topic 2: Describe a book that you would like to read again

What the book was about
Why you read it the first place
What you learned from this book
And explain why you would like to read it again.

Sample Answer

Okay so I would like to tell you about the book called Harry Potter, which is a fantasy novel, written by the British author J. K. Rowling. It’s one that I can reread time and time again.

The book describes the life of a young wizard named Harry Potter and his two best friends, Ron and Hermione. Harry has to struggle to kill the Dark wizard Lord Voldemort, whose aim is to become immortal and destroy all those who stand in his way of ruling the world.

The reason why this book comes to mind is that it is a reminder of my childhood. It was a gift for my birthday from my parents to reward my high score in an exam at school. Up until now, I can still remember clearly how fascinated I was when I received it.

Thanks to this book, I realized that determination and effort play essential roles in achieving my goals. Since then, I have always worked hard to overcome all obstacles and challenges in my life.

Harry Potter will always be on my to-read list for a number of reasons. Firstly, I have always been a great admirer of science fiction books so I love the way that the author describes the whole magical world with the magic school, Hogwarts, and the flying brooms. Secondly, reading this book not only helps me to relax after a long day of work or study but also cheers me up whenever I am feeling blue.

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Another Topics:

Describe a book that enjoyed reading because you had to think a lot.

IELTS Speaking Part 2: describe a book answer

Describe a book you liked to read in your childhood

Describe an exciting book you have read

Describe the book you read that you found useful

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Describe a Book You Have Read Recently

Posted by David S. Wills | Jan 6, 2018 | IELTS Tips , Speaking , YouTube | 0

Today we’re going to look at a question from IELTS speaking part two, also known as the “long answer” question. In this part of the exam, as you probably know, you are expected to speak for about two minutes on a given topic . The topic will be presented to you on a “cue card” and you will then have a minute to make notes before you speak. Today, the topic is books and we will explore how to describe a book you have read recently .

There are lots of different ways that this question could be phrased, and so, as always, you can’t just memorise an answer. In fact, in IELTS it’s always a bad idea to memorize answers. You have questions like “describe your favourite book” or “describe a book that you read in your childhood,” but today I’m going to give you a more general question.

In this lesson, we will learn several things:

How to read the cue card
Note-making skills
Some useful vocabulary
How to answer this cue card fully

The Cue Card: Describe a book you have read recently

As I said, there are many IELTS cue cards about books. You could be asked about your favorite book or a book you really love, but in this case we will just look at a book you have read recently:

Describe a book you have read recently. You should say: what kind of book it is who wrote the book what the story of the book is and explain if it is a good book or not.

Once you have read the cue card, you must think about it quickly. Analyse the topic and ask yourself what exactly you should talk about. In this case, you may ask:

Can I talk about any book? – no, only one you’ve read recently
Could it be a book that I dislike? – yes, that is possible
Must it be a book that I enjoyed? – no, the final part of the question makes it clear that you don’t have to have liked it
Should I talk about the plot? – yes, that is fulfilling the third bullet point

You should quickly choose a book, think about how to explain it, and then try to talk about the ideas on the cue card.

describe a book you have read recently [ielts speaking]

Making Notes

So the first thing you should do is make a few notes on the topic. Of course, as we’ve discussed before, you really shouldn’t write too much. Remember – you just have one minute! Don’t write down sentences or else you’ll only have enough to speak for ten or twenty seconds. Instead, write the ideas you want to discuss or the vocabulary you may need.

In this case, of course we first have to think about the book itself. What was its name, and who was the author? It doesn’t have to be an English book, but you do need to be able to give the English title and – if it was written by an English-speaking author, you also must be able to say their name. Here in China, many famous foreigners have Chinese names, or at least their names are adapted to make it easier for Chinese speakers to pronounce, and so they sound weird to an English speaker. For example, my students always talk about “Jobs” when they mean “Steve Jobs.” So make sure you know the name.

Then you need to think about the tasks outlined in the cue card and make notes on them so that you don’t forget any part of it. This is where you need to make useful notes.

So the first thing we need to talk about, according to the cue card, is the “kind of” book. Another way of saying that is “ genre .” This means, is it a mystery novel or a romance? Is it a horror novel or a coming-of-age story? There are so many kinds of novels. Of course, you don’t need to know them all, but being able to talk about the ones that you actually like is important. Go beyond that and consider being able to discuss the book further in terms of adjectives – is it thrilling? Hilarious? Shocking? Provocative? These are some good vocabulary items to note down during your one minute.

When it comes to genre, you can borrow many words from your movie vocabulary . Here is a video about describing movies. Most of those words can be re-used for describing books:

Next you should really think about the plot of the novel. You don’t need to say everything. Instead, summarize it. Think about the main action and key scenes. Talk briefly about the beginning and ending, or any important moments.

When talking about the plot of a film or book, you can use the present simple or past simple. This is because these events exist outside of time as they are immortalized in a text. They are, in a sense, always happening.

For example, you could equally say:

Romeo kissed Juliet

Romeo kisses Juliet.

A great way of learning how to do this effectively is to go on Wikipedia or IMDB and then find descriptions of movies. Obviously, you should not try to memorize these, but you can definitely borrow some language or even structure.

Structuring your Answer

The important things about IELTS speaking part 2 are that you actually answer all parts of the question, and that you do it in between 1 and 2 minutes. The order in which you give the details is not important. Therefore, you can talk about any of the cue card suggestions first or last. However, be sensible and think of a logical order in your head. Make sure these are in your notes so that you don’t forget anything.

Sample Answer – Describe a Book

Here’s my answer to the above question.

Recently, I read a novel called Before the Fall by Noah Hawley, who is the writer of some popular TV shows. It’s hard to give the genre because it’s a quite unusual book; however, it is both a drama and a mystery to some degree. The story is about a plane crash. This happens at the beginning of the book, and after that we get the back story of the people who were on the plane. We don’t know why the plane crashed although it seems like an accident. However, the mystery element comes into the book as the story develops because we are shown too many coincidences. The book also details the relationship between a man and a boy who survive the crash, and this gives the story its heart. I really enjoyed this book. Normally I prefer to read non-fiction books but in this case I was attracted to Before the Fall because I really liked the writer’s TV work and I was curious about how he would handle a novel. Ultimately, I was not disappointed. His ability to tell a good story made him an excellent novelist.

Here’s my recording of the sample answer. Don’t forget to subscribe to the channel for more IELTS videos. I try to post about once every 1-2 weeks.

I answered the “who wrote it” and “what kind of book” parts very quickly at the beginning and spent more time on the plot and my reaction to the book. It’s important you take into consideration while planning that some parts of the question simply aren’t possible to talk about that much.

Note also the verb “detail” in that second paragraph. It’s a reporting verb used in slightly formal speech meaning roughly the same as “tells”.

About The Author

David S. Wills

David S. Wills is the author of Scientologist! William S. Burroughs and the 'Weird Cult' and the founder/editor of Beatdom literary journal. He lives and works in rural Cambodia and loves to travel. He has worked as an IELTS tutor since 2010, has completed both TEFL and CELTA courses, and has a certificate from Cambridge for Teaching Writing. David has worked in many different countries, and for several years designed a writing course for the University of Worcester. In 2018, he wrote the popular IELTS handbook, Grammar for IELTS Writing and he has since written two other books about IELTS. His other IELTS website is called IELTS Teaching.

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Sat / act prep online guides and tips, how to write the perfect harvard essay: 3 expert tips.

College Info , College Essays

Aiming for the world-renowned Harvard University? As part of the application to this prestigious Ivy League school , you'll have the option to submit a supplemental essay. But what should you write about for your Harvard essay? What are the different Harvard essay prompts to choose from, and how should you answer one so you can give yourself your best shot at getting in?

In this guide, we give you advice for each Harvard essay prompt as well as tips on whether you should choose a particular prompt. But before we look at the prompts, let's go over what Harvard actually requires in terms of essays.

Feature Image: Gregor Smith /Flickr

What Essays Do You Need to Submit to Harvard?

Those applying for admission to Harvard must submit an application through either the Common Application , the Coalition Application , or the Universal College Application (UCA) . For your Harvard application, you'll need to write a personal essay in response to one of the prompts provided by the Common App, Coalition App, or UCA (depending on the system you're applying through).

This essay is required for all applicants and should typically be about 500-550 words long (and must be less than 650 words). To learn more about this essay, check out the current prompts for the Common App , Coalition App , and UCA on their official websites.

In addition to this required essay, you have the option of submitting another essay as part of the Harvard supplement. The Harvard supplement essay, as it's known, is completely optional—you may, but do not need to, write this essay and submit it with your application.

Also, this essay also has no word limit, though if you do write it, it's best to stick to a typical college essay length (i.e., somewhere around 500 words).

Harvard advises applicants to submit this supplemental essay "if [they] feel that the college application forms do not provide sufficient opportunity to convey important information about [themselves] or [their] accomplishments."

Options for essay topics are very open ended, and you have a total of 10 topics from which you can choose (11 if you include the fact that you may also "write on a topic of your choice").

Here are the 2022-2023 Harvard supplement essay prompts :

You may write on a topic of your choice, or you may choose from one of the following topics:

Unusual circumstances in your life

Travel, living, or working experiences in your own or other communities

What you would want your future college roommate to know about you

An intellectual experience (course, project, book, discussion, paper, poetry, or research topic in engineering, mathematics, science or other modes of inquiry) that has meant the most to you

How you hope to use your college education

A list of books you have read during the past twelve months

The Harvard College Honor code declares that we "hold honesty as the foundation of our community." As you consider entering this community that is committed to honesty, please reflect on a time when you or someone you observed had to make a choice about whether to act with integrity and honesty.

The mission of Harvard College is to educate our students to be citizens and citizen-leaders for society. What would you do to contribute to the lives of your classmates in advancing this mission?

Each year a substantial number of students admitted to Harvard defer their admission for one year or take time off during college. If you decided in the future to choose either option, what would you like to do?

Harvard has long recognized the importance of student body diversity of all kinds. We welcome you to write about distinctive aspects of your background, personal development or the intellectual interests you might bring to your Harvard classmates.

As you can see, some of these topics are more specific and focused, while others are more broad and open ended. When it comes down to it, though, should you write the Harvard supplement essay, or should you skip it altogether?

Should You Do the Harvard Supplement Essay?

You're already required to submit a personal essay for your Harvard application—so do you really need to submit an extra essay? In reality, opinions are mixed on whether you should write the Harvard supplement essay or not.

While some people are under the impression that this essay is basically mandatory and that your chances of getting into Harvard without it are slim. Others believe that submitting it (especially if you don't have anything particularly impressive or interesting to write about) is simply a waste of time.

So which is it? In general, if you have the opportunity to submit something that you think will only strengthen your college application, definitely do it. By doing this essay, you'll add more flavor to your application and showcase a different side of your personality.

Indeed, in his review of his successful Harvard application , PrepScholar co-founder and Harvard alum Allen Cheng strongly recommends writing this extra essay. He also notes that it's likely that most Harvard applicants do , in fact, submit the supplemental essay (as he himself did).

But it's worth stating again: this essay is not required for admission to Harvard. Whether you submit a Harvard supplement essay is entirely up to you—though I highly recommend doing it!

If you're really struggling to decide whether to do the extra Harvard essay or not, ask yourself the following questions:

Do you consider yourself a strong writer? Are there people you trust who could edit and proofread your essay for you?
Are you worried about other parts of your Harvard application that could negatively affect your chance of admission , such as below-average SAT/ACT scores, a low GPA, etc.?
Do you feel that you didn't get to write about something you really wanted to for the required essay?
Is there something you believe the admissions committee should know about you that you haven't gotten a chance to write about yet?
Do you have enough time to dedicate to writing and polishing another essay?
Do you think your overall Harvard application is too one-sided or too focused on one aspect of your personality and/or interests? Could your application benefit from more diversity and balance?

Hopefully, by answering these questions, you'll start to have a clearer idea as to whether you will write the Harvard supplement essay or not.

How to Write the Harvard Essay: Every Prompt Analyzed

In this section, we go through the 10 possible Harvard supplement essay prompts and offer you tips on how to write an effective, powerful essay, regardless of which prompt you choose.

Prompt 1: Unusual Circumstances

This essay prompt is all about highlighting an unusual situation or event in your life and what kind of impact it ultimately had on you. Harvard asks for this in case applicants want to discuss anything significant that has happened to them and has had a major influence on their academic accomplishments, future goals, perspectives, etc.

This is also an opportunity for applicants to discuss any major struggles they have had (that most students their age haven't had) and the way these experiences have personally affected their lives.

Should You Choose This Prompt?

If you grew up with an uncommon lifestyle or had an uncommon experience that you believe had a strong effect on you, this is a good prompt to choose for your essay. For example, perhaps you grew up speaking four languages fluently, or you were the youngest of fourteen children.

This is also an ideal prompt to choose if you want to provide more background information for a weak point in your application. For instance, say you contracted a serious illness during your sophomore year, and your many absences caused your GPA to drop. You could then write about how you approached this problem head-on, and how working with a tutor every day after school to raise your GPA ultimately revealed to you an inner strength you never knew you had.

Tips for Answering This Prompt

Choose an experience or situation that is actually uncommon. This doesn't mean that no one else in the world could have it, but try to focus on something that's unique and has had a big impact on your personal growth. As an example, although many teenagers were raised by a single parent, only you grew up with your parent, so concentrate on how this person as well as the overall situation helped to shape your personality and goals.
If you're writing about something that was challenging for you, don't just conclude that the experience was difficult. What specifically have you learned or taken away from it? Why is it important for the Harvard admissions committee to know this? For instance, say you had to move six times in just two years. You could write that although it was difficult adjusting to a new school each time you moved, you eventually started to enjoy meeting people and getting to explore new places. As a result of these experiences, you now have a lot more confidence when it comes to adapting to unfamiliar situations.

Prompt 2: Travel, Living, or Work Experiences

This prompt is asking you to discuss experiences you've had that involved traveling, living, and/or working in a specific community (either your own or another) and what kind of effect that experience has had on you.

Here are examples of experiences you could talk about for this essay:

Living or traveling abroad
Moving to a new place or living in multiple places
Working a part-time job
Working a temporary job or internship somewhere outside your own community

If you've had an experience that fits or mostly fits one of the examples above and it's had a big impact on how you see and define yourself as a person, this is a solid prompt for you.

On the other hand, do not choose this prompt if you've never had a significant experience while traveling or working/living somewhere.

Choose a truly significant experience to talk about. Although your experience doesn't need to be life-changing, it should have had a noteworthy impact on you and who you've become. If, for example, you traveled to Mexico with your family but didn't really enjoy or learn much from the trip, it's better to avoid writing about this experience (and might be better to choose a different prompt altogether!).
Make sure to talk about how this travel/living/work experience has affected you. For example, say you spent a couple of summers in high school visiting relatives in South Africa. You could write about how these trips helped you develop a stronger sense of independence and self-sufficiency—traits which have made you more assertive, especially when it comes to leading group projects and giving speeches.
Don't be afraid to get creative with this essay. For instance, if you lived in a country where you at first didn't understand the local language, you could open your Harvard essay with an anecdote, such as a conversation you overheard or a funny miscommunication.

Prompt 3: Your Future College Roommate

Unlike some of the other more traditional Harvard essay prompts on this list, this prompt is a little more casual and really lends itself to a creative approach.

For this prompt, you're writing an essay that's more of a letter to your future college roommate (remember, however, that it's actually being read by the Harvard admissions committee!). You'll introduce who you are by going over the key traits and characteristics that make you you —in other words, personality traits, eccentricities, flaws, or strengths that you believe are critical for someone (i.e., Harvard) to know about you.

This Harvard essay prompt is all about creativity and describing yourself—not a specific event or circumstance—so it's well suited for those who are skilled at clearly and creatively expressing themselves through writing.

Focus on your unique attributes. Since you're describing yourself in this essay, you'll need to concentrate on introducing the most unique and interesting aspects about yourself (that you also think a roommate would want or need to know). What's your daily routine? Do you have any funny or strange habits or quirks? How did you develop these characteristics?
Be true to your voice and don't pretend to be someone you're not. Don't say that you're always telling jokes if you're normally a very serious person. Describe yourself honestly, but don't feel as though you must tell every little detail about yourself, either.
Strike a balance: don't focus only on the positives or negatives. You want to come across as a strong applicant, but you also want to be realistic and authentic (you're human, after all!). Therefore, try to find balance by writing about not only your strengths and positive attributes but also your quirks and flaws. For instance, you could mention how you always used to run late when meeting up with friends, but how you've recently started working on getting better at this by setting an alarm on your iPhone.

Prompt 4: An Intellectual Experience

An intellectual experience (course, project, book, discussion, paper, poetry, or research topic in engineering, mathematics, science or other modes of inquiry) that has meant the most to you.

With this prompt, Harvard wants you to focus on an intellectual or learning experience that's had a big impact on you in terms of your personal growth, your academic/intellectual interests and passions, the field of study you want to pursue, etc.

This intellectual experience could be anything that's intellectually stimulating, such as an essay or book you read, a poem you analyzed, or a research project you conducted.

Note that this experience does not need to be limited to something you did for school —if you've done anything in your spare time or for an extracurricular activity that you think fits this prompt, feel free to write about that.

Should You Choose This Topic?

This is a good prompt to choose if a certain intellectual experience motivated you or triggered an interest in something you really want to study at Harvard.

For example, you could write about how you found an old copy of Charles Darwin's On the Origin of Species at a garage sale, and how reading this prompted you to develop an interest in biology, which you now intend to major in and eventually make a career out of.

This is also an ideal prompt to pick if you want to highlight a particular interest or passion you have that differs from the academic field you want to study in college.

For instance, perhaps you're applying for admission as a computer science major, but you're also a huge fan of poetry and often take part in local poetry readings. Writing about a poem you recently read and analyzed could illuminate to the admissions committees a different, less prominent side of your personality and intellectual interests, ultimately showing that you're open minded and invested in gaining both new skills and experiences.

Choose an experience that had a significant impact on you. Don't talk about how reading Romeo and Juliet in eighth grade made you realize how much you enjoyed writing plays if you were already writing plays way before then! If you can't think of any memorable intellectual experience to write about, then it's best to opt for a different prompt.
Be specific about the intellectual experience you had and clearly relate it back to your strengths and interests. In other words, what kind of impact did this experience have on you? Your academic goals? Your future plans? For example, instead of writing about how a scientific paper on climate change made you think more deeply about the environment, you could talk about how this paper prompted you to form a recycling program at your school, take a class on marine biology, and so forth.

Prompt 5: Your Future Goals

This Harvard essay prompt is pretty self-explanatory: it wants you to discuss how you intend to use your education at Harvard after you graduate —so in a future job or career, in grad school, in a particular research field, etc.

Basically, how will your college education help you achieve your future goals (whatever those may be)?

If you have a pretty clear vision for your future goals during and after college, this is a perfect prompt to choose for your Harvard essay.

If, on the other hand, you're still undecided about the field(s) you want to study or how you intend to use your major, you might want to choose a different prompt that's less focused on your future and more concentrated on how past events and experiences have shaped you as a person.

Be careful when talking about your future goals. You don't want to come off too idealistic, but you also don't want to sound too broad or you'll come across unfocused and ambivalent. Try to strike a balance in how you discuss your future dreams so that they're both attainable and specific.
Clearly connect your goals back to your current self and what you've accomplished up until this point. You want to make it clear that your goals are actually attainable, specifically with a Harvard education. If you say you hope to start your own interior design business after graduation but are planning to major in biology, you're only going to confuse the admissions committee!
Emphasize any ways Harvard specifically will help you attain your academic goals. For example, is there a club you hope to join that could connect you with other students? Or is there a particular professor you want to work with? Don't just throw in names of clubs and people but specifically explain how these resources will help you reach your goals. In short, show Harvard that what they can offer you is exactly what you need to succeed.

Prompt 6: List of Books

Of all Harvard essay prompts, this one is by far the most unique.

Here, you're asked to simply list the books you've read in the past year. This essay is more than just a list, though—it's a brief overview of where your intellectual interests lie. These books may include works of fiction or nonfiction, essays, collections of poetry, etc.

Have you read a lot of diverse and interesting books in the past year? Are you an avid reader who loves dissecting books and essays? Do you enjoy a creative approach to college essays? If you answered yes to these questions, then this prompt is a perfect fit for you.

Even if you haven't read a ton of books this past year, if you were especially intrigued by some or all of what you did read, you could certainly use this prompt for your essay.

Instead of just listing the titles of books you've read, you might want to include a short sentence or two commenting on your reaction to the book, your analysis of it, why you enjoyed or didn't enjoy it, etc., after each title. Be sure to vary up your comments so that you're highlighting different aspects of your personality. Also, don't just regurgitate analyses you've read online or that your teacher has said—try to come up with your own thoughts and interpretations.
Don't feel the need to stick to only the most "impressive" books you read. The Harvard admissions committee wants to see your personality, not that of a pretentious applicant who claims to have only read Jane Austen and Ernest Hemingway. Be honest: if you read Twilight in a day, why not make a short joke about how addictive it was?
Go beyond a chronological list of books. It'll be far more interesting if you list the books you read in a more unique way. For example, you could organize titles by theme or in the order of how much you enjoyed them.

Prompt 7: Honesty

As you can see with this quotation, Harvard strongly values honesty and integrity. Therefore, if you go with this prompt, you're essentially telling Harvard that you, too, embody a powerful sense of morality and honesty.

Was there a specific time in your life when you had to make a difficult choice to be honest about something with someone?
Could this incident be considered morally ambiguous? In other words, was the "right thing to do" somewhat of a gray area?
If you didn't make the "right" choice at the time, how did you come to terms with or learn from this decision? What were the consequences, and what did this experience teach you about your own morals and how you value honesty?
Be wary of the topic you choose to write about. Don't discuss a situation in which you did something obviously unethical or, worse, illegal. These types of situations are very black and white and therefore don't pose much of a moral dilemma. Additionally, talking about such an experience might make you seem dishonest and immoral, which you absolutely do not want Harvard to think about you!
Try to find a topic that isn't black and white. Choosing "gray" incidents will help emphasize why the choice was so difficult for you and also why it's affected you in this way. For example, say your friend calls you crying right before you have to leave to take the SAT. Do you skip the test to comfort your friend, or do you hang up and leave? This kind of situation does not have an evident "right" answer, making it an ideal one to use for this essay.
You could also discuss a time when you did not make the "right" choice—and what you learned from that mistake. As long as you look closely at why you made the "wrong" choice and what this incident taught you about integrity, your essay will be interesting and relevant.

Prompt 8: Citizens and Citizen-Leaders

This prompt might sound a little vague, but all it wants to know is how you'll have a positive impact on both your classmates and on other people after graduation. Put simply, what kind of leader/citizen will you be at Harvard? After you graduate from college and enter the real world?

This prompt is similar to Prompt 5 in that it wants to know what kind of person you'll become after you leave college and how you'll positively influence society.

If you're a natural-born leader and have had at least a few significant experiences with leading or facilitating things such as club activities, field trips, volunteer efforts, and so on, then this Harvard essay prompt would be a great fit for you.

Focus on a time when you led others and it resulted in a positive outcome. For instance, you could write about your position as team captain on your school's soccer team and how you would gather your teammates before each game to offer words of encouragement and advice on how to improve. You could then describe how your team began to perform better in games due to clearer communication and a stronger sense of sportsmanship. Make sure to answer the critical question: how did you lead and what ultimately made your leadership style successful?
Discuss what kind of role your leadership skills will have at both Harvard and after you graduate. The prompt is asking about your classmates, so you must specifically address how your leadership skills will contribute to the lives of your peers. How will your past experiences with leading help you approach group projects, for example? Or clubs you join?
Make sure to mention how you'll be a good citizen, too. By "citizen," Harvard essentially means a productive member of both the school and society in general. Basically, how have you contributed to the betterment of society? This is a good place to talk about experiences in which you played a crucial supporting role; for instance, maybe you helped out with a local volunteer initiative to feed the homeless, or maybe you joined a community project to build a new park in your town.

Prompt 9: Taking Time Off

Here, you're being asked what you plan to do with your time if you decide to defer your admission to Harvard or take time off during college. For example, will you travel the world? Work a full-time job? Do an internship? Take care of a sick relative?

Obviously, Harvard doesn't want to read that all you're going to do is relax and play video games all day, so make sure to think carefully about what your actual plans are and, more importantly, how these plans will benefit you as a person and as a student.

Only choose this Harvard essay prompt if you're pretty certain you'll be taking time off from college at some point (either before or during) and you have a relatively concrete idea of what you want to do during that time.

Be specific and honest about your plans. While many students like to take time off to travel the world, you don't just want to write, "I plan to backpack Europe and learn about cultures." Think critically about your desires: why do you want to do this and how will this experience help you grow as a person? Don't just reiterate what you think Harvard wants to hear—be transparent about why you feel you need this time off from school to accomplish this goal.
Be clear about why you must do this at this particular time. In other words, why do you think this (i.e., before or during college) is the right time to do whatever it is you plan to do? Is it something you can (or must) do at this exact time, such as a one-time internship that won't be offered again?

Prompt 10: Diversity

This final Harvard essay prompt is all about what you can bring to campus that will positively contribute to student diversity. Though we tend to think of race/ethnicity when using the word "diversity," you can actually interpret this word in a number of ways.

As a large and prestigious institution, Harvard strongly values students who have different and unique backgrounds and experiences, so it's important for them to admit students who embody these values as well.

This prompt is essentially a version of the diversity essay , which we talk about in more detail in our guide.

The main question to ask yourself before choosing this prompt is this: do you have a unique background or interest you can write about?

Here are some key types of diversity you can discuss (note that this is not an exhaustive list!):

Your ethnicity or race
A unique interest, passion, hobby, or skill you have
Your family or socioeconomic background
Your religion
Your cultural group
Your sex or gender/gender identity
Your opinions or values
Your sexual orientation

If any of these topics stand out to you and you can easily come up with a specific characteristic or experience to discuss for your essay, then this is a solid prompt to consider answering.

Choose a personal characteristic that's had a large impact on your identity. Don't talk about your family's religion if it's had little or no impact on how you see and define yourself. Instead, concentrate on the most significant experiences or skills in your life. If you play the theremin every day and have a passion for music because of it, this would be a great skill to write about in your essay.
Be clear about how your unique characteristic has affected your life and growth. You don't just want to introduce the experience/skill and leave it at that. How has it molded you into the person you are today? How has it influenced your ambitions and goals?
Be sure to tie this characteristic back to the diversity at Harvard. Basically, how will your experience/skill/trait positively influence the Harvard student body? For example, if you come from a specific cultural group, how do you believe this will positively impact other students?

Want to get into Harvard or your personal top choice college?

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A Real Harvard Essay Example

Our resident full SAT / ACT scorer and co-founder of PrepScholar, Allen Cheng , applied to, got into, and attended Harvard—and he's posted his own Harvard supplement essay for you to look at. You can read all about Allen's essay in his analysis of his successful Harvard application .

Allen describes his essay as "probably neutral to [his Harvard] application, not a strong net positive or net negative," so it's important to note that this Harvard essay example is not representative of exactly what you should do in your own Harvard supplement essay. Rather, we're showing it to you to give you a taste of how you could approach the Harvard essay and to demonstrate the kinds of simple mistakes you should avoid.

Writing a Memorable Harvard Essay: 3 Tips

To wrap up, here are three tips to keep in mind as you write your Harvard supplement essay.

#1: Use an Authentic Voice

Having a clear, unique, and authentic voice is the key to making yourself stand apart from other applicants in your Harvard application—and to ensuring you're leaving a long-lasting impression on the admissions committee.

Therefore, write your essay in the way that comes most naturally to you, and talk about the things that actually matter to you. For example, if you love puns, throwing one or two puns into your essay will emphasize your goofier, non-academic side.

Using your voice here is important because it humanizes your application. The essay is the only chance you get to show the admissions committee who you are and what you actually sound like, so don't pretend to be someone you're not!

The only thing to look out for is using too much slang or sounding too casual. In the end, this is still a college essay, so you don't want to come off sounding rude, disrespectful, or immature.

In addition, don't exaggerate any experiences or emotions. The Harvard admissions committee is pretty good at their job—they read thousands of applications each year!—so they'll definitely be able to tell if you're making a bigger deal out of something than you should be. Skip the hyperbole and stick to what you know.

Ultimately, your goal should be to strike a balance so that you're being true to yourself while also showcasing your intelligence and talents.

#2: Get Creative

Harvard is one of the most difficult schools to get into (it only has about a 4% acceptance rate! ), so you'll need to make sure your essay is really, really attention-grabbing. In short, get creative with it!

As you write your personal essay, recall the classic saying: show, don't tell. This means that you should rely more on description and imagery than on explanation.

For example, instead of writing, "I became more confident after participating in the debate club," you might write, "The next time I went onstage for a debate, my shoulders didn't shake as much; my lips didn't quiver; and my heart only beat 100 times instead of 120 times per minute."

Remember that your essay is a story about yourself, so make sure it's interesting to read and will ultimately be memorable to your readers.

#3: Edit and Proofread a Lot

My final tip is to polish your essay by editing and proofreading it a lot. This means you should look it over not once, not twice, but several times.

Here's the trick to editing it: once you've got a rough draft of your essay finished, put it away for a few days or a week or two. Don't look at it all during this time —you want to give yourself some distance so that you can look at your essay later with a fresh perspective.

After you've waited, read over your essay again, noting any mistakes in spelling, grammar, and/or punctuation. Take care to also note any awkward wording, unclear areas, or irrelevant ideas. Ask yourself: is there anything you should add? Delete? Expand?

Once you've done this step several times and have a (nearly) final draft ready to turn in, give your essay to someone you can trust, such as a teacher, parent, or mentor. Have them look it over and offer feedback on tone, voice, theme, style, etc. In addition, make sure that they check for any glaring grammatical or technical errors.

Once all of this is done, you'll have a well-written, polished Harvard essay ready to go— one that'll hopefully get you accepted!

What's Next?

If you've got questions about other parts of the Harvard application, check out our top guide to learn what you'll need to submit to get into the prestigious Ivy League school .

How tough is it to get into Harvard? To other selective universities ? For answers, read our expert guide on how to get into Harvard and the Ivy League , written by an actual Harvard alum!

What's the average SAT score of admitted Harvard applicants? The average ACT score? The average GPA? Learn all this and more by visiting our Harvard admissions requirements page .

Want to write the perfect college application essay? Get professional help from PrepScholar.

Your dedicated PrepScholar Admissions counselor will craft your perfect college essay, from the ground up. We'll learn your background and interests, brainstorm essay topics, and walk you through the essay drafting process, step-by-step. At the end, you'll have a unique essay that you'll proudly submit to your top choice colleges.

Don't leave your college application to chance. Find out more about PrepScholar Admissions now :

Hannah received her MA in Japanese Studies from the University of Michigan and holds a bachelor's degree from the University of Southern California. From 2013 to 2015, she taught English in Japan via the JET Program. She is passionate about education, writing, and travel.

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How to Write an Essay On Books

To write a good essay about books on a free topic, you just need to understand what you want to get. And, based on this information, make a plan.

To begin with, you need to understand the difference between these concepts:

Are you writing a personal opinion about a book? You can tell whether you liked it or not, what in it caught you or repulsed you.
Or is it an overview of the story lines? A full description of what is written in the book, your thoughts on the main points of the book.
Or is it a description of the book? Then highlight points of interest. This kind of text usually encourages you to read it.

If you are writing an essay on books for school, you probably need to write a book review.

Preparing for the essay

The experts at StudyCrumb Educational Agency assure you that by following a simple procedure, you will be able to write the essay you need quickly and easily.

Choose the book you want to write an essay about. It is better if it is one that you have memorized well. Some teachers recommend writing an essay on your favorite books.
Make a short outline that includes an introduction, the main part, and a conclusion.
Recall what your book is about. Write out a couple of main thoughts that are memorable and seem close to your heart.
Write a review of the book, the kind you’d like to write for your friend. In simple, uncomplicated words.

Essay Writing

Having prepared your drafts and outline for your essay, you’ve already done a tremendous job, and it’s just a matter of doing a little bit more. Be sure to remember that the essay about the book you read is your thoughts, feelings, and emotions about the work itself.

In the water part, write about the plot of the book, about the essence, but don’t reveal the intrigue completely, so that your classmates can read the book too. You can quote a few curious places, but don’t forget to justify why you chose them.

In the main part you should write your personal opinion of what you have read. If the teacher did not mention that the book must necessarily be a favorite, you can also write about the book, which, on the contrary, left a negative residue in your soul.

It is better to make the ending short and concise. Write what you like to read, why you like to read, and recommend the chosen work to read all. Check out http://cheapessaysonline.com/ for quality essay examples for your own inspiration.

Examples of essay on books

An essay about a book leaves the imagination free, especially when you’re a big fan of the book world. But sometimes reading is much easier than writing. So here are a few examples of essays.

Introduction:

“I love to read. Reading helps you immerse yourself in that completely different world. Makes you forget that you are a mere student. You can become a great traveler, fly around the globe, or you can find yourself in a school of magic and learn complex magical sciences. My choice was the Harry Potter book, because that’s the world where I spent my childhood.

“My favorite book is Roald Dahl ‘s Matilda. I think this work is suitable for children as well as adults. Matilda is a little girl with strange parents and a very mean principal. And then, one day, a good teacher shows up at school who treats all the students, including Matilda, with awe. When I was little, I was sure it was just a fairy tale. But now, after rereading this book to refresh my memory, I realize that the book has adult overtones. Matilda is the personification of all the children of the world who face the hostility of adults who should not have been parents or educators.”

The final part:

“I would like to finish my essay about the book “Three Comrades” with the advice: read, look for a moral in any work, and you can become a good person.

These are just examples of how you can write essay on books. Choose your favorite book and write whatever you want to say.

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Describe a book you have recently read – IELTS Cue Card Sample Answers

Updated On Sep 18, 2023

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This article contains the Describe a book you have recently read Cue Card Sample Answers.

During Part 2 of the IELTS Speaking test, you will have exactly one minute to prepare and speak on a specific topic. This is the IELTS cue card task. You can learn how to communicate clearly and successfully by reviewing sample answers.

This IELTS cue card gives you an opportunity to share one of your opinions about a book you have recently read.

Practise IELTS Speaking Part 2 by referencing the Cue Card Sample Answers below.

Before you start, take a look at the introduction to Speaking Part 2 below!

Learn How to Prepare a Cue Card now!

Describe a book you read

You should say:

Who wrote this book?
What it is about?
When you read it?
And explain why you liked it.

Sample Answer 1

Being a bibliophile, I try my best to complete at least one book a week. Earlier, I used to read 4-5 books a month. However, gradually, the numbers declined as I got held up in other important tasks. So, with the new year, I have taken a resolution to finish a minimum of 2 books a month. Having said that, I spent the last week reading A Bend in the Road by Nicholas Sparks.

The main protagonists of this book are Miles Ryan and Sarah Andrews. The former loses his wife to a hit-and-run accident. After going through a tough time in his life and spending two years trying to find the person behind this accident, Miles begins dating his son – Jonah’s – teacher, Sarah Andrews.

With time, their relationship turns stronger, and they fall deeply in love with each other. However, Miles comes across new evidence pertaining to the death of his wife. And, this person is somehow related to Sarah.

This is a romantic novel that showcases the attributes of love, sacrifice, and letting go. I like the way the author described diverse emotions keenly and precisely. Also, I liked the way of writing that the author put forth in this book.

Sample Answer 2

On a Saturday evening, I was lying down with this book called “ Tell me your dreams” by Sidney Sheldon. Thanks to the maid, who served hot tea.

The book had an irresistible start. Initially, it describes three women, their love life and the mysterious ways in which their lovers are killed. After some time, the plot becomes gripping. It is revealed that they are three personalities of the same woman, Ashley, who suffered from multiple personality disorder and had murdered the men mercilessly.

Later, it is revealed that Ashley had a traumatic childhood which caused her to create these identities. Ashley is represented by a lawyer friend of her father. The court finally accepts that it was Ashley’s condition that made her kill and orders psychiatric treatment. She gets treated in the hospital and regains sanity.

The book has revealed an episode in the life of a psychiatrically affected person. It gave me an insight into the lives of women experiencing wounding disturbances in their childhood. Infact, when I come across news about murders, especially when the charges are against a lady, I suspect whether the woman is really guilty. The book cast such an effect on me.

Grant: agree to give or allow (something requested) to. Eg: He was granted permission to take leave
Curious: interested in learning about people or things around you Eg: Rose was curious about her results.
Impulsively: without forethought; on impulse; suddenly. Eg: Rose impulsively decided to buy the diamond necklace.
Found out: discover something or come to know about something. Eg: The treasure box hidden in the backyard was found out.
Novelty: the quality of being new, original, or unusual Eg: The tourists are still a novelty on this remote island
In hindsight: the ability to understand an event or situation only after it has happened Eg: In hindsight, I should have taken the job offer.

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IELTS Books
Speaking Part 1
Speaking Part 2
Speaking Part 3
Multiple charts
Opinion Essays
Discussion Essays
Problem Solution Essays
Advantages & Disadvantages Essays
Double Question Essays
Formal Letter
Informal/personal Letter
Semi-formal Letter

Describe a book you have recently read

You should say:

What the book is
Who recommended it to you
What you think about the book

And explain whether you enjoyed it or not

Sample Answer:

With the hefty duties in my office and at home, I hardly can manage time to read books but have completed reading ‘Things Fall Apart’ after lots of struggle – for managing time

Things Fall Apart is a wonderful creation of Chinua Achebe, the Nigerian writer and the entire story is set on the post-colonial background. The book was composed in 1958 and is also considered as one of the pioneer novels for modern African literature in the English language. The book is one of the mandatory books across Africa and in some other countries too for its historical perspective and story background. The plot of the book is about the life and living of Okonkwo, the male protagonist of the novel and his protest to leave his own cultures, customs of his own Igbo society. He prefers killing himself instead of adopting a different religious belief and customs

I heard it from my younger brother who is a graduate student and has to study English literature as one of his compulsory courses. Sometimes, he comes to me with his academic troubles and I solve those if I could manage time. I noticed a book of red cover and I inquired him about that specific book. He brought the book to me and I found it was the ‘Things Fall Apart’. Hence, I was introduced to the book and its author. The interest to read the book grew more when he told the story in brief to me. It appeared that if I miss reading the book, it will be a great intellectual loss for me. So, I started carrying the book with me and read for three of four pages a day

In the beginning, it appeared that the book might be some sort of novel related with romance as the name suggested but my concept was changed when I heard the story in brief from my brother and also read the book. All the events described in the book taught me to discover things in different ways and there are numerous things to learn about the ancient culture and society of the Africans. Usually the modern people term Africans as slow-witted people, but in reality, they are advanced in many special ways than the modern people. They have their own cultures and societal norms to follow which is absent among the modern people of the current days

After reading the book, I realised that this is an extraordinary story of a man struggling with the post-colonial force to survive with his own customs. He tried his best to make the customs useful and also wanted that the people should continue exercising the rules of their ancestors. He could not adjust to the events of transferring religion or religious beliefs and converting to Christianity. He was in troubles for opposing the missionaries and thus he had to commit suicide. It was his silent protest against the post-colonial power. His sacrifice for the sake of his belief is the most important thing that shocked me throughout the book.

speaking part 2

Book I have read

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How to Write a Book Essay

Book essay writing is an omnipresent assignment imposed by many professors, especially if you are dealing with literature constantly. An essay on a book is usually a way for your teacher to get proof that you gained something from analyzing this book. They want to make sure that you read the book, thus having some personal thoughts that you’d like to express. Also, writing an essay is quite helpful for developing your skills at articulating thoughts. If you want to know how to write a book essay, then we are here to help you understand it in detail.

What to Consider Writing an Essay on a Book

What is different from your usual essay, is that you need to express your thoughts after reading a certain work and then choose a direction to go from. It is a combination of character analysis combined with your personal feelings on the work that ultimately culminates in the creation of an expressive critical essay on a book. But how to write an essay about a book? Mind you, a professional essay on a book consists of certain criteria, that like chemical compounds create a proper reaction from a reader’s perspective:

This is the flair that you base your essay upon. This is when you’re creativeness comes to play, you want your essay to be unique
The way you structuralize sentences and pick certain words for your essay.
The basic structure of an essay, which usually consists of an introduction, main body, and conclusion.
Your essay bears an informative approach, being somewhat emotive to express personal thoughts on a particular book.

📚 How to Prepare for Book Essay Writing

Before writing an essay about a book, you need to think clearly about which plan to use, so that the flow of thoughts lines up into coherent, logical sentences.

How to start off an essay about a book? Immediately after receiving the topic of the essay, ideas and images will begin to arise in your head (of course, if you have read the work). On a rough sheet of paper, sketch the phrases or words that first come to mind. Then they can be developed into a whole essay.

So, think carefully about what you want to say about the topic. Then write down your thoughts on paper in a column. And then decide in what order you want to display these thoughts on paper. This is necessary for a clear and distinct structure of the work.

Read the Book Exhaustively

So how to start an essay about a book? Naturally, the main path to successfully writing an essay on a book is to more or less know the contents of the story. We’re not talking about remembering every single character trait or knowing the gist of each internal monologue. Just focus on what you find alluring about the story, trying to create the idea from a scene that you enjoy in particular. Then you can connect this scene to the character development, thus proving a point that even the smallest scene can influence the overall conclusion of the story. Plus, not knowing the story will make you unable to bring in examples, thus making you obliged to order an essay online .

Make Up One’s Mind About the Topic

How to write a book analysis essay perfectly? Another important thing about approaching a book essay is setting up an idea you’d like to share with the readers. Do you want to lead to a positive conclusion, something philosophical, or go in the direction that no one previously dared to? The idea here is that you need to create a point to focus on and try not to digress from it as much. Do you want to show how the hero struggles with basic human needs? If so, then don’t describe scenes where they do the opposite.

Prepare an Outline

How to write an analysis essay on a book? You have to think of a good outline. An outline is a sort of plan that you don’t want to diverge from. Planning is one of the fortes of humanity and without it, your essay might sound clunky and chaotic. Jumping randomly from point to point won’t get you high scores. Imagine creating an overarching ladder where your point gets stronger and stronger due to the logical nature of your essay. Think about how you want to start your essay, the quotes to strengthen your point, and the natural conclusion you’d like to bring your readers to. This is the gist of an outline.

Don’t Forget About Quotes

Another important aspect of how to write a book analysis is quoting a character to properly refer to a particular scene. An essay usually implies that you have access to all the resources you need, so it wouldn’t pose difficulty to look up a direct quote of a character that correlates with your thoughts. This is extremely important for professors as they want to be persuaded that you know what you are talking about. This is especially true if they are a fan of the story you are writing an essay on. People usually look for like-mindedness, being extremely happy about seeing someone agreeing with them.

📑 How to Structure Your Book Analysis Essay

How to introduce a book in an essay? Like any essay, a creative writing paper in literature consists of several elements:

Introduction.
Definition of the problem, its relevance.
The formulation of one’s position.
Arguments that support it.

The structure of the final essay on literature should be clear. Do not make too many paragraphs, but do not break the text into many small passages.

How to Start a Book Analysis Essay?

In the introductory part, the information should be written as if it were read by someone completely unfamiliar with the problem. Here you need to reveal the topic, the problem, and the relevance of the essay. The questions you can put in front of you will help with this:

What work are you writing your essay/essay on?
What do you know about the author of the work?
What is the genre of the work (comedy, drama, novel, etc.)? What aspects would you like to explore in your work?

Writing a Thesis Statement

How to start a paragraph about a book? You are in need of a thesis statement. A thesis statement is the main element for creating a perfect introduction and is your cornerstone to transition to the main body. It is a sentence where you state the main point of your essay, wanting to announce what it is that you are going to analyze. Thus the path to succeeding with the thesis statement is to make it correlate with your conclusion. In fact, you might even start writing a conclusion first, and then write a thesis statement based on it.

Create a Body Paragraph

Here it is necessary to highlight the thoughts that the work evoked, the emotions toward the chosen character or its circumstances.

Each idea will have to be supported by examples from the original text of the work. If you say that the problem of war worries the character, then you need to give examples in which this excitement is conveyed to the reader.

The main part is, for the most part, your reasoning about what you care about in the whole story. Show the evolution of your thought here, from what point in the work it originated, how it evolved, and what conclusion it eventually led to.

Book Essay Conclusion

And this is the finale you lead your readers to. So how to write a conclusion for an argumentative essay ? You create a final point based on everything you’ve been describing in the main body, reinstating the main point in the introduction. Mind you, that conclusion shouldn’t have any new information that wasn’t previously described. You just want to make your thoughts ironclad and protect those from basic criticism.

Need Help Writing an Essay on Books?

How to write an essay on a book when you are not invested in it? If you have an issue with creating an essay on books, then we are more than ready to help you out here. Not everyone is ready to read a book for the sake of making a teacher happy. Sometimes literature can be unbearable with a student who has no interest in or time to engage with it. Nevertheless, your assignment needs to be done and if a perfect score is something you are aiming for, then our paper writing services are the way to go.

Our team is made of literature experts that can learn the book in-depth, knowing exactly what your teacher might be looking for. We stick to the structure described in this article, coming up with a quality outline, and then writing a proper essay that is full of argumentation and persuasiveness.

What is the purpose of a book analysis essay?

A book analysis essay is usually created to write your thoughts on a particular book, trying to prove a personal statement concerning it. Perhaps you’d like to dive into the inner thoughts of a character, analyzing what elements led them to a particular path. You can go the other direction and analyze the writer’s style, complimenting them on creating this rich world. Furthermore, a book analysis essay can be full of critique for nobody is obliged to love everything.

How to talk about a book in an essay?

The main idea of writing an essay about a book is stating the point that is yours and yours only. The path to success is all about loving what you write, instead of feeling obliged to do something. If you just want to create something for the sake of just making an assignment, then your essay can feel bland. If you don’t like the work you need to write an essay on, then go with this direction and bring your fair share of critique.

How to start an essay on a book?

Asking yourself how to start an essay on a book? An essay usually starts with an introduction. You start it with a philosophical sentence that usually invites the reader to reminisce about the contents of the book. This is where you usually state the purpose of your essay, outlining the main point that you are further going to prove in the main body.

How many paragraphs are in a book essay?

The format for a book essay can differ from professor to professor but usually, it has five paragraphs or so. You don’t need to create a huge memoir on a particular book. Rather, you pick some narrow aspect hidden within it and try to condense your thoughts into one page. The most important aspect here is to not make it watery, repeating your point with no progress.

How to write an analysis paper on a book with a good outline?

The outline is the blueprint for creating your essay. This is where you want to create your main point, and then plan how you are going to prove it with particular examples from a book. An outline exists to properly structuralize your essay, without feeling random.

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Knowledge Base
How to write a literary analysis essay | A step-by-step guide

How to Write a Literary Analysis Essay | A Step-by-Step Guide

Published on January 30, 2020 by Jack Caulfield . Revised on August 14, 2023.

Literary analysis means closely studying a text, interpreting its meanings, and exploring why the author made certain choices. It can be applied to novels, short stories, plays, poems, or any other form of literary writing.

A literary analysis essay is not a rhetorical analysis , nor is it just a summary of the plot or a book review. Instead, it is a type of argumentative essay where you need to analyze elements such as the language, perspective, and structure of the text, and explain how the author uses literary devices to create effects and convey ideas.

Before beginning a literary analysis essay, it’s essential to carefully read the text and c ome up with a thesis statement to keep your essay focused. As you write, follow the standard structure of an academic essay :

An introduction that tells the reader what your essay will focus on.
A main body, divided into paragraphs , that builds an argument using evidence from the text.
A conclusion that clearly states the main point that you have shown with your analysis.

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Step 1: reading the text and identifying literary devices, step 2: coming up with a thesis, step 3: writing a title and introduction, step 4: writing the body of the essay, step 5: writing a conclusion, other interesting articles.

The first step is to carefully read the text(s) and take initial notes. As you read, pay attention to the things that are most intriguing, surprising, or even confusing in the writing—these are things you can dig into in your analysis.

Your goal in literary analysis is not simply to explain the events described in the text, but to analyze the writing itself and discuss how the text works on a deeper level. Primarily, you’re looking out for literary devices —textual elements that writers use to convey meaning and create effects. If you’re comparing and contrasting multiple texts, you can also look for connections between different texts.

To get started with your analysis, there are several key areas that you can focus on. As you analyze each aspect of the text, try to think about how they all relate to each other. You can use highlights or notes to keep track of important passages and quotes.

Language choices

Consider what style of language the author uses. Are the sentences short and simple or more complex and poetic?

What word choices stand out as interesting or unusual? Are words used figuratively to mean something other than their literal definition? Figurative language includes things like metaphor (e.g. “her eyes were oceans”) and simile (e.g. “her eyes were like oceans”).

Also keep an eye out for imagery in the text—recurring images that create a certain atmosphere or symbolize something important. Remember that language is used in literary texts to say more than it means on the surface.

Narrative voice

Ask yourself:

Who is telling the story?
How are they telling it?

Is it a first-person narrator (“I”) who is personally involved in the story, or a third-person narrator who tells us about the characters from a distance?

Consider the narrator’s perspective . Is the narrator omniscient (where they know everything about all the characters and events), or do they only have partial knowledge? Are they an unreliable narrator who we are not supposed to take at face value? Authors often hint that their narrator might be giving us a distorted or dishonest version of events.

The tone of the text is also worth considering. Is the story intended to be comic, tragic, or something else? Are usually serious topics treated as funny, or vice versa ? Is the story realistic or fantastical (or somewhere in between)?

Consider how the text is structured, and how the structure relates to the story being told.

Novels are often divided into chapters and parts.
Poems are divided into lines, stanzas, and sometime cantos.
Plays are divided into scenes and acts.

Think about why the author chose to divide the different parts of the text in the way they did.

There are also less formal structural elements to take into account. Does the story unfold in chronological order, or does it jump back and forth in time? Does it begin in medias res —in the middle of the action? Does the plot advance towards a clearly defined climax?

With poetry, consider how the rhyme and meter shape your understanding of the text and your impression of the tone. Try reading the poem aloud to get a sense of this.

In a play, you might consider how relationships between characters are built up through different scenes, and how the setting relates to the action. Watch out for dramatic irony , where the audience knows some detail that the characters don’t, creating a double meaning in their words, thoughts, or actions.

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Your thesis in a literary analysis essay is the point you want to make about the text. It’s the core argument that gives your essay direction and prevents it from just being a collection of random observations about a text.

If you’re given a prompt for your essay, your thesis must answer or relate to the prompt. For example:

Essay question example

Is Franz Kafka’s “Before the Law” a religious parable?

Your thesis statement should be an answer to this question—not a simple yes or no, but a statement of why this is or isn’t the case:

Thesis statement example

Franz Kafka’s “Before the Law” is not a religious parable, but a story about bureaucratic alienation.

Sometimes you’ll be given freedom to choose your own topic; in this case, you’ll have to come up with an original thesis. Consider what stood out to you in the text; ask yourself questions about the elements that interested you, and consider how you might answer them.

Your thesis should be something arguable—that is, something that you think is true about the text, but which is not a simple matter of fact. It must be complex enough to develop through evidence and arguments across the course of your essay.

Say you’re analyzing the novel Frankenstein . You could start by asking yourself:

Your initial answer might be a surface-level description:

The character Frankenstein is portrayed negatively in Mary Shelley’s Frankenstein .

However, this statement is too simple to be an interesting thesis. After reading the text and analyzing its narrative voice and structure, you can develop the answer into a more nuanced and arguable thesis statement:

Mary Shelley uses shifting narrative perspectives to portray Frankenstein in an increasingly negative light as the novel goes on. While he initially appears to be a naive but sympathetic idealist, after the creature’s narrative Frankenstein begins to resemble—even in his own telling—the thoughtlessly cruel figure the creature represents him as.

Remember that you can revise your thesis statement throughout the writing process , so it doesn’t need to be perfectly formulated at this stage. The aim is to keep you focused as you analyze the text.

Finding textual evidence

To support your thesis statement, your essay will build an argument using textual evidence —specific parts of the text that demonstrate your point. This evidence is quoted and analyzed throughout your essay to explain your argument to the reader.

It can be useful to comb through the text in search of relevant quotations before you start writing. You might not end up using everything you find, and you may have to return to the text for more evidence as you write, but collecting textual evidence from the beginning will help you to structure your arguments and assess whether they’re convincing.

To start your literary analysis paper, you’ll need two things: a good title, and an introduction.

Your title should clearly indicate what your analysis will focus on. It usually contains the name of the author and text(s) you’re analyzing. Keep it as concise and engaging as possible.

A common approach to the title is to use a relevant quote from the text, followed by a colon and then the rest of your title.

If you struggle to come up with a good title at first, don’t worry—this will be easier once you’ve begun writing the essay and have a better sense of your arguments.

“Fearful symmetry” : The violence of creation in William Blake’s “The Tyger”

The introduction

The essay introduction provides a quick overview of where your argument is going. It should include your thesis statement and a summary of the essay’s structure.

A typical structure for an introduction is to begin with a general statement about the text and author, using this to lead into your thesis statement. You might refer to a commonly held idea about the text and show how your thesis will contradict it, or zoom in on a particular device you intend to focus on.

Then you can end with a brief indication of what’s coming up in the main body of the essay. This is called signposting. It will be more elaborate in longer essays, but in a short five-paragraph essay structure, it shouldn’t be more than one sentence.

Mary Shelley’s Frankenstein is often read as a crude cautionary tale about the dangers of scientific advancement unrestrained by ethical considerations. In this reading, protagonist Victor Frankenstein is a stable representation of the callous ambition of modern science throughout the novel. This essay, however, argues that far from providing a stable image of the character, Shelley uses shifting narrative perspectives to portray Frankenstein in an increasingly negative light as the novel goes on. While he initially appears to be a naive but sympathetic idealist, after the creature’s narrative Frankenstein begins to resemble—even in his own telling—the thoughtlessly cruel figure the creature represents him as. This essay begins by exploring the positive portrayal of Frankenstein in the first volume, then moves on to the creature’s perception of him, and finally discusses the third volume’s narrative shift toward viewing Frankenstein as the creature views him.

Some students prefer to write the introduction later in the process, and it’s not a bad idea. After all, you’ll have a clearer idea of the overall shape of your arguments once you’ve begun writing them!

If you do write the introduction first, you should still return to it later to make sure it lines up with what you ended up writing, and edit as necessary.

The body of your essay is everything between the introduction and conclusion. It contains your arguments and the textual evidence that supports them.

Paragraph structure

A typical structure for a high school literary analysis essay consists of five paragraphs : the three paragraphs of the body, plus the introduction and conclusion.

Each paragraph in the main body should focus on one topic. In the five-paragraph model, try to divide your argument into three main areas of analysis, all linked to your thesis. Don’t try to include everything you can think of to say about the text—only analysis that drives your argument.

In longer essays, the same principle applies on a broader scale. For example, you might have two or three sections in your main body, each with multiple paragraphs. Within these sections, you still want to begin new paragraphs at logical moments—a turn in the argument or the introduction of a new idea.

Robert’s first encounter with Gil-Martin suggests something of his sinister power. Robert feels “a sort of invisible power that drew me towards him.” He identifies the moment of their meeting as “the beginning of a series of adventures which has puzzled myself, and will puzzle the world when I am no more in it” (p. 89). Gil-Martin’s “invisible power” seems to be at work even at this distance from the moment described; before continuing the story, Robert feels compelled to anticipate at length what readers will make of his narrative after his approaching death. With this interjection, Hogg emphasizes the fatal influence Gil-Martin exercises from his first appearance.

Topic sentences

To keep your points focused, it’s important to use a topic sentence at the beginning of each paragraph.

A good topic sentence allows a reader to see at a glance what the paragraph is about. It can introduce a new line of argument and connect or contrast it with the previous paragraph. Transition words like “however” or “moreover” are useful for creating smooth transitions:

… The story’s focus, therefore, is not upon the divine revelation that may be waiting beyond the door, but upon the mundane process of aging undergone by the man as he waits.

Nevertheless, the “radiance” that appears to stream from the door is typically treated as religious symbolism.

This topic sentence signals that the paragraph will address the question of religious symbolism, while the linking word “nevertheless” points out a contrast with the previous paragraph’s conclusion.

Using textual evidence

A key part of literary analysis is backing up your arguments with relevant evidence from the text. This involves introducing quotes from the text and explaining their significance to your point.

It’s important to contextualize quotes and explain why you’re using them; they should be properly introduced and analyzed, not treated as self-explanatory:

It isn’t always necessary to use a quote. Quoting is useful when you’re discussing the author’s language, but sometimes you’ll have to refer to plot points or structural elements that can’t be captured in a short quote.

In these cases, it’s more appropriate to paraphrase or summarize parts of the text—that is, to describe the relevant part in your own words:

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The conclusion of your analysis shouldn’t introduce any new quotations or arguments. Instead, it’s about wrapping up the essay. Here, you summarize your key points and try to emphasize their significance to the reader.

A good way to approach this is to briefly summarize your key arguments, and then stress the conclusion they’ve led you to, highlighting the new perspective your thesis provides on the text as a whole:

If you want to know more about AI tools , college essays , or fallacies make sure to check out some of our other articles with explanations and examples or go directly to our tools!

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By tracing the depiction of Frankenstein through the novel’s three volumes, I have demonstrated how the narrative structure shifts our perception of the character. While the Frankenstein of the first volume is depicted as having innocent intentions, the second and third volumes—first in the creature’s accusatory voice, and then in his own voice—increasingly undermine him, causing him to appear alternately ridiculous and vindictive. Far from the one-dimensional villain he is often taken to be, the character of Frankenstein is compelling because of the dynamic narrative frame in which he is placed. In this frame, Frankenstein’s narrative self-presentation responds to the images of him we see from others’ perspectives. This conclusion sheds new light on the novel, foregrounding Shelley’s unique layering of narrative perspectives and its importance for the depiction of character.

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A Step-By-Step Guide to Writing an Essay on a Book

Topic and assignment prompt, essay structure, why is it important.

Outlining Essay Structure

Organizing your essay efficiently is important for making sure it’s clear, concise, and to the point. Before you start writing, it’s important to understand the basic structure of an essay. Most essays are composed of an introduction, body, and conclusion.

The introduction serves as an opening paragraph where you should introduce the topic and provide any necessary background information that readers may need in order to understand the essay. A good introduction will explain why a reader should care about your topic and capture the attention of the reader.

The body is the main section of the essay where you will provide evidence, quotes, and any other relevant information to prove your point. It is important to make sure that each body paragraph has only one main point, and all of the evidence presented in the paragraph supports that one point.

The conclusion is the last paragraph of the essay. It should wrap up all of the points you made in the body and leave the reader with a sense of closure. It should also create a takeaway, or something for the reader to remember about what they have just read.

To make sure your essay is organized and has a consistent tone throughout, it is important to outline what each section should include. Outlining your essay structure before beginning eliminates unnecessary stress and makes sure you don’t forget any important points.

Research Phase: The Importance of Researching the Book

Before you dive into writing your essay on a book, you’ll want to make sure that you have done your research. No matter how familiar you are with the subject, it’s important to conduct research to ensure that your essay is accurate and well-informed.

Research can help you form a stronger thesis statement, better support your arguments, and provide evidence for your claims. It can also help you to organize your thoughts, uncover new ideas and angles, gain a deeper understanding of the text, or even find quotes or references that you can use in your essay.

Research should always come first. It helps to lay a strong foundation for the rest of your essay and it can save you from making any embarrassing mistakes. Have a clear understanding of the book’s themes, characters, and plot before you begin. Read reviews and criticisms, and take down notes for later.

Start by reading the book itself. Take your time and pay attention to details. Make notes, highlight any important passages, and consider different interpretations. After you get an overall gist of the book, expand your research outward into scholarly reviews, biographies, and other texts that can provide an objective, informed perspective.

The more research you do, the stronger your essay will be. Be sure to include all of the sources you used in your bibliography section. Research can be a tedious process, but with enough effort and dedication, you’ll be able to craft a well-informed, thoughtful essay on any book.

Pre-Writing Phase: Planning Your Essay

The pre-writing phase is the most important part of writing an essay on a book. Taking the time to plan your essay and organize your thoughts will help structure your argument and make your writing smoother. The pre-writing phase should involve a few key steps.

Brainstorm – Before you start writing, spend some time thinking about the book and how it relates to any themes, characters, or symbolism. Jot down your ideas so that you have a better understanding of what you want to focus on.
Outline – Write down some notes and make an outline of what you will cover in each paragraph. This will help you stay organized while writing and keep everything on track.
Research – Research any facts or quotes you may need to include in your essay. This will help you back up your claims and make your paper stronger.

Taking the time to plan ahead will help ensure your essay on a book is written clearly and effectively. You’ll be able to shape your argument easily and make sure you don’t miss anything important.

Thesis Formation

The thesis statement is a critical part of any essay on a book. It should be clear, concise, and capture the main argument and point of view of the essay. To ensure that your essay’s thesis statement is well-crafted, it is essential to follow a step-by-step guide.

Step One: Brainstorming Ideas

Before writing a thesis statement, you should brainstorm some ideas related to the book’s content. Consider the key elements of the book and think about how they could be connected into an argument or observation. Write down any ideas that pop into your mind, and use them as a basis for forming your thesis statement.

Step Two: Developing the Argument

Once you have a few ideas in mind, it is time to start developing a coherent argument. Try to make a connection between the ideas to create an original argument. Then, think about why this argument is important and what makes it relevant to the text.

Step Three: Writing the Thesis Statement

Now that you have an argument in mind, you are ready to craft your thesis statement. It should be a single sentence that clearly and concisely expresses your main argument. Generally, it should follow the same structure as any other essay’s thesis statement, stating the primary point of view, the evidence supporting it, and any other relevant details.

Step Four: Proofreading

The final step of crafting a great thesis statement is to proofread and edit it. Make sure that the statement is clear, concise, and captures the argument accurately. Additionally, pay attention to grammar and spelling. A minor mistake can weaken the force of the statement significantly.

Creating an effective thesis statement can help get your essay off to a strong start. As long as you follow these steps, you will be able to form a well-developed argument that can help you write a great essay on a book.

Drafting an Organized Paragraph

Editing: benefits and how to approach it effectively.

When writing an essay on a book, editing is a crucial step in the process. It can often be overlooked or skipped, but it shouldn’t be! Editing offers many valuable benefits, and it’s important to understand how to approach it effectively.

One of the biggest benefits of editing is that it gives you the opportunity to look at your essay with fresh eyes. Once you’ve written the paper, it can be nearly impossible to look at it objectively. Editing allows you to look at it critically and make necessary changes.

Editing also helps you to catch grammar mistakes, spelling errors, and typos. A single error can easily ruin an entire essay, so it’s essential to go over the paper and make sure everything is perfect. This can only be done by editing the paper carefully.

Finally, editing can help you to make sure that the essay is coherent and well-written. After writing the paper , you might realize that the introduction and conclusion don’t match up, or that two paragraphs contradict each other. Editing will help you to identify such issues and make the necessary adjustments.

Now that we’ve discussed the benefits of editing, let’s look at how to approach it effectively. The first step is to read the entire essay through once without making any changes. This should give you a good overview of the paper and allow you to spot any major issues. The next step is to go through the paper again and make notes as you go along.

You should pay particular attention to grammar, spelling, typos, and structure. Make a note of anything that stands out and needs to be changed. Don’t worry if you can’t fix it right away – just write it down and come back to it later. The goal is to get an overall picture of what needs to be done.

Finally, it’s time to make the actual changes. Take your time and read each sentence carefully before you make any changes. Don’t be afraid to delete or add content between paragraphs to ensure that the essay flows naturally.

In summary, editing is an essential step in the essay-writing process. It offers many benefits, including the ability to look at the essay objectively, catch grammar mistakes and typos, and ensure that the essay is coherent and well-written. When approaching the editing phase, it’s important to read the paper through once without making any changes, make notes as you go, and take your time when making the actual changes.

Formatting – Adhering to Academic Standards

Formatting your essay correctly is a critical step in the writing process. It shows that you have taken care to put together an essay that follows the academic standards.

Here are a few tips for formatting your essay according to academic standards:

Make sure the margins of your essay are set to one inch on all sides.
Your font should be size 12 Times New Roman or Arial.
Use double spacing between lines, and make sure there is no extra space before or after each paragraph.
When quoting direct text, indenting it five spaces will make it easier to read.
Include a header at the top of your document that includes the title of the essay, your name, and the page number.

Formatted correctly, your essay will present itself as concise, organized, and professional. This is a must when following academic standards.

If you want to ensure that your essay looks even better, check with your professor for specific formatting requirements for your assignment.

By taking the time to properly format your essay, you are showing that you understand the importance of adhering to academic standards. This will help you get the best grades possible!

Understanding the Assignment

Writing an essay on a book can be quite a challenge for many students. One of the most important skills for tackling this task is to understand the assignment. To begin, students should read carefully and take notes on the writing prompt. Pay close attention to all the instructions as they are key to crafting an effective essay. This includes being mindful of any keywords or phrases in the prompt that will require further research.

When interpreting the instructions, it is also important to consider any extra guidelines or expectations the professor may have provided. These can include formatting, length, and specific areas of emphasis such as themes or characters. Questions such as ‘Who is the protagonist?’ or ‘How do the themes interact?’ should be actively considered while writing the essay. This helps produce a focused piece of work that is tailored to meet the requirements.

In addition, consider questions such as ‘What do I need to include?’ or ‘What is the purpose of this essay?’. Answering these questions allows students to identify their main points and develop an argument around them. This is a crucial step for forming an essay that is logical and cohesive.

Finally, students should always use the essay assignment to test their understanding of the book. It is often beneficial to leave time at the end of the writing process to review knowledge and reflect on any unanswered questions. Doing so ensures that the essay is comprehensive and addresses all aspects of the prompt.

Understanding the assignment is a vital step when writing an essay on a book. By paying attention to the prompt and any additional guidelines, students can ensure that their assignment is focused, detailed, and suitable for the task.

Effective Use of Quotes

Make sure your quote is relevant to the main argument of your essay.

Choose a quote that is engaging and thought-provoking.

Include the right amount of detail – don’t use too much or too little.

Explain the quote in your own words and provide context.

Think critically about the quote and how it applies to your argument.

Integrate the quote into your essay so that it flows naturally.

Tools for Writing an Essay on a Book

When writing an essay on a book there are certain tools that can help make the process easier. Knowing some of these basic terms and tools can help you write a better essay and make it much more enjoyable.

Creating an outline is one of the most important steps in writing an essay. It provides structure to your essay, ensuring that each point is made in the correct order and that the essay flows logically. Outlining also helps you stay organized and remember what needs to be included in the essay.

Doing research is important when writing an essay about a book. Read through the text and make notes about any interesting or pertinent information you find. Also, look for additional sources that can provide further insight into the book or the topics it raises.

Grammar and Spelling Checkers

Grammar and spelling checkers can be extremely useful when writing your essay. They can help you identify mistakes or typos that you may have missed. Double-check your work before you submit it to make sure it is as accurate and error-free as possible.

Writing Resources

Finally, there are many great writing resources available online that can provide further advice and guidance on how to write an effective essay. Look through examples of essays written by other students and learn from their techniques and approaches.

Knowing some of these basic terms and tools can help you get off to a strong start when writing an essay on a book. Do your research, create an outline, and use grammar and spelling checkers to make sure your work is as perfect as possible. Finally, don’t forget to look for other writing resources that can provide insight and advice.

Writing an essay on a book can be a daunting task, especially when attempting it for the first time. This guide aims to make the process of writing an essay on a book simple and easy-to-follow. By following the steps outlined in this article, you can make the process of writing your essay much easier.

A good conclusion should summarize the main points of the article, explain how to approach writing the final version, and reiterate why the content was important. To conclude your essay, start by summarizing the arguments and ideas that you presented throughout your paper. Then, move on to discussing why you chose to write the essay and the importance of studying the book. Finally, provide a brief statement that sums up the main points of the essay.

When writing the final version of your essay, there are some key points to keep in mind. First, proofread your work for any typos or errors. Make sure to properly cite any quotes or references that you used in your essay. Finally, consider having a peer review your essay to get another perspective and catch any mistakes that you might have missed.

Writing an essay on a book can be a rewarding experience when done correctly. The most important part of the process is to fully understand the material and the prompt. By following the steps outlined in this article and taking the time to research and plan, you can write an effective essay on a book.

Nick Radlinsky

Nick Radlinsky is a devoted educator, marketing specialist, and management expert with more than 15 years of experience in the education sector. After obtaining his business degree in 2016, Nick embarked on a quest to achieve his PhD, driven by his commitment to enhancing education for students worldwide. His vast experience, starting in 2008, has established him as a reputable authority in the field.

Nick's article, featured in Routledge's " Entrepreneurship in Central and Eastern Europe: Development through Internationalization ," highlights his sharp insights and unwavering dedication to advancing the educational landscape. Inspired by his personal motto, "Make education better," Nick's mission is to streamline students' lives and foster efficient learning. His inventive ideas and leadership have contributed to the transformation of numerous educational experiences, distinguishing him as a true innovator in his field.

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Theatre IA Topics: SL and HL Topic Ideas

Choosing the right topic for IA in the IB Theatre course is a crucial step that significantly influences your research process and overall learning experience. Whether in the Standard Level or Higher Level track, selecting your topic requires careful thought and consideration, aiming to balance personal interest with academic rigor. This guide offers a rich array of topic ideas and research questions to spark your creativity and intellectual curiosity in the vast world of theatre.

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17 Book Review Examples to Help You Write the Perfect Review

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17 book review examples to help you write the perfect review.

It’s an exciting time to be a book reviewer. Once confined to print newspapers and journals, reviews now dot many corridors of the Internet — forever helping others discover their next great read. That said, every book reviewer will face a familiar panic: how can you do justice to a great book in just a thousand words?

As you know, the best way to learn how to do something is by immersing yourself in it. Luckily, the Internet (i.e. Goodreads and other review sites , in particular) has made book reviews more accessible than ever — which means that there are a lot of book reviews examples out there for you to view!

In this post, we compiled 17 prototypical book review examples in multiple genres to help you figure out how to write the perfect review . If you want to jump straight to the examples, you can skip the next section. Otherwise, let’s first check out what makes up a good review.

Are you interested in becoming a book reviewer? We recommend you check out Reedsy Discovery , where you can earn money for writing reviews — and are guaranteed people will read your reviews! To register as a book reviewer, sign up here.

Pro-tip : But wait! How are you sure if you should become a book reviewer in the first place? If you're on the fence, or curious about your match with a book reviewing career, take our quick quiz:

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What must a book review contain?

Like all works of art, no two book reviews will be identical. But fear not: there are a few guidelines for any aspiring book reviewer to follow. Most book reviews, for instance, are less than 1,500 words long, with the sweet spot hitting somewhere around the 1,000-word mark. (However, this may vary depending on the platform on which you’re writing, as we’ll see later.)

In addition, all reviews share some universal elements, as shown in our book review templates . These include:

A review will offer a concise plot summary of the book.
A book review will offer an evaluation of the work.
A book review will offer a recommendation for the audience.

If these are the basic ingredients that make up a book review, it’s the tone and style with which the book reviewer writes that brings the extra panache. This will differ from platform to platform, of course. A book review on Goodreads, for instance, will be much more informal and personal than a book review on Kirkus Reviews, as it is catering to a different audience. However, at the end of the day, the goal of all book reviews is to give the audience the tools to determine whether or not they’d like to read the book themselves.

Keeping that in mind, let’s proceed to some book review examples to put all of this in action.

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Book review examples for fiction books

Since story is king in the world of fiction, it probably won’t come as any surprise to learn that a book review for a novel will concentrate on how well the story was told .

That said, book reviews in all genres follow the same basic formula that we discussed earlier. In these examples, you’ll be able to see how book reviewers on different platforms expertly intertwine the plot summary and their personal opinions of the book to produce a clear, informative, and concise review.

Note: Some of the book review examples run very long. If a book review is truncated in this post, we’ve indicated by including a […] at the end, but you can always read the entire review if you click on the link provided.

Examples of literary fiction book reviews

Kirkus Reviews reviews Ralph Ellison’s The Invisible Man :

An extremely powerful story of a young Southern Negro, from his late high school days through three years of college to his life in Harlem.

His early training prepared him for a life of humility before white men, but through injustices- large and small, he came to realize that he was an "invisible man". People saw in him only a reflection of their preconceived ideas of what he was, denied his individuality, and ultimately did not see him at all. This theme, which has implications far beyond the obvious racial parallel, is skillfully handled. The incidents of the story are wholly absorbing. The boy's dismissal from college because of an innocent mistake, his shocked reaction to the anonymity of the North and to Harlem, his nightmare experiences on a one-day job in a paint factory and in the hospital, his lightning success as the Harlem leader of a communistic organization known as the Brotherhood, his involvement in black versus white and black versus black clashes and his disillusion and understanding of his invisibility- all climax naturally in scenes of violence and riot, followed by a retreat which is both literal and figurative. Parts of this experience may have been told before, but never with such freshness, intensity and power.

This is Ellison's first novel, but he has complete control of his story and his style. Watch it.

Lyndsey reviews George Orwell’s 1984 on Goodreads:

YOU. ARE. THE. DEAD. Oh my God. I got the chills so many times toward the end of this book. It completely blew my mind. It managed to surpass my high expectations AND be nothing at all like I expected. Or in Newspeak "Double Plus Good." Let me preface this with an apology. If I sound stunningly inarticulate at times in this review, I can't help it. My mind is completely fried.

This book is like the dystopian Lord of the Rings, with its richly developed culture and economics, not to mention a fully developed language called Newspeak, or rather more of the anti-language, whose purpose is to limit speech and understanding instead of to enhance and expand it. The world-building is so fully fleshed out and spine-tinglingly terrifying that it's almost as if George travelled to such a place, escaped from it, and then just wrote it all down.

I read Fahrenheit 451 over ten years ago in my early teens. At the time, I remember really wanting to read 1984, although I never managed to get my hands on it. I'm almost glad I didn't. Though I would not have admitted it at the time, it would have gone over my head. Or at the very least, I wouldn't have been able to appreciate it fully. […]

The New York Times reviews Lisa Halliday’s Asymmetry :

Three-quarters of the way through Lisa Halliday’s debut novel, “Asymmetry,” a British foreign correspondent named Alistair is spending Christmas on a compound outside of Baghdad. His fellow revelers include cameramen, defense contractors, United Nations employees and aid workers. Someone’s mother has FedExed a HoneyBaked ham from Maine; people are smoking by the swimming pool. It is 2003, just days after Saddam Hussein’s capture, and though the mood is optimistic, Alistair is worrying aloud about the ethics of his chosen profession, wondering if reporting on violence doesn’t indirectly abet violence and questioning why he’d rather be in a combat zone than reading a picture book to his son. But every time he returns to London, he begins to “spin out.” He can’t go home. “You observe what people do with their freedom — what they don’t do — and it’s impossible not to judge them for it,” he says.

The line, embedded unceremoniously in the middle of a page-long paragraph, doubles, like so many others in “Asymmetry,” as literary criticism. Halliday’s novel is so strange and startlingly smart that its mere existence seems like commentary on the state of fiction. One finishes “Asymmetry” for the first or second (or like this reader, third) time and is left wondering what other writers are not doing with their freedom — and, like Alistair, judging them for it.

Despite its title, “Asymmetry” comprises two seemingly unrelated sections of equal length, appended by a slim and quietly shocking coda. Halliday’s prose is clean and lean, almost reportorial in the style of W. G. Sebald, and like the murmurings of a shy person at a cocktail party, often comic only in single clauses. It’s a first novel that reads like the work of an author who has published many books over many years. […]

Emily W. Thompson reviews Michael Doane's The Crossing on Reedsy Discovery :

In Doane’s debut novel, a young man embarks on a journey of self-discovery with surprising results.

An unnamed protagonist (The Narrator) is dealing with heartbreak. His love, determined to see the world, sets out for Portland, Oregon. But he’s a small-town boy who hasn’t traveled much. So, the Narrator mourns her loss and hides from life, throwing himself into rehabbing an old motorcycle. Until one day, he takes a leap; he packs his bike and a few belongings and heads out to find the Girl.

Following in the footsteps of Jack Kerouac and William Least Heat-Moon, Doane offers a coming of age story about a man finding himself on the backroads of America. Doane’s a gifted writer with fluid prose and insightful observations, using The Narrator’s personal interactions to illuminate the diversity of the United States.

The Narrator initially sticks to the highways, trying to make it to the West Coast as quickly as possible. But a hitchhiker named Duke convinces him to get off the beaten path and enjoy the ride. “There’s not a place that’s like any other,” [39] Dukes contends, and The Narrator realizes he’s right. Suddenly, the trip is about the journey, not just the destination. The Narrator ditches his truck and traverses the deserts and mountains on his bike. He destroys his phone, cutting off ties with his past and living only in the moment.

As he crosses the country, The Narrator connects with several unique personalities whose experiences and views deeply impact his own. Duke, the complicated cowboy and drifter, who opens The Narrator’s eyes to a larger world. Zooey, the waitress in Colorado who opens his heart and reminds him that love can be found in this big world. And Rosie, The Narrator’s sweet landlady in Portland, who helps piece him back together both physically and emotionally.

This supporting cast of characters is excellent. Duke, in particular, is wonderfully nuanced and complicated. He’s a throwback to another time, a man without a cell phone who reads Sartre and sleeps under the stars. Yet he’s also a grifter with a “love ‘em and leave ‘em” attitude that harms those around him. It’s fascinating to watch The Narrator wrestle with Duke’s behavior, trying to determine which to model and which to discard.

Doane creates a relatable protagonist in The Narrator, whose personal growth doesn’t erase his faults. His willingness to hit the road with few resources is admirable, and he’s prescient enough to recognize the jealousy of those who cannot or will not take the leap. His encounters with new foods, places, and people broaden his horizons. Yet his immaturity and selfishness persist. He tells Rosie she’s been a good mother to him but chooses to ignore the continuing concern from his own parents as he effectively disappears from his old life.

Despite his flaws, it’s a pleasure to accompany The Narrator on his physical and emotional journey. The unexpected ending is a fitting denouement to an epic and memorable road trip.

The Book Smugglers review Anissa Gray’s The Care and Feeding of Ravenously Hungry Girls :

I am still dipping my toes into the literally fiction pool, finding what works for me and what doesn’t. Books like The Care and Feeding of Ravenously Hungry Girls by Anissa Gray are definitely my cup of tea.

Althea and Proctor Cochran had been pillars of their economically disadvantaged community for years – with their local restaurant/small market and their charity drives. Until they are found guilty of fraud for stealing and keeping most of the money they raised and sent to jail. Now disgraced, their entire family is suffering the consequences, specially their twin teenage daughters Baby Vi and Kim. To complicate matters even more: Kim was actually the one to call the police on her parents after yet another fight with her mother. […]

Examples of children’s and YA fiction book reviews

The Book Hookup reviews Angie Thomas’ The Hate U Give :

♥ Quick Thoughts and Rating: 5 stars! I can’t imagine how challenging it would be to tackle the voice of a movement like Black Lives Matter, but I do know that Thomas did it with a finesse only a talented author like herself possibly could. With an unapologetically realistic delivery packed with emotion, The Hate U Give is a crucially important portrayal of the difficulties minorities face in our country every single day. I have no doubt that this book will be met with resistance by some (possibly many) and slapped with a “controversial” label, but if you’ve ever wondered what it was like to walk in a POC’s shoes, then I feel like this is an unflinchingly honest place to start.

In Angie Thomas’s debut novel, Starr Carter bursts on to the YA scene with both heart-wrecking and heartwarming sincerity. This author is definitely one to watch.

♥ Review: The hype around this book has been unquestionable and, admittedly, that made me both eager to get my hands on it and terrified to read it. I mean, what if I was to be the one person that didn’t love it as much as others? (That seems silly now because of how truly mesmerizing THUG was in the most heartbreakingly realistic way.) However, with the relevancy of its summary in regards to the unjust predicaments POC currently face in the US, I knew this one was a must-read, so I was ready to set my fears aside and dive in. That said, I had an altogether more personal, ulterior motive for wanting to read this book. […]

The New York Times reviews Melissa Albert’s The Hazel Wood :

Alice Crewe (a last name she’s chosen for herself) is a fairy tale legacy: the granddaughter of Althea Proserpine, author of a collection of dark-as-night fairy tales called “Tales From the Hinterland.” The book has a cult following, and though Alice has never met her grandmother, she’s learned a little about her through internet research. She hasn’t read the stories, because her mother, Ella Proserpine, forbids it.

Alice and Ella have moved from place to place in an attempt to avoid the “bad luck” that seems to follow them. Weird things have happened. As a child, Alice was kidnapped by a man who took her on a road trip to find her grandmother; he was stopped by the police before they did so. When at 17 she sees that man again, unchanged despite the years, Alice panics. Then Ella goes missing, and Alice turns to Ellery Finch, a schoolmate who’s an Althea Proserpine superfan, for help in tracking down her mother. Not only has Finch read every fairy tale in the collection, but handily, he remembers them, sharing them with Alice as they journey to the mysterious Hazel Wood, the estate of her now-dead grandmother, where they hope to find Ella.

“The Hazel Wood” starts out strange and gets stranger, in the best way possible. (The fairy stories Finch relays, which Albert includes as their own chapters, are as creepy and evocative as you’d hope.) Albert seamlessly combines contemporary realism with fantasy, blurring the edges in a way that highlights that place where stories and real life convene, where magic contains truth and the world as it appears is false, where just about anything can happen, particularly in the pages of a very good book. It’s a captivating debut. […]

James reviews Margaret Wise Brown’s Goodnight, Moon on Goodreads:

Goodnight Moon by Margaret Wise Brown is one of the books that followers of my blog voted as a must-read for our Children's Book August 2018 Readathon. Come check it out and join the next few weeks!

This picture book was such a delight. I hadn't remembered reading it when I was a child, but it might have been read to me... either way, it was like a whole new experience! It's always so difficult to convince a child to fall asleep at night. I don't have kids, but I do have a 5-month-old puppy who whines for 5 minutes every night when he goes in his cage/crate (hopefully he'll be fully housebroken soon so he can roam around when he wants). I can only imagine! I babysat a lot as a teenager and I have tons of younger cousins, nieces, and nephews, so I've been through it before, too. This was a believable experience, and it really helps show kids how to relax and just let go when it's time to sleep.

The bunny's are adorable. The rhymes are exquisite. I found it pretty fun, but possibly a little dated given many of those things aren't normal routines anymore. But the lessons to take from it are still powerful. Loved it! I want to sample some more books by this fine author and her illustrators.

Publishers Weekly reviews Elizabeth Lilly’s Geraldine :

This funny, thoroughly accomplished debut opens with two words: “I’m moving.” They’re spoken by the title character while she swoons across her family’s ottoman, and because Geraldine is a giraffe, her full-on melancholy mode is quite a spectacle. But while Geraldine may be a drama queen (even her mother says so), it won’t take readers long to warm up to her. The move takes Geraldine from Giraffe City, where everyone is like her, to a new school, where everyone else is human. Suddenly, the former extrovert becomes “That Giraffe Girl,” and all she wants to do is hide, which is pretty much impossible. “Even my voice tries to hide,” she says, in the book’s most poignant moment. “It’s gotten quiet and whispery.” Then she meets Cassie, who, though human, is also an outlier (“I’m that girl who wears glasses and likes MATH and always organizes her food”), and things begin to look up.

Lilly’s watercolor-and-ink drawings are as vividly comic and emotionally astute as her writing; just when readers think there are no more ways for Geraldine to contort her long neck, this highly promising talent comes up with something new.

Examples of genre fiction book reviews

Karlyn P reviews Nora Roberts’ Dark Witch , a paranormal romance novel , on Goodreads:

4 stars. Great world-building, weak romance, but still worth the read.

I hesitate to describe this book as a 'romance' novel simply because the book spent little time actually exploring the romance between Iona and Boyle. Sure, there IS a romance in this novel. Sprinkled throughout the book are a few scenes where Iona and Boyle meet, chat, wink at each, flirt some more, sleep together, have a misunderstanding, make up, and then profess their undying love. Very formulaic stuff, and all woven around the more important parts of this book.

The meat of this book is far more focused on the story of the Dark witch and her magically-gifted descendants living in Ireland. Despite being weak on the romance, I really enjoyed it. I think the book is probably better for it, because the romance itself was pretty lackluster stuff.

I absolutely plan to stick with this series as I enjoyed the world building, loved the Ireland setting, and was intrigued by all of the secondary characters. However, If you read Nora Roberts strictly for the romance scenes, this one might disappoint. But if you enjoy a solid background story with some dark magic and prophesies, you might enjoy it as much as I did.

I listened to this one on audio, and felt the narration was excellent.

Emily May reviews R.F. Kuang’s The Poppy Wars , an epic fantasy novel , on Goodreads:

“But I warn you, little warrior. The price of power is pain.”

Holy hell, what did I just read??

➽ A fantasy military school

➽ A rich world based on modern Chinese history

➽ Shamans and gods

➽ Detailed characterization leading to unforgettable characters

➽ Adorable, opium-smoking mentors

That's a basic list, but this book is all of that and SO MUCH MORE. I know 100% that The Poppy War will be one of my best reads of 2018.

Isn't it just so great when you find one of those books that completely drags you in, makes you fall in love with the characters, and demands that you sit on the edge of your seat for every horrific, nail-biting moment of it? This is one of those books for me. And I must issue a serious content warning: this book explores some very dark themes. Proceed with caution (or not at all) if you are particularly sensitive to scenes of war, drug use and addiction, genocide, racism, sexism, ableism, self-harm, torture, and rape (off-page but extremely horrific).

Because, despite the fairly innocuous first 200 pages, the title speaks the truth: this is a book about war. All of its horrors and atrocities. It is not sugar-coated, and it is often graphic. The "poppy" aspect refers to opium, which is a big part of this book. It is a fantasy, but the book draws inspiration from the Second Sino-Japanese War and the Rape of Nanking.

Crime Fiction Lover reviews Jessica Barry’s Freefall , a crime novel:

In some crime novels, the wrongdoing hits you between the eyes from page one. With others it’s a more subtle process, and that’s OK too. So where does Freefall fit into the sliding scale?

In truth, it’s not clear. This is a novel with a thrilling concept at its core. A woman survives plane crash, then runs for her life. However, it is the subtleties at play that will draw you in like a spider beckoning to an unwitting fly.

Like the heroine in Sharon Bolton’s Dead Woman Walking, Allison is lucky to be alive. She was the only passenger in a private plane, belonging to her fiancé, Ben, who was piloting the expensive aircraft, when it came down in woodlands in the Colorado Rockies. Ally is also the only survivor, but rather than sitting back and waiting for rescue, she is soon pulling together items that may help her survive a little longer – first aid kit, energy bars, warm clothes, trainers – before fleeing the scene. If you’re hearing the faint sound of alarm bells ringing, get used to it. There’s much, much more to learn about Ally before this tale is over.

Kirkus Reviews reviews Ernest Cline’s Ready Player One , a science-fiction novel :

Video-game players embrace the quest of a lifetime in a virtual world; screenwriter Cline’s first novel is old wine in new bottles.

The real world, in 2045, is the usual dystopian horror story. So who can blame Wade, our narrator, if he spends most of his time in a virtual world? The 18-year-old, orphaned at 11, has no friends in his vertical trailer park in Oklahoma City, while the OASIS has captivating bells and whistles, and it’s free. Its creator, the legendary billionaire James Halliday, left a curious will. He had devised an elaborate online game, a hunt for a hidden Easter egg. The finder would inherit his estate. Old-fashioned riddles lead to three keys and three gates. Wade, or rather his avatar Parzival, is the first gunter (egg-hunter) to win the Copper Key, first of three.

Halliday was obsessed with the pop culture of the 1980s, primarily the arcade games, so the novel is as much retro as futurist. Parzival’s great strength is that he has absorbed all Halliday’s obsessions; he knows by heart three essential movies, crossing the line from geek to freak. His most formidable competitors are the Sixers, contract gunters working for the evil conglomerate IOI, whose goal is to acquire the OASIS. Cline’s narrative is straightforward but loaded with exposition. It takes a while to reach a scene that crackles with excitement: the meeting between Parzival (now world famous as the lead contender) and Sorrento, the head of IOI. The latter tries to recruit Parzival; when he fails, he issues and executes a death threat. Wade’s trailer is demolished, his relatives killed; luckily Wade was not at home. Too bad this is the dramatic high point. Parzival threads his way between more ’80s games and movies to gain the other keys; it’s clever but not exciting. Even a romance with another avatar and the ultimate “epic throwdown” fail to stir the blood.

Too much puzzle-solving, not enough suspense.

Book review examples for non-fiction books

Nonfiction books are generally written to inform readers about a certain topic. As such, the focus of a nonfiction book review will be on the clarity and effectiveness of this communication . In carrying this out, a book review may analyze the author’s source materials and assess the thesis in order to determine whether or not the book meets expectations.

Again, we’ve included abbreviated versions of long reviews here, so feel free to click on the link to read the entire piece!

The Washington Post reviews David Grann’s Killers of the Flower Moon :

The arc of David Grann’s career reminds one of a software whiz-kid or a latest-thing talk-show host — certainly not an investigative reporter, even if he is one of the best in the business. The newly released movie of his first book, “The Lost City of Z,” is generating all kinds of Oscar talk, and now comes the release of his second book, “Killers of the Flower Moon: The Osage Murders and the Birth of the FBI,” the film rights to which have already been sold for $5 million in what one industry journal called the “biggest and wildest book rights auction in memory.”

Grann deserves the attention. He’s canny about the stories he chases, he’s willing to go anywhere to chase them, and he’s a maestro in his ability to parcel out information at just the right clip: a hint here, a shading of meaning there, a smartly paced buildup of multiple possibilities followed by an inevitable reversal of readerly expectations or, in some cases, by a thrilling and dislocating pull of the entire narrative rug.

All of these strengths are on display in “Killers of the Flower Moon.” Around the turn of the 20th century, oil was discovered underneath Osage lands in the Oklahoma Territory, lands that were soon to become part of the state of Oklahoma. Through foresight and legal maneuvering, the Osage found a way to permanently attach that oil to themselves and shield it from the prying hands of white interlopers; this mechanism was known as “headrights,” which forbade the outright sale of oil rights and granted each full member of the tribe — and, supposedly, no one else — a share in the proceeds from any lease arrangement. For a while, the fail-safes did their job, and the Osage got rich — diamond-ring and chauffeured-car and imported-French-fashion rich — following which quite a large group of white men started to work like devils to separate the Osage from their money. And soon enough, and predictably enough, this work involved murder. Here in Jazz Age America’s most isolated of locales, dozens or even hundreds of Osage in possession of great fortunes — and of the potential for even greater fortunes in the future — were dispatched by poison, by gunshot and by dynamite. […]

Stacked Books reviews Malcolm Gladwell’s Outliers :

I’ve heard a lot of great things about Malcolm Gladwell’s writing. Friends and co-workers tell me that his subjects are interesting and his writing style is easy to follow without talking down to the reader. I wasn’t disappointed with Outliers. In it, Gladwell tackles the subject of success – how people obtain it and what contributes to extraordinary success as opposed to everyday success.

The thesis – that our success depends much more on circumstances out of our control than any effort we put forth – isn’t exactly revolutionary. Most of us know it to be true. However, I don’t think I’m lying when I say that most of us also believe that we if we just try that much harder and develop our talent that much further, it will be enough to become wildly successful, despite bad or just mediocre beginnings. Not so, says Gladwell.

Most of the evidence Gladwell gives us is anecdotal, which is my favorite kind to read. I can’t really speak to how scientifically valid it is, but it sure makes for engrossing listening. For example, did you know that successful hockey players are almost all born in January, February, or March? Kids born during these months are older than the others kids when they start playing in the youth leagues, which means they’re already better at the game (because they’re bigger). Thus, they get more play time, which means their skill increases at a faster rate, and it compounds as time goes by. Within a few years, they’re much, much better than the kids born just a few months later in the year. Basically, these kids’ birthdates are a huge factor in their success as adults – and it’s nothing they can do anything about. If anyone could make hockey interesting to a Texan who only grudgingly admits the sport even exists, it’s Gladwell. […]

Quill and Quire reviews Rick Prashaw’s Soar, Adam, Soar :

Ten years ago, I read a book called Almost Perfect. The young-adult novel by Brian Katcher won some awards and was held up as a powerful, nuanced portrayal of a young trans person. But the reality did not live up to the book’s billing. Instead, it turned out to be a one-dimensional and highly fetishized portrait of a trans person’s life, one that was nevertheless repeatedly dubbed “realistic” and “affecting” by non-transgender readers possessing only a vague, mass-market understanding of trans experiences.

In the intervening decade, trans narratives have emerged further into the literary spotlight, but those authored by trans people ourselves – and by trans men in particular – have seemed to fall under the shadow of cisgender sensationalized imaginings. Two current Canadian releases – Soar, Adam, Soar and This One Looks Like a Boy – provide a pointed object lesson into why trans-authored work about transgender experiences remains critical.

To be fair, Soar, Adam, Soar isn’t just a story about a trans man. It’s also a story about epilepsy, the medical establishment, and coming of age as seen through a grieving father’s eyes. Adam, Prashaw’s trans son, died unexpectedly at age 22. Woven through the elder Prashaw’s narrative are excerpts from Adam’s social media posts, giving us glimpses into the young man’s interior life as he traverses his late teens and early 20s. […]

Book Geeks reviews Elizabeth Gilbert’s Eat, Pray, Love :

WRITING STYLE: 3.5/5

SUBJECT: 4/5

CANDIDNESS: 4.5/5

RELEVANCE: 3.5/5

ENTERTAINMENT QUOTIENT: 3.5/5

“Eat Pray Love” is so popular that it is almost impossible to not read it. Having felt ashamed many times on my not having read this book, I quietly ordered the book (before I saw the movie) from amazon.in and sat down to read it. I don’t remember what I expected it to be – maybe more like a chick lit thing but it turned out quite different. The book is a real story and is a short journal from the time when its writer went travelling to three different countries in pursuit of three different things – Italy (Pleasure), India (Spirituality), Bali (Balance) and this is what corresponds to the book’s name – EAT (in Italy), PRAY (in India) and LOVE (in Bali, Indonesia). These are also the three Is – ITALY, INDIA, INDONESIA.

Though she had everything a middle-aged American woman can aspire for – MONEY, CAREER, FRIENDS, HUSBAND; Elizabeth was not happy in her life, she wasn’t happy in her marriage. Having suffered a terrible divorce and terrible breakup soon after, Elizabeth was shattered. She didn’t know where to go and what to do – all she knew was that she wanted to run away. So she set out on a weird adventure – she will go to three countries in a year and see if she can find out what she was looking for in life. This book is about that life changing journey that she takes for one whole year. […]

Emily May reviews Michelle Obama’s Becoming on Goodreads:

Look, I'm not a happy crier. I might cry at songs about leaving and missing someone; I might cry at books where things don't work out; I might cry at movies where someone dies. I've just never really understood why people get all choked up over happy, inspirational things. But Michelle Obama's kindness and empathy changed that. This book had me in tears for all the right reasons.

This is not really a book about politics, though political experiences obviously do come into it. It's a shame that some will dismiss this book because of a difference in political opinion, when it is really about a woman's life. About growing up poor and black on the South Side of Chicago; about getting married and struggling to maintain that marriage; about motherhood; about being thrown into an amazing and terrifying position.

I hate words like "inspirational" because they've become so overdone and cheesy, but I just have to say it-- Michelle Obama is an inspiration. I had the privilege of seeing her speak at The Forum in Inglewood, and she is one of the warmest, funniest, smartest, down-to-earth people I have ever seen in this world.

And yes, I know we present what we want the world to see, but I truly do think it's genuine. I think she is someone who really cares about people - especially kids - and wants to give them better lives and opportunities.

She's obviously intelligent, but she also doesn't gussy up her words. She talks straight, with an openness and honesty rarely seen. She's been one of the most powerful women in the world, she's been a graduate of Princeton and Harvard Law School, she's had her own successful career, and yet she has remained throughout that same girl - Michelle Robinson - from a working class family in Chicago.

I don't think there's anyone who wouldn't benefit from reading this book.

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And if you’d like to see even more book review examples, simply go to this directory of book review blogs and click on any one of them to see a wealth of good book reviews. Beyond that, it's up to you to pick up a book and pen — and start reviewing!

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How Should One Read a Book?

Read as if one were writing it.

A painting of a woman reading at a table.

Jean-Baptiste-Camille Corot, Young Girl Reading , c. 1868. Courtesy National Gallery of Art, Washington.

At this late hour of the world’s history, books are to be found in almost every room of the house—in the nursery, in the drawing room, in the dining room, in the kitchen. But in some houses they have become such a company that they have to be accommodated with a room of their own—a reading room, a library, a study. Let us imagine that we are now in such a room; that it is a sunny room, with windows opening on a garden, so that we can hear the trees rustling, the gardener talking, the donkey braying, the old women gossiping at the pump—and all the ordinary processes of life pursuing the casual irregular way which they have pursued these many hundreds of years. As casually, as persistently, books have been coming together on the shelves. Novels, poems, histories, memoirs, dictionaries, maps, directories; black letter books and brand new books; books in French and Greek and Latin; of all shapes and sizes and values, bought for purposes of research, bought to amuse a railway journey, bought by miscellaneous beings, of one temperament and another, serious and frivolous, men of action and men of letters.

Now, one may well ask oneself, strolling into such a room as this, how am I to read these books? What is the right way to set about it? They are so many and so various. My appetite is so fitful and so capricious. What am I to do to get the utmost possible pleasure out of them? And is it pleasure, or profit, or what is it that I should seek? I will lay before you some of the thoughts that have come to me on such an occasion as this. But you will notice the note of interrogation at the end of my title. One may think about reading as much as one chooses, but no one is going to lay down laws about it. Here in this room, if nowhere else, we breathe the air of freedom. Here simple and learned, man and woman are alike. For though reading seems so simple—a mere matter of knowing the alphabet—it is indeed so difficult that it is doubtful whether anybody knows anything about it. Paris is the capital of France; King John signed the Magna Charta; those are facts; those can be taught; but how are we to teach people so to read “Paradise Lost” as to see that it is a great poem, or “Tess of the D’Urbervilles” so as to see that it is a good novel? How are we to learn the art of reading for ourselves? Without attempting to lay down laws upon a subject that has not been legalized, I will make a few suggestions, which may serve to show you how not to read, or to stimulate you to think out better methods of your own.

And directly we begin to ask how should one read a book we are faced by the fact that books differ; there are poems, novels, biographies on the book shelf there; each differs from the other as a tiger differs from a tortoise, a tortoise from an elephant. Our attitude must always be changing, it is clear. From different books we must ask different qualities. Simple as this sounds, people are always behaving as if all books were of the same species—as if there were only tortoises or nothing but tigers. It makes them furious to find a novelist bringing Queen Victoria to the throne six months before her time; they will praise a poet enthusiastically for teaching them that a violet has four petals and a daisy almost invariably ten. You will save a great deal of time and temper better kept for worthier objects if you will try to make out before you begin to read what qualities you expect of a novelist, what of a poet, what of a biographer. The tortoise is bald and shiny; the tiger has a thick coat of yellow fur. So books too differ: one has its fur, the other has its baldness.

To be able to read books without reading them, to skip and saunter, to suspend judgment, to lounge and loaf down the alleys and bye-streets of letters is the best way of rejuvenating one’s own creative power.

Yes; but for all that the problem is not so simple in a library as at the Zoölogical Gardens. Books have a great deal in common; they are always overflowing their boundaries; they are always breeding new species from unexpected matches among themselves. It is difficult to know how to approach them, to which species each belongs. But if we remember, as we turn to the bookcase, that each of these books was written by a pen which, consciously or unconsciously, tried to trace out a design, avoiding this, accepting that, adventuring the other; if we try to follow the writer in his experiment from the first word to the last, without imposing our design upon him, then we shall have a good chance of getting hold of the right end of the string.

To read a book well, one should read it as if one were writing it. Begin not by sitting on the bench among the judges but by standing in the dock with the criminal. Be his fellow worker, become his accomplice. Even, if you wish merely to read books, begin by writing them. For this certainly is true—one cannot write the most ordinary little story, attempt to describe the simplest event—meeting a beggar, shall we say, in the street, without coming up against difficulties that the greatest of novelists have had to face. In order that we may realize, however briefly and crudely, the main divisions into which novelists group themselves, let us imagine how differently Defoe, Jane Austen, and Thomas Hardy would describe the same incident—this meeting a beggar in the street. Defoe is a master of narrative. His prime effort will be to reduce the beggar’s story to perfect order and simplicity. This happened first, that next, the other thing third. He will put in nothing, however attractive, that will tire the reader unnecessarily, or divert his attention from what he wishes him to know. He will also make us believe, since he is a master, not of romance or of comedy, but of narrative, that everything that happened is true. He will be extremely precise therefore. This happened, as he tells us on the first pages of” Robinson Crusoe,” on the first of September. More subtly and artfully, he will hypnotize us into a state of belief by dropping out casually some little unnecessary fact—for instance, “my father called me one morning into his chamber, where he was confined by the gout.” His father’s gout is not necessary to the story, but it is necessary to the truth of the story, for it is thus that anybody who is speaking the truth adds some small irrelevant detail without thinking. Further, he will choose a type of sentence which is flowing but not too full, exact but not epigrammatic. His aim will be to present the thing itself without distortion from his own angle of vision. He will meet the subject face to face, four-square, without turning aside for a moment to point out that this was tragic, or that beautiful; and his aim is perfectly achieved.

But let us not for a moment confuse it with Jane Austen’s aim. Had she met a beggar woman, no doubt she would have been interested in the beggar’s story. But she would have seen at once that for her purposes the whole incident must be transformed. Streets and the open air and adventures mean nothing to her, artistically. It is character that interests her. She would at once make the beggar into a comfortable elderly man of the upper middle classes, seated by his fireside at his ease. Then, instead of plunging into the story vigorously and veraciously, she will write a few paragraphs of accurate and artfully seasoned introduction, summing up the circumstances and sketching the character of the gentleman she wishes us to know. “Matrimony as the origin of change was always disagreeable” to Mr. Woodhouse, she says. Almost immediately, she thinks it well to let us see that her words are corroborated by Mr. Woodhouse himself. We hear him talking. “Poor Miss Taylor!—I wish she were here again. What a pity it is that Mr. Weston ever thought of her.” And when Mr. Woodhouse has talked enough to reveal himself from the inside, she then thinks it time to let us see him through his daughter’s eyes. “You got Hannah that good place. Nobody thought of Hannah till you mentioned her.” Thus she shows us Emma flattering him and humoring him. Finally then, we have Mr. Woodhouse’s character seen from three different points of view at once; as he sees himself; as his daughter sees him; and as he is seen by the marvellous eye of that invisible lady Jane Austen herself. All three meet in one, and thus we can pass round her characters free, apparently, from any guidance but our own.

Now let Thomas Hardy choose the same theme—a beggar met in the street—and at once two great changes will be visible. The street will be transformed into a vast and sombre heath; the man or woman will take on some of the size and indistinctness of a statue. Further, the relations of this human being will not be towards other people, but towards the heath, towards man as law-giver, towards those powers which are in control of man’s destiny. Once more our perspective will be completely changed. All the qualities which were admirable in “Robinson Crusoe,” admirable in “Emma,” will be neglected or absent. The direct literal statement of Defoe is gone. There is none of the clear, exact brilliance of Jane Austen. Indeed, if we come to Hardy from one of these great writers we shall exclaim at first that he is “melodramatic” or “unreal” compared with them. But we should bethink us that there are at least two sides to the human soul; the light side and the dark side. In company, the light side of the mind is exposed; in solitude, the dark. Both are equally real, equally important. But a novelist will always tend to expose one rather than the other; and Hardy, who is a novelist of the dark side, will contrive that no clear, steady light falls upon his people’s faces, that they are not closely observed in drawing rooms, that they come in contact with moors, sheep, the sky and the stars, and in their solitude are directly at the mercy of the gods. If Jane Austen’s characters are real in the drawing room, they would not exist at all upon the top of Stonehenge. Feeble and clumsy in drawing rooms, Hardy’s people are large-limbed and vigorous out of doors. To achieve his purpose Hardy is neither literal and four-square like Defoe, nor deft and pointed like Jane Austen. He is cumbrous, involved, metaphorical. Where Jane Austen describes manners, he describes nature. Where she is matter of fact, he is romantic and poetical. As both are great artists, each is careful to observe the laws of his own perspective, and will not be found confusing us (as so many lesser writers do) by introducing two different kinds of reality into the same book.

Yet it is very difficult not to wish them less scrupulous. Frequent are the complaints that Jane Austen is too prosaic, Thomas Hardy too melodramatic. And we have to remind ourselves that it is necessary to approach every writer differently in order to get from him all he can give us. We have to remember that it is one of the qualities of greatness that it brings heaven and earth and human nature into conformity with its own vision. It is by reason of this masterliness of theirs, this uncompromising idiosyncrasy, that great writers often require us to make heroic efforts in order to read them rightly. They bend us and break us. To go from Jane Austen to Hardy, from Peacock to Trollope, from Scott to Meredith, from Richardson to Kipling, is to be wrenched and distorted, thrown this way and then that. Besides, everyone is born with a natural bias of his own in one direction rather than in another. He instinctively accepts Hardy’s vision rather than Jane Austen’s, and, reading with the current and not against it, is carried on easily and swiftly by the impetus of his own bent to the heart of his author’s genius. But then Jane Austen is repulsive to him. He can scarcely stagger through the desert of her novels.

Sometimes this natural antagonism is too great to be overcome, but trial is always worth making. For these difficult and inaccessible books, with all their preliminary harshness, often yield the richest fruits in the end, and so curiously is the brain compounded that while tracts of literature repel at one season, they are appetizing and essential at another.

If, then, this is true—that books are of very different types, and that to read them rightly we have to bend our imaginations powerfully, first one way, then another—it is clear that reading is one of the most arduous and exhausting of occupations. Often the pages fly before us and we seem, so keen is our interest, to be living and not even holding the volume in our hands. But the more exciting the book, the more danger we run of over-reading. The symptoms are familiar. Suddenly the book becomes dull as ditchwater and heavy as lead. We yawn and stretch and cannot attend. The highest flights of Shakespeare and Milton become intolerable. And we say to ourselves—is Keats a fool or am I?—a painful question, a question, moreover, that need not be asked if we realized how great a part the art of not reading plays in the art of reading. To be able to read books without reading them, to skip and saunter, to suspend judgment, to lounge and loaf down the alleys and bye-streets of letters is the best way of rejuvenating one’s own creative power. All biographies and memoirs, all the hybrid books which are largely made up of facts, serve to restore to us the power of reading real books—that is to say, works of pure imagination. That they serve also to impart knowledge and to improve the mind is true and important, but if we are considering how to read books for pleasure, not how to provide an adequate pension for one’s widow, this other property of theirs is even more valuable and important. But here again one should know what one is after. One is after rest, and fun, and oddity, and some stimulus to one’s own jaded creative power. One has left one’s bare and angular tower and is strolling along the street looking in at the open windows. After solitude and concentration, the open air, the sight of other people absorbed in innumerable activities, comes upon us with an indescribable fascination.

The windows of the houses are open; the blinds are drawn up. One can see the whole household without their knowing that they are being seen. One can see them sitting round the dinner table, talking, reading, playing games. Sometimes they seem to be quarrelling—but what about? Or they are laughing—but what is the joke? Down in the basement the cook is reading a newspaper aloud, while the housemaid is making a piece of toast; in comes the kitchen maid and they all start talking at the same moment—but what are they saying? Upstairs a girl is dressing to go to a party. But where is she going? There is an old lady sitting at her bedroom window with some kind of wool work in her hand and a fine green parrot in a cage beside her. And what is she thinking? All this life has somehow come together; there is a reason for it; a coherency in it, could one but seize it. The biographer answers the innumerable questions which we ask as we stand outside on the pavement looking in at the open window. Indeed there is nothing more interesting than to pick one’s way about among these vast depositories of facts, to make up the lives of men and women, to create their complex minds and households from the extraordinary abundance and litter and confusion of matter which lies strewn about. A thimble, a skull, a pair of scissors, a sheaf of sonnets, are given us, and we have to create, to combine, to put these incongruous things together. There is, too, a quality in facts, an emotion which comes from knowing that men and women actually did and suffered these things, which only the greatest novelists can surpass. Captain Scott, starving and freezing to death in the snow, affects us as deeply as any made-up story of adventure by Conrad or Defoe; but it affects us differently. The biography differs from the novel. To ask a biographer to give us the same kind of pleasure that we get from a novelist is to misuse and misread him. Directly he says “John Jones was born at five-thirty in the morning of August 13, I 862,” he has committed himself, focussed his lens upon fact, and if he then begins to romance, the perspective becomes blurred, we grow suspicious, and our faith in his integrity as a writer is destroyed. In the same way fact destroys fiction. If Thackeray, for example, had quoted an actual newspaper account of the Battle of Waterloo in “Vanity Fair,” the whole fabric of his story would have been destroyed, as a stone destroys a bubble.

But it is undoubted that these hybrid books, these warehouses and depositories of facts, play a great part in resting the brain and restoring its zest of imagination. The work of building up a life for oneself from skulls, thimbles, scissors, and sonnets stimulates our interest in creation and rouses our wish to see the work beautifully and powerfully done by a Flaubert or a Tolstoi. Moreover, however interesting facts may be, they are an inferior form of fiction, and gradually we become impatient of their weakness and diffuseness, of their compromises and evasions, of the slovenly sentences which they make for themselves, and are eager to revive ourselves with the greater intensity and truth of fiction.

It is necessary to have in hand an immense reserve of imaginative energy in order to attack the steeps of poetry. Here are none of those gradual introductions, those resemblances to the familiar world of daily life with which the novelist entices us into his world of imagination. All is violent, opposite, unrelated. But various causes, such as bad books, the worry of carrying on life efficiently, the intermittent but powerful shocks dealt us by beauty, and the incalculable impulses of our own minds and bodies frequently put us into that state of mind in which poetry is a necessity. The sight of a crocus in a garden will suddenly bring to mind all the spring days that have ever been. One then desires the general, not the particular; the whole, not the detail; to turn uppermost the dark side of the mind; to be in contact with silence, solitude, and all men and women and not this particular Richard, or that particular Anne. Metaphors are then more expressive than plain statements.

Thus in order to read poetry rightly, one must be in a rash, an extreme, a generous state of mind in which many of the supports and comforts of literature are done without. Its power of make-believe, its representative power, is dispensed with in favor of its extremities and extravagances. The representation is often at a very far remove from the thing represented, so that we have to use all our energies of mind to grasp the relation between, for example, the song of a nightingale and the image and ideas which that song stirs in the mind. Thus reading poetry often seems a state of rhapsody in which rhyme and metre and sound stir the mind as wine and dance stir the body, and we read on, understanding with the senses, not with the intellect, in a state of intoxication. Yet all this intoxication and intensity of delight depend upon the exactitude and truth of the image, on its being the counterpart of the reality within. Remote and extravagant as some of Shakespeare’s images seem, far-fetched and ethereal as some of Keats’s, at the moment of reading they seem the cap and culmination of the thought; its final expression. But it is useless to labor the matter in cold blood. Anyone who has read a poem with pleasure will remember the sudden conviction, the sudden recollection (for it seems sometimes as if we were about to say, or had in some previous existence already said, what Shakespeare is actually now saying), which accompany the reading of poetry, and give it its exaltation and intensity. But such reading is attended, whether consciously or unconsciously, with the utmost stretch and vigilance of the faculties, of the reason no less than of the imagination. We are always verifying the poet’s statements, making a flying comparison, to the best of our powers, between the beauty he makes outside and the beauty we are aware of within. For the humblest among us is endowed with the power of comparison. The simplest (provided he loves reading) has that already within him to which he makes what is given him—by poet or novelist—correspond.

With that saying, of course, the cat is out of the bag. For this admission that we can compare, discriminate, brings us to this further point. Reading is not merely sympathizing and understanding; it is also criticizing and judging. Hitherto our endeavor has been to read books as a writer writes them. We have been trying to understand, to appreciate, to interpret, to sympathize. But now, when the book is finished, the reader must leave the dock and mount the bench. He must cease to be the friend; he must become the judge. And this is no mere figure of speech. The mind seems (“seems,” for all is obscure that takes place in the mind) to go through two processes in reading. One might be called the actual reading; the other the after reading. During the actual reading, when we hold the book in our hands, there are incessant distractions and interruptions. New impressions are always completing or cancelling the old. One’s judgment is suspended, for one does not know what is coming next. Surprise, admiration, boredom, interest, succeed each other in such quick succession that when, at last, the end is reached, one is for the most part in a state of complete bewilderment. Is it good? or bad? What kind of book is it? How good a book is it? The friction of reading and the emotion of reading beat up too much dust to let us find clear answers to these questions. If we are asked our opinion, we cannot give it. Parts of the book seem to have sunk away, others to be starting out in undue prominence. Then perhaps it is better to take up some different pursuit—to walk, to talk, to dig, to listen to music. The book upon which we have spent so much time and thought fades entirely out of sight. But suddenly, as one is picking a snail from a rose, tying a shoe, perhaps, doing something distant and different, the whole book floats to the top of the mind complete. Some process seems to have been finished without one’s being aware of it. The different details which have accumulated in reading assemble themselves in their proper places. The book takes on a definite shape; it becomes a castle, a cowshed, a gothic ruin, as the case may be. Now one can think of the book as a whole, and the book as a whole is different, and gives one a different emotion, from the book received currently in several different parts. Its symmetry and proportion, its confusion and distortion can cause great delight or great disgust apart from the pleasure given by each detail as it is separately realized. Holding this complete shape in mind it now becomes necessary to arrive at some opinion of the book’s merits, for though it is possible to receive the greatest pleasure and excitement from the first process, the actual reading, though this is of the utmost importance, it is not so profound or so lasting as the pleasure we get when the second process—the after reading—is finished, and we hold the book clear, secure, and (to the best of our powers) complete in our minds.

But how, we may ask, are we to decide any of these questions—is it good, or is it bad?—how good is it, how bad is it? Not much help can be looked for from outside. Critics abound; criticisms pullulate; but minds differ too much to admit of close correspondence in matters of detail, and nothing is more disastrous than to crush one’s own foot into another person’s shoe. When we want to decide a particular case, we can best help ourselves, not by reading criticism, but by realizing our own impression as acutely as possible and referring this to the judgments which we have gradually formulated in the past. There they hang in the wardrobe of our mind—the shapes of the books we have read, as we hung them up and put them away when we had done with them. If we have just read “Clarissa Harlowe,” for example, let us see how it shows up against the shape of “Anna Karenina.” At once the outlines of the two books are cut out against each other as a house with its chimneys bristling and its gables sloping is cut out against a harvest moon. At once Richardson’s qualities—his verbosity, his obliqueness—are contrasted with Tolstoi’s brevity and directness. And what is the reason of this difference in their approach? And how does our emotion at different crises of the two books compare? And what must we attribute to the eighteenth century, and what to Russia and the translator? But the questions which suggest themselves are innumerable. They ramify infinitely, and many of them are apparently irrelevant. Yet it is by asking them and pursuing the answers as far as we can go that we arrive at our standard of values, and decide in the end that the book we have just read is of this kind or of that, has merit in that degree or in this. And it is now, when we have kept closely to our own impression, formulated independently our own judgment, that we can most profitably help ourselves to the judgments of the great critics—Dryden, Johnson, and the rest. It is when we can best defend our own opinions that we get most from theirs.

So, then—to sum up the different points we have reached in this essay—have we found any answer to our question, how should we read a book? Clearly, no answer that will do for everyone; but perhaps a few suggestions. In the first place, a good reader will give the writer the benefit of every doubt; the help of all his imagination; will follow as closely, interpret as intelligently as he can. In the next place, he will judge with the utmost severity. Every book, he will remember, has the right to be judged by the best of its kind. He will be adventurous, broad in his choice, true to his own instincts, yet ready to consider those of other people. This is an outline which can be filled, in at taste and at leisure, but to read something after this fashion is to be a reader whom writers respect. It is by the means of such readers that masterpieces are helped into the world.

If the moralists ask us how we can justify our love of reading, we can make use of some such excuse as this. But if we are honest, we know that no such excuse is needed. It is true that we get nothing whatsoever except pleasure from reading; it is true that the wisest of us is unable to say what that pleasure may be. But that pleasure—mysterious, unknown, useless as it is—is enough. That pleasure is so curious, so complex, so immensely fertilizing to the mind of anyone who enjoys it, and so wide in its effects, that it would not be in the least surprising to discover, on the day of judgment when secrets are revealed and the obscure is made plain, that the reason why we have grown from pigs to men and women, and come out from our caves, and dropped our bows and arrows, and sat round the fire and talked and drunk and made merry and given to the poor and helped the sick and made pavements and houses and erected some sort of shelter and society on the waste of the world, is nothing but this: we have loved reading.

Rachel Cusk

Renaissance women, fady joudah, you might also like, september twilight, the tolstoyans, thirty clocks strike the hour, join a conversation 200 years in the making..

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School Education /

✍️Essay On Books: Free Samples for Students

Updated on
Nov 2, 2023

Books are considered human’s best friend. It has been an integral part of human society for ages and will continue to be a crucial part of human life. There are several categories of books, that offer us knowledge about specific fields. Words written in books serve as a source of knowledge, information, and entertainment , which are necessary for skill enhancement and polishing the language. Books are written in every language to fulfill the needs of people living in every region from villages to abroad. In this blog, you will get to know how to write an essay on books and we have also provided some sample essays on books for you. Keep Reading!

This Blog Includes:

Short essay on books, essay on books in 150 words, different genres of books, benefits of reading books.

Also Read: 15 Best-Selling Books of All Times

Books are pages filled with ideas, thoughts, stories, imagination, and knowledge. Even after extreme advancements in technology , books continue to be cherished by humans. The reason behind that is the convenience and their appeal.

Given below are some short sample essays on books that will help school-going children and students:

Essay on Books in 300 words

Books help mankind to evolve mentally. The thoughts of a person reflect his/her personality and the thoughts are developed based on your learning in life. As mitochondria are the powerhouse of the cell, books are considered the powerhouse of knowledge and information. The vintage look of the book adds charm to its appearance and such books attract the reader. Holding a book in hand, flipping pages while reading, using beautiful bookmarks in the book, and sensing the texture of pages can deeply imply a sensory effect on the readers.

A book reader can enjoy a variety of genres of books. In spite of technological advancements in human life, thousands of books are released in the market. The budding writers also publish their books as they know the fact that good readers still prefer to read from books. If you do not want to purchase the hard copy of the book then, you can go for the online version.

Following are some of the genres of books:

Travel books- Such books tell the story and experience of travellers.
Motivational books- Like “Atomic Habits” are used to inspire and motivate people to adopt good habits in life.
Fictional books- Like “As You Like It” that represent literary fiction and play.
Novel- it comes under the most read books by the reader. Novels are the long work of narrative fiction framed in prose.

There are many benefits of reading books. Books help to increase our vocabulary and enhance our knowledge of a variety of subjects. They also serve as a good source of entertainment during free time. It boosts the ability of the reader to think creatively. They help in improving the fluency and enhance the communication skills . Books are a great source of knowledge it would help us in public speaking , debates, quizzes, examinations, etc.

Kajal Thareja

Hi, I am Kajal, a pharmacy graduate, currently pursuing management and is an experienced content writer. I have 2-years of writing experience in Ed-tech (digital marketing) company. I am passionate towards writing blogs and am on the path of discovering true potential professionally in the field of content marketing. I am engaged in writing creative content for students which is simple yet creative and engaging and leaves an impact on the reader's mind.

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The Best Reviewed Essay Collections of 2021

Featuring joan didion, rachel kushner, hanif abdurraqib, ann patchett, jenny diski, and more.

Well, friends, another grim and grueling plague year is drawing to a close, and that can mean only one thing: it’s time to put on our Book Marks stats hats and tabulate the best reviewed books of the past twelve months.

Yes, using reviews drawn from more than 150 publications, over the next two weeks we’ll be revealing the most critically-acclaimed books of 2021, in the categories of (deep breath): Memoir and Biography ; Sci-Fi, Fantasy, and Horror ; Short Story Collections ; Essay Collections; Poetry; Mystery and Crime; Graphic Literature; Literature in Translation; General Fiction; and General Nonfiction.

Today’s installment: Essay Collections .

Brought to you by Book Marks , Lit Hub’s “Rotten Tomatoes for books.”

1. These Precious Days by Ann Patchett (Harper)

21 Rave • 3 Positive • 1 Mixed Read Ann Patchett on creating the work space you need, here

“… excellent … Patchett has a talent for friendship and celebrates many of those friends here. She writes with pure love for her mother, and with humor and some good-natured exasperation at Karl, who is such a great character he warrants a book of his own. Patchett’s account of his feigned offer to buy a woman’s newly adopted baby when she expresses unwarranted doubts is priceless … The days that Patchett refers to are precious indeed, but her writing is anything but. She describes deftly, with a line or a look, and I considered the absence of paragraphs freighted with adjectives to be a mercy. I don’t care about the hue of the sky or the shade of the couch. That’s not writing; it’s decorating. Or hiding. Patchett’s heart, smarts and 40 years of craft create an economy that delivers her perfectly understated stories emotionally whole. Her writing style is most gloriously her own.”

–Alex Witchel ( The New York Times Book Review )

2. Let Me Tell You What I Mean by Joan Didion (Knopf)

14 Rave • 12 Positive • 6 Mixed Read an excerpt from Let Me Tell You What I Mean here

“In five decades’ worth of essays, reportage and criticism, Didion has documented the charade implicit in how things are, in a first-person, observational style that is not sacrosanct but common-sensical. Seeing as a way of extrapolating hypocrisy, disingenuousness and doubt, she’ll notice the hydrangeas are plastic and mention it once, in passing, sorting the scene. Her gaze, like a sentry on the page, permanently trained on what is being disguised … The essays in Let Me Tell You What I Mean are at once funny and touching, roving and no-nonsense. They are about humiliation and about notions of rightness … Didion’s pen is like a periscope onto the creative mind—and, as this collection demonstrates, it always has been. These essays offer a direct line to what’s in the offing.”

–Durga Chew-Bose ( The New York Times Book Review )

3. Orwell’s Roses by Rebecca Solnit (Viking)

12 Rave • 13 Positive • 1 Mixed Read an excerpt from Orwell’s Roses here

“… on its simplest level, a tribute by one fine essayist of the political left to another of an earlier generation. But as with any of Solnit’s books, such a description would be reductive: the great pleasure of reading her is spending time with her mind, its digressions and juxtapositions, its unexpected connections. Only a few contemporary writers have the ability to start almost anywhere and lead the reader on paths that, while apparently meandering, compel unfailingly and feel, by the end, cosmically connected … Somehow, Solnit’s references to Ross Gay, Michael Pollan, Ursula K. Le Guin, and Peter Coyote (to name but a few) feel perfectly at home in the narrative; just as later chapters about an eighteenth-century portrait by Sir Joshua Reynolds and a visit to the heart of the Colombian rose-growing industry seem inevitable and indispensable … The book provides a captivating account of Orwell as gardener, lover, parent, and endlessly curious thinker … And, movingly, she takes the time to find the traces of Orwell the gardener and lover of beauty in his political novels, and in his insistence on the value and pleasure of things .”

–Claire Messud ( Harper’s )

4. Girlhood by Melissa Febos (Bloomsbury)

16 Rave • 5 Positive • 1 Mixed Read an excerpt from Girlhood here

“Every once in a while, a book comes along that feels so definitive, so necessary, that not only do you want to tell everyone to read it now, but you also find yourself wanting to go back in time and tell your younger self that you will one day get to read something that will make your life make sense. Melissa Febos’s fierce nonfiction collection, Girlhood , might just be that book. Febos is one of our most passionate and profound essayists … Girlhood …offers us exquisite, ferocious language for embracing self-pleasure and self-love. It’s a book that women will wish they had when they were younger, and that they’ll rejoice in having now … Febos is a balletic memoirist whose capacious gaze can take in so many seemingly disparate things and unfurl them in a graceful, cohesive way … Intellectual and erotic, engaging and empowering[.]”

–Michelle Hart ( Oprah Daily )

5. Why Didn’t You Just Do What You Were Told by Jenny Diski (Bloomsbury)

14 Rave • 7 Positive

“[Diski’s] reputation as an original, witty and cant-free thinker on the way we live now should be given a significant boost. Her prose is elegant and amused, as if to counter her native melancholia and includes frequent dips into memorable images … Like the ideal artist Henry James conjured up, on whom nothing is lost, Diski notices everything that comes her way … She is discerning about serious topics (madness and death) as well as less fraught material, such as fashion … in truth Diski’s first-person voice is like no other, selectively intimate but not overbearingly egotistic, like, say, Norman Mailer’s. It bears some resemblance to Joan Didion’s, if Didion were less skittish and insistently stylish and generated more warmth. What they have in common is their innate skepticism and the way they ask questions that wouldn’t occur to anyone else … Suffice it to say that our culture, enmeshed as it is in carefully arranged snapshots of real life, needs Jenny Diski, who, by her own admission, ‘never owned a camera, never taken one on holiday.’” It is all but impossible not to warm up to a writer who observes herself so keenly … I, in turn, wish there were more people around who thought like Diski. The world would be a more generous, less shallow and infinitely more intriguing place.”

–Daphne Merkin ( The New York Times Book Review )

6. The Hard Crowd: Essays 2000-2020 by Rachel Kushner (Scribner)

12 Rave • 7 Positive Listen to an interview with Rachel Kushner here

“Whether she’s writing about Jeff Koons, prison abolition or a Palestinian refugee camp in Jerusalem, [Kushner’s] interested in appearances, and in the deeper currents a surface detail might betray … Her writing is magnetised by outlaw sensibility, hard lives lived at a slant, art made in conditions of ferment and unrest, though she rarely serves a platter that isn’t style-mag ready … She makes a pretty convincing case for a political dimension to Jeff Koons’s vacuities and mirrored surfaces, engages repeatedly with the Italian avant garde and writes best of all about an artist friend whose death undoes a spell of nihilism … It’s not just that Kushner is looking back on the distant city of youth; more that she’s the sole survivor of a wild crowd done down by prison, drugs, untimely death … What she remembers is a whole world, but does the act of immortalising it in language also drain it of its power,’neon, in pink, red, and warm white, bleeding into the fog’? She’s mining a rich seam of specificity, her writing charged by the dangers she ran up against. And then there’s the frank pleasure of her sentences, often shorn of definite articles or odd words, so they rev and bucket along … That New Journalism style, live hard and keep your eyes open, has long since given way to the millennial cult of the personal essay, with its performance of pain, its earnest display of wounds received and lessons learned. But Kushner brings it all flooding back. Even if I’m skeptical of its dazzle, I’m glad to taste something this sharp, this smart.”

–Olivia Laing ( The Guardian )

7. The Right to Sex: Feminism in the Twenty-First Century by Amia Srinivasan (FSG)

12 Rave • 7 Positive • 5 Mixed • 1 Pan

“[A] quietly dazzling new essay collection … This is, needless to say, fraught terrain, and Srinivasan treads it with determination and skill … These essays are works of both criticism and imagination. Srinivasan refuses to resort to straw men; she will lay out even the most specious argument clearly and carefully, demonstrating its emotional power, even if her ultimate intention is to dismantle it … This, then, is a book that explicitly addresses intersectionality, even if Srinivasan is dissatisfied with the common—and reductive—understanding of the term … Srinivasan has written a compassionate book. She has also written a challenging one … Srinivasan proposes the kind of education enacted in this brilliant, rigorous book. She coaxes our imaginations out of the well-worn grooves of the existing order.”

–Jennifer Szalai ( The New York Times )

8. A Little Devil in America by Hanif Abdurraqib (Random House)

13 Rave • 4 Positive Listen to an interview with Hanif Abdurraqib here

“[A] wide, deep, and discerning inquest into the Beauty of Blackness as enacted on stages and screens, in unanimity and discord, on public airwaves and in intimate spaces … has brought to pop criticism and cultural history not just a poet’s lyricism and imagery but also a scholar’s rigor, a novelist’s sense of character and place, and a punk-rocker’s impulse to dislodge conventional wisdom from its moorings until something shakes loose and is exposed to audiences too lethargic to think or even react differently … Abdurraqib cherishes this power to enlarge oneself within or beyond real or imagined restrictions … Abdurraqib reminds readers of the massive viewing audience’s shock and awe over seeing one of the world’s biggest pop icons appearing midfield at this least radical of American rituals … Something about the seemingly insatiable hunger Abdurraqib shows for cultural transaction, paradoxical mischief, and Beauty in Blackness tells me he’ll get to such matters soon enough.”

–Gene Seymour ( Bookforum )

9. On Animals by Susan Orlean (Avid Reader Press)

11 Rave • 6 Positive • 1 Mixed Listen to an interview with Susan Orlean here

“I very much enjoyed Orlean’s perspective in these original, perceptive, and clever essays showcasing the sometimes strange, sometimes sick, sometimes tender relationships between people and animals … whether Orlean is writing about one couple’s quest to find their lost dog, the lives of working donkeys of the Fez medina in Morocco, or a man who rescues lions (and happily allows even full grown males to gently chew his head), her pages are crammed with quirky characters, telling details, and flabbergasting facts … Readers will find these pages full of astonishments … Orlean excels as a reporter…Such thorough reporting made me long for updates on some of these stories … But even this criticism only testifies to the delight of each of the urbane and vivid stories in this collection. Even though Orlean claims the animals she writes about remain enigmas, she makes us care about their fates. Readers will continue to think about these dogs and donkeys, tigers and lions, chickens and pigeons long after we close the book’s covers. I hope most of them are still well.”

–Sy Montgomery ( The Boston Globe )

10. Graceland, at Last: Notes on Hope and Heartache from the American South by Margaret Renkl (Milkweed Editions)

9 Rave • 5 Positive Read Margaret Renkl on finding ideas everywhere, here

“Renkl’s sense of joyful belonging to the South, a region too often dismissed on both coasts in crude stereotypes and bad jokes, co-exists with her intense desire for Southerners who face prejudice or poverty finally to be embraced and supported … Renkl at her most tender and most fierce … Renkl’s gift, just as it was in her first book Late Migrations , is to make fascinating for others what is closest to her heart … Any initial sense of emotional whiplash faded as as I proceeded across the six sections and realized that the book is largely organized around one concept, that of fair and loving treatment for all—regardless of race, class, sex, gender or species … What rises in me after reading her essays is Lewis’ famous urging to get in good trouble to make the world fairer and better. Many people in the South are doing just that—and through her beautiful writing, Renkl is among them.”

–Barbara J. King ( NPR )

Our System:

RAVE = 5 points • POSITIVE = 3 points • MIXED = 1 point • PAN = -5 points

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10 books to add to your reading list in April

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Critic Bethanne Patrick recommends 10 promising titles, fiction and nonfiction, to consider for your April reading list.

April’s book releases cover some difficult topics, including Salman Rushdie discussing his 2022 maiming, Leigh Bardugo’s fiction about the dark arts and Ada Limón’s poetry anthology about our fragile world. However, like April, there is also sunshine: Leif Enger’s wild Great Lakes love story, Helen Tworkov’s beautiful memoir of Buddhism and a collection of the inimitable Maggie Nelson’s essays. Happy reading, happy spring!

I Cheerfully Refuse: A Novel By Leif Enger Grove Press: 336 pages, $28 (April 2)

An unusual and meaningful surprise awaits readers of Enger’s latest, which takes place largely on Lake Superior, as a man named Rainy tries to reunite with his beloved wife, Lark. While the world around this couple, a dystopian near-future American where billionaires control everything, could not be bleaker, the author’s retelling of the myth of Orpheus (who went to the underworld to rescue his wife) contains the authentic hope of a born optimist.

The Familiar: A Novel By Leigh Bardugo Flatiron Books: 400 pages, $30 (April 9)

Bardugo departs from novels of dark academia in a standalone to make the hairs on your neck stand up, set in 16th century Spain. A hidden Sephardic Jew and scullery maid named Luzia Cotado matches wits with fellow servant Guillén Santángel. Luzia discovers a secret of Guillén’s, but she’s already fallen in love with him. And because he knows hers, too, they might both avoid the Spanish Inquisition. It’s a gorgeous tale of enchantments both supernatural and earthly.

The Sleepwalkers: A Novel By Scarlett Thomas Simon & Schuster: 304 pages, $28 (April 9)

A couple honeymoons at a Greek resort. What could go wrong? In Thomas’ hands, plenty – especially as the author has never written a comfortable story; her books, from “PopCo ” to “Oligarchy,” crackle with unreliable characters, as well as big philosophical ideas. In this case, the new marriage’s breakdown is chronicled through letters between the spouses, and sometimes bits of ephemera, that ultimately untangle a dark mystery relating to the title.

The Garden: A Novel By Clare Beams Doubleday: 304 pages, $28 (April 10)

Few novels of literary fiction are written as well as “The Garden,” let alone given its sadly relevant retro setting, a 1940s country-estate obstetrical program. Irene Willard walks through its gates having endured five miscarriages; pregnant again, she and her war-veteran husband George desperately hope for a live birth. But as Irene discovers more about the woman who controls all here, Dr. Bishop, she fears carrying to term as much as she once feared pregnancy loss.

Reboot: A Novel By Justin Taylor Pantheon: 304 pages, $28 (April 23)

David Crader, former teen TV heartthrob, just wants to reboot his career when his old show “Rev Beach” has a moment. His life has devolved through substance abuse, divorce and underemployment. But when he and colleagues launch a remake, devolution continues: The protagonist’s struggles are mirrored by climate-change issues, from flooding to wildfires. Despite that darkness, Taylor’s gift for satire might make this a must-read for 2024 beach bags.

You Are Here: Poetry in the Natural World By Ada Limón (Editor) Milkweed Editions: 176 pages, $25 (April 2)

A wondrous artist herself, Limón is currently poet laureate of the United States, and this anthology is part of her signature project, “You Are Here,” which will also feature poetry as public art in seven national parks. Released in conjunction with the Library of Congress, the collection features 50 previously unpublished poems by luminaries including Jericho Brown, Joy Harjo, Carl Phillips and Diane Seuss, each focusing on a piece of regional landscape.

Like Love: Essays and Conversations By Maggie Nelson Graywolf Press: 336 pages, $32 (April 2)

While all of the pieces in Nelson’s new book have previously been published elsewhere, they’re made fresh here both through being collected and through their chronological placement. Readers can practically watch Nelson’s incisive mind growing and changing as she speaks with colleagues such as Hilton Als and Judith Butler, or as she writes about queerness, motherhood, violence, the lyrics of Prince and the devastating loss of a friend.

Knife: Meditations After an Attempted Murder By Salman Rushdie Random House: 204 pages, $28 (April 16)

On Aug. 12, 2022, the author Salman Rushdie was speaking at upstate New York’s Chautauqua festival when a man rushed the stage and attempted to murder him. Rushdie, a target of Iranian religious leaders since 1989, was permanently injured. In this book, he shares his experience for the first time, having said that this was essential for him to write. In this way, he answers violence with art, once again reminding us all that freedom of expression must be protected.

Lotus Girl: My Life at the Crossroads of Buddhism and America By Helen Tworkov St. Martin’s Essentials: 336 pages, $29 (April 16)

Tworkov, founder of the magazine Tricycle, chronicles her move from a 1960s young-adult interest in Buddhism to travels through Asia and deep study in the United States of the different strands that follow the Buddha’s teachings. Tworkov mentions luminaries such as the artist Richard Serra, the composer Charles Mingus and the Dalai Lama, but she’s not name-dropping. Instead, she’s strewing fragrant petals from her singular path to mindfulness that may help us find ours.

The Demon of Unrest: A Saga of Hubris, Heartbreak, and Heroism at the Dawn of the Civil War By Erik Larson Crown: 592 pages, $35 (April 30)

Even diehard Civil War aficionados will learn from Larson’s look at the six months between Lincoln’s 1860 election and the surrender of Union troops under Maj. Robert Anderson at Charleston’s Ft. Sumter. Larson details Anderson’s secret Christmas redeployment and explores this individual’s contradictions as a former slave owner who loyally follows Lincoln’s orders. The author also shares first-person perspective from the famous diaries of the upper-class Southerner Mary Chesnut. All together, the book provides a riveting reexamination of a nation in tumult.

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Did We Get the Joke? Thousands of You Had Some Thoughts.

Responding to our list of the funniest books since “Catch-22,” readers offer their own choices.

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This illustration features a collage of book covers, each positioned on a brightly colored rectangle. Some of the covers are embellished with cartoon eyeballs and, in two instances, cartoon hands.

Nothing is funnier than unhappiness, according to Samuel Beckett, and publishing an excruciatingly short list of books deemed “the funniest” was bound to create a fair amount of it. We asked our staff book critics to choose 22 favorites among the many books that have made them laugh: They had to be novels written in English and published since “Catch-22” (1961), which we felt was a turning point in American literary humor. Then we heard from you on what our critics missed. In article comments and a reader questionnaire , more than 4,000 of you let us have it.

What fired up readers the most was our omission of A CONFEDERACY OF DUNCES (1980), John Kennedy Toole’s novel about a hapless medievalist and sometime hot-dog vendor padding around New Orleans. It was, by a landslide, the most frequently cited title in your responses, and your reactions ranged from gentle prodding to biblical wrath . Many recounted their ecstatic reading experiences: “My wife and I took turns reading chapters aloud in bed, readings that countless times were choked off by paroxysms of laughter and tears,” wrote Fritz and Cindy Tripp Johnson of Dillingham, Alaska.

Other popular picks included THE HITCHHIKER’S GUIDE TO THE GALAXY (1979), by Douglas Adams; WHERE’D YOU GO, BERNADETTE? (2012), by Maria Semple; and LESS (2017), by Andrew Sean Greer. John Irving! many clamored. Gary Shteyngart! Elif Batuman! All great suggestions. For some of you, the time frame was too constraining, as were any conventional understandings of humor: You oddballs went to bat for “Wuthering Heights,” “Moby-Dick,” “The Magic Mountain” and, somewhat distressingly, “The Pentagon Papers.”

“Not since ‘The Bell Jar’ have I laughed at food poisoning,” said Alice McGinnis of Silver Spring, Md., who pulled for Katherine Heiny’s STANDARD DEVIATION (2017).

Here’s what else you told us.

You appreciate certain authors but disagree on which is their funniest book.

Carl hiaasen.

SQUEEZE ME (2020): “Skewers the Former Guy [Donald Trump], Palm Beach, xenophobia and Florida wildlife control, and makes me laugh out loud, even on second reading. What’s not to love?” — Lin Robinson (Albuquerque, N.M.)

DOUBLE WHAMMY (1987): “Playfully violent plot with rotting losers, and strangely kindhearted and sympathetic heroes. I get all smiley just thinking about it.” — Christine Shuler (Sunnyside, N.Y.)

Kurt Vonnegut

BREAKFAST OF CHAMPIONS (1973): “It’s irreverent, hilarious, breaks the fourth wall with madcap energy, has these delightful asides, but also some real wisdom.” — Josh Henderson (Springfield, Va.)

GOD BLESS YOU, MR. ROSEWATER (1965): “When I was a young man, it helped to shape my worldview. Now that I’m an old man, it still occupies a cozy apartment just above the volunteer fire department in my heart.” — Grant Loud (Los Angeles)

Terry Pratchett

SMALL GODS (1992): “A beautiful satire of the ways in which organized religion has lost sight of the importance of personal faith and piety. Loved by atheists and the deeply religious alike.” — Terry Fletcher (Pullman, Wash.)

GOOD OMENS, with Neil Gaiman (1990): “Enduring dark wit, dexterous language, a healthy look at humanity with fabulous allegories that make one sit up and realize that we can and must do better.” — Shaheena Karbanee (Harare, Zimbabwe)

James McBride

THE GOOD LORD BIRD (2013): “One of the funniest books ever written based on real characters and events: John Brown, Frederick Douglass and the raid on Harpers Ferry. The narrator is one of the great characters in American fiction and, like ‘Catch-22,’ the humor is made more poignant by the serious parts.” — Mike Sokoloski (Seattle)

DEACON KING KONG (2020): “Set in a fictional Brooklyn housing project just as heroin is arriving in New York, this is a hilarious yet deep look at race, community and drugs in the United States. It made me laugh aloud and cry.” — Helen Benedict (New York)

You have a taste for academic foibles.

DEAR COMMITTEE MEMBERS , by Julie Schumacher (2014): “Inventively told through a series of recommendation letters, this novel is a hilarious jaunt through both the emptiness of an academic career and the self-excoriating emptiness of a man who has lost his way. It’s a book that made me laugh and cry simultaneously, while nodding in recognition.” — Kyle Rudgers, (Flemington, N.J.)

STRAIGHT MAN , by Richard Russo (1997): “I am a retired professor who until recently was teaching at a regional Rust Belt campus of a state university, exactly the setting for Russo’s novel. One can laugh at the ridiculousness unfolding in the book while acknowledging the grim realities it exposes.” — Ruth Glasser (Watertown, Conn.)

MOO , by Jane Smiley (1995): “I teach women and gender studies in a liberal arts college at a land grant university, and Smiley nails it with wit and insight. From the provost’s assistant who actually runs the university to the ever-fattening pig housed in the agriculture college, the novel reveals the foibles and foolishness afoot in universities. And we see, in the novel as in real life, that during budget cuts, women’s studies is the first to go.” — Susan M. Shaw (Corvallis, Ore.)

“I live just a few miles from the Iowa border. I know these people. And ‘Moo’ stars the best literary pig since Wilbur: Earl Butz, named after the former secretary of agriculture.” — Peggy Derrick (La Crescent, Minn.)

CONJURE WIFE , by Fritz Leiber (1943): “Modern audiences might find the sexism of the male protagonist insufferable, but that is part of what Leiber is satirizing. The idea that the success of male academics in mid-20th-century America was dependent upon their wives’ use of witchcraft was a brilliant sendup. Though gender politics have changed, Leiber’s satire of the cutthroat means needed to survive in academia remains relevant as ever.” — Bert Clere, (Carrboro, N.C.)

KINGS OF INFINITE SPACE, by James Hynes (2004): “A bad breakup, an academic career lost. Could a furloughed professor’s life get worse? Wait, what are those otherworldly moans coming from the HVAC ducts? Why does no one else hear them?” — Jane Niles (Culver City, Calif.)

Some of you made the only case for a given book.

BLOTT ON THE LANDSCAPE , by Tom Sharpe (1975): “Sharpe’s books always take a good poke at the British way of seeing the world. Rollicking good fun.” — Kris Bulcroft (Chieri, Italy)

EPITAPH OF A SMALL WINNER , by Machado de Assis (1881): “This ‘autobiography’ of a dead man is funny and startlingly modern! That is all the more remarkable since it was written in 1881 in imperial Brazil by the Black grandson of enslaved people.” — Samuel Cole, (Richardson, Texas)

I AM A CAT , by Natsume Sōseki (1906): The descriptions of human behavior by the unnamed cat are so realistic and at the same time so absurd. The story is set in early 1900s Japan, but it makes you realize that human behavior always and everywhere is crazy, tragic and hilarious at the same time. — Jeffrey R. Hannig (Fargo, N.D.)

Classic can still be funny.

THE PICKWICK PAPERS , by Charles Dickens (1837): “The bad news: This book is about the size of a brick. But please keep in mind that it’s a picaresque. After being introduced to our cast of morons, we are invited to join them on a series of misadventures, each amazingly visual and filled with puns, malaprops and visual shtick. It’s almost like watching a Charlie Chaplin movie!” — Jeffrey Kahan (Los Angeles)

DON QUIXOTE , by Miguel de Cervantes (1605): “Its humor operates at every level, from the crudest slapstick to the most cerebral, self-reflexive play. Always bittersweet, at once funny and sad, joyful and tragic, a reminder that laughter is always more than fun.” — Paul Cohen (Providence, R.I.)

THE LIFE AND OPINIONS OF TRISTRAM SHANDY, GENTLEMAN , by Laurence Sterne (1759): “In this still unclassifiable novel, the asides, omissions, diatribes and narration make for the most rollickingly hilarious read.” — Jonathan May (Memphis)

Some of you can really sell a book.

PRIESTDADDY , by Patricia Lockwood (2017): “This author sincerely loves her father, who happens to be a priest and rarely wears pants at home.” — Jerah Kirby (Brooklyn, N.Y.)

THE BREAST , by Philip Roth (1972): “Lucky the character is stuck in the pages of time. He’d probably be catatonic once he realizes that, as the breast, he’ll be no more than shriveled hanging fruit.” — Rose R. Jeter (Macon, Ga.)

INFINITE JEST , by David Foster Wallace (1996): “The longest drug joke of all time.” — William Larsen (Plymouth, Mass.)

REDSHIRTS by John Scalzi (2012): “The love child of ‘The Office’ and ‘Galaxy Quest.’ ” — Maggi Schierloh (Chicago)

GALÁPAGOS , by Kurt Vonnegut (1985): “What could possibly be funnier than the extinction of the human race? Heartwarming, too.” — Dan Kravitz (Harpswell, Maine)

Explore More in Books

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James McBride’s novel sold a million copies, and he isn’t sure how he feels about that, as he considers the critical and commercial success of “The Heaven & Earth Grocery Store.”

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John Barth, innovative postmodernist novelist, dies at 93

The Associated Press

ANNAPOLIS, Md. — John Barth, the playfully erudite author whose darkly comic and complicated novels revolved around the art of literature and launched countless debates over the art of fiction, died Tuesday. He was 93.

Johns Hopkins University, where Barth was an emeritus professor of English and creative writing, confirmed his death in a statement.

Along with William Gass , Stanley Elkin and other peers, Barth was part of a wave of writers in the 1960s who challenged standards of language and plot. The author of 20 books including "Giles Goat-Boy" and "The Sot-Weed Factor," Barth was a college writing instructor who advocated for postmodernism to literature, saying old forms were used up and new approaches were needed.

Barth's passion for literary theory and his innovative but complicated novels made him a writer's writer. Barth said he felt like Scheherazade in "The Thousand and One Nights," desperately trying to survive by creating literature.

He created a best-seller in 1966 with "Giles Goat-Boy," which turned a college campus into a microcosm of a world threatened by the Cold War, and made a hero of a character who is part goat.

The following year, he wrote a postmodern manifesto, "The Literature of Exhaustion," which argued that the traditional novel suffered from a "used-upness of certain forms." The influential Atlantic Monthly essay described the postmodern writer as one who "confronts an intellectual dead end and employs it against itself to accomplish new human work."

He clarified in another essay 13 years later, "The Literature of Replenishment," that he didn't mean the novel was dead — just sorely in need of a new approach.

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The enduring life of lit mags: we'll always have (the) paris (review).

"I like to remind misreaders of my earlier essay that written literature is in fact about 4,500 years old (give or take a few centuries depending on one's definition of literature), but that we have no way of knowing whether 4,500 years constitutes senility, maturity, youth, or mere infancy," Barth wrote.

Barth frequently explored the relationship between storyteller and audience in parodies and satire. He said he was inspired by "The Thousand and One Nights," which he discovered while working in the classics library of Johns Hopkins University.

"It is a quixotic high-wire act to hope, at this late hour of the century, to write literary material and contend with declining readership and a publishing world where businesses are owned by other businesses," Barth told The Associated Press in 1991.

Barth pursued jazz at the Juilliard School of Music in New York, but found he didn't have a great talent for music, and so turned to creative writing, a craft he taught at Penn State University, SUNY Buffalo, Boston University and Johns Hopkins.

His first novel, "The Floating Opera," was nominated for a National Book Award. He was nominated again for a 1968 short story collection, "Lost in the Funhouse," and won in 1973 for "Chimera," three short novels focused on myth.

His breakthrough work was 1960's "The Sot-Weed Factor," a parody of historical fiction with a multitude of plot twists and ribald hijinks. The sprawling, picaresque story uses 18th-century literary conventions to chronicle the adventures of Ebenezer Cooke, who takes possession of a tobacco farm in Maryland.

Here's how to set your reading goals and read more books in 2024

Barth was born on Maryland's Eastern Shore and set many of his works there. Both his 1982 "Sabbatical: A Romance" and his 1987 "The Tidewater Tales" feature couples sailing on the Chesapeake Bay.

Barth also challenged literary conventions in his 1979 epistolary novel "Letters," in which characters from his first six novels wrote to each other, and he inserted himself as a character as well.

"My ideal postmodernist author neither merely repudiates nor merely imitates either his twentieth-century modernist parents or his nineteenth-century premodernist grandparents. He has the first half of our century under his belt, but not on his back."

Barth kept writing in the 21st century.

In 2008, he published "The Development," a collection of short stories about retirees in a gated community. "Final Fridays," published in 2012, was his third collection of non-fiction essays.

Opinion Christine Blasey Ford is no hero, if justice is the measure

An earlier version of this column misspelled the name of Mollie Hemingway. This version has been corrected.

Christine Blasey Ford is promoting her new memoir to acclaim from certain quarters, including a glowing review by the New York Times. Meanwhile, the man she accused of being a witness to her alleged sexual assault by now-Supreme Court Justice Brett M. Kavanaugh more than 40 years ago can’t get his own book reviewed or even mentioned by mainstream newspapers.

You know me. I can’t resist flipping over a cow patty to see what’s underneath.

Ford, you’ll recall, is the California psychologist with two front doors in her house who, in testimony to the Senate Judiciary Committee in 2018, accused Kavanaugh of assaulting her at a high-school-era party while another boy, Mark Judge, allegedly stood by. Judge, who kept his distance and silence during Kavanaugh’s confirmation hearings — in part, he has said , to avoid further harassment by Democratic interlocutors — released his own version of those events and the aftermath in “ The Devil’s Triangle: Mark Judge vs the New American Stasi ” (2022).

As with Kavanaugh, Ford’s accusation against Judge was embraced by most of the news media despite an absence of evidence or corroborating testimony. No one who was supposed to have been at the party where Ford was allegedly assaulted remembered it, or her. Ford herself was unable to nail down the year the party took place (but settled on 1982 after several stabs) or where it was held, how she got there, how she got home or any other details, except that she herself had consumed just one beer, according to her testimony. Her claims against Kavanaugh ultimately were unsubstantiated.

Even so, the awards and accolades for Ford keep coming. During a recent appearance on “The View,” she was nearly sanctified for her “bravery.” Not one of the “View” chin-wags seemed to have done any research. They merely checked the box next to “female” and continued to hold in contempt the male who became a Supreme Court justice. Whoopi Goldberg summed it up: “To face those people the way they were looking and dealing with you, that is bravery under a whole different kind of fire.”

A fair-minded person would also wonder what it was like to be in Kavanaugh’s seat.

And what about Judge? “Roadkill” is the way constitutional lawyer Jonathan Turley described Judge’s invisible role in this tale. Of course, Judge and Kavanaugh were and are distinct people whose adult lives could not be more different. Kavanaugh was the kind of boy who kept a detailed calendar of his busy activities and who had a stellar career as a federal judge.

Judge, who chronicled his heavy-drinking school days in his 1997 book, “ Wasted: Tales of a Gen X Drunk ,” was a teenage alcoholic who had to claw his way to sobriety and suffered accordingly. He told Martha MacCallum during a recent Fox News interview that the effects of being essentially locked in a stockade for public ridicule and condemnation included “suicidal ideation” and “economic issues.”

Under interrogation by Democrats on the Senate Judiciary Committee, Kavanaugh was forced to review his youthful beer consumption, which he admitted was gustatory. He wasn’t alone; Ford was a drinker, too, according to friends and outlined in the deeply researched book “ Justice on Trial ” by Mollie Hemingway and Carrie Severino.

In my own research for a book that never came to fruition, I also learned that Ford was a party girl, which means she and I would have been friends. Her real “best friend” at the time, Leland Keyser, was known as her designated driver in those days, according to several of her friends cited in yet another book, “ The Education of Brett Kavanaugh ” by New York Times writers Robin Pogrebin and Kate Kelly.

A straight-A student and athlete who became a professional golfer, Keyser had her driver’s license at the time of the alleged assault.

Keyser, who felt pressured by Ford’s supporters to confirm Ford’s story, testified to the FBI that she had no recollection of any such party and didn’t know Kavanaugh.

When intimidation didn’t work, Ford and her friends implied that Keyser’s testimony couldn’t be trusted because she had “significant health challenges,” as Ford put it during her testimony. It didn’t take long for the meaning here to become public. Keyser had at one point become addicted to painkillers prescribed for golf-related back and neck injuries. She has suffered years of surgeries and pain that continues today, thanks to her commitment to recovery. No meds. She also has had to cope with the psychological effects of her persecution by the anti-Kavanaugh brigade. At least one person from Team Ford tried to persuade her to adjust her story. She refused.

Meanwhile, after five years of silence, Judge has emerged from his bunker with both barrels blazing. One can stand only so much smearing. He was, after all, accused in the public arena of variously urging Kavanaugh on or trying to stop him, all the while laughing, according to Ford. Like Kavanaugh, Judge was presumed guilty — a tragic by-product of the “believe the woman” orthodoxy that emerged during the #MeToo movement — and justly wants to have his say.

It takes guts to try to breach the #MeToo iron curtain, as Judge is attempting to do. It takes no courage at all to enrich yourself at other people’s expense, as Ford has done. Even if she believes her own story or suffered some traumatic event at some time, in the absence of evidence or corroboration, a measure of doubt is called for. This doesn’t necessarily mean she lied, as Hemingway and Severino have noted.

Both Judge and Keyser, it seems, deserve the applause Ford is receiving for perpetuating a questionable history that has damaged so many people, not to mention the judicial system she says she has sought to protect. We know the truth is otherwise, thanks to a video capture of Ford’s lawyer, Debra Katz, saying that her client wanted to block Kavanaugh because of fears he would vote to reverse Roe v. Wade . Ford’s fears might have been justified, but her tactics — which have netted her $1 million in donations plus overnights at Oprah’s — were not.

Nothing good grows under a cow patty, but Ford sure did step in one.

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6 Paragraphs on 'A Book I Have Recently Read'
A Book I Have Recently Read: Books are the best resources of people. With which no earthly wealth can be compared. By reading books we can keep our mind healthy and happy. ... The essay is the most important part of a college application, so you need to focus and make a good essay to convince the university accept you. You even get help from ...
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In addition, books also enhance our imagination. Growing up, my parents and teachers always encouraged me to read. They taught me the importance of reading. Subsequently, I have read several books. However, one boom that will always be my favourite is Harry Potter. It is one of the most intriguing reads of my life.
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Topic 1: Describe a book you have recently read. What kind of book it is; What it is about; What sort of people would enjoy it; And explain why you liked it. Sample Answer: I consider myself as a bookworm so when it comes to describing a book I read, I am really confused since I don't know which one to choose, but I will tell you about the book that I have just ﬁnished most recently ...
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An Interesting Book I Read - Free Essay Examples and Topic Ideas. "An Interesting Book I Read" could refer to a personal reflection or review of a captivating book that left a lasting impression on the reader. In such a narrative, the reader might delve into the various aspects that made the book compelling, including its engaging plot ...
Describe a Book You Have Read Recently
Describe a book you have read recently. You should say: what kind of book it is. who wrote the book. what the story of the book is. and explain if it is a good book or not. Once you have read the cue card, you must think about it quickly. Analyse the topic and ask yourself what exactly you should talk about.
How to Write the Perfect Harvard Essay: 3 Expert Tips
Prompt 6: List of Books. A list of books you have read during the past twelve months. Of all Harvard essay prompts, this one is by far the most unique. Here, you're asked to simply list the books you've read in the past year. This essay is more than just a list, though—it's a brief overview of where your intellectual interests lie.
How to Write an Essay On Books
Some teachers recommend writing an essay on your favorite books. Make a short outline that includes an introduction, the main part, and a conclusion. Recall what your book is about. Write out a couple of main thoughts that are memorable and seem close to your heart. Write a review of the book, the kind you'd like to write for your friend.
Describe a book you have recently read
Download Study Plan. This article contains the Describe a book you have recently read Cue Card Sample Answers. During Part 2 of the IELTS Speaking test, you will have exactly one minute to prepare and speak on a specific topic. This is the IELTS cue card task. You can learn how to communicate clearly and successfully by reviewing sample answers.
Describe a book you have recently read
With the hefty duties in my office and at home, I hardly can manage time to read books but have completed reading 'Things Fall Apart' after lots of struggle - for managing time Things Fall Apart is a wonderful creation of Chinua Achebe, the Nigerian writer and the entire story is set on the post-colonial background.
Free Essay: Book I have read
A book I have read. I read a lot, so it was hard to choose my favourite book. I really liked Harry Potter, which has 7 parts. It was written by J.K Rowling and it is one of the greatest fantasy books in the 21st Century. The story is sets a magical place called Hogwarts, where witches and wizards learn. The story is about a young wizard called ...
How to Write Amazing Ivy League Essays (Examples Included)
4. Using a favorite quotation from an essay or book you have read in the last three years as a starting point, tell us about an event or experience that helped you define one of your values or changed how you approach the world. Please write the quotation, title and author at the beginning of your essay. Harvard University essay prompt
How to Write an Essay on a Book [Full Guide]
On a rough sheet of paper, sketch the phrases or words that first come to mind. Then they can be developed into a whole essay. So, think carefully about what you want to say about the topic. Then write down your thoughts on paper in a column. And then decide in what order you want to display these thoughts on paper.
How to Write a Literary Analysis Essay
Table of contents. Step 1: Reading the text and identifying literary devices. Step 2: Coming up with a thesis. Step 3: Writing a title and introduction. Step 4: Writing the body of the essay. Step 5: Writing a conclusion. Other interesting articles.
A Step-By-Step Guide to Writing an Essay on a Book
Have a clear understanding of the book's themes, characters, and plot before you begin. Read reviews and criticisms, and take down notes for later. Start by reading the book itself. Take your time and pay attention to details. Make notes, highlight any important passages, and consider different interpretations.
17 Book Review Examples to Help You Write the Perfect Review
Ten years ago, I read a book called Almost Perfect. The young-adult novel by Brian Katcher won some awards and was held up as a powerful, nuanced portrayal of a young trans person. But the reality did not live up to the book's billing. Instead, it turned out to be a one-dimensional and highly fetishized portrait of a trans person's life ...
A Book I Have Read
It is helpful for gaining lots of knowledge and information but reading a good book is healthier for our brain and…. A Book I Have Read Books And Reading Critical Thinking Mental Health. 7. Essay On Joy Of Reading Books. Words • 805. Pages • 3. Paper Type: 750 Word Essay Examples.
Virginia Woolf: "How Should One Read a Book?"
Captain Scott, starving and freezing to death in the snow, affects us as deeply as any made-up story of adventure by Conrad or Defoe; but it affects us differently. The biography differs from the novel. To ask a biographer to give us the same kind of pleasure that we get from a novelist is to misuse and misread him.
How to Write Literary Analysis
Literary analysis involves examining all the parts of a novel, play, short story, or poem—elements such as character, setting, tone, and imagery—and thinking about how the author uses those elements to create certain effects. A literary essay isn't a book review: you're not being asked whether or not you liked a book or whether you'd ...
️Essay On Books: Free Samples for Students
Also Read: Essay Writing. Also Read: Motivational Books. Essay on Books in 150 Words. Books are considered true friends of humans, as they can teach us life lessons. Books are the repositories that impart wisdom and knowledge. From ancient times to today's digital world, books have served as a source of inspiration, expanding the thought ...
The Best Reviewed Essay Collections of 2021 ‹ Literary Hub
Didion's pen is like a periscope onto the creative mind—and, as this collection demonstrates, it always has been. These essays offer a direct line to what's in the offing.". -Durga Chew-Bose ( The New York Times Book Review) 3. Orwell's Roses by Rebecca Solnit.
How to Write an Essay on a Book You Didn't Read
A book review essay is a short piece of writing that reflects on a particular literary work. Such papers present a whole book review with constructive analysis of the author's ideas, writing style, techniques, etc. The main purpose of this task is to check if students have actually read the assigned book, assess how well they understood it ...
A book you have recently read paragraph writing in english
A book you have recently read paragraph writing in english || Hello Friends, In this video we will learn how to write an essay on a book I have recently read...
Here's how you can read more books, according to experts : NPR
A Economist/YouGov poll found that 46% of Americans finished zero books last year and 5% read just one last year. Out of the 1,500 American's surveyed in the poll, only 21% read more than ten ...
Book Review: 'All Things Are Too Small,' by Becca Rothfeld
In her first essay collection, Becca Rothfeld demonstrates that sometimes, more really is more. By David Gates David Gates teaches in the M.F.A. program at St. Joseph's University. When you ...
How to read more books, according to the experts
Rachel Dawson, social media manager in Richmond. Reads between 150 and 200 books a year. After college, it took me some time to find my way back to reading for fun. In 2015, I set my first goal ...
8 New Books We Recommend This Week
From Jonathan Escoffery's review. Knopf | $29. PARASOL AGAINST THE AXE. Helen Oyeyemi. In Oyeyemi's latest magical realist adventure, our hero is a woman named Hero, and she is hurtling ...
10 books to add to your reading list in April
Critic Bethanne Patrick recommends 10 promising titles, fiction and nonfiction, to consider for your April reading list. April's book releases cover some difficult topics, including Salman ...
New York Times Readers on Their Picks for Funniest Books
James McBride. THE GOOD LORD BIRD (2013): "One of the funniest books ever written based on real characters and events: John Brown, Frederick Douglass and the raid on Harpers Ferry. The narrator ...
John Barth, innovative postmodernist novelist, dies at 93 : NPR
"I like to remind misreaders of my earlier essay that written literature is in fact about 4,500 years old (give or take a few centuries depending on one's definition of literature), but that we ...
Opinion
Meanwhile, the man she accused of being a witness to her alleged sexual assault by now-Supreme Court Justice Brett M. Kavanaugh more than 40 years ago can't get his own book reviewed or even ...

6 Paragraphs on ‘A Book I Have Recently Read’

A Book I Have Recently Read

A Book I Have Recently Read

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Describe a book you have recently read – IELTS Cue Card Sample Answers

Describe a book you read

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