essays 2022

15 Essays To Read Again in 2022

A list of our staff’s favorite essays from the past year that they did not commission themselves, or that they think cover a topic that deserves a second look.

As we prepare for 2022, we wanted to share with you a list of our staff’s favorite essays from the past year that they did NOT commission themselves or that they think cover a topic that deserves a second look.

Why I Stopped Writing About Syria, by Asser Khattab

Riada Asimovic Akyol, Contributing Editor

Among so many informative, eloquent pieces published in New Lines this year, this one I think I will actually never forget. It hit so many buttons and allowed so many people to be seen like never before. I caught myself nodding so many times while reading it, and I know a lot of people from the Balkans could understand what Asser was sharing. Others could learn with humility. The way he wrote about growing up “surrounded by people who have never experienced the joy of peaceful tranquility,” thinking that was the normal , and both the vulnerability and confidence with which he wrote about different challenges, as well as his human and professional yearnings and aspirations, were powerful and inspiring. Many conversations in open, and behind closed doors, will from now on be held, with employers, between employees, among friends, across the borders thanks to Asser’s piece. I am thankful for New Lines for publishing it.

How Arabs Have Failed Their Language, by Hossam Abouzahr

Kevin Blankinship, Contributing Editor

After the requisite boilerplate about how hard it is to choose favorites, about how every essay adds something to knowledge, etc., let me say that his is the piece I liked most from 2021. The reason is that it surprised me. It surprised me not because it was new to me: As an Arabic professor, I’ve heard who knows how many catfights about “diglossia,” namely high versus low (colloquial) varieties of Greek, Chinese, Serbian and other languages. What surprised me was how fresh the wounds are. For a quarrel looping back a thousand years, when Arab linguists tried to check “pollution” from non-native speakers, especially Persians, by setting up rules of grammar, I was stunned to see how much it agitates today. Abouzahr’s essay came out and so did the partisans. Formal Arabic is the Arabic of Islam, some said: the Arabic of the Qur’an, of classical poetry. But, said others, colloquial Arabic is the Arabic of hearth and home, of jokes and secrets, of friendship. Could it not, I thought as I watched the skirmish, be both? In the spirit of Christmas, isn’t there room for all the Arabics at the inn? A naïve thought that softens the majesty, the Whitman-like container of multitudes and, what’s more, one that misses how real language is used by real people and how it can’t be everything to everyone. Oh, well, let the fight go on, then.

The ISIS War Crime Iraqi Turkmen Won’t Talk About, by Hollie McKay

Courtney Dobson, Senior Editor

In this essay, Hollie McKay reports on women in Iraq who have been “disappeared” by the Islamic State group, the group’s use of rape as a weapon of war and how minority communities struggle to heal and come to terms with the stigma associated with sexual violence. It is a haunting piece, but McKay masterfully conveys the anguish and pain that comes with sexual violence, not just for the victim, but also for their loved ones trying to help. “Through the gap in the door flap,” McKay writes, “I noticed that scores of men and boys had lined up outside, maintaining a respectful distance from the distraught women but with curiosity etched into their sun-kissed faces. They wanted to be involved somehow, to be part of the healing process, to remind us that men were not the enemy — twisted men were the enemy. These were the fathers and brothers and sons, the nephews and neighbors.” McKay’s essay resonates for communicating the universal need for support, connection and justice, while also laying bare why these don’t come easily. Published a few months after New Lines launched, this essay left a deep impression on me.

How I Escaped China’s War on Uyghurs, by Tahir Hamut Izgil

Rasha Elass, Editorial Director

When we launched New Lines we wanted to cover themes and stories from beyond the geographic Middle East. The oppression of the Uyghurs in China struck me as an underreported story in mainstream media because it hardly featured first-person voices from the Uyghur community. So I got to work and found Tahir Hamut Izgil, a Uyghur poet who tells a story with moving prose and nuance. His essay about the chilling effect of a document that the Chinese authorities require members of the Uyghur community to fill out is both simple and profound, capturing a Kafkaesque reality that is often lost in the daily coverage of foreign affairs. Months after we translated and published Izgil’s essay, other media outlets followed suit. To us this is a triumph, evidence that we are already creating new lines in international reporting.

F ull essay

A Castle in the Air: Trekking the Secret Mountain Paths of Yemen, by Tim Mackintosh-Smith

Anthony Elghossain, Contributing Editor

Mountain men tell their stories. In Yemen, some folks speak of “an ancient city” atop a mountain. “What,” asks Tim Mackintosh-Smith after hearing them, “is really at the top of Jabal Balq?” To answer this question, he quests through myth, memory and the mind for a “castle in the air.” Is it a place? Maybe. Is it a journey? Yes. Having always gotten along with and been fascinated by folks in the mountains and hills, I was interested in reading this piece as soon as it was in our pipeline. And I loved how our writer came back for some “unfinished business.” Writing is about the quest. So, too, is life. Our writer captured those truths in this piece.

After America: Inside the Taliban’s New Emirate, by Fazelminallah Qazizai

Hassan Hassan, Editor in Chief

My choice of a favorite essay is to illustrate part of why we established  New Lines  in the first place. It was a dispatch by Fazelminallah Qazizai from a Taliban-held area, published four months before the Taliban would take over the country as fast as their trucks could drive through towns and provinces. If you read that story, nothing about what happened in the summer would come as a shock to you. After the Taliban’s takeover, it was easy for journalists to go through their old notes and write compelling stories about what they had witnessed in the months and years before, to make sense of what unfolded. It is harder to do that before the event, and Qazazai did just that. He also did it really well. The piece should be a template in how dispatches should be done. Qazazai was not parachuted into the country to come back with a piece from there. He is an Afghan journalist who actually knows the terrain, the society and history, and who goes to a Taliban area and eloquently captures and reconstructs the situation there.

The Key to Understanding Iran Is Poetry, by Muhammad Ali Mojaradi

Tam Hussein, Contributing Editor

Muhammad Ali Mojaradi in his essay is right: The key to understanding Iran is poetry. In Shiraz and Isfahan you see beggars recite Hafez and children hawking for money with birds picking couplets from small envelopes trying to tell your fortune. Perhaps it’s just Frank Miller’s “300” or the politics of the region that makes its peoples appear to have a culture built on hate and cruelty. But that is far from the truth. It has ambiguity built in, abundant variations on love, mysticism and much, much more. It just gave me an appreciation as to how all-encompassing Persianate culture is, including Iran, central Asia, Afghanistan and the subcontinent.

The Wandering Alawite, by Adnan Younes

Faysal Itani, Associate Editor

This was, as far as I’m aware, the best if not the only piece by a constituent of Syria’s mass murderer about his and his coreligionists’ implication in Bashar al-Assad’s crimes. I think it took tremendous intellectual courage to reflect on what drew Syria’s Alawites to support this regime, but it also posed an uncomfortable challenge to readers who understandably deplore any and all support for the war criminal Assad. It was difficult to write and difficult to read, because of its ability to humanize and contextualize horrible choices by Assad’s supporters and detractors alike. It was a tragic story in the most literal and compelling way.

A Multigenerational American Story of Immigration and Return, by Rasha Elass

Ola Salem, Managing Editor

A topic we often visit at New Lines is identity. Over the past year, we’ve run a number of first-person pieces looking at how environment and ancestry have shaped writers’ identity and how the answer is usually far more complex than a quick answer to the question, “Where are you from?” One story I found to be particularly fascinating was Rasha Elass’s piece in which she wrote about her Syrian great-grandfather who moved to America, carved a life for himself and later created a family of his own, only later to uproot his children and move back to Syria and face an attack from the French.

Gone to Waste: the ‘CVE’ Industry After 9/11, by Lydia Wilson

Chris Sands, South Asia Editor

The legacy of 9/11 has dominated my life and career. As a journalist for local newspapers in the U.K. in the weeks and months after the attacks, I saw and heard the racist backlash against British Muslims. Later, as a young reporter in the Middle East, I witnessed the daily indignities Palestinians suffer under Israeli occupation. But it was while living in Afghanistan for almost a decade that I came to understand the true folly of the countering violent extremism industry — a money-making enterprise perpetuated by governments, international NGOs and private companies in the guise of curbing Islamic militancy. Lydia Wilson’s article brilliantly details how this house of cards was built to ignore the social ills and legitimate political grievances that lie at the root of what was once called the “war on terror.”

The Bandit Warlords of Nigeria, by James Barnett

Kareem Shaheen, Middle East and Newsletters Editor

One of the things I was looking forward to the most when we started New Lines was giving the space to writers to explore stories that haven’t been told in the mainstream media. Too often, the rich tapestry of our lives and societies are obscured rather than illuminated. This piece is a fascinating investigation into an untold story that has long been neglected in favor of the “sexier” stories of Boko Haram extremists in Nigeria. It is about the farmer-herder conflict that has cost tens of thousands of lives, has been exacerbated by climate change and is destabilizing important parts of Africa’s most populous country. The color and fascinating exchanges in the piece, chronicled through Barnett’s exclusive access to the bandit warlords, make this unique investigation shine.

Where the Russian Gulag Once Thrived, Life Remains Isolated, by Owen Matthews

Michael Weiss, News Director

Believe it or not, one of our best essays this year grew out of the field research journal for a forthcoming spy novel. Owen Mathews spent 10 days touring the remains of the Gulag Archipelago — the slave-labor camps Stalin built to punish to send his enemies (and quite a lot of his friends) in the Russian Arctic. Whole communities and cities sprung up around these grim “colonies” of the 20th century, which helped industrialize the Soviet Union at the price of around 6 million souls. As one might expect, this architecture of atrocity has been left to rot or freeze or be swallowed up by the taiga. Matthews, an accomplished historian and biographer, travels to parts unknown and unremembered with an eye for detail and — no small trick given the circumstances — a sense of humor.

How an Email Sting Operation Unearthed a Pro-Assad Conspiracy—and Russia’s Role in It, by Michael Weiss and Jett Goldsmith

Brian Whitaker, Contributing Editor

A moment of light relief in the weird world of conspiracy theorists. Paul McKeigue is a university professor who denies the Assad regime’s chemical attacks in Syria and claims that those who died in them were executed by rebel fighters in a gas chamber. He got the gas chamber idea from an American who had a dream about it after eating anchovy pizza shortly before going to bed. McKeigue considers himself a smart guy, so when a mysterious emailer contacted him using the name “Ivan,” he assumed “Ivan” was working for Russian intelligence and began passing him information – mainly about people who disagreed with his conspiracy theories. But “Ivan” was neither Russian nor an intelligence agent – the professor had been caught in a sting.

An Elegy for Afghanistan, by Habib Zahori

Lydia Wilson, Contributing Editor

The piece is everything I want an essay to be: personal, informative and visceral, communicating a raw experience while simultaneously expressing far bigger themes about humanity and war. We published it at a time when all eyes were on Afghanistan, after the Taliban took control once coalition forces had withdrawn. For me it’s pieces like this that really cut through the immense amount that was being published at that time on this subject; it was so well written and based on so much personal and intimate knowledge. And his love for Afghanistan – and the heartbreak of that love — came through powerfully.

In Search of African Arabic, by Vaughn Rasberry

Faisal Al Yafai, Executive Editor

It was always going to be difficult to choose one essay over the others, and many of the choices of the team could easily have been my first picks. But Vaughn Rasberry’s essay on the influence of the Arabic language in Africa stands out for me because it explores such a rarely considered subject.

Rasberry believes, as I do, that African histories cannot be told without understanding the role of Arabic in shaping the political, social and literary environments of many of the countries and civilisations of the continent. The flip side is also true: that the Arab world cannot understand itself without reference to the African continent.

As Rasberry points out, there is a vast corpus of literature in African countries written in Arabic, much of it under-explored – some, no doubt, still undiscovered. Hidden histories of the African continent and the Arab world are in those texts, waiting to be sought out. Without it, both regions will only know half of their own stories.

How the Cultures of Trinidad Transformed an Islamic Festival

On the ground in gaza — with arwa damon, poland’s allure for tajikistan’s exiles, against tyranny: two stories told in pictures warn us to fight on, looking for the roots of today’s germany, ‘four daughters’ breaks the mold to give an honest picture of a mother’s loss, sign up to our newsletter.

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10 Successful Harvard Application Essays | 2022

With the top applicants from every high school applying to the best schools in the country, it's important to have an edge in your college application. Check out our updated list of 10 Harvard application essays below from students who made it in, and hear from expert college consultants about what made these work.

Sophia's Essay

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Successful Harvard Essay - “Black Eyeliner Does Not Make You a Nonconformist”

Several years ago, my mother told me I listen to “white people music.” And I suppose that’s true—rock 'n' roll tends to spring from the middle-class basements of young, white men. Though I did point out that its origins trace back to jazz musicians of the Harlem Renaissance. Also that one of the greatest guitarists of all time—dear Mr.Hendrix; may he rest in peace—was black.

My devotion to punk rock began in seventh grade, when Green Day’s “Boulevard of Broken Dreams” came up on my iTunes shuffle. I started to look into their other releases, eventually immersing myself into the complete punk discography. My mother, having grown up in a racially segregated New York, was more likely to listen to Stevie Wonder than Stevie Nicks.

But, she must have figured, to each her own. So while my compatriots indulged in the music of Taylor Swift, One Direction, and Lady Gaga, my tacky Hot Topic headphones blasted Green Day, Ramones, and The Clash. My young adolescent ears drank in the raw, chaotic beauty, an echo of the pain of the past. The thrashing, pulsating vitality of the instruments painted a picture, connecting me to the disillusioned kids who launched an epic movement of liberation some 40 years ago.

Punkers question authority. Aggressively contrarian, they advocate for the other side—the side that seemed smothered silent during the post-Vietnam era. They rejected the established norms. They spoke out and weren’t afraid.

I had always felt different from my peers. In my girls’s prep school, the goal was to be blond and good at soccer. I was neither, which automatically deemed me “uncool”. I had a few close friends but never felt like I was part of a whole.

Then came the punk philosophy, for the outliers, for those who were different. That was something I could be part of.

Instead of trying to conform to my peers, I adopted an anti-conformist attitude. Much like the prematurely gray anti-hero of my favorite book, I sneered at all the “phonies” around me. I resented anything popular. Uggs? Wouldn’t buy them. Yoga pants? Never. Starbucks?Well, I could make a few concessions.

But I felt more cynical than liberated. I wasted so much energy on being different than I lost track of what actually made me happy. I insisted I didn’t care what people thought of me, which was true. Yet if I based my actions almost solely on their behavior, how could I deny their influence?

Luckily, as I transitioned from a private school to a brand new public high school, I got to clean the slate. I bought yoga pants and found they were comfortable. I listened to a wide variety of music, even the eh kind that wasn’t 100% hardcore punk. And I was happier.

I revised my punk philosophy: Do as you like—whether it fits into the “system” or not.

The Beatles’s “Revolution” lyrics sum it up well:

You tell me it’s the institution

Well, you know

You’d better free your mind instead

What I think Lennon was getting at is questioning everything does not entail opposing everything.

What I think Lennon was getting at is questioning everything does not entail opposing everything. Defiance for the sake of defiance is unproductive at best, destructive at worst. I believe in life’s greater Truths, like Love and Justice. These Truths are what should govern my actions—not what’s popular and what isn’t. Striving to act on these ideals has helped me stay true to myself, regardless of what’s considered “conformist."

Perhaps I’ve failed the punk movement. We’ll have to wait and see. In the meantime, I’ll do what makes me happy and change what doesn’t. I’ll wear Doc Martens instead of Uggs; I’ll partake in a grande pumpkin spice latte; I’ll watch Gossip Girl; I’ll blare my favorite guitar solo over the speakers in my room.

And that’s as punk as it gets.

Professional Review by The Art of Applying

From the snarky title and fiery opening, I was immediately drawn in. I and many people on our team at The Art of Applying® grew up as one of the few students of color in our honors classes, being told we liked “white people things.”

When you write about very specific personal experiences you’ve had, you can strike an emotional chord and connection with people who have similar experiences, and you can simultaneously intrigue people who have had vastly different experiences.

The student’s response to her mother’s assertion and the level of knowledge the student demonstrates about punk rock’s origins and political context show that she doesn’t just enjoy punk music passively as a fan; she was curious enough to research and learn about its historical roots, and confident enough to offer a contradictory viewpoint about what punk music is and who it is and isn’t for.

I enjoyed reading the journey of how the student’s interest in punk rock blossomed from an interest into a passion and eventually an identity. Don’t just tell us the beginning and the end of a personal growth journey; show us the messy middle too.

The student concisely depicts a vivid image of her outsider status in her private school without villainizing the other students. She also uses humor and wordplay well when she makes a concession for enjoying Starbucks.

A turning point in the essay comes when the student starts questioning whether her staunchly nonconformist identity is serving her. This shows an even deeper level of self reflection and personal growth.

While including quotes and lyrics in your essay can divert attention from your own words to a famous person’s, the student effectively uses the lyrics as a launching point for further reflection.

It ends in the same confident, energetic voice I grew to love throughout the piece, and the final sentences read like a glorious mic drop.

The conclusion is strong in that we see a person who has embraced all sides of herself rather than stubbornly clinging to a rigid image of nonconformity.

This essay is an excellent example to learn from if you want to write about how one of your passions spurred personal growth, struggles with fitting in, changing your mind about who you are, and/or getting clear on your values.

Taras' Essay

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Successful Harvard Essay: More Boluses to Dissect

Finally, I had found a volunteer opportunity at the Long Marine Lab, a marine biology research facility at UC Santa Cruz! I envisioned swimming with dolphins, or perhaps studying behavioral patterns of decorator crabs. But when I discovered the nature of my work on the first day of volunteering, my excitement turned to disappointment: I’d be picking through albatross boluses, the indigestible materials they cough up before going to sea. Sure enough, after three hours of separating fishing line from brown muck, I began to dread what I was in for. At that point, I had no clue of just how interesting the opportunity would turn out to be, and it would remind me of how easily I become engrossed and fascinated by all sorts of random stuff.

It didn't take long for my boredom with the boluses to shift toward curiosity.

It didn’t take long for my boredom with the boluses to shift toward curiosity. In the first place, the project itself was fascinating. The idea was to research the behavior and diet of albatrosses at sea. These birds can fly for months without touching land! When the birds have chicks, they cough up whatever they’ve eaten at sea to feed their young. When the chicks become old enough to fly, they cough up the hard, indigestible materials left in their stomachs. These boluses contain squid beaks that can reveal the types of squid eaten and the area where the squid were caught. We volunteers would pick through the boluses, separating out anything that looked interesting.

As I got better at dissecting these blobs, I started finding crazy stuff, and my colleagues and I would often discuss important findings. There was, of course, the search for the biggest squid beak, and the fish eyes were always interesting. But most shocking was the plastic. Beyond the normal Styrofoam and fishing line were plastic bottle caps, lighters, even toothbrushes. Occasionally, Asian writing revealed distant origins. Once, I picked through a bolus permeated with orange goo, eventually to discover the round mouthpiece of a balloon. The origins of these artifacts were sad, but also fascinating. I learned of the Texas-sized trash heap in the middle of the Pacific, the effects of which I was witnessing firsthand. I gained a heightened awareness of the damage inflicted on the oceans by humans, and their far-reaching impacts. Perhaps most importantly, I realized that even the most tedious things can blow my mind.

If dissecting boluses can be so interesting, imagine the things I’ve yet to discover! I play piano and can see myself dedicating my life to the instrument, but I can’t bear to think of everything else I’d have to miss. I’d love to study albatrosses, but also particle physics or history, and preferably all three. At this point in my life, I can’t imagine picking just one area. At the same time, though, I love studying subjects in depth. I tend to get overwhelmed by my options, since I can’t possibly choose them all. But at least I know I’ll never be bored in life: there are just too many subjects to learn about, books to read, pieces to play, albatrosses to save, and boluses to dissect.

Professional Review by Prep Expert (Akbar Rahel)

While many applicants write essays full of detail and superlatives, emotional honesty is a critical component of a great essay.

What immediately distinguishes the first paragraph of the essay is the emotional honesty: Taras admits how “excitement turned to disappointment” and how he “had no clue” about how the opportunity would turn out. Too often, applicants fail to recognize that admissions officers are just normal people reading essays—people who also experience a range of emotions such as disappointment and confusion. While many applicants write essays full of detail and superlatives, emotional honesty is a critical component of a great essay.

Moreover, on a simple, albeit important level, he situates readers in the very first sentence by mentioning that his research was a volunteer opportunity at Long Marine Lab. Too many applicants attempt to keep a reader in suspense when, in fact, it is always better to provide context for an experience. Admissions officers don’t want to feel like they are deciphering the seemingly mundane who, what, when, and where. Nobody has time to untangle an essay.

Moving on, Taras succeeds in clearly demonstrating a sincere passion for his research by sharing interesting details of his work, such as understanding boluses. Whether writing about birds, Model UN, or any other possible topic, details are what help applicants show the admissions committees a level of intellectual vitality.

While an overall vibrant essay that captures a reader’s attention because of the unique topic, some aspects could have been improved. For example, exclamation points may come across as contrived enthusiasm to many readers—and strip away some of the decorum of an essay. Moreover, in the last paragraph, Taras mentions particle physics and history as possible interests, which did not align with the essay (and could have hurt chances for admissions in the final “shaping” of an incoming class).

Yukta's Essay

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Successful Harvard Essay: Yukta

Garishly lined with a pearlescent lavender, my eyes idly scanned the haphazard desk in front of me, settling on a small kohl. I packed the ebony powder into my waterline with a shaky hand, wincing at the fine specks making their way into my eyes.

The palette's colors bore in, the breadth of my imagination interwoven into now-brittle brushes.

The girl in the mirror seemed sharper, older, somehow. At only 12, I was relatively new to the powders and blushes that lined my birthday makeup kit, but I was determined to decipher the deep splashes of color that had for so long been an enigma to me.

After school involved self-inflicted solitary confinement, as I shut myself in my bedroom to hone my skills. The palette’s colors bore in, the breadth of my imagination interwoven into now-brittle brushes. Much to my chagrin, my mom walked in one day, amused at my smudged lipstick, which congealed on the wispy hairs that lined my upper lip.

“Halloween already?” she asked playfully.

I flushed in embarrassment as she got to work, smoothing my skin with a brush and filling the gaps in my squiggly liner. Becoming a makeup aficionado was going to take some help.

“What’s this even made of?” I asked, transfixed by the bright powder she was smattering on my cheeks.

“You know, I’m not sure,” she murmured. “Maybe you should find out.”

Hours down the internet rabbit hole, I learned that the shimmery powder was made of mica, a mineral commonly used in cosmetics. While the substance was dazzling, its production process was steeped in humanitarian violations and environmental damage. Determined to reconcile my burgeoning love for makeup with my core values, I flung the kit into the corner of my drawer, vowing to find a more sustainable alternative. Yes, I was every bit as dramatic as you imagine it.

Now 17, I approach ethical makeup with assured deliberation. As I glance at my dusty kit, which still sits where I left it, I harken back on the journey it has taken me on. Without the reckoning that it spurred, makeup would still simply be a tool of physical transformation, rather than a catalyst of personal growth.

Now, each swipe of eyeliner is a stroke of my pen across paper as I write a children’s book about conscious consumerism. My flitting fingers programmatically place sparkles, mattes, and tints across my face in the same way that they feverishly move across a keyboard, watching algorithms and graphs integrate into models of supply chain transparency. Makeup has taught me to be unflinching, both in self expression and my expectations for the future. I coat my lips with a bold sheen, preparing them to form words of unequivocal urgency at global conferences and casual discussions. I see my passion take flight, emboldening others to approach their own reckonings, uncomfortable as they may be. I embark on a two-year journey of not buying new clothes in a statement against mass consumption and rally youth into a unified organization. We stand together, picking at the gritty knots of makeup, corporate accountability, and sustainability as they slowly unravel.

Deep rooted journeys of triumph and tribulation are plastered across the surface of my skin — this paradox excites me.

I’m not sure why makeup transfixes me. Perhaps it’s because I enjoy seeing my reveries take shape. Yukta, the wannabe Wicked Witch of the West, has lids coated with emerald luster and lips of coal. Yukta, the Indian classical dancer, wields thick eyeliner and bright crimson lipstick that allow her expressions to be amplified across a stage. Deep rooted journeys of triumph and tribulation are plastered across the surface of my skin — this paradox excites me.

Perhaps I am also drawn to makeup because as I peel back the layers, I am still wholly me. I am still the young girl staring wide-eyed at her reflection, earnestly questioning in an attempt to learn more about the world. Most importantly, I still carry an unflagging vigor to coalesce creativity and activism into palpable change, one brushstroke at a time.

Professional Review by Prepory

This student takes a household item as common as makeup to build a narrative that is as universally accessible as it is unique. This object is inflected with facets of both her personal and cultural identity that give the reader immediate contact with the student’s personality. She takes us on a sweeping journey through her investigation of the world around her, and embarks on a coming-of-age story without losing sight of the essay’s main topic. This student strikes a balance between the narrative and creative writing elements that are integral to successful personal statements. The writer gives us glimpses of insight into her personal development across multiple years, using makeup as a medium for self-reflection and discovery. She masterfully leverages the colors and elements of her makeup collection to craft vivid descriptions, situating imagery as the cornerstone of this essay’s approach and success. She takes up an object so easily tied to consumerism and superficiality and uses it to champion the societal and ethical battles for which she advocates.

We also see that the writer of this essay has a clearly defined voice. While many students struggle with the temptation to elevate their writing through ornamentation, this writer is able to maneuver a vibrant writing style that remains engaging, rhythmic and measured. Through each moment of this essay, we learn what the author cares about: conscious consumerism, creativity, and activism; we also learn how she thinks: curiosily, selflessly, and with feminist undertones. The opening sentences of this essay employ a successful strategy for personal statement writing, rich with adjectives detailing a small scene, that is expanded upon to make a larger commentary about the author and where she stands in society. Last, the student’s essay compliments her larger admissions profile in which the reader learns about years of advocacy, sustainable practices, and intentions to positively impact her community.

Eda's Essay

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Successful Harvard Essay: Homeless for Thirteen Years

I sat on my parents’ bed weeping with my head resting on my knees. “Why did you have to do that to me? Why did you have to show me the house and then take it away from me?” Hopelessly, I found myself praying to God realizing it was my last resort.

For years, my family and I found ourselves moving from country to country in hopes of a better future. Factors, such as war and lack of academic opportunities, led my parents to pack their bags and embark on a new journey for our family around the world. Our arduous journey first began in Kuçovë, Albania, then Athens, Greece, and then eventually, Boston, Massachusetts. Throughout those years, although my family always had a roof over our heads, I never had a place I could call “home.”

Instantly, I knew that it was fate that was bringing this house to me.

That night that I prayed to God, my mind raced back to the night I was clicking the delete button on my e-mails, but suddenly stopped when I came upon a listing of the house. It was September 22, 2007 —eight years exactly to the day that my family and I had moved to the United States. Instantly, I knew that it was fate that was bringing this house to me. I remembered visiting that yellow house the next day with my parents and falling in love with it. However, I also remembered the heartbreaking phone call I received later on that week saying that the owners had chosen another family’s offer.

A week after I had prayed to God, I had given up any hopes of my family buying the house. One day after school, I unlocked the door to our one-bedroom apartment and walked over to the telephone only to see it flashing a red light. I clicked PLAY and unexpectedly heard the voice of our real estate agent. “Eda!” she said joyfully. “The deal fell through with the other family—the house is yours! Call me back immediately to get started on the papers.” For a moment, I stood agape and kept replaying the words in my head. Was this really happening to me? Was my dream of owning a home finally coming true?

Over the month of November, I spent my days going to school and immediately rushing home to make phone calls. Although my parents were not fluent enough in English to communicate with the bank and real estate agent, I knew that I was not going to allow this obstacle to hinder my dream of helping to purchase a home for my family. Thus, unlike a typical thirteen-year-old girl’s conversations, my phone calls did not involve the mention of makeup, shoes, or boys. Instead, my conversations were composed of terms, such as “fixed-rate mortgages,” “preapprovals,” and “down payments.” Nevertheless, I was determined to help purchase this home after thirteen years of feeling embarrassed from living in a one-bedroom apartment. No longer was I going to experience feelings of humiliation from not being able to host sleepovers with my friends or from not being able to gossip with girls in school about who had the prettiest room color.

I had been homeless for the first thirteen years of my life. Although I will never be able to fully repay my parents for all of their sacrifices, the least I could do was to help find them a home that they could call their own—and that year, I did. To me, a home means more than the general conception of “four walls and a roof.” A home is a place filled with memories and laughter from my family. No matter where my future may lead me, I know that if at times I feel alone, I will always have a yellow home with my family inside waiting for me.

Professional Review by Potomac Admissions

Honest. Heartbreaking. Powerful.

Those were the first three words that came to mind after reading Eda’s essay.

By being so honest, Eda showcases her genuine growth and maturity over time.

What we love about Eda’s essay is its refreshing vulnerability. Too many college essays are “too” picture-perfect. Eda doesn’t censor the truth, even if admitting her inner thoughts may potentially paint her in a negative light. For example, she starts the entire essay with a scene of her weeping on her parents’ bed, blaming them for her misfortune. By being so honest, Eda showcases her genuine growth and maturity over time.

Her personal voice is also strong throughout the essay. When she talks about falling in love with “that yellow house,” an image of said house is automatically conjured up in our minds. When she speaks of the heartbreak she experienced upon learning “that yellow house” was sold to another family, we felt pain in our hearts too. Her deliberate choice to “PLAY” the voicemail she received for us and include her subsequent internal thoughts further pulls us into reliving her journey with her.

Yet, she goes beyond merely telling us of her journey. She highlights just how atypical her journey has been. Instead of enjoying phone conversations about makeup or shoes, she is talking to agents about fix-rate mortgages and down payments… all at the age of 13. Though she does not explicitly state this (she doesn’t need to): it is clear that Eda has had to grow up fast, becoming a stronger individual as a result.

Her understanding of the word “home” evolves from a physical roof over her head to a more abstract one. Home is wherever her “memories and laughter” exist. In the end, she comes to terms with the sacrifices her parents have made. Learning to be proud of her upbringing showcases Eda’s evolution.

Eda is someone who will overcome whatever challenges thrown her way, making her a strong college applicant.

Lisa's Essay

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Successful Harvard Essay: Playing it Dangerous

In hazy stillness, a sudden flurry of colored skirts, whispers of “Merde!” Sternly, my fingers smooth back my hair, although they know no loose strands will be found. My skin absorbs heat from stage lights above—if only that heat would seep into my brain, denature some proteins, and deactivate the neurons stressing me out. A warm hand, accompanied by an even warmer smile, interrupts my frenzied solitude. I glance up. My lovely teacher nods, coaxing my frozen lips into a thawed smile. A complex figure, filled in with doubt, yet finished with shades of confidence: My body takes its place and waits.

One, two, three, four; two, two, three, four. On stage, the lights and music wash over me. Never having had a true ballet solo before, my lungs are one breath away from hyperventilating. Trying to achieve a Zen-like state, I imagine a field of daisies, yet my palms continue sweating disobediently. It’s not that I’ve never been on stage alone before; I’ve had plenty of piano recitals and competitions. Yet, while both performances consume my mind and soul, ballet demands complete commitment of my body.

I've had plenty of piano recitals and competitions. Yet, while both performances consume my mind and soul, ballet demands complete commitment of my body.

Gently slide into arabesque and lean downward; try not to fall flat on face—Mom’s videotaping. In terms of mentality, I would hardly be described as an introvert; yet, a fear of failure has still kept me from taking risks. Maybe I was scared of leaping too high, falling too far, and hitting the hard floor. As I moved up in the cutthroat world of dance, this fear only increased; the pressure of greater expectations and the specter of greater embarrassment had held me contained. Now, every single eyeball is on me.

Lean extra in this pirouette; it’s more aesthetic. But is it always better to be safe than sorry? Glancing toward the wings, I see my teacher’s wild gesticulations: Stretch your arms out, she seems to mime, More! A genuine smile replaces one of forced enthusiasm; alone on the stage, this is my chance to shine. I breathe in the movements, forget each individual step. More than just imagining, but finally experiencing the jubilation of the music, I allow my splits to stretch across the stage and my steps to extend longer and longer, until I’m no longer safe and my heart is racing. Exhilarated and scared in the best way, I throw myself into my jumps. I no longer need to imagine scenes to get in the mood; the emotions are twirling and leaping within me.

Reaching, stretching, grabbing, flinging ... My fear no longer shields me. I find my old passion for ballet, and remember the grace and poise that can nevertheless convey every color of emotion. Playing it safe will leave me part of the backdrop; only by taking risks can I step into the limelight. Maybe I’ll fall, but the rush is worth it. I’ll captain an all-male science bowl team, run a marathon, audition for a musical, and embrace the physical and intellectual elation of taking risks.

Professional Review by MR. MBA®, Val Misra

Lisa creates a winning essay by successfully invoking real emotions in the reader through her creative, descriptive prose that conveys vivid imagery, heartfelt feelings, and wholesome introspection. I instantly likened Lisa’s allegory to a bird trapped in a closed cage; the cage serves as a metaphor for what we all face in our lives, our fears. Lisa’s first ballet solo is brilliantly illustrated as her ‘Aha! moment’ where she sheds her fears (opens her cage) and, with careful self-reflection, chooses to embrace future risks (flies only forward).

In paragraphs 1-3, Lisa captivates us instantly through her beautiful, rich language and imagery, as she portrays herself immobilized by stress and a fear of failure and family/public opinion. I empathize and want to learn more! Her warm humor shines perfectly: wanting to deactivate her brain neurons and reminding herself not to fall face-first lest she gets scolded by her mother/family - wonderfully done! Lisa uses her “lovely teacher” as her grounding, comfort zone and supporter, a theme many can share. Her anxiety is relatable, and she uses this to explicate her general risk averse nature.

In paragraphs 4-5, Lisa’s solo is radiantly depicted as her defining moment where she dances and realizes her transformation- fears turn to passion and excitement. She is poetry in motion in the moment, smiling, shedding her fears, and embracing risk like a warm glass of milk. A poignant question is posed, “But is it always better to be safe than sorry?” Through introspection, Lisa expresses her desire to pursue risks that will advance her personally. Acknowledging she may not always succeed, “the rush is worth it”. Lisa ends with concrete examples of leadership roles and activities that she will pursue at college- admissions officers favorably view students eager to step outside their comfort zones and embark on new adventures/challenges at college. To make this essay stronger, Lisa could have highlighted precisely how she will tackle any fears that may crop up during new obstacles at college, tying to lessons learned through her ballet.

Superbly written in a distinct narrative form, this essay crafts an experience that is vibrant, funny, deep, and relatable.

Superbly written in a distinct narrative form, this essay crafts an experience that is vibrant, funny, deep, and relatable. Lisa’s brand values seamlessly flow throughout the essay: creativity, determination, overcoming obstacles, self-reflection, growth through risk and, of course, passion! We are left with a glowing lesson in motivation in the hope of ridding oneself of such negative feelings to go on and achieve greater things - ‘playing it dangerous’.

Michelle C.'s Essay

At KEY we take a long-term, strategic approach centered on each individual student’s best interests. Working with our college-bound students beginning in Grade 8, we guide them in establishing a strong foundation of academics to build their unique profiles of co-curricular and extracurricular activities, academic direction, and professional skills. We aspire to give each of our students the best opportunity to thrive within their current education environmentand beyond. For a free consultation about our services and more, please visit: https://www.keyeducation.com/university .

Successful Harvard Essay

“You should scrub off the top layer of your skin whenever you lose a round,” my debate teammate once advised me.

“That’s not practical,” I replied.

“Neither is your refusal to wear clothes you’ve lost important debate rounds in. Your wardrobe has very little to do with your success.”

Half of me disagrees with him. I still bring three BIC Round Stic pencils with 0.7 lead to every test because my gut tells me this fastidious procedure raises my scores. I’m still convinced that labs receive better grades if written in Calibri. And I still won’t rewear clothes in which I’ve lost crucial rounds.

Yet the other half of me is equally dismissive of my own superstitions. I love logic, never failing to check that steps in a proof lead to a precise conclusion without gaps in reasoning.

Fortunately, I often abandon my penchant for pragmatism to accommodate for my unwarranted superstitions. And since I only feel the need to act logicalcally in selective situations, I am perfectly content with the illogical nature of my other habits:

Raised with my great-grandmother, grandparents, and parents all under one roof, I never lacked a consultant to help me transcribe Korean holiday dates from the lunar calendar onto my schedule. Yet whenever all four generations of my family celebrates with a traditional meal of bulgogi, my untraceable and admittedly nonexistent Italian blood flares in protest; I rebelliously cook myself linguine con le vongole that clashes terribly with my mom’s pungent kimchi.

If I plot a graph of “hours I spend in physical activity” versus “week of the year,” the result looks like an irregular cardiac cycle. The upsurges symbolize my battles with colossal walls of water in hopes of catching a smooth surf back to Mission Bay shore. The ensuing period of rest mirrors the hours I spend researching in that one spot in my debate team’s war room that isn’t covered in papers (yet), or at the piano sight-reading the newest Adele song. Then the diastolic tranquility is interrupted by the weekends when I’m sprinting through trenches to avoid paintballs swarming above my favorite arena at Paintball USA.

I find comfort in the familiar. I treasure the regular midnight chats with my brother as we indulge in batter while baking cupcakes for a friend's birthday, keeping our voices hushed

I find comfort in the familiar. I treasure the regular midnight chats with my brother as we indulge in batter while baking cupcakes for a friend’s birthday, keeping our voices hushed to avoid waking our mom and facing her “salmonella is in your near future” lecture. Yet, some of my fondest memories involve talking to people with whom I share nothing in common. Whether my conversations are about the Qatari coach’s research on Kuwait’s female voting patterns, or about the infinite differences between the “common app” and the Oxford interviewing process, or even about my friend’s Swedish school’s peculiar policy of mandating uniforms only on Wednesdays, I love comparing cultures with debaters from different countries.

My behavior is unpredictable. Yet it’s predictably unpredictable. Sure, I’ll never eat a Korean dinner like one might expect. But I’ll always be cooking linguine the moment I catch a whiff of kimchi.

Professional Review by Key Education (Bryan)

Most often, it is the down-to-earth topics that make for the most successful Common App essays. My students have written on subjects as mundane as cleaning, loading the dishwasher, eraser shavings, finding a piece of driftwood, or looking after not one, but two Shiba Inus. And so, it was a delight to read Michelle Choi’s essay. Choi took an idea that the rest of us probably give very little thought to – superstitions – and effectively used it as a focusing lens to explore different parts of her life.

By drawing these connections between seemingly unrelated and different aspects of her life, Choi demonstrated her ability to introspect while giving the reader a richer picture of who she is. Choi is not just another high achiever. Her superstitions – and that ever-present struggle between being logical and superstitious – is what makes her appealing. One can’t help but to like her. As I often remind my students, quirky is cool.

These various connections give the reader insight into what drives Choi as someone who is profoundly curious and quirky, someone who takes a different approach to things.

With Choi’s hook, the reader’s attention is immediately captured. One could be forgiven for probably cringing a little at the thought of scrubbing off a layer of one’s own skin. And besides that, what was Choi even going on about? Her opening compels the reader to want to keep on reading. Very early on in her essay, we know that debating is a core part of her identity. As she guides the reader through the rest of her essay, she skillfully connects her superstitions to other important aspects of her life, including her cultural heritage, family, surfing, music, paintball, baking, conversations with random strangers, and examinations of different cultures around the world. These various connections give the reader insight into what drives Choi as someone who is profoundly curious and quirky, someone who takes a different approach to things, whether it be intentionally combining Korean and Italian cuisine (I picture the likes of Gordon Ramsay already shuddering at the clash of flavors) to playing pop on the piano (perhaps a refreshingly different take than Mozart or Beethoven).

If I could offer one suggestion, it would be that after reading Choi’s essay, I was craving a little more. Perhaps she could have expanded slightly: what did she learn from this process of being unconventional? How did it influence the way she saw the world and influenced her actions? And in what ways did she apply this learning? That said, even with her essay, Choi does what many other students don’t with their Common App essay; she takes that a unique approach using a down-to-earth topic as a focusing lens to draw connections to various parts of her life.

Tony's Essay

As an admission essay specialist , Dan Lichterman has been empowering students to find their voice since 2004. He helps students stand out on paper, eliminating the unnecessary so the necessary may speak. Drawing upon his storytelling background, Dan guides applicants to craft authentic essays that leap off the page. He is available for online writing support within the US and internationally. To learn more and schedule a brief complimentary consultation visit danlichterman.com.

Successful Harvard Essay: Beauty in Complexity

Gazing up at the starry sky, I see Cygnus, Hercules, and Pisces, remnants of past cultures. I listen to waves crash on the beach, the forces of nature at work. Isn’t it odd how stars are flaming spheres and electrical impulses make beings sentient? The very existence of our world is a wonder; what are the odds that this particular planet developed all the necessary components, parts that all work in unison, to support life? How do they interact? How did they come to be? I thought back to how my previously simplistic mind-set evolved this past year.

The very existence of our world is a wonder; what are the odds that this particular planet developed all the necessary components, parts that all work in unison, to support life?

At Balboa, juniors and seniors join one of five small learning communities, which are integrated into the curriculum. Near the end of sophomore year, I ranked my choices: Law Academy first—it seemed the most prestigious—and WALC, the Wilderness Arts and Literacy Collaborative, fourth. So when I was sorted into WALC, I felt disappointed at the inflexibility of my schedule and bitter toward my classes. However, since students are required to wait at least a semester before switching pathways, I stayed in WALC. My experiences that semester began shifting my ambition-oriented paradigm to an interest-oriented one. I didn’t switch out.

Beyond its integrated classes, WALC takes its students on trips to natural areas not only to build community among its students, but also to explore complex natural processes and humanity’s role in them. Piecing these lessons together, I create an image of our universe. I can visualize the carving of glacial valleys, the creation and gradation of mountains by uplift and weathering, and the transportation of nutrients to and from ecosystems by rivers and salmon. I see these forces on the surface of a tiny planet rotating on its axis and orbiting the sun, a gem in this vast universe. Through WALC, I have gained an intimate understanding of natural systems and an addiction to understanding the deep interconnections embedded in our cosmos.

Understanding a system’s complex mechanics not only satisfies my curiosity, but also adds beauty to my world; my understanding of tectonic and gradational forces allows me to appreciate mountains and coastlines beyond aesthetics. By physically going to the place described in WALC’s lessons, I have not only gained the tools to admire these systems, but have also learned to actually appreciate them. This creates a thirst to see more beauty in a world that’s filled with poverty and violence, and a hunger for knowledge to satisfy that thirst. There are so many different systems to examine and dissect—science alone has universal, planetary, molecular, atomic, and subatomic scales to investigate. I hope to be able to find my interests by taking a variety of courses in college, and further humanity’s understanding through research, so that all can derive a deeper appreciation for the complex systems that govern this universe.

Professional Review by Dan Lichterman

Tony’s essay opens with stargazing at the ocean’s edge where we experience his boundless curiosity towards the natural world, sentience, and life itself. This wide-eyed wonderment is rendered artfully, yet what actually enables this essay to succeed is its ability to ponder deep concepts without getting lost in the clouds.

The story itself revolves around an event that seems far removed from the incomprehensibility of the universe: a randomized selection has assigned Tony to study wilderness arts when he preferred the path of law. He is bitter that a decision impacting his studies has been determined by chance. We see vulnerability in his admission that he was beholden to an “ambition oriented paradigm,” rather than studying what interested him most. However, what we discover through the rest of the essay is that Tony’s decision to remain in wilderness arts is one that has transformed him completely, changing his perspective from a “simplistic mindset” to one that is addicted to “understanding the deep interconnections embedded in our cosmos.”

The strength of Tony's language helps us appreciate the breadth and excitement of his unforseen awakening.

The strength of Tony’s language helps us appreciate the breadth and excitement of his unforseen awakening. From visualizing the “carving of glacial valleys” to reveling in the complex mechanics of natural systems, the essay showcases how much more Tony appreciates our world thanks to an event that had once seemed unfairly arbitrary. Observing Tony’s thirst for life’s interconnectedness, we grow confident that his evolving perspective will guide his studies into exciting unexpected realms.

Yueming's Essay

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My Ye-Ye always wears a red baseball cap. I think he likes the vivid color—bright and sanguine, like himself. When Ye-Ye came from China to visit us seven years ago, he brought his red cap with him and every night for six months, it sat on the stairway railing post of my house, waiting to be loyally placed back on Ye-Ye’s head the next morning. He wore the cap everywhere: around the house, where he performed magic tricks with it to make my little brother laugh; to the corner store, where he bought me popsicles before using his hat to wipe the beads of summer sweat off my neck. Today whenever I see a red hat, I think of my Ye-Ye and his baseball cap, and I smile.

Ye-Ye is the Mandarin word for “grandfather.” My Ye-Ye is a simple, ordinary person—not rich, not “successful”—but he is my greatest source of inspiration and I idolize him. Of all the people I know, Ye-Ye has encountered the most hardship and of all the people I know, Ye-Ye is the most joyful. That these two aspects can coexist in one individual is, in my mind, truly remarkable.

Ye-Ye was an orphan. Both his parents died before he was six years old, leaving him and his older brother with no home and no family. When other children gathered to read around stoves at school, Ye-Ye and his brother walked in the bitter cold along railroad tracks, looking for used coal to sell. When other children ran home to loving parents, Ye-Ye and his brother walked along the streets looking for somewhere to sleep. Eight years later, Ye-Ye walked alone—his brother was dead.

Ye-Ye managed to survive, and in the meanwhile taught himself to read, write, and do arithmetic. Life was a blessing, he told those around him with a smile.

Years later, Ye-Ye’s job sent him to the Gobi Desert, where he and his fellow workers labored for twelve hours a day. The desert wind was merciless; it would snatch their tent in the middle of the night and leave them without supply the next morning. Every year, harsh weather took the lives of some fellow workers.

After eight years, Ye-Ye was transferred back to the city where his wife lay sick in bed. At the end of a twelve-hour workday, Ye-Ye took care of his sick wife and three young children. He sat with the children and told them about the wide, starry desert sky and mysterious desert lives. Life was a blessing, he told them with a smile.

But life was not easy; there was barely enough money to keep the family from starving. Yet, my dad and his sisters loved going with Ye-Ye to the market. He would buy them little luxuries that their mother would never indulge them in: a small bag of sunflower seeds for two cents, a candy each for three cents. Luxuries as they were, Ye-Ye bought them without hesitation. Anything that could put a smile on the children’s faces and a skip in their steps was priceless.

He would buy them little luxuries that their mother would never indulge them in: a small bag of sunflower seeds for two cents, a candy each for three cents.

Ye-Ye still goes to the market today. At the age of seventy-eight, he bikes several kilometers each week to buy bags of fresh fruits and vegetables, and then bikes home to share them with his neighbors. He keeps a small patch of strawberries and an apricot tree. When the fruit is ripe, he opens his gate and invites all the children in to pick and eat. He is Ye-Ye to every child in the neighborhood.

I had always thought that I was sensible and self-aware. But nothing has made me stare as hard in the mirror as I did after learning about the cruel past that Ye-Ye had suffered and the cheerful attitude he had kept throughout those years. I thought back to all the times when I had gotten upset. My mom forgot to pick me up from the bus station. My computer crashed the day before an assignment was due. They seemed so trivial and childish, and I felt deeply ashamed of myself.

Now, whenever I encounter an obstacle that seems overwhelming, I think of Ye-Ye; I see him in his red baseball cap, smiling at me. Like a splash of cool water, his smile rouses me from grief, and reminds me how trivial my worries are and how generous life has been. Today I keep a red baseball cap at the railing post at home where Ye-Ye used to put his every night. Whenever I see the cap, I think of my Ye-Ye, smiling in his red baseball cap, and I smile. Yes, Ye-Ye. Life is a blessing.

Professional Review by Crimson Education

Yueming’s essay is the perfect example of an application essay that does exactly what it’s supposed to do: it fills out the picture of who Yueming is and allows the admissions committee to learn things about him that are not contained in the rest of his application. Yueming uses the story of his Ye-Ye’s baseball cap to show the reader what is important to him and to demonstrate key personality traits that he’d contribute to life on campus.

Yueming uses the story of his Ye-Ye's baseball cap to show the reader what is important to him and to demonstrate key personality traits

Even though most of the text is devoted to Ye-Ye’s biography, the essay is not just about him. Ye-Ye’s whole story is a prelude to the final paragraphs, which reveal the most important aspects of Yueming’s personality. Just like in life, our ancestors’ past is a prelude to a future generation’s history, which is still emerging. This subtle parallel, unnoticeable at first glance, allows the reader to understand the profound development of Yueming’s personality and his talent for looking deeper into the essence of things.

Yueming shows his ability to learn from the experience of others, and he highlights his own resilience and the positive mindset he gained from Ye-Ye. These qualities are undoubtedly essential for a future Harvard student and demonstrate his ability to embody “life is a blessing” on campus and beyond.

Charles' Essay

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James was not fitting in with everyone else. During lunch, he sat alone, playing with his own toys. During group activities, the other campers always complained when paired with him. What was wrong? As camp counselor, I quietly observed his behavior—nothing out of the ordinary. I just couldn’t fathom why the other campers treated him like a pariah.

After three days of ostracism, James broke down during a game of soccer. Tears streaming down his cheeks, he slumped off the field, head in his hands. I jogged toward him, my forehead creased with concern. Some campers loudly remarked, “Why is that creep crying?” Furious indignation leaped into my heart. They were the ones who “accidentally” bumped into him and called him “James the Freak.” It was their cruelty that caused his meltdown, and now they were mocking him for it. I sharply told them to keep their thoughts to themselves. I squatted beside James and asked him what was wrong. Grunting, he turned his back to me. I had to stop his tears, and I had to make him feel comfortable. So for the next hour, I talked about everything a seven-year-old boy might find interesting, from sports to Transformers.

I had to stop his tears, and I had to make him feel comfortable. So for the next hour, I talked about everything a seven-year-old boy might find interesting, from sports to Transformers.

“I have a question,” I asked as James began to warm to me. I took a deep breath and dove right into the problem. “Why do the other campers exclude you?” Hesitantly, he took off his shoes and socks, and pointed at his left foot. One, two, three … four. He had four toes. We had gone swimming two days before: All the campers must have noticed. I remembered my childhood, when even the smallest abnormality—a bad haircut, a missing tooth—could cause others, including myself, to shrink away. I finally understood.

But what could I do to help? I scoured my mind for the words to settle his demons. But nothing came to me. Impulsively, I hugged him—a gesture of intimacy we camp leaders were encouraged not to initiate, and an act I later discovered no friend had ever offered James before. Then, I put my hand on his shoulder and looked him straight in the eyes. I assured him that external features didn’t matter, and that as long as he was friendly, people would eventually come around. I listed successful individuals who had not been hindered by their abnormalities. And finally, I told him he would always be my favorite camper, regardless of whether he had two, five, or a hundred toes.

On the last day of camp, I was jubilant—James was starting to fit in. Although the teasing had not completely disappeared, James was speaking up and making friends. And when, as we were saying our good-byes, James gave me one last hug and proclaimed that I was his “bestest friend in the whole wide world,” my heart swelled up. From my campers, I learned that working with children is simply awesome. And from James, I learned that a little love truly goes a long way.

Professional Review by College Confidential

Charles Wong takes the all too common experience of watching someone be excluded and explains how he combats it. In his personal account of being a camp counselor, Charles not only communicates that he cares deeply for others, but also displays his thought process for how he solves problems in general. Instead of just declaring these personal characteristics, he shows them through a personal account. The pointed decision to “show” not “tell” is an excellent essay tactic.

Charles not only communicates that he cares deeply for others, but also displays his thought process for how he solves problems in general.

First, Charles begins with his description of the situation. His tone is casual and straightforward. He incorporates crucial details, but his writing is not superfluous. His essay is concise and easy to follow. While this approach may seem to lack sophistication, it reflects Charle’s raw, real thoughts. The reader can feel his concern; Charles walks us through his genuine dilemma. Additionally, the acts of kindness he describes—the pep talks, the hugs—offer insight into his character. The decision to include these details paint Charles as a kind and bright personality, something of value on any college campus.

Moreover, Charles does more than just describe how he solved this particular problem, but expands it to life in general. He grasps meaning from a seemingly mundane experience and explains how it changed his entire mindset. This ability to consciously grow suggests Charles’s drive to to learn from all life has to offer; he is a student in more than just the classroom.

Sean's Essay

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I have always envied the butterfly.

Its graceful poise as it glides through the air; the blissful flutter of its wings as it courageously embarks upon life’s journeys. Its ambitious and adaptive nature — a change-maker and discoverer, a trendsetter in the animal world, a leader amongst other species. Charles Darwin said, “it is not the strongest of species that survives, nor the most intelligent. It is the one most adaptable to change.” I envy the butterfly’s adaptive approach to change, making them the silent leaders of the animal kingdom.

It was at age nine, on a family trip to the Boston Museum of Science, that I was first drawn to the breathtaking butterfly. As I stepped into the butterfly’s endless capsule of nature, the flamboyant and audacious nature of the butterfly was captivating — their vibrant colors flaunted proud and shame-free, central to their persona but not defining of their personality. Their extraordinary courage in self-expression brought a little boy great inspiration. As someone who has questioned and struggled with my identity and accepting my queerness throughout life, the butterfly exemplified what it meant to be bold, courageous, and proud to a young boy who was lacking in all of those.

The butterfly exemplified what it meant to be bold, courageous, and proud to a young boy who was lacking in all of those.

I vividly recall one butterfly standing out among its comrades. Being an uncreative third-grader, I named my new friend Bloo due to his radiant cerulean shades descending from darkness to light as they progressed from the wing’s base. I watched Bloo soar, using his wings to glide far above the dainty and fragile stereotypes placed on him by society. I admire the profound growth Bloo must have achieved to get here, at one point a timid and powerless inchworm evolved into a carefully-crafted canvas of power. Bloo exemplified the strength and pride that I needed to begin accepting my identity. Looking back on this brief encounter with Bloo, I recall how he taught an insecure child self-acceptance. From here, I began to internalize the butterfly’s power. I began to molt into a new skin with fledgling wings.

As I progressed through life with these newly-discovered wings, I became increasingly drawn to observing butterflies in nature. They have proven much more than just precious gems found amongst clouds or prize trophies for kindergarteners to catch in their nets. The butterfly has shown itself as the hidden alpha of the animal kingdom — a leader and trendsetter amongst organisms both small and large, a fearless change-maker enabling them to outsurvive the rest for the past fifty-six million years.

With the wings and strength of the butterfly latched to my shoulders, I proudly embraced the challenge posed by this delicate yet powerful creature — to be a leader and a change-maker. Recognizing many social injustices in my community, I was inspired by the butterfly to become a voice of change. Driven by the butterfly’s creativity, I developed a social justice discussion program to take place at my high school, and became a local leader and fighter against corrupt politics in the 2020 election cycle. Bloo reminds me that time moves quickly and I must never settle nor lose focus in the crusade for justice. I hope to use this fragile time to advocate for equality in medicine, combining my passion for science with advocacy to leave a lasting legacy.

Today, the lessons taught by the butterfly are never far from my mind, whether I'm sitting in my English classroom discussing Beowulf, dreading the prospect of my upcoming integral exam, or even studying Darwin in Biology.

All these years later, as I ponder my defining characteristics and core values, I recognize that it is my time to become the butterfly — to embody Darwin’s words and face life with the courage to create change as I break free from my cocoon and enter the long-awaited adult world.

Professional Review by HS2 Academy

This piece is quite touching, as it deftly crafts a delicate and nuanced picture of Sean’s lifelong connection with the butterfly. It is playful (“my new friend Bloo”) while also profoundly introspective. It starts out effectively with a thought-provoking hook. After all, how many people would think to envy a butterfly? But the essay quickly picks up pace and shows how the butterfly truly is a perfect symbol for Sean’s own metamorphosis into a true leader and agent of change.

The essay works on so many levels because it utilizes an extended metaphor that aptly describes many parallels with Sean's life.

The essay works on so many levels because it utilizes an extended metaphor that aptly describes many parallels with Sean’s life. Oftentimes, many college essays utilize figurative language, but the connection with the narrative of that student’s life tends to be rather superficial. The idea of a butterfly emerging from a cocoon may seem a bit cliche as an image of a student’s transformation, but Sean’s essay goes deeper, in part because of a parallel with Sean’s own struggles with their queer identity. Phrases like using his wings to “glide far above the dainty and fragile stereotypes placed on him by society” powerfully capture Sean’s own journey from an insecure child to an advocate for social justice and equality in medicine.

We learn that Sean has truly found inspiration in the butterfly, rising above struggles with self-identity to become a principled leader with a genuine desire to fight injustice. The qualities Sean demonstrates—determination over adversity, passion for equality and justice—would be a welcome addition to any college community.

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The Best Reviewed Essay Collections of 2022

Featuring bob dylan, elena ferrante, zora neale hurston, jhumpa lahiri, melissa febos, and more.

We’ve come to the end of another bountiful literary year, and for all of us review rabbits here at Book Marks, that can mean only one thing: basic math, and lots of it.

Yes, using reviews drawn from more than 150 publications, over the next two weeks we’ll be calculating and revealing the most critically-acclaimed books of 2022, in the categories of (deep breath): Fiction ; Nonfiction ; Memoir and Biography ; Sci-Fi, Fantasy, and Horror ; Short Story Collections ; Essay Collections; Poetry; Mystery and Crime ; Graphic Literature ; and Literature in Translation .

Today’s installment: Essay Collections .

Brought to you by Book Marks , Lit Hub’s “Rotten Tomatoes for books.”

1. In the Margins: On the Pleasures of Reading and Writing  by Elena Ferrante (Europa)

12 Rave • 12 Positive • 4 Mixed

“The lucid, well-formed essays that make up In the Margins  are written in an equally captivating voice … Although a slim collection, there is more than enough meat here to nourish both the common reader and the Ferrante aficionado … Every essay here is a blend of deep thought, rigorous analysis and graceful prose. We occasionally get the odd glimpse of the author…but mainly the focus is on the nuts and bolts of writing and Ferrante’s practice of her craft. The essays are at their most rewarding when Ferrante discusses the origins of her books, in particular the celebrated Neapolitan Novels, and the multifaceted heroines that power them … These essays might not bring us any closer to finding out who Ferrante really is. Instead, though, they provide valuable insight into how she developed as a writer and how she works her magic.”

–Malcolm Forbes ( The Star Tribune )

2. Translating Myself and Others by Jhumpa Lahiri (Princeton University Press)

8 Rave • 14 Positive • 1 Mixed

“Lahiri mixes detailed explorations of craft with broader reflections on her own artistic life, as well as the ‘essential aesthetic and political mission’ of translation. She is excellent in all three modes—so excellent, in fact, that I, a translator myself, could barely read this book. I kept putting it aside, compelled by Lahiri’s writing to go sit at my desk and translate … One of Lahiri’s great gifts as an essayist is her ability to braid multiple ways of thinking together, often in startling ways … a reminder, no matter your relationship to translation, of how alive language itself can be. In her essays as in her fiction, Lahiri is a writer of great, quiet elegance; her sentences seem simple even when they’re complex. Their beauty and clarity alone would be enough to wake readers up. ‘Look,’ her essays seem to say: Look how much there is for us to wake up to.”

–Lily Meyer ( NPR )

3. The Philosophy of Modern Song by Bob Dylan (Simon & Schuster)

10 Rave • 15 Positive • 7 Mixed • 4 Pan

“It is filled with songs and hyperbole and views on love and lust even darker than Blood on the Tracks … There are 66 songs discussed here … Only four are by women, which is ridiculous, but he never asked us … Nothing is proved, but everything is experienced—one really weird and brilliant person’s experience, someone who changed the world many times … Part of the pleasure of the book, even exceeding the delectable Chronicles: Volume One , is that you feel liberated from Being Bob Dylan. He’s not telling you what you got wrong about him. The prose is so vivid and fecund, it was useless to underline, because I just would have underlined the whole book. Dylan’s pulpy, noir imagination is not always for the squeamish. If your idea of art is affirmation of acceptable values, Bob Dylan doesn’t need you … The writing here is at turns vivid, hilarious, and will awaken you to songs you thought you knew … The prose brims everywhere you turn. It is almost disturbing. Bob Dylan got his Nobel and all the other accolades, and now he’s doing my job, and he’s so damn good at it.”

–David Yaffe ( AirMail )

4.  Body Work: The Radical Power of Personal Narrative by Melissa Febos (Catapult)

13 Rave • 2 Positive • 2 Mixed Read an excerpt from Body Work here

“In her new book, Body Work: The Radical Power of Personal Narrative , memoirist Melissa Febos handily recuperates the art of writing the self from some of the most common biases against it: that the memoir is a lesser form than the novel. That trauma narratives should somehow be over—we’ve had our fill … Febos rejects these belittlements with eloquence … In its hybridity, this book formalizes one of Febos’s central tenets within it: that there is no disentangling craft from the personal, just as there is no disentangling the personal from the political. It’s a memoir of a life indelibly changed by literary practice and the rigorous integrity demanded of it …

Febos is an essayist of grace and terrific precision, her sentences meticulously sculpted, her paragraphs shapely and compressed … what’s fresh, of course, is Febos herself, remapping this terrain through her context, her life and writing, her unusual combinations of sources (William H. Gass meets Elissa Washuta, for example), her painstaking exactitude and unflappable sureness—and the new readers she will reach with all of this.”

–Megan Milks ( 4Columns )

5. You Don’t Know Us Negroes by Zora Neale Hurston (Amistad)

12 Rave • 3 Positive • 1 Mixed

“… a dazzling collection of her work … You Don’t Know Us Negroes reveals Hurston at the top of her game as an essayist, cultural critic, anthropologist and beat reporter … Hurston is, by turn, provocative, funny, bawdy, informative and outrageous … Hurston will make you laugh but also make you remember the bitter divide in Black America around performance, language, education and class … But the surprising page turner is at the back of the book, a compilation of Hurston’s coverage of the Ruby McCollom murder trial …

Some of Hurston’s writing is sensationalistic, to be sure, but it’s also a riveting take of gender and race relations at the time … Gates and West have put together a comprehensive collection that lets Hurston shine as a writer, a storyteller and an American iconoclast.”

–Lisa Page ( The Washington Post )

6. Strangers to Ourselves: Unsettled Minds and the Stories That Make Us by Rachel Aviv (Farrar, Straus and Giroux)

11 Rave • 4 Positive • 2 Mixed Listen to an interview with Rachel Aviv here

“… written with an astonishing amount of attention and care … Aviv’s triumphs in relating these journeys are many: her unerring narrative instinct, the breadth of context brought to each story, her meticulous reporting. Chief among these is her empathy, which never gives way to pity or sentimentality. She respects her subjects, and so centers their dignity without indulging in the geeky, condescending tone of fascination that can characterize psychologists’ accounts of their patients’ troubles. Though deeply curious about each subject, Aviv doesn’t treat them as anomalous or strange … Aviv’s daunted respect for uncertainty is what makes Strangers to Ourselves distinctive. She is hyperaware of just how sensitive the scale of the self can be.”

–Charlotte Shane ( Bookforum )

7. A Line in the World: A Year on the North Sea Coast by Dorthe Nors (Graywolf)

11 Rave • 1 Positive Read an excerpt from A Line in the World here

“Nors, known primarily as a fiction writer, here embarks on a languorous and evocative tour of her native Denmark … The dramas of the past are evoked not so much through individual characters as through their traces—buildings, ruins, shipwrecks—and this westerly Denmark is less the land of Hans Christian Andersen fairy tales and sleek Georg Jensen designs than a place of ancient landscapes steeped in myth … People aren’t wholly incidental to the narrative. Nors introduces us to a variety of colorful characters, and shares vivid memories of her family’s time in a cabin on the coast south of Thyborøn. But in a way that recalls the work of Barry Lopez, nature is at the heart of this beautiful book, framed in essay-like chapters, superbly translated by Caroline Waight.”

–Claire Messud ( Harper’s )

8. Raising Raffi: The First Five Years by Keith Gessen (Viking)

4 Rave • 10 Positive • 1 Mixed Read an excerpt from Raising Raffi here

“A wise, mild and enviably lucid book about a chaotic scene … Is it OK to out your kid like this? … Still, this memoir will seem like a better idea if, a few decades from now, Raffi is happy and healthy and can read it aloud to his own kids while chuckling at what a little miscreant he was … Gessen is a wily parser of children’s literature … He is just as good on parenting manuals … Raising Raffi offers glimpses of what it’s like to eke out literary lives at the intersection of the Trump and Biden administrations … Needing money for one’s children, throughout history, has made parents do desperate things — even write revealing parenthood memoirs … Gessen’s short book is absorbing not because it delivers answers … It’s absorbing because Gessen is a calm and observant writer…who raises, and struggles with, the right questions about himself and the world.”

–Dwight Garner ( The New York Times )

9. The Crane Wife by CJ Hauser (Doubleday)

8 Rave • 4 Positive • 2 Mixed • 1 Pan Watch an interview with CJ Hauser here

“17 brilliant pieces … This tumbling, in and out of love, structures the collection … Calling Hauser ‘honest’ and ‘vulnerable’ feels inadequate. She embraces and even celebrates her flaws, and she revels in being a provocateur … It is an irony that Hauser, a strong, smart, capable woman, relates to the crane wife’s contortions. She felt helpless in her own romantic relationship. I don’t have one female friend who has not felt some version of this, but putting it into words is risky … this collection is not about neat, happy endings. It’s a constant search for self-discovery … Much has been written on the themes Hauser excavates here, yet her perspective is singular, startlingly so. Many narratives still position finding the perfect match as a measure of whether we’ve led successful lives. The Crane Wife dispenses with that. For that reason, Hauser’s worldview feels fresh and even radical.”

–Hope Reese ( Oprah Daily )

10. How to Read Now by Elaine Castillo (Viking)

8 Rave • 2 Positive • 1 Mixed Read an excerpt from How to Read Now here

“Elaine Castillo’s How to Read Now begins with a section called ‘Author’s Note, or a Virgo Clarifies Things.’ The title is a neat encapsulation of the book’s style: rigorous but still chatty, intellectual but not precious or academic about it … How to Read Now proceeds at a breakneck pace. Each of the book’s eight essays burns bright and hot from start to finish … How to Read Now is not for everybody, but if it is for you, it is clarifying and bracing. Castillo offers a full-throated critique of some of the literary world’s most insipid and self-serving ideas …

So how should we read now? Castillo offers suggestions but no resolution. She is less interested in capital-A Answers…and more excited by the opportunity to restore a multitude of voices and perspectives to the conversation … A book is nothing without a reader; this one is co-created by its recipients, re-created every time the page is turned anew. How to Read Now offers its audience the opportunity to look past the simplicity we’re all too often spoon-fed into order to restore ourselves to chaos and complexity—a way of seeing and reading that demands so much more of us but offers even more in return.”

–Zan Romanoff ( The Los Angeles Times )

Our System:

RAVE = 5 points • POSITIVE = 3 points • MIXED = 1 point • PAN = -5 points

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The Best American Essays 2022 Paperback – November 1, 2022

Purchase options and add-ons.

A collection of the year’s best essays, selected by award-winning writer Alexander Chee.

Alexander Chee, an essayist of “virtuosity and power” ( Washington Post ), selects twenty essays out of thousands that represent the best examples of the form published the previous year.

• Print length 336 pages
• Language English
• Publisher Mariner Books
• Publication date November 1, 2022
• Dimensions 5.5 x 0.75 x 8 inches
• ISBN-10 035865887X
• ISBN-13 978-0358658870
• See all details

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From the Publisher

Editorial Reviews

“ New Yorker  writer Schulz ( Being Wrong ) collects essays that skillfully combine journalistic and literary sensibilities in this powerful addition to the annual anthology series… This is a moving retrospective of a singular year.” — Publishers Weekly on The Best American Essays 2021

“These essays challenge personal and political assumptions and show us life in all its complexities and contradictions. Which in this American moment, and in every other, matters.” — USA Today

“[A] thoughtful entry in the long-running series...The works in this year’s collection are a mix of the disconcerting, the probing, and the self-reflective, and well-suited to challenging times.” — Publishers Weekly

About the Author

ALEXANDER CHEE is the best-selling author of the novels The Queen of the Night and Edinburgh, and the essay collection How to Write an Autobiographical Novel . He is a contributing editor at the New Republic , and an editor at large at Virginia Quarterly Review . His work has appeared in The Best American Essays 2016 , the New York Times Magazine , the New York Times Book Review , the New Yorker , T Magazine,   Slate , Vulture , among others. He is winner of a 2003 Whiting Award, a 2004 NEA Fellowship in prose and a 2010 MCCA Fellowship, and residency fellowships from the MacDowell Colony, the VCCA, Civitella Ranieri and Amtrak. He is an associate professor of English at Dartmouth College.

Product details

• Publisher ‏ : ‎ Mariner Books (November 1, 2022)
• Language ‏ : ‎ English
• Paperback ‏ : ‎ 336 pages
• ISBN-10 ‏ : ‎ 035865887X
• ISBN-13 ‏ : ‎ 978-0358658870
• Item Weight ‏ : ‎ 9.2 ounces
• Dimensions ‏ : ‎ 5.5 x 0.75 x 8 inches
• #111 in American Fiction Anthologies
• #365 in Essays (Books)
• #975 in Writing Reference

About the author

Robert atwan.

Robert Atwan is the founder and series editor of the annual Best American Essays. The editor of numerous anthologies, he has written on the ancient literature of the Near East and his critical essays and poetry reviews have appeared in many national periodicals. Laurance Wieder is the author of several volumes of poetry, including The Coronet of Tours; No Harm Done; The Last Century: Selected Poems; and One Hundred Fifty Psalms, a complete psalter. He has taught Bible and Ancient Authors at Cornell University.

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Longreads : The best longform stories on the web

Best of 2022: Personal Essays

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Today’s list compiles our editors’ picks for personal essays. While our team is small, we have a wide range of interests and are drawn to very different types of personal writing. It’s often hard for each of us to select a single “favorite” for these lists, but we enjoy coming together each December to look back on all the stories we’ve picked to create these year-end lists.

Similar to last year , we asked our writers, featured authors, and readers to share their favorite stories across categories. You’ll see their recommendations alongside ours in this list and others to come this month . Enjoy!

Does My Son Know You?

Jonathan Tjarks | The Ringer | March 3, 2022 | 2,738 words

Jonathan Tjarks was 33 years old when he learned he had cancer. Thirty-three. He had a wife and a baby son and a sportswriting career that was humming along, and then he had cancer. What he didn’t have was the willingness to go gently into that good night. So he wrote about his fear, and he wrote about his faith and his friendships; how difficult those things were, how important they were. He’d lost his own father when he was young, and he wanted more than anything for his son to avoid the slow erosion of community that he had known in the wake of his dad’s death. “I don’t want Jackson to have the same childhood that I did,” he wrote. “I want him to wonder why his dad’s friends always come over and shoot hoops with him. Why they always invite him to their houses. Why there are so many of them at his games. I hope that he gets sick of them.” Jonathan Tjarks was 34 years old when he died of cancer just a few short months after this essay was published. He’d done what he could to fight, and he’d done what he could to make sure that the friends he’d made would help his son navigate the world. To the rest of us, he left this spare, frank, moving essay. — Peter Rubin

On Metaphors and Snow Boots

Annie Sand | Guernica | May 23, 2022 | 2,821 words

“Only sometimes will the ice hold my weight,” writes Annie Sand in this powerful essay at  Guernica , in which she considers the meteorological metaphors she uses to understand and cope with mental illness. “Metaphor rushes in to fill gaps, to make meaning, and to conceal,” she says, as she attempts to assess the cost of a bout of anxiety in “hours of writing lost, hours of grading lost, hours of exercise lost, hours of sleep lost, hours of joy lost.” While metaphor can be a convenient way for us to attempt to understand the pain of others, language in all its power often comes up short, diminishing the complexities of human perception and experience with inadequate comparisons. “When we use metaphor to conceal the unknowable, we make symbols out of human beings and allegory out of experience. We reduce our own pain to a precursor, a line item, a weather report,” she says. The key, Sand suggests, is to define pain and suffering for yourself: “I wonder instead if the answer is not to abstain from metaphor, but rather, each time society tries to wheat-paste an ill-fitting metaphor over our lives, to offer one of our own.” If you’ve ever tried to explain how you really feel — mentally or physically — to someone, you’ll appreciate Sand’s thinking. — Krista Stevens

Annie Sand on the most impactful longform story she read this year:

For me it has to be “ Final Girl, Terrible Place ” by Lesley Finn. She talks about the concept of the final girl in horror: the young woman who makes it to the end of the movie, but is nonetheless objectified within the story. Her body is put on the line so the male psyche can experience threat from a distance. Reading the essay, I felt a flash of desperate recognition I hadn’t experienced since Leslie Jamison’s “ Grand Unified Theory of Female Pain .” Finn captures so much of the uncertainty of being a teenage (and even preteen) girl: the way you feel the noose of culture and power closing in on you but have no name for it. Now in my early 30s, I’m helping to raise a teenage girl who is obsessed with horror, I suspect for similar reasons as Finn. I think she sees herself in the final girl. Maybe over Christmas break we’ll read it together.

20 Days in Mariupol

Mstyslav Chernov | Associated Press | March 21, 2022 | 2,400 words

We tend to think of personal essays as marathons rather than sprints, feats of the written word that require time, training, and endurance to complete. But sometimes a brilliant essay is a mad dash because it has to be. Case in point, this harrowing piece that begins, “The Russians were hunting us down. They had a list of names, including ours, and they were closing in.” Video journalist Mstyslav Chernov’s account of witnessing and escaping the siege of Mariupol, Ukraine, is an essential first draft of history, penned in collaboration with Lori Hinnant, an AP colleague, and punctuated by photographer Evgeniy Maloletka’s chilling images. In spare, unflinching language, Chernov describes Russia’s campaign to suppress the truth about its brutal assault on civilians. What lingers most vividly in my memory, though, are the essay’s interior parts, where Chernov conveys a raw mix of shock, fear, anger, and guilt about what, as a journalist, he saw, did, and couldn’t do. These moments are what make such an otherwise immediate piece timeless: Chernov captures the essence of both conflict reporting and what it means to be the person doing it. — Seyward Darby

To Live in the Ending

Alyssa Harad | Kenyon Review | July 29, 2022 | 6,113 words

When it was time to select an essay for this category, I immediately knew the type of piece I wanted to highlight. Week after week, it’s so easy to get lost in #sadreads, especially about the state of the planet. I’ve found some comfort in writing about the Earth and the climate crisis that, while urgent and often dismal, ultimately challenges me to think in new ways — and which helps me see a path toward a better future. I count Alyssa Harad’s gorgeous braided essay about the end of the world and the language of the apocalypse as one of this kind of piece — I’ve kept thinking about it for months. Instead of relying on catastrophe narratives or thinking of the end as a singular event, Harad considers life as a series of “nested crises,” and explains that “worlds end all the time.” I love the way she artfully weaves her observations about the world with musings that trace her own thinking since she was a child, and reflects on how she’s come to make sense of the uncertain times in which we live. It’s an essay, but it’s also a journey, and it deeply inspired me, as both a writer and a human. — Cheri Lucas Rowlands

Alyssa Harad recommends a piece that made her smile this year:

“ Unconditional Death Is a Good Title ,” a selection in The Paris Review from the pandemic journal kept by the late-but-always-and-forever-great poet Bernadette Mayer, surges with the life and joy typical of Mayer’s work: “not growing old gracefully,” Mayer writes, “i’ve chosen to grow old awkwardly, like a teenager.”

14 Hours in the Queue to See Queen Elizabeth’s Coffin

Laurie Penny | British GQ | September 18, 2022 | 3,415 words

The Queue to see Queen Elizabeth’s coffin seems particularly bizarre now that the moment has passed. Looking back at it is akin to waking up after too many beers and analyzing the deep connection you thought you shared with the bartender. Laurie Penny found it awkward even at the emotional height of the time, and she approaches the Queue with a healthy amount of cynicism (and snacks). However, within the Queue, she finds incredible camaraderie and a shared sense of loss, not just for the Queen, for, as Penny states, “almost everyone I speak to turns out to have recently lost someone, or something important.” The loss from COVID-19 is also apparent as the Queue shuffles past the National COVID Memorial, naming the people who succumbed to the pandemic, and Penny realizes, “about as many people queued past that wall as there are names on it.” The passing of Elizabeth II created something that, for a brief moment, allowed people to come together and mourn and grieve in solidarity. Mourn and grieve for many things after some difficult years. With barriers down — for whatever reason — there can be tremendous release in shared emotion. This essay made me think about many things beyond the Queen: community, loss, and loneliness, to name a few. It also made me laugh, which is the splendid thing about Laurie Penny’s writing — she can make you ponder through a chuckle. — Carolyn Wells

You can also browse all of our year-end collections since 2011  in one place .

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The Best American Essays 2022

A collection of the year’s best essays, selected by award-winning writer Alexander Chee.

Alexander Chee, a “master artist” (Maris Kreizman, host of The Maris Review) of the personal essay, selects twenty essays out of thousands that represent the best examples of the form published the previous year.

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How to Write the University of Chicago Essays 2022-2023

UChicago is a rigorous, top-tier research university located in beautiful Hyde Park, Chicago. It’s famed for its outstanding academic programs, neo-gothic architecture, and prestigious school of economics. If you’re interested in delving deep into theory, bookishness, and the most hardcore of academic materials, UChicago might be just right for you. 

You can complete your UChicago application through the Coalition Application or Common Application. The essay questions for this season are on the UChicago website , and listed below. The first question, which boils down to “Why UChicago?,” is required yearly. The second question, a one-to-two page essay, is also required, but applicants can choose from a menagerie of exciting prompts that offer boundless opportunities for creativity and reflection. 

Read this UChicago essay example to inspire your writing and watch our video where we interviewed UChicago students about their essay topics.

Before You Begin Writing  

The University of Chicago’s prompts are famous (infamous? both?) for being different, quirky, and sometimes downright weird. Have you ever seen the word cheese or pie in a college essay prompt before? I’m guessing not. But don’t get discouraged or overwhelmed—the weirdness of the UChicago prompts makes them ripe with opportunity to explore your passions, interests, and personal oddities. 

You know that subject you avoid in casual conversation, because it turns you into a gushing ball of enthusiasm that could talk for hours ? UChicago wants to hear about it. Whether it’s feminist literature of Southeast Asia, modern perception of African art, or your job at Colonial Williamsburg, UChicago has happily passed you the mic. 

While your creative opportunity has few bounds, there are some key strategies to conquering the UChicago essays. Keep this checklist of things in mind as you write: 

Unconventional topics often require unconventional styles. 

UChicago essays should definitely be viewed as a piece of creative writing, rather than a dry analysis. When you are in college, you will be asked to write thesis-driven essays, but that’s not what the UChicago essays are asking for. You need to have a clear focus, but you should be comfortable disrupting the familiar rhythms of essay prose. This can mean vivid (and I mean vivid ) imagery, addressing the reader directly, sentence fragments, CAPS, lists, and anything else! Toss in some wild jargon from your field, phrases from another language, anything you’ve got—as long as you explain them. You should try to be imaginative, engaging, and colorful while maintaining an authentic voice and staying focused with your subject matter.

Communicate who you are as an academic.

The point of your essay is still to tell admissions officers about yourself. Give them an image of how you will perform in and contribute to an academic environment. You can’t just gush about your topic—you have to prove that you can engage with it at a highly intellectual level. Explain research protocol, cite specific books you’ve read, mention your AP and IB classes, or give examples of how you’ve collaborated with others to produce results. 

UChicago admissions don’t want a student who says “I love physics”; they want a student who says “I love physics so much that I stayed up until 4 am reading Cosmos by Carl Sagan, and I use meatballs to diagram the moons of Jupiter to my friends, and I took Calc III because I plan on studying mechanical engineering with a focus on aerospace materials.” Be detailed about your studies; be explicit in your interests. 

Marry yourself to your topic.

Be sure to include the first person; you are the main character here, not whatever subject you’re writing about. The subject is an avenue to tell admissions officers about you. You aren’t trying to get your latest film, your famous lasagna, or your community service project into the university— you are trying to get in . Don’t be afraid to center yourself. How do these objects from your past illuminate facets of your personality? What do your interests say about you ?

And, as always, answer the prompt!

Print out the prompt, circle key words, hang it on your mirror. Read it, then read it again, and again . Sit with the prompt, get some (probably crazy!) ideas, then repeat the process! Many UChicago prompts are dense in their weirdness. Some of them take time to even understand. Many prompts will reveal themselves to you in your everyday life (after you’ve read them over and over again). Some of them just take deep thought. The key is to keep thinking and focus on what the prompt is asking. You’ve got this!

All the UChicago Essay Prompts

Prompt 1: (required), how does the university of chicago, as you know it now, satisfy your desire for a particular kind of learning, community, and future please address with some specificity your own wishes and how they relate to uchicago., prompt 2: extended essay (required; choose one).

Option 1: Was it a cat I saw? Yo-no-na-ka, ho-ka-ho-ka na-no-yo (Japanese for “the world is a warm place”). Może jutro ta dama da tortu jeżom (Polish for “maybe tomorrow that lady will give a cake to the hedgehogs”). Share a palindrome in any language, and give it a backstory.

– Inspired by Leah Beach, Class of 2026, Lib Gray SB ’12, and Agnes Mazur AB ‘09

Option 2: What advice would a wisdom tooth have?

–Inspired by Melody Dias, Class of 2025

Option 3: You are on an expedition to found a colony on Mars, when from a nearby crater, a group of Martians suddenly emerges. They seem eager to communicate, but they’re the impatient kind and demand you represent the human race in one song, image, memory, proof, or other idea. What do you share with them to show that humanity is worth their time?

—Inspired by Alexander Hastings, Class of 2023, and Olivia Okun-Dubitsky, Class of 2026

Option 4: UChicago has been affiliated with over 90 Nobel laureates. But, why should economics, physics, and peace get all the glory? You are tasked with creating a new category for the Nobel Prize. Explain what it would be, why you chose your specific category, and the criteria necessary to achieve this accomplishment.

—Inspired by Isabel Alvarez, Class of 2026

Option 5: Genghis Khan with an F1 racecar. George Washington with a SuperSoaker. Emperor Nero with a toaster. Leonardo da Vinci with a Furby. If you could give any historical figure any piece of technology, who and what would it be, and why do you think they’d work so well together?

-Inspired by Braden Hajer, Class of 2025

Option 6: And, as always… the classic choose your own adventure option! In the spirit of adventurous inquiry, choose one of our past prompts (or create a question of your own). Be original, creative, thought provoking. Draw on your best qualities as a writer, thinker, visionary, social critic, sage, citizen of the world, or future citizen of the University of Chicago; take a little risk, and have fun!

Prompt 1 (Required)

The pressure’s on to be unique here, since EVERY SINGLE APPLICANT to UChicago will be answering this required question. Here’s what you need to do:

Provide a tangible connection to UChicago. 

This is composed of specific elements of the university that appeal to you, and UChicago’s website is a great place to delve into these. Be sure to be “particular,” as they stipulate, and give them the “specificity” they’re asking for. Examples include research opportunities at Argonne Labs, the marketing classes in the Business School, or an internship offered through the Creative Writing program. 

Don’t write about UChicago’s general attributes, like fame, prestige, or “intellectual rigor.” And please don’t try to be clever and refute the old canard that UChicago is the place “Where Fun Goes to Die.” Application readers have seen this hundreds, if not thousands of times. And besides, why talk about a tired UChicago stereotype when you can talk about something cool? 

Describe your intangible connection as well. 

How is UChicago a place that aligns with your values, dreams, and goals? How do you vibe with it? For example, if I wanted to write about the Creative Writing internship, I would state explicitly how it draws me in: 

“ I want to attend a college that values the innovative nature of indie comics publishing as much as I do. So, I’m impressed by UChicago’s commitment to providing internships in comics writing through Bult Publishing and The Artifice magazine. One of my goals as a writer is to gain firsthand experience in comics publishing, specifically small houses, and the Creative Writing program at UChicago hits the mark, resoundingly. ”

Engage with faculty and students, if possible. 

This is a perfect place to talk about specific interactions, like sitting in on an inspiring seminar during a campus visit, hearing a professor speak, or seeing how UChicago has prepared a friend for his career. 

However, always be sure to tie these experiences into your own goals and interests! For example, don’t just name-drop a certain Professor Smith. Instead, take the opportunity to find a personal connection to Smith’s research and how great UChicago is for supporting people like her. Your format should be

        Program/Individual/Major – UChicago’s Values – My values

If you want to learn more about a specific professor or their subject, don’t be afraid to politely email them or contact their department. Many love to talk about their work and their interests, or would love to put you in touch with current students. This will better inform you about the school and give you a great edge for this prompt. And, more importantly, you’ll probably get great advice for your higher education journey. Note: the earlier you prepare for this, the better!

It’s worth noting that there is no recommended essay length, but sticking to around 500 words should do the trick. It’s long enough to share the reasons you’ll thrive at UChicago, but not too long that the admissions officers will start to get bored.

Prompt 2: Extended Essay (Required, Choose One)

Choose one of the six extended essay options and upload a one- or two-page response. Please include the prompt at the top of the page.

Prompt 2, Option 1

Was it a cat i saw yo-no-na-ka, ho-ka-ho-ka na-no-yo (japanese for “the world is a warm place”). może jutro ta dama da tortu jeżom (polish for “maybe tomorrow that lady will give a cake to the hedgehogs”). share a palindrome in any language, and give it a backstory..

If you love linguistics and creative writing, this is a good choice for you. You have the freedom to pick any palindrome—a word or phase that says the same thing when read forward and back—and get as creative as you like. If you speak another language or have a unique cultural background, picking a palindrome in that language would be a great way to tie in your background.

Let’s look at a few examples of how you can turn a phrase into a story:

Draw, O coward!

Bring a moment from one of your extracurricular activities to life: Little beads of sweat rolled down from my temple to my chin, carrying the stage makeup caked on my face with them. My sweaty palms fumbled by my side to grab my plastic prop sword. My scene partner’s words fell on deaf ears as my director’s voice coursed through my head. Don’t forget to hit the O, she would say. My brain lagged behind the rest of my body. Before I could process what had happened, my sword was tightly gripped in my outstretched hand and my booming voice declared “Draw, O coward!”

Si Nummi immunis (Latin for “Give me my fee, and I warrant you free”)

Discuss a social issue you deeply care about: In the DA’s office, interns don’t do much—I was your standard coffee-getter and errand-runner. The one exception: looking at bail records. Every day, I could peek at who posted bail and for how much. While I originally approached it with a child-like curiosity, it quickly became disheartening. Looking at record after record of affluent offenders who paid their fee and went about their days made my heart ache for those who couldn’t afford bail, through no fault of their own. Every morning, on my trip to the coffee shop, a little voice in my head kept telling me: Nothing will change unless you take action.

दामाद (Dāmād, Hindi for “son in law”)

Tell a story of your family: No one dares to get in between a mother and her daughter. Especially my nani and mom. So, the day my dad marched up to my nani’s door and declared he was going to marry her daughter didn’t go as anticipated to say the least. “You will never be my dāmād. She is too good for you.” Was it his goofy smile or his naan baking skills that finally won her over? Whatever it was, he carries the title of dāmād as a badge of honor now.

Prompt 2, Option 2

What advice would a wisdom tooth have.

This is the shortest option of the bunch, making it one of the most open-ended prompts. You can interpret this question from several different angles, and here are some potential ideas:

The play on words angle

Wisdom teeth are named as such because they erupt later in life, when you typically have more wisdom. Your wisdom teeth might advise you that this is true, and you could share the life lessons you’ve learned as you’ve grown older, opening each paragraph with an age and an anecdote.

The foodie angle 

If you’re a big foodie or chef, your wisdom teeth might advise you on their favorite dishes they’ve seen/chewed. You could share those dishes and the stories behind them. For example, maybe all your favorite recipes are gathered from cooking with others, and you could share the story of how your family hosted an exchange student from Portugal and how they taught you to make pastéis de nata, and how your grandmother taught you how to make her pierogies while sharing life advice with you.

The “stuck inside” angle

Many people’s wisdom teeth never see the light of day and remain impacted in their gums. This could be a segue into telling a story of how you stayed engaged when quarantined or stuck indoors during a rainy day. For example, maybe you picked up sewing during the pandemic because you couldn’t go outside and now you make historical period gowns. Your wisdom teeth might advise you that sometimes boredom or idleness can help you find new inspiration.

The relevancy angle

While wisdom teeth aren’t very useful in the modern world, It’s believed that they helped our prehistoric ancestors quite a bit. Back then, humans needed to grind raw meat, nuts, and leaves, so these extra molars made it easier to break down food. Beyond that, dental hygiene probably wasn’t the best, so humans may have lost adult teeth, which the wisdom teeth would then replace. 

If you like fiction writing, you could imagine wisdom teeth in a room with other things that were once relevant, but are now obsolete, such as floppy disks, dinosaurs, sundials, etc. What would they say to each other? What are they all doing together?

The medical angle

Wisdom teeth are actually not routinely removed in countries outside of the US. As a result, some people interpret the industry as a ploy to make money from unsuspecting patients. If you’re going into the medical or dental field, you could use this prompt as a chance to comment on the state of medicine and why you feel healthcare needs to be reformed. 

Some argue that removing wisdom teeth still reduces the chances of complications down the line, while others think the surgery is riskier than leaving the wisdom teeth in. You could use this debate as a chance to share a time you did a cost-benefit analysis on an area of your life, such as the time you were deciding whether to work at a brand-new local jewelry shop that paid less but had more opportunities for growth, or to work at a grocery chain.

Prompt 2, Option 3

You are on an expedition to found a colony on mars, when from a nearby crater, a group of martians suddenly emerges. they seem eager to communicate, but they’re the impatient kind and demand you represent the human race in one song, image, memory, proof, or other idea. what do you share with them to show that humanity is worth their time.

Like all the others, this prompt is another way to showcase your creativity, but it also gives you the opportunity to reveal what you value. If you love art and history, you could show the Martians Botticelli’s Birth of Venus. If you’re an avid music fan, maybe you want to teach the aliens the iconic Thriller dance. Inexplicably fascinated by science? Show your new friends the benefits of penicillin. 

What’s important about this essay is not what you pick, but how you demonstrate its importance . Forget about writing a college application essay for a minute; you are tasked with saving the entire human race. That’s a lot of pressure. Anyone could show the Martians a picture of the pyramids of Egypt, but it’s all in the story you tell that will make them appreciate this is the greatest accomplishment of humans and the true test of their capabilities.

Let’s take the example of the student who writes about penicillin. What they shouldn’t do is write “ I would show the Martians penicillin because it was one of the biggest medical advancements that allowed for humanity to conquer infections that used to be deadly, allowing people to live longer and healthier lives.” While what they wrote is true, it reveals nothing about them. The item you choose will undoubtedly be important to not just humanity, but you, so your response needs to establish a personal connection.

So what should this student do? They could start their essay by telling a story of how they plan to find a sick Martian suffering from an infection and will inject them with penicillin to show the aliens its magical healing properties. Then, this student should go into what penicillin means to them. Did they volunteer at a hospital where they witnessed people recover from infections that could be deadly because of this medicine? Maybe penicillin saved their life and allowed them to pursue their research that could be the next scientific breakthrough. 

You can get creative and playful with the story you tell about the item you chose, but if you go with this option, you’ll want to spend more of your essay focused on how that choice made a difference, not just for humanity, but in your life. 

Prompt 2, Option 4

Uchicago has been affiliated with over 90 nobel laureates. but, why should economics, physics, and peace get all the glory you are tasked with creating a new category for the nobel prize. explain what it would be, why you chose your specific category, and the criteria necessary to achieve this accomplishment..

The Nobel Prize is awarded to those who have “conferred the greatest benefit to mankind” in the categories of Physics, Chemistry, Physiology or Medicine, Literature, and Peace. Through this prompt, UChicago wants to know what matters to you, and they want to see your analytical and creative side shine through your selection process.

You can take a more straightforward angle or a more unconventional one with this prompt. A straightforward angle would involve selecting a “serious” category that fits neatly into the existing ones, such as Sustainability, Education, Technology, or Music. 

The unconventional angle would mean coming up with, well, something more unusual. Maybe you think there should be a Nobel Prize in Cooking, Hiking, Crocheting, or Speed Reading.

The category itself doesn’t matter as much as your connection to it, as you’ll need to explain why you chose it. Make sure your essay touches on both the personal significance of the category as well as its implications for mankind. For example, maybe you chose cooking because it’s soothing for you as a home chef, but it also has the power to improve the mood of those eating the meal. Food has also brought people from different backgrounds and cultures together throughout millenia. 

Continuing this cooking example, your selection criteria could involve a competition where cooks from around the world are asked to create dishes in three categories: one from their own culture, one from another culture, and a meal for ten that costs no more than $1/plate. This competition would highlight the cultural aspects of cooking, but also raise awareness of food insecurity and the challenge of creating nutritious meals at a low cost.

In addition to the criteria you need to receive the accolade, you could include examples of previous winners or people you would like to nominate for the prize.

UChicago prides itself on the accomplishments of its alumni, but the school gives every student the opportunity to excel within their own right. They want you to be a future Nobel Prize winner, so if you don’t feel like you fit into the traditional categories, here’s your chance to show them how you will succeed and change the world for the better.

Prompt 2, Option 5

Genghis khan with an f1 racecar. george washington with a supersoaker. emperor nero with a toaster. leonardo da vinci with a furby. if you could give any historical figure any piece of technology, who and what would it be, and why do you think they’d work so well together.

There’s three important things your response to this prompt needs to incorporate: what wacky pairing you choose, what their interaction would look like, and why the world absolutely needs to witness this combo.

Let’s take a look at a sample pairing a student might choose:

Who and What?

While you could choose any random figure and item, this essay will be most successful if you choose either someone or something that has personal significance to you (although it will be strongest if both your person and technology relate to you!). So for example, if a student loves graphic design, they might choose to give Walt Disney an iPad and Apple Pencil. 

This might not be the wackiest combo they could choose, but notice how both relate to the student and their passion. Growing up on Disney animation was what prompted this student to start doodling when they were younger, which eventually led to an interest in graphic design. Their iPad is their sketchbook, home to thousands of designs that they can create at their fingertips. This student wants to see what their inspirational figure would do with the piece of technology they cherish the most.

How do they interact?

This is where you can infuse more creativity into your essay. What will separate an okay response from a good or great one is how well you can show the interaction between these two unlikely players. Using the example of Walt Disney, this student could describe some of the tools they have used and apply it to a drawing of Mickey Mouse. Maybe they think Disney would have made a new movie every week if he had that advanced technology at his fingertips and the student shares the concept behind his latest character design. 

Whatever you choose to do, the interaction of a historical figure with modern technology would be ridiculous and hilarious. If you’ve taken anything away from UChicago based on their prompts, it should be the value they place on creativity, so don’t throw away this opportunity to inject some creativity into your response.

Why should we care?

The last thing you’ll want to make sure of in your essay is to pull back from the absurdity of the moment and reflect on why this odd combination is important. Even if it only has a deeper significance to you, we still want to know why you chose this pairing over every other.

Our student would probably elaborate on what Disney animation meant to them growing up at this point in the essay. They might explain that if they were influenced by the stories and visuals Walt Disney created, they can only imagine how many more kids all over the world would have had the same experience if he was able to use modern technology to develop his projects. 

You don’t have to follow this exact model in your response, but keep these different aspects of the prompt in mind as you write. As long as you can tell an engaging story of the item and historical figure interacting, and find a personal connection, you can really pick any person and item.

Prompt 2, Option 6

In the spirit of adventurous inquiry (and with the encouragement of one of our current students) choose one of our past prompts (or create a question of your own). be original, creative, thought provoking. draw on your best qualities as a writer, thinker, visionary, social critic, sage, citizen of the world, or future citizen of the university of chicago; take a little risk, and have fun.

Again, this prompt is, on the surface, granting you a lot of leeway. UChicago even ends it with an exclamation point! But you should always remember: they expect a disciplined, thorough, rigorous essay. Don’t let your sense of fun and frolic drown out your serious intellectual ideas.

Pick a prompt that inspires you to write, and connects with your academic interests. If a prompt jumps out at you, and you’re immediately filled with ideas, it’s probably a good fit. Just take it slowly, jot your thoughts down, and get to work. 

Involve your personal connection to that prompt. If you’re not answering any of the 6 prompts UChicago has issued this year, the onus is on you to prove that you and the archival prompt you’ve picked are a match made in heaven. This means having a lot of knowledge and personal investment in your subject matter, and an angle/perspective totally unique to you. 

If making your own question, remember this: YOUR QUESTION IS YOUR HOOK. So make sure it’s not a question that could be found on a standard-issue application, like “When did I overcome a challenge?” or “What’s a place that feels like home?” These prompts are everywhere. They won’t get the job done, and they won’t make an unforgettable first impression. But “Why did I lock myself in the basement and watch The Bee Movie for eighteen hours?” That’s a different story. 

If you look at past UChicago prompts, they tend to be fond of certain things: numbered lists, fairy tales, common phrases, and items of pop culture that can be re-contextualized. They also like hearing your answers to famous questions, and you might have a unique answer to “Et tu, Brute?” or “Do you like pina coladas and getting caught in the rain?” Just remember that the novelty of the question, while the hook of your essay, is not its substance. If your biography and scholarly interests don’t involve pina coladas, or rain, you might just have to pick a different question to answer – as wonderful as that eternal question is.

UChicago essays take a lot of time and thought—but don’t overthink it. The university wants to hear what you have to say, in its full form. That’s why they give you a page limit, and not a word limit—no last minute cutting! Fully develop your ideas in a way that feels natural. If a paragraph needs to be a little thicker, or if you need to include a longer quote from your favorite author, don’t worry about it. These essays can be fun to write and extremely effective.

You can look up lots of examples of essays online, but try not to get intimidated. It’s the nature of the UChicago essays to encourage everyone to showcase their expertise—which is exactly what you should try to do! You may read sample essays and think, “Wow. I’ve never spent a month in Arizona digging up fossils. How can I ever compete?” Try to reframe the essays as a Giant Celebration of everyone’s achievements and interests not a Competition.

If you’ve written your UChicago essay and are looking for feedback, you might want to check out our free peer essay review and paid expert essay review . Since the UChicago essay prompts are weird, it’s important to get an extra set of eyes on them to make sure they are clear and engaging! You can also improve your own writing skills by editing other students’ essays.

Related CollegeVine Blog Posts

READER SURVEY

The best essays of 2022.

From the life of Lincoln to the late David McCullough, here are the top 10 stories that fascinated our readers in 2022.

November/December 2022

Every year, we look back on our published issues to see how we did with our readers. We like to look at which subjects were most popular, which essays elicited the strongest responses, and which were most read. The results are always different, and always fascinating.

This year, we asked our readers directly which articles were their favorites. Below you can find the top 10 titles based on the results of  that survey . Again, the results are enlightening — while stories about Lincoln and the Civil War landing the top spots may be expected, we were happily surprised to find lesser-known topics like privateers during the Revolution and Olympic icon Jim Thorpe getting lots of play. 

Take a look at the full list below, and feel free to email us with your own nominations or suggestions at [email protected].

—  The Editors

1. Lincoln Walks a Tightrope , by David S. Reynolds, Spring Issue

The unique political genius of Abraham Lincoln was to navigate carefully and at times conservatively between abolition and the Southern cause until he knew the time was right for radical justice.

2. Antietam, America's Bloodiest Day , by Justin Martin, September Issue

In September 1862, the South hoped to end the war by invading Maryland just before the mid-term elections. But its hopes were dashed after the bloodiest day in American history.

3. Bob Dole and the Nazis’ Brutal Last Stand in Italy , by Edwin S. Grosvenor, Summer Issue

Allied soldiers struggled for months to clear veteran German troops dug into the mountains of northern Italy in late 1944 and early 1945.

4. American Rebels at Sea , by Eric Jay Dolin, Summer Issue

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Sat / act prep online guides and tips, 177 college essay examples for 11 schools + expert analysis.

College Admissions , College Essays

The personal statement might just be the hardest part of your college application. Mostly this is because it has the least guidance and is the most open-ended. One way to understand what colleges are looking for when they ask you to write an essay is to check out the essays of students who already got in—college essays that actually worked. After all, they must be among the most successful of this weird literary genre.

In this article, I'll go through general guidelines for what makes great college essays great. I've also compiled an enormous list of 100+ actual sample college essays from 11 different schools. Finally, I'll break down two of these published college essay examples and explain why and how they work. With links to 177 full essays and essay excerpts , this article is a great resource for learning how to craft your own personal college admissions essay!

What Excellent College Essays Have in Common

Even though in many ways these sample college essays are very different from one other, they do share some traits you should try to emulate as you write your own essay.

Visible Signs of Planning

Building out from a narrow, concrete focus. You'll see a similar structure in many of the essays. The author starts with a very detailed story of an event or description of a person or place. After this sense-heavy imagery, the essay expands out to make a broader point about the author, and connects this very memorable experience to the author's present situation, state of mind, newfound understanding, or maturity level.

Knowing how to tell a story. Some of the experiences in these essays are one-of-a-kind. But most deal with the stuff of everyday life. What sets them apart is the way the author approaches the topic: analyzing it for drama and humor, for its moving qualities, for what it says about the author's world, and for how it connects to the author's emotional life.

Stellar Execution

A killer first sentence. You've heard it before, and you'll hear it again: you have to suck the reader in, and the best place to do that is the first sentence. Great first sentences are punchy. They are like cliffhangers, setting up an exciting scene or an unusual situation with an unclear conclusion, in order to make the reader want to know more. Don't take my word for it—check out these 22 first sentences from Stanford applicants and tell me you don't want to read the rest of those essays to find out what happens!

A lively, individual voice. Writing is for readers. In this case, your reader is an admissions officer who has read thousands of essays before yours and will read thousands after. Your goal? Don't bore your reader. Use interesting descriptions, stay away from clichés, include your own offbeat observations—anything that makes this essay sounds like you and not like anyone else.

Technical correctness. No spelling mistakes, no grammar weirdness, no syntax issues, no punctuation snafus—each of these sample college essays has been formatted and proofread perfectly. If this kind of exactness is not your strong suit, you're in luck! All colleges advise applicants to have their essays looked over several times by parents, teachers, mentors, and anyone else who can spot a comma splice. Your essay must be your own work, but there is absolutely nothing wrong with getting help polishing it.

And if you need more guidance, connect with PrepScholar's expert admissions consultants . These expert writers know exactly what college admissions committees look for in an admissions essay and chan help you craft an essay that boosts your chances of getting into your dream school.

Check out PrepScholar's Essay Editing and Coaching progra m for more details!

Links to Full College Essay Examples

Some colleges publish a selection of their favorite accepted college essays that worked, and I've put together a selection of over 100 of these.

Common App Essay Samples

Please note that some of these college essay examples may be responding to prompts that are no longer in use. The current Common App prompts are as follows:

1. Some students have a background, identity, interest, or talent that is so meaningful they believe their application would be incomplete without it. If this sounds like you, then please share your story. 2. The lessons we take from obstacles we encounter can be fundamental to later success. Recount a time when you faced a challenge, setback, or failure. How did it affect you, and what did you learn from the experience? 3. Reflect on a time when you questioned or challenged a belief or idea. What prompted your thinking? What was the outcome? 4. Reflect on something that someone has done for you that has made you happy or thankful in a surprising way. How has this gratitude affected or motivated you? 5. Discuss an accomplishment, event, or realization that sparked a period of personal growth and a new understanding of yourself or others. 6. Describe a topic, idea, or concept you find so engaging that it makes you lose all track of time. Why does it captivate you? What or who do you turn to when you want to learn more?

7. Share an essay on any topic of your choice. It can be one you've already written, one that responds to a different prompt, or one of your own design.

Now, let's get to the good stuff: the list of 177 college essay examples responding to current and past Common App essay prompts. 

Connecticut college.

• 12 Common Application essays from the classes of 2022-2025

Hamilton College

• 7 Common Application essays from the class of 2026
• 7 Common Application essays from the class of 2022
• 7 Common Application essays from the class of 2018
• 8 Common Application essays from the class of 2012
• 8 Common Application essays from the class of 2007

Johns Hopkins

These essays are answers to past prompts from either the Common Application or the Coalition Application (which Johns Hopkins used to accept).

• 1 Common Application or Coalition Application essay from the class of 2026
• 6 Common Application or Coalition Application essays from the class of 2025
• 6 Common Application or Universal Application essays from the class of 2024
• 6 Common Application or Universal Application essays from the class of 2023
• 7 Common Application of Universal Application essays from the class of 2022
• 5 Common Application or Universal Application essays from the class of 2021
• 7 Common Application or Universal Application essays from the class of 2020

Essay Examples Published by Other Websites

• 2 Common Application essays ( 1st essay , 2nd essay ) from applicants admitted to Columbia

Other Sample College Essays

Here is a collection of essays that are college-specific.

Babson College

• 4 essays (and 1 video response) on "Why Babson" from the class of 2020

Emory University

• 5 essay examples ( 1 , 2 , 3 , 4 , 5 ) from the class of 2020 along with analysis from Emory admissions staff on why the essays were exceptional
• 5 more recent essay examples ( 1 , 2 , 3 , 4 , 5 ) along with analysis from Emory admissions staff on what made these essays stand out

University of Georgia

• 1 “strong essay” sample from 2019
• 1 “strong essay” sample from 2018
• 10 Harvard essays from 2023
• 10 Harvard essays from 2022
• 10 Harvard essays from 2021
• 10 Harvard essays from 2020
• 10 Harvard essays from 2019
• 10 Harvard essays from 2018
• 6 essays from admitted MIT students

Smith College

• 6 "best gift" essays from the class of 2018

Books of College Essays

If you're looking for even more sample college essays, consider purchasing a college essay book. The best of these include dozens of essays that worked and feedback from real admissions officers.

College Essays That Made a Difference —This detailed guide from Princeton Review includes not only successful essays, but also interviews with admissions officers and full student profiles.

50 Successful Harvard Application Essays by the Staff of the Harvard Crimson—A must for anyone aspiring to Harvard .

50 Successful Ivy League Application Essays and 50 Successful Stanford Application Essays by Gen and Kelly Tanabe—For essays from other top schools, check out this venerated series, which is regularly updated with new essays.

Heavenly Essays by Janine W. Robinson—This collection from the popular blogger behind Essay Hell includes a wider range of schools, as well as helpful tips on honing your own essay.

Analyzing Great Common App Essays That Worked

I've picked two essays from the examples collected above to examine in more depth so that you can see exactly what makes a successful college essay work. Full credit for these essays goes to the original authors and the schools that published them.

Example 1: "Breaking Into Cars," by Stephen, Johns Hopkins Class of '19 (Common App Essay, 636 words long)

I had never broken into a car before.

We were in Laredo, having just finished our first day at a Habitat for Humanity work site. The Hotchkiss volunteers had already left, off to enjoy some Texas BBQ, leaving me behind with the college kids to clean up. Not until we were stranded did we realize we were locked out of the van.

Someone picked a coat hanger out of the dumpster, handed it to me, and took a few steps back.

"Can you do that thing with a coat hanger to unlock it?"

"Why me?" I thought.

More out of amusement than optimism, I gave it a try. I slid the hanger into the window's seal like I'd seen on crime shows, and spent a few minutes jiggling the apparatus around the inside of the frame. Suddenly, two things simultaneously clicked. One was the lock on the door. (I actually succeeded in springing it.) The other was the realization that I'd been in this type of situation before. In fact, I'd been born into this type of situation.

My upbringing has numbed me to unpredictability and chaos. With a family of seven, my home was loud, messy, and spottily supervised. My siblings arguing, the dog barking, the phone ringing—all meant my house was functioning normally. My Dad, a retired Navy pilot, was away half the time. When he was home, he had a parenting style something like a drill sergeant. At the age of nine, I learned how to clear burning oil from the surface of water. My Dad considered this a critical life skill—you know, in case my aircraft carrier should ever get torpedoed. "The water's on fire! Clear a hole!" he shouted, tossing me in the lake without warning. While I'm still unconvinced about that particular lesson's practicality, my Dad's overarching message is unequivocally true: much of life is unexpected, and you have to deal with the twists and turns.

Living in my family, days rarely unfolded as planned. A bit overlooked, a little pushed around, I learned to roll with reality, negotiate a quick deal, and give the improbable a try. I don't sweat the small stuff, and I definitely don't expect perfect fairness. So what if our dining room table only has six chairs for seven people? Someone learns the importance of punctuality every night.

But more than punctuality and a special affinity for musical chairs, my family life has taught me to thrive in situations over which I have no power. Growing up, I never controlled my older siblings, but I learned how to thwart their attempts to control me. I forged alliances, and realigned them as necessary. Sometimes, I was the poor, defenseless little brother; sometimes I was the omniscient elder. Different things to different people, as the situation demanded. I learned to adapt.

Back then, these techniques were merely reactions undertaken to ensure my survival. But one day this fall, Dr. Hicks, our Head of School, asked me a question that he hoped all seniors would reflect on throughout the year: "How can I participate in a thing I do not govern, in the company of people I did not choose?"

The question caught me off guard, much like the question posed to me in Laredo. Then, I realized I knew the answer. I knew why the coat hanger had been handed to me.

Growing up as the middle child in my family, I was a vital participant in a thing I did not govern, in the company of people I did not choose. It's family. It's society. And often, it's chaos. You participate by letting go of the small stuff, not expecting order and perfection, and facing the unexpected with confidence, optimism, and preparedness. My family experience taught me to face a serendipitous world with confidence.

What Makes This Essay Tick?

It's very helpful to take writing apart in order to see just how it accomplishes its objectives. Stephen's essay is very effective. Let's find out why!

An Opening Line That Draws You In

In just eight words, we get: scene-setting (he is standing next to a car about to break in), the idea of crossing a boundary (he is maybe about to do an illegal thing for the first time), and a cliffhanger (we are thinking: is he going to get caught? Is he headed for a life of crime? Is he about to be scared straight?).

Great, Detailed Opening Story

More out of amusement than optimism, I gave it a try. I slid the hanger into the window's seal like I'd seen on crime shows, and spent a few minutes jiggling the apparatus around the inside of the frame.

It's the details that really make this small experience come alive. Notice how whenever he can, Stephen uses a more specific, descriptive word in place of a more generic one. The volunteers aren't going to get food or dinner; they're going for "Texas BBQ." The coat hanger comes from "a dumpster." Stephen doesn't just move the coat hanger—he "jiggles" it.

Details also help us visualize the emotions of the people in the scene. The person who hands Stephen the coat hanger isn't just uncomfortable or nervous; he "takes a few steps back"—a description of movement that conveys feelings. Finally, the detail of actual speech makes the scene pop. Instead of writing that the other guy asked him to unlock the van, Stephen has the guy actually say his own words in a way that sounds like a teenager talking.

Turning a Specific Incident Into a Deeper Insight

Suddenly, two things simultaneously clicked. One was the lock on the door. (I actually succeeded in springing it.) The other was the realization that I'd been in this type of situation before. In fact, I'd been born into this type of situation.

Stephen makes the locked car experience a meaningful illustration of how he has learned to be resourceful and ready for anything, and he also makes this turn from the specific to the broad through an elegant play on the two meanings of the word "click."

Using Concrete Examples When Making Abstract Claims

My upbringing has numbed me to unpredictability and chaos. With a family of seven, my home was loud, messy, and spottily supervised. My siblings arguing, the dog barking, the phone ringing—all meant my house was functioning normally.

"Unpredictability and chaos" are very abstract, not easily visualized concepts. They could also mean any number of things—violence, abandonment, poverty, mental instability. By instantly following up with highly finite and unambiguous illustrations like "family of seven" and "siblings arguing, the dog barking, the phone ringing," Stephen grounds the abstraction in something that is easy to picture: a large, noisy family.

Using Small Bits of Humor and Casual Word Choice

My Dad, a retired Navy pilot, was away half the time. When he was home, he had a parenting style something like a drill sergeant. At the age of nine, I learned how to clear burning oil from the surface of water. My Dad considered this a critical life skill—you know, in case my aircraft carrier should ever get torpedoed.

Obviously, knowing how to clean burning oil is not high on the list of things every 9-year-old needs to know. To emphasize this, Stephen uses sarcasm by bringing up a situation that is clearly over-the-top: "in case my aircraft carrier should ever get torpedoed."

The humor also feels relaxed. Part of this is because he introduces it with the colloquial phrase "you know," so it sounds like he is talking to us in person. This approach also diffuses the potential discomfort of the reader with his father's strictness—since he is making jokes about it, clearly he is OK. Notice, though, that this doesn't occur very much in the essay. This helps keep the tone meaningful and serious rather than flippant.

An Ending That Stretches the Insight Into the Future

But one day this fall, Dr. Hicks, our Head of School, asked me a question that he hoped all seniors would reflect on throughout the year: "How can I participate in a thing I do not govern, in the company of people I did not choose?"

The ending of the essay reveals that Stephen's life has been one long preparation for the future. He has emerged from chaos and his dad's approach to parenting as a person who can thrive in a world that he can't control.

This connection of past experience to current maturity and self-knowledge is a key element in all successful personal essays. Colleges are very much looking for mature, self-aware applicants. These are the qualities of successful college students, who will be able to navigate the independence college classes require and the responsibility and quasi-adulthood of college life.

What Could This Essay Do Even Better?

Even the best essays aren't perfect, and even the world's greatest writers will tell you that writing is never "finished"—just "due." So what would we tweak in this essay if we could?

Replace some of the clichéd language. Stephen uses handy phrases like "twists and turns" and "don't sweat the small stuff" as a kind of shorthand for explaining his relationship to chaos and unpredictability. But using too many of these ready-made expressions runs the risk of clouding out your own voice and replacing it with something expected and boring.

Use another example from recent life. Stephen's first example (breaking into the van in Laredo) is a great illustration of being resourceful in an unexpected situation. But his essay also emphasizes that he "learned to adapt" by being "different things to different people." It would be great to see how this plays out outside his family, either in the situation in Laredo or another context.

Example 2: By Renner Kwittken, Tufts Class of '23 (Common App Essay, 645 words long)

My first dream job was to be a pickle truck driver. I saw it in my favorite book, Richard Scarry's "Cars and Trucks and Things That Go," and for some reason, I was absolutely obsessed with the idea of driving a giant pickle. Much to the discontent of my younger sister, I insisted that my parents read us that book as many nights as possible so we could find goldbug, a small little golden bug, on every page. I would imagine the wonderful life I would have: being a pig driving a giant pickle truck across the country, chasing and finding goldbug. I then moved on to wanting to be a Lego Master. Then an architect. Then a surgeon.

Then I discovered a real goldbug: gold nanoparticles that can reprogram macrophages to assist in killing tumors, produce clear images of them without sacrificing the subject, and heat them to obliteration.

Suddenly the destination of my pickle was clear.

I quickly became enveloped by the world of nanomedicine; I scoured articles about liposomes, polymeric micelles, dendrimers, targeting ligands, and self-assembling nanoparticles, all conquering cancer in some exotic way. Completely absorbed, I set out to find a mentor to dive even deeper into these topics. After several rejections, I was immensely grateful to receive an invitation to work alongside Dr. Sangeeta Ray at Johns Hopkins.

In the lab, Dr. Ray encouraged a great amount of autonomy to design and implement my own procedures. I chose to attack a problem that affects the entire field of nanomedicine: nanoparticles consistently fail to translate from animal studies into clinical trials. Jumping off recent literature, I set out to see if a pre-dose of a common chemotherapeutic could enhance nanoparticle delivery in aggressive prostate cancer, creating three novel constructs based on three different linear polymers, each using fluorescent dye (although no gold, sorry goldbug!). Though using radioactive isotopes like Gallium and Yttrium would have been incredible, as a 17-year-old, I unfortunately wasn't allowed in the same room as these radioactive materials (even though I took a Geiger counter to a pair of shoes and found them to be slightly dangerous).

I hadn't expected my hypothesis to work, as the research project would have ideally been led across two full years. Yet while there are still many optimizations and revisions to be done, I was thrilled to find -- with completely new nanoparticles that may one day mean future trials will use particles with the initials "RK-1" -- thatcyclophosphamide did indeed increase nanoparticle delivery to the tumor in a statistically significant way.

A secondary, unexpected research project was living alone in Baltimore, a new city to me, surrounded by people much older than I. Even with moving frequently between hotels, AirBnB's, and students' apartments, I strangely reveled in the freedom I had to enjoy my surroundings and form new friendships with graduate school students from the lab. We explored The Inner Harbor at night, attended a concert together one weekend, and even got to watch the Orioles lose (to nobody's surprise). Ironically, it's through these new friendships I discovered something unexpected: what I truly love is sharing research. Whether in a presentation or in a casual conversation, making others interested in science is perhaps more exciting to me than the research itself. This solidified a new pursuit to angle my love for writing towards illuminating science in ways people can understand, adding value to a society that can certainly benefit from more scientific literacy.

It seems fitting that my goals are still transforming: in Scarry's book, there is not just one goldbug, there is one on every page. With each new experience, I'm learning that it isn't the goldbug itself, but rather the act of searching for the goldbugs that will encourage, shape, and refine my ever-evolving passions. Regardless of the goldbug I seek -- I know my pickle truck has just begun its journey.

Renner takes a somewhat different approach than Stephen, but their essay is just as detailed and engaging. Let's go through some of the strengths of this essay.

One Clear Governing Metaphor

This essay is ultimately about two things: Renner’s dreams and future career goals, and Renner’s philosophy on goal-setting and achieving one’s dreams.

But instead of listing off all the amazing things they’ve done to pursue their dream of working in nanomedicine, Renner tells a powerful, unique story instead. To set up the narrative, Renner opens the essay by connecting their experiences with goal-setting and dream-chasing all the way back to a memorable childhood experience:

This lighthearted–but relevant!--story about the moment when Renner first developed a passion for a specific career (“finding the goldbug”) provides an anchor point for the rest of the essay. As Renner pivots to describing their current dreams and goals–working in nanomedicine–the metaphor of “finding the goldbug” is reflected in Renner’s experiments, rejections, and new discoveries.

Though Renner tells multiple stories about their quest to “find the goldbug,” or, in other words, pursue their passion, each story is connected by a unifying theme; namely, that as we search and grow over time, our goals will transform…and that’s okay! By the end of the essay, Renner uses the metaphor of “finding the goldbug” to reiterate the relevance of the opening story:

While the earlier parts of the essay convey Renner’s core message by showing, the final, concluding paragraph sums up Renner’s insights by telling. By briefly and clearly stating the relevance of the goldbug metaphor to their own philosophy on goals and dreams, Renner demonstrates their creativity, insight, and eagerness to grow and evolve as the journey continues into college.

An Engaging, Individual Voice

This essay uses many techniques that make Renner sound genuine and make the reader feel like we already know them.

Technique #1: humor. Notice Renner's gentle and relaxed humor that lightly mocks their younger self's grand ambitions (this is different from the more sarcastic kind of humor used by Stephen in the first essay—you could never mistake one writer for the other).

My first dream job was to be a pickle truck driver.

I would imagine the wonderful life I would have: being a pig driving a giant pickle truck across the country, chasing and finding goldbug. I then moved on to wanting to be a Lego Master. Then an architect. Then a surgeon.

Renner gives a great example of how to use humor to your advantage in college essays. You don’t want to come off as too self-deprecating or sarcastic, but telling a lightheartedly humorous story about your younger self that also showcases how you’ve grown and changed over time can set the right tone for your entire essay.

Technique #2: intentional, eye-catching structure. The second technique is the way Renner uses a unique structure to bolster the tone and themes of their essay . The structure of your essay can have a major impact on how your ideas come across…so it’s important to give it just as much thought as the content of your essay!

For instance, Renner does a great job of using one-line paragraphs to create dramatic emphasis and to make clear transitions from one phase of the story to the next:

Suddenly the destination of my pickle car was clear.

Not only does the one-liner above signal that Renner is moving into a new phase of the narrative (their nanoparticle research experiences), it also tells the reader that this is a big moment in Renner’s story. It’s clear that Renner made a major discovery that changed the course of their goal pursuit and dream-chasing. Through structure, Renner conveys excitement and entices the reader to keep pushing forward to the next part of the story.

Technique #3: playing with syntax. The third technique is to use sentences of varying length, syntax, and structure. Most of the essay's written in standard English and uses grammatically correct sentences. However, at key moments, Renner emphasizes that the reader needs to sit up and pay attention by switching to short, colloquial, differently punctuated, and sometimes fragmented sentences.

Even with moving frequently between hotels, AirBnB's, and students' apartments, I strangely reveled in the freedom I had to enjoy my surroundings and form new friendships with graduate school students from the lab. We explored The Inner Harbor at night, attended a concert together one weekend, and even got to watch the Orioles lose (to nobody's surprise). Ironically, it's through these new friendships I discovered something unexpected: what I truly love is sharing research.

In the examples above, Renner switches adeptly between long, flowing sentences and quippy, telegraphic ones. At the same time, Renner uses these different sentence lengths intentionally. As they describe their experiences in new places, they use longer sentences to immerse the reader in the sights, smells, and sounds of those experiences. And when it’s time to get a big, key idea across, Renner switches to a short, punchy sentence to stop the reader in their tracks.

The varying syntax and sentence lengths pull the reader into the narrative and set up crucial “aha” moments when it’s most important…which is a surefire way to make any college essay stand out.

Renner's essay is very strong, but there are still a few little things that could be improved.

Connecting the research experiences to the theme of “finding the goldbug.”  The essay begins and ends with Renner’s connection to the idea of “finding the goldbug.” And while this metaphor is deftly tied into the essay’s intro and conclusion, it isn’t entirely clear what Renner’s big findings were during the research experiences that are described in the middle of the essay. It would be great to add a sentence or two stating what Renner’s big takeaways (or “goldbugs”) were from these experiences, which add more cohesion to the essay as a whole.

Give more details about discovering the world of nanomedicine. It makes sense that Renner wants to get into the details of their big research experiences as quickly as possible. After all, these are the details that show Renner’s dedication to nanomedicine! But a smoother transition from the opening pickle car/goldbug story to Renner’s “real goldbug” of nanoparticles would help the reader understand why nanoparticles became Renner’s goldbug. Finding out why Renner is so motivated to study nanomedicine–and perhaps what put them on to this field of study–would help readers fully understand why Renner chose this path in the first place.

4 Essential Tips for Writing Your Own Essay

How can you use this discussion to better your own college essay? Here are some suggestions for ways to use this resource effectively.

#1: Get Help From the Experts

Getting your college applications together takes a lot of work and can be pretty intimidatin g. Essays are even more important than ever now that admissions processes are changing and schools are going test-optional and removing diversity standards thanks to new Supreme Court rulings .  If you want certified expert help that really makes a difference, get started with  PrepScholar’s Essay Editing and Coaching program. Our program can help you put together an incredible essay from idea to completion so that your application stands out from the crowd. We've helped students get into the best colleges in the United States, including Harvard, Stanford, and Yale.  If you're ready to take the next step and boost your odds of getting into your dream school, connect with our experts today .

#2: Read Other Essays to Get Ideas for Your Own

As you go through the essays we've compiled for you above, ask yourself the following questions:

• Can you explain to yourself (or someone else!) why the opening sentence works well?
• Look for the essay's detailed personal anecdote. What senses is the author describing? Can you easily picture the scene in your mind's eye?
• Find the place where this anecdote bridges into a larger insight about the author. How does the essay connect the two? How does the anecdote work as an example of the author's characteristic, trait, or skill?
• Check out the essay's tone. If it's funny, can you find the places where the humor comes from? If it's sad and moving, can you find the imagery and description of feelings that make you moved? If it's serious, can you see how word choice adds to this tone?

Make a note whenever you find an essay or part of an essay that you think was particularly well-written, and think about what you like about it . Is it funny? Does it help you really get to know the writer? Does it show what makes the writer unique? Once you have your list, keep it next to you while writing your essay to remind yourself to try and use those same techniques in your own essay.

#3: Find Your "A-Ha!" Moment

All of these essays rely on connecting with the reader through a heartfelt, highly descriptive scene from the author's life. It can either be very dramatic (did you survive a plane crash?) or it can be completely mundane (did you finally beat your dad at Scrabble?). Either way, it should be personal and revealing about you, your personality, and the way you are now that you are entering the adult world.

Check out essays by authors like John Jeremiah Sullivan , Leslie Jamison , Hanif Abdurraqib , and Esmé Weijun Wang to get more examples of how to craft a compelling personal narrative.

#4: Start Early, Revise Often

Let me level with you: the best writing isn't writing at all. It's rewriting. And in order to have time to rewrite, you have to start way before the application deadline. My advice is to write your first draft at least two months before your applications are due.

Let it sit for a few days untouched. Then come back to it with fresh eyes and think critically about what you've written. What's extra? What's missing? What is in the wrong place? What doesn't make sense? Don't be afraid to take it apart and rearrange sections. Do this several times over, and your essay will be much better for it!

For more editing tips, check out a style guide like Dreyer's English or Eats, Shoots & Leaves .

What's Next?

Still not sure which colleges you want to apply to? Our experts will show you how to make a college list that will help you choose a college that's right for you.

Interested in learning more about college essays? Check out our detailed breakdown of exactly how personal statements work in an application , some suggestions on what to avoid when writing your essay , and our guide to writing about your extracurricular activities .

Working on the rest of your application? Read what admissions officers wish applicants knew before applying .

The recommendations in this post are based solely on our knowledge and experience. If you purchase an item through one of our links PrepScholar may receive a commission.

Anna scored in the 99th percentile on her SATs in high school, and went on to major in English at Princeton and to get her doctorate in English Literature at Columbia. She is passionate about improving student access to higher education.

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New York Times Best College Essays 2022

Understanding the significance of college essays.

When it comes to college admissions, applicants put a lot of effort into their applications, including their test scores, extracurricular activities, and recommendations. However, admissions officers consider many factors when deciding whom to accept into their schools. One of the most critical elements is the college essay. College essays provide admissions officers with a chance to learn more about the applicants and their personalities.

The Importance of Crafting a Unique College Essay

The college essay is a critical piece of the admission puzzle. It provides students with an opportunity to differentiate themselves from the competition. Admissions officers read thousands of essays every year, and they have a keen eye for identifying unique, memorable essays. Therefore, students must craft a college essay that stands out from the rest.

Tips for Writing a Successful College Essay

Writing a college essay can be a daunting task. However, by following some tips, students can increase their chances of writing a successful essay. Here are some tips for writing an excellent college essay:

Choose a Unique Topic

The topic of the college essay should be unique and personal. Students should choose a topic that they are passionate about and that showcases their personality. The topic should be something that admissions officers have not seen before.

Be Yourself

Students should be true to themselves when writing their essays. Admissions officers are looking for authentic, genuine students who will contribute to their school community. Students should avoid trying to be someone they are not in their essays.

Show, Don’t Tell

In a college essay, students should avoid telling admissions officers about their experiences. Instead, they should show them. This means using descriptive language and providing specific examples. For instance, instead of saying, “I love music,” a student could write, “Every morning, I wake up to the sound of my favorite jazz album.”

Edit, Edit, Edit

Students should take the time to edit their essays thoroughly. They should check for grammar and spelling errors, and they should make sure the essay flows well. It’s always a good idea to have someone else read the essay to provide feedback.

The New York Times Best College Essays 2022

Every year, the New York Times publishes a list of the best college essays. These essays are selected from thousands of submissions and are considered to be the best of the best. The essays are chosen based on their creativity, originality, and impact.

What Makes a Great College Essay?

The best college essays are ones that are unique and personal. They tell a story and provide insight into the applicant’s personality. These essays are well written, free of errors, and flow smoothly. They are engaging, memorable, and leave a lasting impression on the reader.

Examples of Great College Essays

Here are some examples of great college essays from the New York Times Best College Essays 2022:

“The Power of a Name”

In this essay, the author discusses the significance of their name and how it has impacted their life. The essay is personal and provides insight into the author’s life experiences.

“The Magic of Music”

This essay tells the story of how music has impacted the author’s life. The essay is well written and uses descriptive language to create a vivid picture in the reader’s mind.

“Lessons from a Lemonade Stand”

In this essay, the author discusses the lessons they learned from running a lemonade stand. The essay is unique, personal, and provides insight into the author’s personality.

Writing a college essay is a challenging task, but it’s also an opportunity for students to showcase their personalities and stand out from the competition. By following some tips and writing a unique, well-written essay, students can increase their chances of being accepted into their dream schools.

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The best video essays of 2022

10 videos that will entertain you and make you feel smarter. What’s not to like?

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An educational and argumentative style has exploded in popularity across video platforms over the past few years, part of the broader wave of explainer-based content in social media. It’s gotten to the point where the form now constitutes an extremely wide tent covering an incredibly deep well of works — or, in the parlance of one subgenre, a gargantuan iceberg . We now see everything from wordless editing experiments to vlogs with occasional image wallpapering called “video essays.” (It’s gotten to the point where one of my favorite videos released last year waded into these definitional weeds, to thought-provoking results.)

This growth makes rounding up a mere 10 exemplary videos a bigger challenge each year. My guiding principles when formulating this list were not just depth of insight, originality, and diversity of subject matter and creators, but also trying to find video essays that truly make the most of both parts of that name — which demand visual attention and engagement. The essays are listed in order of release date.

Climate Fictions, Dystopias and Human Futures by Julia Leyda and Kathleen Loock

As the prognosis around global warming gets more urgent, pop culture has been taking notice, and “cli-fi” has emerged as its own storytelling genre. Leyd and Loock use the recent Don’t Look Up as a starting point, questioning what role — if any — films like these can hope to have in affecting actual activism and reform on climate change. How strong is the connection between art’s power to move us and tangible action?

Captain Ahab: The Story of Dave Stieb by Secret Base

No one is making documentary content quite like Jon Bois, Alex Rubenstein, and the rest of the crew at Dorktown. Bois is an artist who paints with data points and historical detritus, editing all this material together in a way that feels more forward-thinking than almost anyone else making films today — whether for the internet, television, or theaters. An epic four-part series on Dave Stieb, an also-also-also-ran of baseball history, sounds ridiculous. And yet Dorktown turns him into one of the most compelling characters of the year.

[ Ed. note: Secret Base is part of SB Nation, which along with Polygon is part of Vox Media. This played no part in including the video.]

Deconstructing the Bridge by Total Refusal

This is perhaps the least “essay-like” video on this list. It’s more of a university-level lecture, but set in the least academic forum imaginable: a session of Battlefield 5. Such unusual ventures are the modus operandi of Total Refusal , a “pseudo-Marxist media guerrilla” which has used The Division to explain urban design , Red Dead Redemption 2 to explain class , and much more. Within the Battlefield 5 map is a re-creation of Dutch city of Nijmegen, the site of a decisive battle during World War II. Total Refusal takes viewers on a survey of the area in a virtual form, and in the process they delve not just into the history involved but also the entire concept of war tourism and re-creations, questioning how culture remembers these events.

Why Panzer Dragoon Saga Is the Greatest RPG Nobody Played by Michael Saba

If this doesn’t send the 1998 Sega Saturn game Panzer Dragoon Saga to the top of your must-play list, then I don’t know what to tell you. More than an intriguing look at a game that was incredibly ahead of its time and took years to find its audience, this video is a treatise on a pressing issue within gaming. See, if you want to play Panzer Dragoon Saga , you will almost certainly have to pirate it, which might stir ethical qualms in some. Saba mounts an impassioned defense of piracy as a form of archival practice and game preservation. Even if you disagree with such a conclusion, the problems he highlights within the industry cannot be denied.

Nice White Teachers, Bad Brown Schools: Hollywood’s Pedagogy on Urban Education by Yhara Zayd

Yhara Zayd makes her third consecutive appearance on our annual video essay list, and for good reason. Not content to retread ground covered by other pop culture video creators, she finds both novel subjects and interesting lenses on them. Here she scrutinizes the “inspirational” story trope of well-intentioned white teachers making a difference in urban environments, seen in the likes of Dangerous Minds and The Ron Clark Story . Most incisively, she contrasts the conventions of this genre with the stark realities and lived history of actual outsider intervention in nonwhite education.

Intimate Thresholds by Desiree Garcia

Less than four minutes long, this essay is nonetheless entrancing, thanks to Garcia’s continually inventive editing. Instead of a drawn-out exploration of the theme of female artistic competition in film, she contrasts two examples through visceral juxtaposition: 1940’s Dance, Girl, Dance and 2010’s Black Swan. With split screens, hazy picture-in-picture, precise cuts, and some remarkable use of captions, the essay makes its ideas intuitively felt rather than explaining itself through lecture.

Instagram Hates Its Users by Jarvis Johnson

The long story made short is that Instagram has continually sabotaged any actual enjoyment of using its app through trying to imitate whatever new trend has come down the cultural pipeline. But the long story, as relayed by Johnson, is so much more entertaining. We often forget the direct relationship between interface design and user experience, but this is a terrific deep dive into how that process works, pinned to an easy-to-grasp timeline of Instagram’s calamitous history.

Fixing My Brain With Automated Therapy by Jacob Geller

Jacob Geller is exceptionally good at drawing in a web of disparate sources to discuss ideas you might not have even thought about before. Here, the story of “ the first chat bot ,” the 2019 visual novel Eliza, and the app-based 2021 game UnearthU are used to explore the use of artificial intelligence in modern therapy. But as the title suggests, Geller goes one step further, testing out several different therapy apps that purport to help you improve your mental health without the need of any human therapists. His results, and what they suggest about the true intention behind these apps and the way therapy is incorporated into contemporary society, are… well, disquieting.

Parking lots are everywhere and nowhere by What’s So Great About That?

The concept of “liminal space” is currently popular in online culture discourse. But Grace Lee seldom tackles a topic from the same angle as everyone else. With reference points as wide-ranging as Seinfeld, Joni Mitchell’s “Big Yellow Taxi,” and the work of artist Guillaume Lachapelle, she discusses how parking lots appear in media, and in a wider view how they and similar urban-industrial spaces figure into our everyday lives. Lee’s essays demand your attention like few others; look away and you’re liable to miss a great little visual gag. Because of this, despite her videos seldom going longer than 15-20 minutes, they often pack in much, much more information than you’ll expect.

How Degrowth Can Save the World by Andrewism

Andrew Sage describes himself not just as an anarchist but as “solarpunk” — focused on solutions for a sustainable future for humanity. In this video he elucidates one of the key features of the destructive capitalist status quo: the idea of unlimited economic and industrial growth. Insistence of “degrowth” practices can often elicit fears of some vague loss in one’s standard of living. But Sage debunks this and many other arguments against degrowth, while building a more inspiring and hopeful vision for an environmentally sound, egalitarian existence.

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Essay Paper UPSC 2022 (Mains): Question Paper and Analysis

Last updated on September 16, 2022 by ClearIAS Team

The Essay Paper in UPSC CSE 2022 was easy compared to previous years. Please find the questions in the Essay Paper of the UPSC 2022 Civil Services Mains Examination (written).

UPSC conducted the Essay Paper , as part of the Civil Services Main Exam 2022 on 16-09-2022. The question paper was not as shocking as last year.

There were 8 Essay topics, out of which candidates were asked to write on two topics in 3 hours.

Candidates were supposed to answer about 1000 words for each essay (about 10-12 pages).

Table of Contents

Essay Paper UPSC 2022 Instructions

• Total Marks: 250 marks, Time duration: 3 hours.
• The essay must be written in the medium authorized in the admission certificate which must be stated clearly on the cover of this question-cum-answer (QCA) booklet in the space provided.
• No marks will be given for answers written in a medium other than the authorized one.
• Word limit, as specified, should be adhered to.
• Any page or portion of the page left blank, must be struck off clearly.

Essay Question Paper – UPSC Civil Services Main Exam (Written) 2022

Write two essays, choosing one topic from each of the following Sections A and B, in about 1000-1200 words each:

• Forests are the best case studies for economic excellence.
• Poets are the unacknowledged legislators of the world.
• History is a series of victories won by the scientific man over the romantic man.
• A ship in the harbour is safe but that is not what a ship is for.
• The time to repair the roof is when the sun is shining.
• You cannot step twice in the same river.
• Smile is the chosen vehicle for all ambiguities.
• Just because you have a choice, it does not mean that any of them has to be right.

UPSC , as always, has ensured that the essay topics were much different from the GS questions.

A philosophical theme is clearly evident in most of the essay topics in Section A as well as Section B. This was the case in 2020 and 2021 as well. It is a clue about what UPSC expects from the essay paper.

Rather than asking candidates to write on topics most aspirants are familiar with or trained with, UPSC is now evaluating the essay writing skills of aspirants by providing them with abstract or philosophical topics. 

This year, most of the topics were either proverbs or famous quotes.

All 8 topics presented this year will test the spontaneous thinking, comprehension, writing skills, and time management of aspirants.

Thinkers, Philosophers, and their Quotes

Let’s analyse the source of some of the question topics.

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POETS ARE THE UNACKNOWLEDGED LEGISLATORS OF THE WORLD 

This essay topic is one of the best-known and most frequently quoted lines from the Romantic poet Percy Bysshe Shelley (1792-1822).

Shelley thinks that poets can institute laws and create new materials for knowledge, determining the role of poets as legislators. 

Shelley’s account of poetic language seeks to find an order to the chaos, which, possibly, Shelley sees in human society: the mess that only poets can fathom. 

Therefore, he thinks, the poets’ enhanced poetic language can re-institute order in human society. 

A SHIP IN HARBOUR IS SAFE BUT THAT IS NOT WHAT A SHIP IS FOR 

This essay topic is connected with John A Shedd , an author and professor, who is attributed to this quote. Reference: his book Salt from My Attic , a collection of quotes and sayings (1928).

This phrase means, that getting out of your comfort zone is key to experiencing new things and broadening your horizons.

Only taking risks helps us grow as people—to either achieve our goals or do the things we’ve always wanted to do.

THE TIME  TO REPAIR THE ROOF IS WHEN THE SUN IS SHINING 

This essay topic was connected with John F. Kennedy. In his 1962 State of the Union Address, John F. Kennedy declared, “The best time to repair the roof is when the sun is shining”.

The primary message of the quote is fixing a leak is best done when the weather is good, rather than when it is not.

Ideally, you should begin the work of fixing the roof as soon after the leak was found. The first sunny day would be ideal. It is not easy to fix a roof when it is raining.

This statement is being used to remind us to do the right things at the right time. It also points us to take the advantage of favourable time.

YOU CAN NOT STEP TWICE IN THE SAME RIVER 

This essay topic was quoted by Heraclitus, a Greek philosopher born in 544 b.c.

This means that you cannot step into the same river twice because the flow of the river will change each second. You will also change each second.

It is not possible to repeat past experiences, as time changes all things. You won’t get the exact experience twice. You need to live in the present and enjoy each moment.

A SMILE IS A CHOSEN VEHICLE FOR ALL AMBIGUITIES 

This essay topic was quoted by Herman Melville, an American novelist.

JUST BECAUSE YOU HAVE A CHOICE DOES NOT MEAN THAT ANY OF THEM HAS TO BE RIGHT 

This essay topic was quoted by Norton Juster, an American academic, architect, and writer in his book The Phantom Tollbooth

What should aspirants preparing for next year do for an essay paper?

First of all, you should take the essay paper seriously.

Unless properly trained, it is not easy to write 10-12 pages on an abstract or philosophical topic.

You need to polish your comprehension and analytical skills.

Read different kinds of essays – particularly philosophical essays.

Give stress to the thoughts of philosophers like Immanuel Kant, Thomas Aquinas, John Locke, Friedrich Niche, Karl Marx etc. Start writing essays on famous quotes.

Also, be prepared to write essays touching on other areas like society, politics, economy, or technology. UPSC is known for surprises.

Remember that there is nothing like a constant trend with respect to UPSC questions.

What you get by analysing the previous year’s question papers are clues. And only those are what you need from UPSC questions!

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Looking for apartments for buying in russia.

Choosing the neighborhood of your future residence is a task to be treated with diligence. Poor transport accessibility, a lacking infrastructure and unsatisfactory ecological parameters may noticeably dampen the joy a new property owner is sure to feel from their purchase. To help you avoid such a scenario, we have put together a short overview of the areas in Moscow where you may be considering the purchase of a home , complete with the pros and cons of each of the different locations:

Arbat District – the cultural and business center of Moscow. One of the most prestigious locations in the capital. It boasts a very good infrastructure and high transport accessibility. Unsurprisingly, the property costs here are the highest in Moscow. Despite its small size, the district contains around 10% of all of the capital’s new elite residential buildings, and apartments for sale make up 96% of the properties on the market in this neighborhood. The price of a square meter (3.28 sqft) for an apartment in a new building with penthouses is, on average, 12 000 USD, while the cost of the same in an old building is 9 000 USD. One can even find luxury condos with open terraces for sale in the area.

Kuntsevo District – a beautiful locality surrounded by vast areas of woodland and river beaches on the banks of Moskva River. A strong point of this neighborhood is its good environmental conditions. Brand new and modern residential compounds have been erected here. One square meter (3.28 sqft) of an apartment in a new housing complex in Kuntsevo District currently costs 3 000 USD.

Yakimanka District – one of the most interesting and prestigious areas of Moscow by popular opinion. It is packed full of well-known historic monuments, museums and large parks. The Yakimanka District changed drastically during the Soviet era: most of the centuries-old low-rise houses and mansions were completely demolished or restructured. By the beginning of the 1990’s, new residential and public complexes had already taken their place. Today, one can find condos for sale in Yakimanka’s new residential complexes for the average price of 11 000 USD per square meter (3.28 sqft). The price of a square meter in a Soviet era panel building is 4 000 USD.

Here in Russia’s capital we have our own skyscrapers – grouped together in the compound famously dubbed Moscow-City (the Moscow International Business Center). Many large corporations have their headquarters here. For 1 million US dollars you can purchase a 3-room apartment with a floor area of 607 sqft (185 m²) in one of the towers. This particular listing is located on the 25 th floor.

Where Can I Find Cheap Flats?

If you happen to be a student or if your budget is capped at 300 000 USD and you are looking for cheap condos for sale in Moscow, then the Mitino, Nekrasovka, Cheryomushki, Butovo and Novogireyevo Districts will best suit your needs. These neighborhoods each contain a great number of residential complexes inhabited by Moscow’s middle class. They also have everything one might need for a comfortable life: many schools, kindergartens, big supermarkets, public pools, hospitals, etc. One of Moscow’s Metro stations is also usually just a short walk away. The minimum price of a furnished studio flat in a location within the Moscow Ring Road (a.k.a. MKAD) is currently 100 000 USD.

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Idaho Murders: What We Know

A man who was studying for a Ph.D. at a nearby university has been charged in the stabbing deaths of four University of Idaho undergraduates.

By Mike Baker and Nicholas Bogel-Burroughs

Though a suspect has been arrested and charged in the brutal stabbing deaths of four University of Idaho students in the middle of the night last fall, a series of mysteries remain about why the victims were targeted and what evidence prosecutors have against the suspect.

The suspect, Bryan Kohberger, 28, who was a Ph.D. student in criminology at a nearby university at the time, has offered an explanation for what he was doing on the night of the killings. In a court filing, his lawyers suggested that he was out “driving alone” around the time that the attack occurred, in the pre-dawn hours of Nov. 13.

“Mr. Kohberger has long had a habit of going for drives alone,” they wrote.

Investigators have said that they used cellphone tower data to track Mr. Kohberger’s phone on the night of the killings, and obtained surveillance video that showed a white vehicle like Mr. Kohberger’s repeatedly circling around the victims’ house that night.

The defense said in its filing that Mr. Kohberger’s explanation of where he traveled that night might eventually be corroborated by witnesses and experts.

The authorities have not detailed any motive for the attacks.

The judge overseeing the case has imposed a gag order that has prevented the police, prosecutors, defense lawyers and lawyers for the victims’ families from discussing the case.

The police have said the killings took place sometime around 4 a.m., after the victims — Madison Mogen, 21; Kaylee Goncalves, 21; Xana Kernodle, 20; and Ethan Chapin, 20 — had spent a typical Saturday night out near campus. They returned to the house in the early hours of Sunday.

In court documents, the police said that a combination of evidence had led them to arrest Mr. Kohberger at his parents’ home in Pennsylvania, after the case had remained unsolved for more than six weeks. Chief among that evidence is a leather knife sheath that was left on a bed in one of the two bedrooms where the murders took place. A Moscow police corporal said in an affidavit that DNA was found on the sheath. Prosecutors later said that Mr. Kohberger’s DNA, which was tested after his arrest, proved to be a statistical match.

One key item that did not appear in the documents was a weapon. Investigators have been searching for a long knife that they believe was used in the attack.

Here’s what else is known so far.

A white car and an intruder wearing black.

The victims returned home by about 2 a.m., the authorities said. More than an hour later, a white car appeared in surveillance video in the neighborhood. The victims’ house was on a dead-end street, but the white car — identified by investigators as a Hyundai Elantra — could be seen passing by the house several times, including at 4:04 a.m., when the car returned and did a three-point turn in the road near the house.

One of the victims, Ms. Kernodle, appears to have been awake at the time, having just received a DoorDash order. Her phone also indicated that she had been using the TikTok app, investigators said.

One of the surviving housemates reported being awake around that time as well; she told the police that she had heard sounds upstairs that she thought were from Ms. Goncalves playing with her dog. She told investigators she also heard what sounded like crying coming from Ms. Kernodle’s room, down the hall from her own on the second floor, along with a male voice saying something to the effect of, “It’s OK, I’m going to help you.”

At 4:17 a.m., according to investigators, a security camera in the area captured distorted audio of what sounded like a whimper and a loud thud. A dog was heard barking.

The surviving housemate said that she looked out her bedroom door to check on the noises, and was stunned to see a man in black clothing and a mask walk past her, toward a sliding-glass door at the back of the house. The housemate told the police she went back into her room and locked the door; what she did next was unclear. No one called the police for more than seven hours.

At about 4:20 a.m., the white Elantra could be seen in video footage driving away from the neighborhood, investigators said.

Later that day, the four victims were found stabbed to death in two bedrooms.

A car, phone records, and a family tree.

Investigators who arrived at the crime scene found the knife sheath with a U.S. Marine Corps logo lying on the bed next to Ms. Mogen, who was found dead in the same bedroom as her longtime friend, Ms. Goncalves.

Later, as they began searching for the car seen in the video footage, the police at nearby Washington State University found a white Elantra registered there, identifying the owner as Mr. Kohberger.

But Mr. Kohberger did not become a point of focus until weeks later . The DNA from the knife sheath had not matched with anyone in law enforcement databases, so investigators sent it for further analysis. This eventually produced a more extensive profile that enabled the use of genetic genealogy, through consumer DNA samples, to build a family tree. By Dec. 19, F.B.I. agents had begun focusing on Mr. Kohberger.

Shortly before Christmas, investigators obtained phone records showing that on the night of the killings, Mr. Kohberger’s phone had stopped connecting to the cellular network at 2:47 a.m., when he was in Pullman, where the Washington State campus is.

Investigators suggested that the phone might have been shut off to obscure Mr. Kohberger’s location. When the phone reconnected at 4:48 a.m., it was south of Moscow and followed a route back to Pullman.

Mr. Kohberger’s phone was in Moscow, in the area near the crime scene, later that morning, investigators said. The phone’s history also reflected that it had been in the area of the house 12 times in the months before the murders, according to the affidavit.

By the end of December, Mr. Kohberger had returned to his parents’ house in Pennsylvania. He had driven with his father on a cross-country road trip , during which they were pulled over twice for tailgating. Each time, they were let go with a warning. At that point, Mr. Kohberger had a new Washington State license plate on his car , something he had obtained five days after the killings, records show.

The police tested DNA from trash found at the family’s Pennsylvania home, and arrested Bryan Kohberger Dec. 30 in a predawn raid. He was later extradited to Idaho.

THE SUSPECT

Bryan Kohberger was a criminal justice student.

As a teenager, Mr. Kohberger wrote online about his struggles with dissociation, suicidal thoughts, a lack of emotion and minimal remorse. In 2018, he described to a friend a nearly lifelong struggle with depression, but said he was doing well and had stopped using the heroin that he had turned to when he felt suicidal.

Later, he developed an interest in criminals, telling one friend that he saw himself one day working with high-profile offenders. He enrolled at DeSales University, a Catholic institution in Center Valley, Pa., where he studied in part under Katherine Ramsland, a forensic psychologist whose books include “The Mind of a Murderer” and “How to Catch a Killer.” He received a bachelor’s degree from DeSales in 2020 and completed a master’s degree in June 2022.

Last year, in a post on Reddit, a user who identified himself as Bryan Kohberger asked people who had spent time in prison to take a survey about their crimes. The survey listed Mr. Kohberger as a student investigator working with two professors at DeSales, and it asked respondents to describe their “thoughts, emotions and actions from the beginning to end of the crime commission process.”

In the fall semester of 2022, Mr. Kohberger began studying at Washington State, about a 10-minute drive from the University of Idaho.

In the days before the killings, one classmate recalled, Mr. Kohberger had been highly engaged in a discussion about forensics, DNA and other evidence that prosecutors use to win convictions. In the days after the killings, records show, he was still grading papers in his job as a teaching assistant.

Jason LaBar, a public defender in Pennsylvania who initially represented Mr. Kohberger when he was arrested there, said Mr. Kohberger’s parents and sisters want justice for the victims, but are also standing behind Mr. Kohberger, who continues to communicate with them by phone from jail in Idaho.

“They believe in his innocence until proven otherwise,” Mr. LaBar said.

THE VICTIMS

Here’s what we know about the victims.

Madison Mogen , who went by Maddie, was a senior from Coeur d’Alene who was majoring in marketing. Her grandmother, Kim Cheeley, said Ms. Mogen had always been a gentle and caring person who kept many long-term friendships and close ties with an extended family.

Ms. Mogen’s boyfriend, Jake Schriger, said she had been excited for graduation next year and had talked about wanting to explore other parts of the world. Ms. Mogen always spread positivity and brought acts of kindness to others, Mr. Schriger said, adding that he hoped people would remember her for the love she had given to others.

Ms. Mogen’s father, Ben Mogen, said he did not believe that anyone who had a personal relationship with Ms. Mogen or her friends would be involved in killing them.

“If you knew them, then you loved them,” he said.

Kaylee Goncalves , who was from Rathdrum, Idaho, had been set to graduate early in December and had planned to move to Austin, Texas, with one of her close friends in June. The friend, Jordyn Quesnell, said Ms. Goncalves had secured a position with a marketing firm and was excited to explore more of the country.

“We wanted that adventure,” Ms. Quesnell said. “I would be like, ‘Let’s go do this,’ and she’d be like, ‘Down!’”

Alivea Goncalves, Ms. Goncalves’s older sister, said Kaylee and Ms. Mogen had served as bridesmaids for her wedding.

Ethan Chapin , from Conway, Wash., was one of a set of triplets and had spent much of Nov. 12, the day before the killings, with both of his siblings, who are also University of Idaho students, their mother, Stacy Chapin, said. In the evening, they all attended a dance held by his sister’s sorority, she said.

“My kids are very thankful that it was time well spent with him,” Ms. Chapin said. “He was literally the life of the party. He made everybody laugh. He was just the kindest person.”

Mr. Chapin played basketball in high school and was known by friends and family members for always having a big smile, ever since he was a baby. Ms. Chapin described her son as “just the brightest light.”

Xana Kernodle grew up in Idaho but had spent time in Arizona in recent years, according to an interview that her father, Jeffrey Kernodle, gave to an Arizona TV station .

Mr. Kernodle told the station that his daughter was strong-willed and had enjoyed having an independent life in college.

He said his daughter had apparently tried to fight her attacker, an account backed up by the coroner. Mr. Kernodle expressed shock that his daughter could have been killed while at home with friends.

“She was with her friends all the time,” Mr. Kernodle said.

Serge F. Kovaleski and Anushka Patil contributed reporting. Susan C. Beachy , Sheelagh McNeill and Kirsten Noyes contributed research.

Mike Baker is the Seattle bureau chief, reporting primarily from the Northwest and Alaska. More about Mike Baker

Nicholas Bogel-Burroughs reports on national news. He is from upstate New York and previously reported in Baltimore, Albany, and Isla Vista, Calif. More about Nicholas Bogel-Burroughs

1 hr 46 min

Motherhood & More Podcast, Episode 6: Older Kids and Empty Nesting Motherhood and More - The Podcast

SHOWNOTES: Annie’s Essays: This is 18 and I Didn’t Expect the Emotions: https://grownandflown.com/18-legal-adult/ Paula’s Essays: 5 Tips to Prepare for Parenting Teens NOW: https://www.scarymommy.com/prepare-for-parenting-teens Parenting the Teen Who Didn’t Go Off to College: https://grownandflown.com/parenting-teen-didnt-go-college/ Essays We Reference: There Is No Road Map for the Longest Phase of Parenthood: https://www.theatlantic.com/family/archive/2022/09/parenting-advice-adult-children/671304/?fbclid=IwAR23bi72xe9XcnEAsdcddZ1K5EbCK_Y1l2mQQng99TRe6QFYkea1DmhLb80 5 Signs of Empty Nest Syndrome: https://www.verywellfamily.com/signs-of-empty-nest-syndrome-4163787 Stop Pretending that Intensive Parenting Doesn’t Work: https://tinyurl.com/msn78ur2 Contact us: Email: [email protected] YouTube: Motherhood and More Podcast IG: @motherhoodandmorepodcast Annie’s IG: @motherhoodnmore  Paula’s IG: fiberstoryteller

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Earth Day: What is it, when is it and why is it important?

Earth Day takes place on 22 April each year. Image:  UNSPLASH/Markus Spiske

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Hanh nguyen.

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This article was last updated on 11 April 2024. It was originally published on 19 April 2022.

• Earth Day takes place every year on 22 April and is one of the biggest environmental protest movements on the planet.
• The theme of Earth Day this year is 'Planet vs. Plastics' - campaigners are calling for a 60% reduction in the production of plastics by 2040.
• The World Economic Forum's Global Risks Report 2024 finds that environmental risks make up half of the top 10 risks over the next 10 years.

“Good evening, a unique day in American history is ending. A day set aside for a nationwide outpouring of mankind seeking its own survival.”

Those were the words of US TV presenter Walter Cronkite as he described the aftermath of the first Earth Day back in 1970.

Here’s what you need to know about Earth Day in 2024.

What is Earth Day and what is the theme in 2024?

Earth Day is an international day devoted to our planet. It draws attention to the environment and promotes conservation and sustainability. Each year on 22 April, around 1 billion people around the world take action to raise awareness of the climate crisis and bring about behavioural change to protect the environment.

Participation in Earth Day can take many forms, including small home or classroom projects like planting a herb garden or picking up litter. People also volunteer to plant trees, join other ecological initiatives or take part in street protests about climate change and environmental degradation.

Official Earth Day campaigns and projects aim to increase environmental literacy and bring together like-minded people or groups to address issues such as deforestation, biodiversity loss and other challenges .

The global theme for this year's Earth Day is ' Planet vs. Plastics ', which recognizes the threat plastics pose to human health and with campaigners demanding a 60% reduction in the production of plastics by 2040.

From 23 to 29 April 2024, governments and NGOs from around the world will gather in Ottawa to continue negotiating the terms of the United Nations Global Plastic Treaty .

How did Earth Day begin?

Millions of people took to the streets of US cities and towns on 22 April 1970 in mass protests over the damage being done to the planet and its resources. Amid the demonstrations, protesters brought New York City’s usually bustling Fifth Avenue to a halt, while students in Boston held a “die-in” at Logan Airport. The environmental impact of the post-war consumer boom was beginning to be felt at that time. Oil spills, factory pollution and other ecological threats were on the rise, with little if any legislation in place to prevent them.

The protests brought together people from all walks of American life – accounting for about 10% of the US population – to demonstrate and voice their demands for sustainable change. The Earth Day website calls it the birth of the modern environmental movement.

What led to the street protests in 1970?

Concerned about increasing levels of unchecked environmental destruction, Junior Senator Gaylord Nelson of Wisconsin suggested a series of “teach-ins” on university campuses across the US in 1969 to raise awareness of environmental threats. Nelson was joined by Congressman Pete McCloskey and activist Denis Hayes to organize the teach-ins, but the group soon recognized an opportunity to broaden the event’s appeal beyond student populations.

The newly named Earth Day protest events attracted national media attention and support from around 20 million Americans across age and political spectrums, occupations and income groups.

What did the protests achieve?

The Earth Day demonstrations left an indelible mark on US policy. By the end of 1970, the US Environmental Protection Agency came into being and a stream of laws followed to help protect the environment . These included the National Environmental Education Act, the Occupational Safety and Health Act and the Clean Air Act. Further legislation was soon introduced to protect water quality and endangered species, and to control the use of harmful chemicals and pesticides.

When did Earth Day go global?

Earth Day went beyond the US in 1990. Around 200 million people from 141 countries joined efforts to boost recycling around the world that year, paving the way for the 1992 United Nations Conference on Environment and Development in Rio de Janeiro, Brazil.

Climate change poses an urgent threat demanding decisive action. Communities around the world are already experiencing increased climate impacts, from droughts to floods to rising seas. The World Economic Forum's Global Risks Report continues to rank these environmental threats at the top of the list.

To limit global temperature rise to well below 2°C and as close as possible to 1.5°C above pre-industrial levels, it is essential that businesses, policy-makers, and civil society advance comprehensive near- and long-term climate actions in line with the goals of the Paris Agreement on climate change.

The World Economic Forum's Climate Initiative supports the scaling and acceleration of global climate action through public and private-sector collaboration. The Initiative works across several workstreams to develop and implement inclusive and ambitious solutions.

This includes the Alliance of CEO Climate Leaders, a global network of business leaders from various industries developing cost-effective solutions to transitioning to a low-carbon, climate-resilient economy. CEOs use their position and influence with policy-makers and corporate partners to accelerate the transition and realize the economic benefits of delivering a safer climate.

Contact us to get involved.

This “Earth Summit”, as it became known, led to the formation of the UN Convention on Climate Change and the UN Convention on Biological Diversity , along with the Commission on Sustainable Development to monitor and report on the implementation of Earth Summit agreements.

And as citizens were increasingly concerned with corporate impacts on the natural environment, big and small businesses started to feel the pressure to consider sustainability in their practice.

Have you read?

Is climate inaction a human rights violation, how earth observation from space helps advance climate change research, why is earth day important today.

As the millennium loomed, the Earth Day movement turned its attention to the growing reality of the impending climate crisis with a clear message for world leaders and business: urgent action is needed to address global warming.

It’s a message that is even more relevant today. The latest report from the Intergovernmental Panel on Climate Change states that without further immediate action to curb greenhouse gas emissions, the world is on course for temperatures 3.2°C above pre-industrial levels by 2100. This level of warming would be catastrophic for the planet and all life on it, including humans.

The year 2023 was the hottest ever recorded .

The World Economic Forum's Global Risks Report 2024 finds that environmental risks make up half of the top 10 risks over the next 10 years, with extreme weather events, critical change to Earth's systems, biodiversity loss and ecosystem collapse being the top three.

Nature is our biggest ally in fighting the climate crisis and has slowed global warming by absorbing 54% of human-related carbon dioxide emissions over the past 10 years. Yet, we are losing animals, marine species, plants, and insects at an unprecedented rate, not seen in 10 million years . Threats from human activity for food production and ocean use, infrastructure, energy and mining endanger around 80% of all threatened or near-threatened species .

Earth Day has become a leading light in the fight to combat climate change and nature loss. As we celebrate its 54th anniversary, we must make use of this truly global movement to act, as citizens and governments, as consumers and businesses, and as individuals and communities. Our survival could well depend on it.

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