what are photo essays

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How to Create an Engaging Photo Essay (with Examples)

Photo essays tell a story in pictures. They're a great way to improve at photography and story-telling skills at once. Learn how to do create a great one.

Learn | Photography Guides | By Ana Mireles

Photography is a medium used to tell stories – sometimes they are told in one picture, sometimes you need a whole series. Those series can be photo essays.

If you’ve never done a photo essay before, or you’re simply struggling to find your next project, this article will be of help. I’ll be showing you what a photo essay is and how to go about doing one.

You’ll also find plenty of photo essay ideas and some famous photo essay examples from recent times that will serve you as inspiration.

If you’re ready to get started, let’s jump right in!

Table of Contents

What is a Photo Essay?

A photo essay is a series of images that share an overarching theme as well as a visual and technical coherence to tell a story. Some people refer to a photo essay as a photo series or a photo story – this often happens in photography competitions.

Photographic history is full of famous photo essays. Think about The Great Depression by Dorothea Lange, Like Brother Like Sister by Wolfgang Tillmans, Gandhi’s funeral by Henri Cartier Bresson, amongst others.

What are the types of photo essay?

Despite popular belief, the type of photo essay doesn’t depend on the type of photography that you do – in other words, journalism, documentary, fine art, or any other photographic genre is not a type of photo essay.

Instead, there are two main types of photo essays: narrative and thematic .

As you have probably already guessed, the thematic one presents images pulled together by a topic – for example, global warming. The images can be about animals and nature as well as natural disasters devastating cities. They can happen all over the world or in the same location, and they can be captured in different moments in time – there’s a lot of flexibility.

A narrative photo essa y, on the other hand, tells the story of a character (human or not), portraying a place or an event. For example, a narrative photo essay on coffee would document the process from the planting and harvesting – to the roasting and grinding until it reaches your morning cup.

What are some of the key elements of a photo essay?

• Tell a unique story – A unique story doesn’t mean that you have to photograph something that nobody has done before – that would be almost impossible! It means that you should consider what you’re bringing to the table on a particular topic.
• Put yourself into the work – One of the best ways to make a compelling photo essay is by adding your point of view, which can only be done with your life experiences and the way you see the world.
• Add depth to the concept – The best photo essays are the ones that go past the obvious and dig deeper in the story, going behind the scenes, or examining a day in the life of the subject matter – that’s what pulls in the spectator.
• Nail the technique – Even if the concept and the story are the most important part of a photo essay, it won’t have the same success if it’s poorly executed.
• Build a structure – A photo essay is about telling a thought-provoking story – so, think about it in a narrative way. Which images are going to introduce the topic? Which ones represent a climax? How is it going to end – how do you want the viewer to feel after seeing your photo series?
• Make strong choices – If you really want to convey an emotion and a unique point of view, you’re going to need to make some hard decisions. Which light are you using? Which lens? How many images will there be in the series? etc., and most importantly for a great photo essay is the why behind those choices.

9 Tips for Creating a Photo Essay

Credit: Laura James

1. Choose something you know

To make a good photo essay, you don’t need to travel to an exotic location or document a civil war – I mean, it’s great if you can, but you can start close to home.

Depending on the type of photography you do and the topic you’re looking for in your photographic essay, you can photograph a local event or visit an abandoned building outside your town.

It will be much easier for you to find a unique perspective and tell a better story if you’re already familiar with the subject. Also, consider that you might have to return a few times to the same location to get all the photos you need.

2. Follow your passion

Most photo essays take dedication and passion. If you choose a subject that might be easy, but you’re not really into it – the results won’t be as exciting. Taking photos will always be easier and more fun if you’re covering something you’re passionate about.

3. Take your time

A great photo essay is not done in a few hours. You need to put in the time to research it, conceptualizing it, editing, etc. That’s why I previously recommended following your passion because it takes a lot of dedication, and if you’re not passionate about it – it’s difficult to push through.

4. Write a summary or statement

Photo essays are always accompanied by some text. You can do this in the form of an introduction, write captions for each photo or write it as a conclusion. That’s up to you and how you want to present the work.

5. Learn from the masters

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Making a photographic essay takes a lot of practice and knowledge. A great way to become a better photographer and improve your storytelling skills is by studying the work of others. You can go to art shows, review books and magazines and look at the winners in photo contests – most of the time, there’s a category for photo series.

6. Get a wide variety of photos

Think about a story – a literary one. It usually tells you where the story is happening, who is the main character, and it gives you a few details to make you engage with it, right?

The same thing happens with a visual story in a photo essay – you can do some wide-angle shots to establish the scenes and some close-ups to show the details. Make a shot list to ensure you cover all the different angles.

Some of your pictures should guide the viewer in, while others are more climatic and regard the experience they are taking out of your photos.

7. Follow a consistent look

Both in style and aesthetics, all the images in your series need to be coherent. You can achieve this in different ways, from the choice of lighting, the mood, the post-processing, etc.

8. Be self-critical

Once you have all the photos, make sure you edit them with a good dose of self-criticism. Not all the pictures that you took belong in the photo essay. Choose only the best ones and make sure they tell the full story.

9. Ask for constructive feedback

Often, when we’re working on a photo essay project for a long time, everything makes perfect sense in our heads. However, someone outside the project might not be getting the idea. It’s important that you get honest and constructive criticism to improve your photography.

How to Create a Photo Essay in 5 Steps

Credit: Quang Nguyen Vinh

1. Choose your topic

This is the first step that you need to take to decide if your photo essay is going to be narrative or thematic. Then, choose what is it going to be about?

Ideally, it should be something that you’re interested in, that you have something to say about it, and it can connect with other people.

2. Research your topic

To tell a good story about something, you need to be familiar with that something. This is especially true when you want to go deeper and make a compelling photo essay. Day in the life photo essays are a popular choice, since often, these can be performed with friends and family, whom you already should know well.

3. Plan your photoshoot

Depending on what you’re photographing, this step can be very different from one project to the next. For a fine art project, you might need to find a location, props, models, a shot list, etc., while a documentary photo essay is about planning the best time to do the photos, what gear to bring with you, finding a local guide, etc.

Every photo essay will need different planning, so before taking pictures, put in the required time to get things right.

4. Experiment

It’s one thing to plan your photo shoot and having a shot list that you have to get, or else the photo essay won’t be complete. It’s another thing to miss out on some amazing photo opportunities that you couldn’t foresee.

So, be prepared but also stay open-minded and experiment with different settings, different perspectives, etc.

5. Make a final selection

Editing your work can be one of the hardest parts of doing a photo essay. Sometimes we can be overly critical, and others, we get attached to bad photos because we put a lot of effort into them or we had a great time doing them.

Try to be as objective as possible, don’t be afraid to ask for opinions and make various revisions before settling down on a final cut.

7 Photo Essay Topics, Ideas & Examples

Credit: Michelle Leman

• Architectural photo essay

Using architecture as your main subject, there are tons of photo essay ideas that you can do. For some inspiration, you can check out the work of Francisco Marin – who was trained as an architect and then turned to photography to “explore a different way to perceive things”.

You can also lookup Luisa Lambri. Amongst her series, you’ll find many photo essay examples in which architecture is the subject she uses to explore the relationship between photography and space.

• Process and transformation photo essay

This is one of the best photo essay topics for beginners because the story tells itself. Pick something that has a beginning and an end, for example, pregnancy, the metamorphosis of a butterfly, the life-cycle of a plant, etc.

Keep in mind that these topics are linear and give you an easy way into the narrative flow – however, it might be difficult to find an interesting perspective and a unique point of view.

• A day in the life of ‘X’ photo essay

There are tons of interesting photo essay ideas in this category – you can follow around a celebrity, a worker, your child, etc. You don’t even have to do it about a human subject – think about doing a photo essay about a day in the life of a racing horse, for example – find something that’s interesting for you.

• Time passing by photo essay

It can be a natural site or a landmark photo essay – whatever is close to you will work best as you’ll need to come back multiple times to capture time passing by. For example, how this place changes throughout the seasons or maybe even over the years.

A fun option if you live with family is to document a birthday party each year, seeing how the subject changes over time. This can be combined with a transformation essay or sorts, documenting the changes in interpersonal relationships over time.

• Travel photo essay

Do you want to make the jump from tourist snapshots into a travel photo essay? Research the place you’re going to be travelling to. Then, choose a topic.

If you’re having trouble with how to do this, check out any travel magazine – National Geographic, for example. They won’t do a generic article about Texas – they do an article about the beach life on the Texas Gulf Coast and another one about the diverse flavors of Texas.

The more specific you get, the deeper you can go with the story.

• Socio-political issues photo essay

This is one of the most popular photo essay examples – it falls under the category of photojournalism or documental photography. They are usually thematic, although it’s also possible to do a narrative one.

Depending on your topic of interest, you can choose topics that involve nature – for example, document the effects of global warming. Another idea is to photograph protests or make an education photo essay.

It doesn’t have to be a big global issue; you can choose something specific to your community – are there too many stray dogs? Make a photo essay about a local animal shelter. The topics are endless.

• Behind the scenes photo essay

A behind-the-scenes always make for a good photo story – people are curious to know what happens and how everything comes together before a show.

Depending on your own interests, this can be a photo essay about a fashion show, a theatre play, a concert, and so on. You’ll probably need to get some permissions, though, not only to shoot but also to showcase or publish those images.

4 Best Photo Essays in Recent times

Now that you know all the techniques about it, it might be helpful to look at some photo essay examples to see how you can put the concept into practice. Here are some famous photo essays from recent times to give you some inspiration.

Habibi by Antonio Faccilongo

This photo essay wan the World Press Photo Story of the Year in 2021. Faccilongo explores a very big conflict from a very specific and intimate point of view – how the Israeli-Palestinian war affects the families.

He chose to use a square format because it allows him to give order to things and eliminate unnecessary elements in his pictures.

With this long-term photo essay, he wanted to highlight the sense of absence and melancholy women and families feel towards their husbands away at war.

The project then became a book edited by Sarah Leen and the graphics of Ramon Pez.

Picture This: New Orleans by Mary Ellen Mark

The last assignment before her passing, Mary Ellen Mark travelled to New Orleans to register the city after a decade after Hurricane Katrina.

The images of the project “bring to life the rebirth and resilience of the people at the heart of this tale”, – says CNNMoney, commissioner of the work.

Each survivor of the hurricane has a story, and Mary Ellen Mark was there to record it. Some of them have heartbreaking stories about everything they had to leave behind.

Others have a story of hope – like Sam and Ben, two eight-year-olds born from frozen embryos kept in a hospital that lost power supply during the hurricane, yet they managed to survive.

Selfie by Cindy Sherman

Cindy Sherman is an American photographer whose work is mainly done through self-portraits. With them, she explores the concept of identity, gender stereotypes, as well as visual and cultural codes.

One of her latest photo essays was a collaboration with W Magazine entitled Selfie. In it, the author explores the concept of planned candid photos (‘plandid’).

The work was made for Instagram, as the platform is well known for the conflict between the ‘real self’ and the one people present online. Sherman started using Facetune, Perfect365 and YouCam to alter her appearance on selfies – in Photoshop, you can modify everything, but these apps were designed specifically to “make things prettier”- she says, and that’s what she wants to explore in this photo essay.

Tokyo Compression by Michael Wolf

Michael Wolf has an interest in the broad-gauge topic Life in Cities. From there, many photo essays have been derived – amongst them – Tokyo Compression .

He was horrified by the way people in Tokyo are forced to move to the suburbs because of the high prices of the city. Therefore, they are required to make long commutes facing 1,5 hours of train to start their 8+ hour workday followed by another 1,5 hours to get back home.

To portray this way of life, he photographed the people inside the train pressed against the windows looking exhausted, angry or simply absent due to this way of life.

You can visit his website to see other photo essays that revolve around the topic of life in megacities.

Final Words

It’s not easy to make photo essays, so don’t expect to be great at it right from your first project.

Start off small by choosing a specific subject that’s interesting to you –  that will come from an honest place, and it will be a great practice for some bigger projects along the line.

Whether you like to shoot still life or you’re a travel photographer, I hope these photo essay tips and photo essay examples can help you get started and grow in your photography.

Let us know which topics you are working on right now – we’ll love to hear from you!

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Ana Mireles is a Mexican researcher that specializes in photography and communications for the arts and culture sector.

Penelope G. To Ana Mireles Such a well written and helpful article for an writer who wants to inclue photo essay in her memoir. Thank you. I will get to work on this new skill. Penelope G.

Herman Krieger Photo essays in black and white

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18 Immersive Photo Essay Examples & Tips

By Tata Rossi 13 days ago, Professional photography

A photo essay tells a story or evokes emotion through a series of photographs. The essays allow you to be creative and fully explore an idea. Such essays exist in a variety of forms – from photos only to images with brief comments or written essays accompanied by shots. Choose a photo essay example that you can easily do based on your professional level and the equipment you use.

1. Protests

• View the “Resistance” photo essay by David Moore .

A great idea for photo essays for students is to shoot the protest to show its power. You can capture people with signs and banners to demonstrate what they are standing for. Besides, you can learn how to capture moving subjects. Use the best example of photo essay and don’t forget about angles, composition, and framing.

To create a photo essay , go up to the front and photograph the leader of the protesters walking forward. After that, go back to the end of the group to take pictures of families joining the protest. As a result, you will gain experience shooting big groups of people in motion.

2. Transformation

• View the “A Self-Portrait Every Day” photo essay by Noah Kalina .

This idea is all about capturing the way a person changes. You may take photos of a pregnant woman and then capture the same model with a child. By documenting the development of the child for several years, you can tell a great story in the form of a photo essay.

However, you can also create a photo essay about the transformation of different objects. For instance, you can create a time-lapse series to capture the history of a renovated building. While you will have to take a lot of similar photos to bring this idea to life, it will allow you to achieve an impressive result.

3. Local Event

• View the “Monday Marathon” photo essay by Quinn G. Perini .

Whether you are a resident of a large city or a small town, you can find an opportunity to visit a local event, like a marathon or a festival. This is a nice chance to follow modern photography trends and bring photo essay ideas to life.

You can capture the before-and-after stages of the event. Arrive earlier and take pictures of the preparation activities, then shoot the actual event starting with the official beginning.

Keep photographing even when the event is over and capture the cleaning up and disassembling processes.

4. Photowalk

• View the “Empty Campus” photo essay by Elise Trissel .

Explore the location where you live and find interesting objects to capture in the vicinity. Using the most interesting photo essay examples, you can decide how to make the best decisions. Don’t hurry and try to discover which angles you can use to capture the unique atmosphere of each place.

If you live in the city, you may capture architectural details, wide shots of busy streets, or just take photos of passersby and street signs. Think about the details that make every location unique. For instance, you can try capturing reflections to see how they allow you to see the city from an unusual angle. You can find reflections everywhere, so be sure to pay attention to mirrored buildings, puddles, and fountains.

5. Place Over Time

• View the “At Home in the Ozarks” photo essay by Kylee Cole .

If you want to document changes and show how the streets, buildings, and parks in your city change over time, select your favorite locations and start to visit them regularly to capture the way they look during different seasons.

• View the “Last Moments” photo essay by Ross Taylor .

You don’t necessarily have to focus on profound photo essay topics to evoke emotions. Capturing pets enjoying their worry-free and untroubled life seems like an easy but interesting activity.

Choose any animal – from a domestic bird to a dog, cat, or horse. For more emotional images, use such pet photography ideas when your pet is still a baby and recreate these shots when it is older or is in its final days.

7. Street Style

• View the Tribal Street Photography photo essay by Hans Eijkelboom .

People often express themselves with the help of clothes. The way passers-by on the streets are dressed may reflect the clothing style of a whole society. That’s why you can travel around the world and capture people’s outfits in various areas. When taking portrait photos in the streets, you can also include some of the surroundings to put them in the context.

You can ask people in the streets to pose for you or try to capture them in movement. Select a suitable location for taking photos and create a photo essay to document what kinds of people one can meet in this location. When doing urban photography , you should ask people for permission before taking photos of them. You can ask their contacts and send them your photos later.

8. Abandoned Building

• View the “Lost Collective” photo essay by Bret Pattman .

Old buildings are excellent architecture photography essay topics for students since you can capture a large number of elements. They allow you to imagine what a particular street looked like in the past. You may use a photo essay example for students as references.

Get approval before going in, but mind that such places are far from being totally safe. Bring various lenses: the macro lenses – for details and the wide-angle one – when you want to include many elements in one shot.

9. Alternative Lifestyles

• View the “Last Nomad Hippies” photo essay by Roberto Palomo .

Some people decide to lead a lifestyle that differs from the one generally accepted by society. Explore different areas and look for people with an unusual way of living. You can capture candid photos of regular people or take pictures of a person with an unusual hobby.

Take pictures of those, who reside in extraordinary conditions, representatives of various subcultures, or the LBGTQ community. These photo essay topics show other people that it is okay to go out of their comfort zone and run against the wind.

10. Social Issues

• View the “Juveniles in Prison” photo essay by Isadora Kosofsky .

The best photo essay examples for students are related to social issues, like unemployment, domestic violence, gender discrimination, and more. Address the topic carefully and look for a proper perspective.

Your shots may draw the people’s attention to a truly burning and relevant matter and have a stronger effect than any text.

11. Behind the Scenes

• View the “Follow Me” photo essay by Marius Masalar .

If you are going to visit an event, get ready to take some behind-the-scenes photos. For instance, you can document the preparations for a festival. Capture the work of the lead event planner and other professionals to tell the story of the festival from an unusual angle.

Alternatively, you can capture the events happening backstage during a drama production. Take pictures of actors and actresses when they are getting ready for the performance. Try capturing the emotions of the main lead and show how stage workers make final preparations. You can also document the work of designers and makeup professionals.

12. Landmarks

• View the “Volte-Face” photo essay by Oliver Curtis .

The pictures of landmarks are typically taken from a certain spot. One of the best photo essay ideas is to try shooting sights from various angles. You will also have an opportunity to improve your composition and your framing skills.

If you take a look at any pictorial essay example, you will see that the variety of perspectives is endless: through the streets, in the morning, afternoon, and evening, with a drone or including reflections.

    • View the “Family” photo essay by Olivia Moore .

You can capture the way family members interact with each other and demonstrate the strong connection they share. In some cases, it makes sense to focus on capturing candid photos when doing family photography .

However, you may also opt for a different approach and focus on more difficult social topics. For instance, if you want to examine the issue of immigration, you can take pictures of a family from another country. In addition, you may show how families cope with other social issues, including poverty or unequal access to healthcare.

14. A Day in the Life

• View the “A Day in the Life of Carlos Gaytan” photo essay by Sandy Noto .

One of the best photo essays concepts is related to a day in a person’s life. The main character can be any person – a relative, family member, teacher, writer, or policeman.

People are generally interested in finding out facts about the lives and daily routines of others. The life of every human is incredible, especially if you learn it in more detail. This idea is especially suitable for taking documentary photos. For instance, you can select any photo essay sample you like and then capture a portrait of a person with the tools they use for their work.

15. Education

• View the “School Day” photo essay by Nancy Borowick .

You can also take great photos in the classroom capturing the interactions of teachers and their students. Avoid distracting them, as it will be easier for you to take natural shots. Using a variety of settings, you can make your photo essay more engaging. For instance, you may visit chemistry labs, capture teachers during a break, and take photos in other locations.

• View the “Meals From the Motherland” photo essay by James Tran .

You can also focus on specific meals to create a professional photo essay about food. To make it more attention-grabbing, try using different food photography ideas .

For instance, you can take photos of popular meals, capture the meals made by a specific person, or document cooking traditions in different countries. When taking photos in a restaurant, pay attention to the surroundings as well to capture the unique atmosphere of a place.

17. Capture the Neighbors

• View the “Our Neighbors” photo essay by Jeanne Martin .

Regardless of the place where you live, you have to establish good relationships with your neighbors. People who live nearby can also be great models for professionals who specialize in portrait photography. To implement this idea, make sure to capture people at home or in front of their houses to include some of the surroundings in your photo essay.

You will discover many interesting facts about people who live nearby. Shooting a photo essay will allow you to learn them better and establish a strong connection with them. This way, you can create a sense of community and discover what holds its members together.

18. Climate Change

• View the “Effects of Climate Change” photo essay by Sanya Gupta .

It is possible to a variety of photo story ideas bring to life examining the impact of climate change. Travel to places most affected by climate change, for instance, glaciers or famous resorts.

Capture the way the continuous drought has influenced the environment, animals, and the inhabitants. As an alternative, take pictures of environmentalist protests or inexhaustible energy sources.

Photo Essay Tips for Students

Explore your topic . An in-depth exploration of the main topic of your photo essay will help you find the best ideas for conveying your message. You can also find some sources for inspiration and useful materials. This stage allows you to learn more about your subject and select the best way of organizing your photo essay.

Create a storyboard . Using a storyboard, you can better understand what shots you need to take and what order can help you to tell a story in the best way. It will also allow you to create the right mood.

Take as many pictures as you can . To create a compelling story, make sure to take a lot of photos. It will allow you to choose the best pictures for your photo essay. Besides, you will always have backup photos if some of your pictures get damaged.

Experiment with different techniques . By changing the angle and using a variety of editing techniques, you can transform the way your photos look. When taking photos, try using different angles to capture the subject in the best way. You can also try changing the distance from the model, using black-and-white film, or employing a range of developing methods.

Add text . While some photographers create photo essays without text, it can still help you bring your point across more clearly and make it easier for a viewer to understand what you imply. By providing extra information, such as some facts, you can change the perception of your image. If you don’t know how to write descriptions, you can hire a professional writer to perform this task.

Enhance your photos . To edit your pictures, make sure to use professional photo editing software like Adobe Lightroom or Photoshop. Using the available tools, you can improve and change your photos. They allow you to fix issues with lighting, adjust WB, make colors richer, crop your pics to improve the composition, and perform other tasks. In case you need to edit your photos in a consistent style, you can use Photoshop Actions or Lightroom Presets.

In some cases, your pictures may require more advanced editing. If you see that your skills are insufficient or if you don’t have enough time, you can outsource the task of enhancing your photos to the FixThePhoto team. They will professionally enhance your pictures for a budget price. Their prices start from $1.50 per photo.

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What is a Photo Essay? 9 Photo Essay Examples You Can Recreate

A photo essay is a series of photographs that tell a story. Unlike a written essay, a photo essay focuses on visuals instead of words. With a photo essay, you can stretch your creative limits and explore new ways to connect with your audience. Whatever your photography skill level, you can recreate your own fun and creative photo essay.

9 Photo Essay Examples You Can Recreate

• Photowalk Photo Essay
• Transformation Photo Essay
• Day in the Life Photo Essay
• Event Photo Essay
• Building Photo Essay
• Historic Site or Landmark Photo Essay
• Behind the Scenes Photo Essay
• Family Photo Essay
• Education Photo Essay

Stories are important to all of us. While some people gravitate to written stories, others are much more attuned to visual imagery. With a photo essay, you can tell a story without writing a word. Your use of composition, contrast, color, and perspective in photography will convey ideas and evoke emotions.

To explore narrative photography, you can use basic photographic equipment. You can buy a camera or even use your smartphone to get started. While lighting, lenses, and post-processing software can enhance your photos, they aren’t necessary to achieve good results.

Whether you need to complete a photo essay assignment or want to pursue one for fun or professional purposes, you can use these photo essay ideas for your photography inspiration . Once you know the answer to “what is a photo essay?” and find out how fun it is to create one, you’ll likely be motivated to continue your forays into photographic storytelling.

1 . Photowalk Photo Essay

One popular photo essay example is a photowalk. Simply put, a photowalk is time you set aside to walk around a city, town, or a natural site and take photos. Some cities even have photowalk tours led by professional photographers. On these tours, you can learn the basics about how to operate your camera, practice photography composition techniques, and understand how to look for unique shots that help tell your story.

Set aside at least two to three hours for your photowalk. Even if you’re photographing a familiar place—like your own home town—try to look at it through new eyes. Imagine yourself as a first-time visitor or pretend you’re trying to educate a tourist about the area.

Walk around slowly and look for different ways to capture the mood and energy of your location. If you’re in a city, capture wide shots of streets, close-ups of interesting features on buildings, street signs, and candid shots of people. Look for small details that give the city character and life. And try some new concepts—like reflection picture ideas—by looking for opportunities to photographs reflections in mirrored buildings, puddles, fountains, or bodies of water.

2 . Transformation Photo Essay

With a transformation photography essay, you can tell the story about change over time. One of the most popular photostory examples, a transformation essay can document a mom-to-be’s pregnancy or a child’s growth from infancy into the toddler years. But people don’t need to be the focus of a transformation essay. You can take photos of a house that is being built or an urban area undergoing revitalization.

You can also create a photo narrative to document a short-term change. Maybe you want to capture images of your growing garden or your move from one home to another. These examples of photo essays are powerful ways of telling the story of life’s changes—both large and small.

3 . Day in the Life Photo Essay

Want a unique way to tell a person’s story? Or, perhaps you want to introduce people to a career or activity. You may want to consider a day in the life essay.

With this photostory example, your narrative focuses on a specific subject for an entire day. For example, if you are photographing a farmer, you’ll want to arrive early in the morning and shadow the farmer as he or she performs daily tasks. Capture a mix of candid shots of the farmer at work and add landscapes and still life of equipment for added context. And if you are at a farm, don’t forget to get a few shots of the animals for added character, charm, or even a dose of humor. These types of photography essay examples are great practice if you are considering pursuing photojournalism. They also help you learn and improve your candid portrait skills.

4 . Event Photo Essay

Events are happening in your local area all the time, and they can make great photo essays. With a little research, you can quickly find many events that you could photograph. There may be bake sales, fundraisers, concerts, art shows, farm markets, block parties, and other non profit event ideas . You could also focus on a personal event, such as a birthday or graduation.

At most events, your primary emphasis will be on capturing candid photos of people in action. You can also capture backgrounds or objects to set the scene. For example, at a birthday party, you’ll want to take photos of the cake and presents.

For a local or community event, you can share your photos with the event organizer. Or, you may be able to post them on social media and tag the event sponsor. This is a great way to gain recognition and build your reputation as a talented photographer.

5. Building Photo Essay

Many buildings can be a compelling subject for a photographic essay. Always make sure that you have permission to enter and photograph the building. Once you do, look for interesting shots and angles that convey the personality, purpose, and history of the building. You may also be able to photograph the comings and goings of people that visit or work in the building during the day.

Some photographers love to explore and photograph abandoned buildings. With these types of photos, you can provide a window into the past. Definitely make sure you gain permission before entering an abandoned building and take caution since some can have unsafe elements and structures.

6. Historic Site or Landmark Photo Essay

Taking a series of photos of a historic site or landmark can be a great experience. You can learn to capture the same site from different angles to help portray its character and tell its story. And you can also photograph how people visit and engage with the site or landmark. Take photos at different times of day and in varied lighting to capture all its nuances and moods.

You can also use your photographic essay to help your audience understand the history of your chosen location. For example, if you want to provide perspective on the Civil War, a visit to a battleground can be meaningful. You can also visit a site when reenactors are present to share insight on how life used to be in days gone by.

7 . Behind the Scenes Photo Essay

Another fun essay idea is taking photos “behind the scenes” at an event. Maybe you can chronicle all the work that goes into a holiday festival from the early morning set-up to the late-night teardown. Think of the lead event planner as the main character of your story and build the story about him or her.

Or, you can go backstage at a drama production. Capture photos of actors and actresses as they transform their looks with costuming and makeup. Show the lead nervously pacing in the wings before taking center stage. Focus the work of stagehands, lighting designers, and makeup artists who never see the spotlight but bring a vital role in bringing the play to life.

8. Family Photo Essay

If you enjoy photographing people, why not explore photo story ideas about families and relationships? You can focus on interactions between two family members—such as a father and a daughter—or convey a message about a family as a whole.

Sometimes these type of photo essays can be all about the fun and joy of living in a close-knit family. But sometimes they can be powerful portraits of challenging social topics. Images of a family from another country can be a meaningful photo essay on immigration. You could also create a photo essay on depression by capturing families who are coping with one member’s illness.

For these projects on difficult topics, you may want to compose a photo essay with captions. These captions can feature quotes from family members or document your own observations. Although approaching hard topics isn’t easy, these types of photos can have lasting impact and value.

9. Education Photo Essay

Opportunities for education photo essays are everywhere—from small preschools to community colleges and universities. You can seek permission to take photos at public or private schools or even focus on alternative educational paths, like homeschooling.

Your education photo essay can take many forms. For example, you can design a photo essay of an experienced teacher at a high school. Take photos of him or her in action in the classroom, show quiet moments grading papers, and capture a shared laugh between colleagues in the teacher’s lounge.

Alternatively, you can focus on a specific subject—such as science and technology. Or aim to portray a specific grade level, document activities club or sport, or portray the social environment. A photo essay on food choices in the cafeteria can be thought-provoking or even funny. There are many potential directions to pursue and many great essay examples.

While education is an excellent topic for a photo essay for students, education can be a great source of inspiration for any photographer.

Why Should You Create a Photo Essay?

Ultimately, photographers are storytellers. Think of what a photographer does during a typical photo shoot. He or she will take a series of photos that helps convey the essence of the subject—whether that is a person, location, or inanimate object. For example, a family portrait session tells the story of a family—who they are, their personalities, and the closeness of their relationship.

Learning how to make a photo essay can help you become a better storyteller—and a better photographer. You’ll cultivate key photography skills that you can carry with you no matter where your photography journey leads.

If you simply want to document life’s moments on social media, you may find that a single picture doesn’t always tell the full story. Reviewing photo essay examples and experimenting with your own essay ideas can help you choose meaningful collections of photos to share with friends and family online.

Learning how to create photo essays can also help you work towards professional photography ambitions. You’ll often find that bloggers tell photographic stories. For example, think of cooking blogs that show you each step in making a recipe. Photo essays are also a mainstay of journalism. You’ll often find photo essays examples in many media outlets—everywhere from national magazines to local community newspapers. And the best travel photographers on Instagram tell great stories with their photos, too.

With a photo essay, you can explore many moods and emotions. Some of the best photo essays tell serious stories, but some are humorous, and others aim to evoke action.

You can raise awareness with a photo essay on racism or a photo essay on poverty. A photo essay on bullying can help change the social climate for students at a school. Or, you can document a fun day at the beach or an amusement park. You have control of the themes, photographic elements, and the story you want to tell.

5 Steps to Create a Photo Essay

Every photo essay will be different, but you can use a standard process. Following these five steps will guide you through every phase of your photo essay project—from brainstorming creative essay topics to creating a photo essay to share with others.

Step 1: Choose Your Photo Essay Topics

Just about any topic you can imagine can form the foundation for a photo essay. You may choose to focus on a specific event, such as a wedding, performance, or festival. Or you may want to cover a topic over a set span of time, such as documenting a child’s first year. You could also focus on a city or natural area across the seasons to tell a story of changing activities or landscapes.

Since the best photo essays convey meaning and emotion, choose a topic of interest. Your passion for the subject matter will shine through each photograph and touch your viewer’s hearts and minds.

Step 2: Conduct Upfront Research

Much of the work in a good-quality photo essay begins before you take your first photo. It’s always a good idea to do some research on your planned topic.

Imagine you’re going to take photos of a downtown area throughout the year. You should spend some time learning the history of the area. Talk with local residents and business owners and find out about planned events. With these insights, you’ll be able to plan ahead and be prepared to take photos that reflect the area’s unique personality and lifestyles.

For any topic you choose, gather information first. This may involve internet searches, library research, interviews, or spending time observing your subject.

Step 3: Storyboard Your Ideas

After you have done some research and have a good sense of the story you want to tell, you can create a storyboard. With a storyboard, you can write or sketch out the ideal pictures you want to capture to convey your message.

You can turn your storyboard into a “shot list” that you can bring with you on site. A shot list can be especially helpful when you are at a one-time event and want to capture specific shots for your photo essay. If you’ve never created a photo essay before, start with ten shot ideas. Think of each shot as a sentence in your story. And aim to make each shot evoke specific ideas or emotions.

Step 4: Capture Images

Your storyboard and shot list will be important guides to help you make the most of each shoot. Be sure to set aside enough time to capture all the shots you need—especially if you are photographing a one-time event. And allow yourself to explore your ideas using different photography composition, perspective, and color contrast techniques.

You may need to take a hundred images or more to get ten perfect ones for your photographic essay. Or, you may find that you want to add more photos to your story and expand your picture essay concept.

Also, remember to look for special unplanned, moments that help tell your story. Sometimes, spontaneous photos that aren’t on your shot list can be full of meaning. A mix of planning and flexibility almost always yields the best results.

Step 5: Edit and Organize Photos to Tell Your Story

After capturing your images, you can work on compiling your photo story. To create your photo essay, you will need to make decisions about which images portray your themes and messages. At times, this can mean setting aside beautiful images that aren’t a perfect fit. You can use your shot list and storyboard as a guide but be open to including photos that weren’t in your original plans.

You may want to use photo editing software—such as Adobe Lightroom or Photoshop— to enhance and change photographs. With these tools, you can adjust lighting and white balance, perform color corrections, crop, or perform other edits. If you have a signature photo editing style, you may want to use Photoshop Actions or Lightroom Presets to give all your photos a consistent look and feel.

You order a photo book from one of the best photo printing websites to publish your photo story. You can add them to an album on a photo sharing site, such as Flickr or Google Photos. Also, you could focus on building a website dedicated to documenting your concepts through visual photo essays. If so, you may want to use SEO for photographers to improve your website’s ranking in search engine results. You could even publish your photo essay on social media. Another thing to consider is whether you want to include text captures or simply tell your story through photographs.

Choose the medium that feels like the best space to share your photo essay ideas and vision with your audiences. You should think of your photo essay as your own personal form of art and expression when deciding where and how to publish it.

Photo Essays Can Help You Become a Better Photographer

Whatever your photography ambitions may be, learning to take a photo essay can help you grow. Even simple essay topics can help you gain skills and stretch your photographic limits. With a photo essay, you start to think about how a series of photographs work together to tell a complete story. You’ll consider how different shots work together, explore options for perspective and composition, and change the way you look at the world.

Before you start taking photos, you should review photo essay examples. You can find interesting pictures to analyze and photo story examples online, in books, or in classic publications, like Life Magazine . Don’t forget to look at news websites for photojournalism examples to broaden your perspective. This review process will help you in brainstorming simple essay topics for your first photo story and give you ideas for the future as well.

Ideas and inspiration for photo essay topics are everywhere. You can visit a park or go out into your own backyard to pursue a photo essay on nature. Or, you can focus on the day in the life of someone you admire with a photo essay of a teacher, fireman, or community leader. Buildings, events, families, and landmarks are all great subjects for concept essay topics. If you are feeling stuck coming up with ideas for essays, just set aside a few hours to walk around your city or town and take photos. This type of photowalk can be a great source of material.

You’ll soon find that advanced planning is critical to your success. Brainstorming topics, conducting research, creating a storyboard, and outlining a shot list can help ensure you capture the photos you need to tell your story. After you’ve finished shooting, you’ll need to decide where to house your photo essay. You may need to come up with photo album title ideas, write captions, and choose the best medium and layout.

Without question, creating a photo essay can be a valuable experience for any photographer. That’s true whether you’re an amateur completing a high school assignment or a pro looking to hone new skills. You can start small with an essay on a subject you know well and then move into conquering difficult ideas. Maybe you’ll want to create a photo essay on mental illness or a photo essay on climate change. Or maybe there’s another cause that is close to your heart.

Whatever your passion, you can bring it to life with a photo essay.

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How to Create a Photo Essay in 9 Steps (with Examples)

Photo Editing , Tutorials

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What is a photo essay?

• Photo essays vs photo stories
• How photo essays help you
• 9 Steps to create photo essays

How to share your photo essays

Read Time: 11 minutes

Gather up a handful of images that seem to go together, and voila! It’s a photo essay, right? Well… no. Though, this is a common misconception.

In reality, a photo essay is much more thoughtful and structured than that. When you take the time to craft one, you’re using skills from all facets of our craft – from composition to curation.

In this guide, you’ll learn what makes a photo essay an amazing project that stretches your skills. You'll also learn exactly how to make one step by step.

• Photo essay vs photo story

A photo essay is a collection of images based around a theme, a topic, a creative approach, or an exploration of an idea. Photo essays balance visual variety with a cohesive style and concept.

What's the difference between a photo essay and a photo story?

The terms photo essay and photo story are often used interchangeably. Even the dictionary definition of “photo essay” includes using images to convey either a theme or a story.

But in my experience, a photo essay and a photo story are two different things. As you delve into the field of visual storytelling, distinguishing between the two helps you to take a purposeful approach to what you’re making .

The differences ultimately lie in the distinctions between theme, topic and story.

Themes are big-picture concepts. Example: Wildness

Topics are more specific than themes, but still overarching. Example : Wild bears of Yellowstone National Park

Stories are specific instances or experiences that happen within, or provide an example for, a topic or theme. Example: A certain wild bear became habituated to tourists and was relocated to maintain its wildness

Unlike a theme or topic, a story has particular elements that make it a story. They include leading characters, a setting, a narrative arc, conflict, and (usually) resolution.

With that in mind, we can distingush between a photo essay and a photo story.

Themes and Topics vs Stories

A photo essay revolves around a topic, theme, idea, or concept. It visually explores a big-picture something .

This allows a good deal of artistic leeway where a photographer can express their vision, philosophies, opinions, or artistic expression as they create their images.

A photo story  is a portfolio of images that illustrate – you guessed it – a story.

Because of this, there are distinct types of images that a photo story uses that add to the understanding, insight, clarity and meaning to the story for viewers. While they can certainly be artistically crafted and visually stunning, photo stories document something happening, and rely on visual variety for capturing the full experience.

A photo essay doesn’t need to have the same level of structured variety that a photo story requires. It can have images that overlap or are similar, as they each explore various aspects of a theme.

Photo essays can be about any topic. If you live in a city, consider using your nature photography to make an essay about the wildlife that lives in your neighborhood . 

The role of text with photos

A photo story typically runs alongside text that narrates the story. We're a visual species, and the images help us feel like we are there, experiencing what's happening. So, the images add significant power to the text, but they're often a partner to it.

This isn’t always the case, of course. Sometimes photo stories don’t need or use text. It’s like reading a graphic novel that doesn’t use text. Moving through the different images that build on each other ultimately unveils the narrative.

Photo essays don’t need to rely on text to illuminate the images' theme or topic. The photographer may use captions (or even a text essay), or they may let the images speak for themselves.

Definitions are helpful guidelines (not strict rules)

Some people categorize photo essays as either narrative or thematic. That's essentially just calling photo stories “narrative photo essays” and photo essays “thematic photo essays.”

But, a story is a defined thing, and any writer/editor will tell you themes and topics are not the same as stories. And we use the word “story” in our daily lives as it’s defined. So, it makes far more sense to name the difference between a photo essay and a photo story, and bask in the same clarity writers enjoy .

Photo stories illustrate a particular experience, event, narrative, something that happened or is happening.

Photo essays explore an idea, concept, topic, theme, creative approach, big-picture something .

Both photo essays and photo stories are immensely powerful visual tools. And yes, the differences between them can certainly be blurred, as is always the case with art.

Simply use this distinction as a general guideline, providing extra clarity around what you’re making and why you're making it.

To dig into specific types of images used to create powerful photo stories, check out this training: 6 Must-Have Shots for a Photo Story. 

Meanwhile, let’s dig deeper into photo essays.

Photo essays are a chance to try new styles or techniques that stretch your skills and creativity. This image was part of an essay exploring simplicity and shape, and helped me learn new skills in black and white post-processing.

How photo essays improve your photography

Creating photo essays is an amazing antidote if you’ve ever felt a lack of direction or purpose in your photography. Photo essays help build your photographic skills in at least 3 important ways.

1. You become more strategic in creating a body of work

It's easy to get stuck in a rut of photographing whatever pops up in front of you. And when you do, you end up with a collection of stand-alone shots.

These singles may work fine as a print, a quick Instagram post, or an addition to your gallery of shots on your website. But amassing a bunch of one-off shots limits your opportunities as a photographer for everything from exhibits to getting your work published.

Building photo essays pushes you to think strategically about what you photograph, why, and how. You're working toward a particular deliverable – a cohesive visual essay – with the images you create.

This elevates your skills in crafting your photo essay, and in how you curate the rest of your work, from galleries on your website to selecting images to sell as prints .

2. You become more purposeful in your composition skills

Composition is so much more than just following the rule of thirds, golden spirals, or thinking about the angle of light in a shot.

Composition is also about thinking ahead in what you’re trying to accomplish with a photograph – from what you’re saying through it to its emotional impact on a viewer – and where it fits within a larger body of work.

Photo essays push you to think critically about each shot – from coming up with fresh compositions for familiar subjects, to devising surprising compositions to fit within a collection, to creating compositions that expand on what’s already in a photo essay.

You’re pushed beyond creating a single pleasing frame, which leads you to shoot more thoughtfully and proactively than ever.

(Here’s a podcast episode on switching from reactive shooting to proactive shooting.)

3. You develop strong editing and curation skills

Selecting which images stay, and which get left behind is one of the hardest jobs on a photographer’s to-do list. Mostly, it’s because of emotional attachment.

You might think it’s an amazing shot because you know the effort that went into capturing it. Or perhaps when you look at it, you get a twinge of the joy or exhilaration you felt the moment you captured it. There’s also the second-guessing that goes into which of two similar images is the best – which will people like more? So you’re tempted to just show both.

Ultimately, great photographers appear all the more skilled because they only show their best work. That in and of itself is a skill they’ve developed through years of ruthlessly editing their own work.

Because the most powerful photo essays only show a handful of extraordinary images, you’re bound to develop the very same critical skill (and look all the more talented because of it).

Photo essays are also a great stepping stone to creating photo stories. If you’re interested in moving beyond stand-alone shots and building stories, shooting photo essays will get your creative brain limbered up and ready for the adventure of photo stories.

A photo essay exploring the natural history of a favorite species is an exciting opportunity for an in-depth study. For me, that was a photo essay on emotive images of the American dipper (Cinclus mexicanus) as it hunts in streams. 

9 Simple steps to create your photo essays

1. clarify your theme.

Choose a theme, topic, or concept you want to explore. Spend some time getting crystal clear on what you want to focus on. It helps to write out a few sentences, or even a few paragraphs noting:

• What you want the essay to be about
• What kinds of images you want to create as part of it
• How you’ll photograph the images
• The style, techniques, or gear you might use to create your images
• What “success” looks like when you’re done with your photo essay

You don’t have to stick to what you write down, of course. It can change during the image creation process. But fleshing your idea out on paper goes a long way in clarifying your photo essay theme and how you’ll go about creating it.

2. Create your images

Grab your camera and head outside!

As you’re photographing your essay, allow yourself some freedom to experiment. Try unusual compositions or techniques that are new to you.

Stretch your style a little, or “try on” the style of other photographers you admire who have photographed similar subjects.

Photo essays are wonderful opportunities to push yourself outside of your comfort zone and grow as a photographer.

Remember that a photo essay is a visually cohesive collection of images that make sense together. So, while you might stretch yourself into new terrain as you shoot, try to keep that approach, style, or strategy consistent.

Don’t be afraid to create lots of images. It’s great to have lots to choose from in the editing process, which comes up next.

3. Pull together your wide edit

Once you’ve created your images, pull together all the images that might make the cut. This could be as many as 40-60 images. Include anything you want to consider for the final essay in the wide edit.

From here, start weeding out images that:

• are weaker in composition or subject matter
• stand out like a sore thumb from the rest of the collection
• Are similar to other stronger images in the collection

It's helpful to review the images at thumbnail size. You make more instinctive decisions and can more easily see the body of work as a whole. If an image is strong even at thumbnail size to stand out from similar frames while also partnering well with other images in the collection, that's a good sign it's strong enough for the essay.

4. Post-process your images for a cohesive look

Now it’s time to post-process the images. Use whatever editing software you’re comfortable with to polish your images.

Again, a photo essay has a cohesive visual look. If you use presets, filters, or other tools, use them across all the images.

5. Finalize your selection

It’s time to make the tough decisions. Select only the strongest for your photo essay from your group of images.

Each image should be strong enough to stand on its own and make sense as part of the whole group.

Many photo essays range from 8-12 images. But of course, it varies based on the essay. The number of images you have in your final photo essay is up to you.

Remember, less is more. A photo essay is most powerful when each image deserves to be included.

6. Put your images in a purposeful order

Create a visual flow with your images. Decide which image is first, and build from there. Use compositions, colors, and subject matter to decide which image goes next, then next, then next in the order.

Think of it like music: notes are arranged in a way that builds energy, or slows it down, surprise listeners with a new refrain, or drop into a familiar chorus. How the notes are ordered creates emotional arcs for listeners.

How you order your images is similar.

Think of the experience a viewer will have as they look at one image, then the next, and the next. Order your images so they create the experience you want your audience to have.

7. Get feedback

The best photographers make space for feedback, even when it’s tough to hear. Your work benefits from not just hearing feedback, but listening to it and applying what you learn from it.

Show your photo essay to people who have different sensibilities or tastes. Friends, family members, fellow photographers – anyone you trust to give you honest feedback.

Watch their reactions and hear what they say about what they’re seeing. Use their feedback to guide you in the next step.

8. Refine, revise, and finalize

Let your photo essay marinate for a little while. Take a day or two away from it. Then use your freshened eyes and the feedback you received from the previous step to refine your essay.

Swap out any selects you might want to change and reorder the images if needed.

9. Add captions

Even if you don’t plan on displaying captions with your images, captioning your images is a great practice to get into. It gives context, story, and important information to each image. And, more than likely, you will want to use these captions at some point when you share your photo essay, which we dive into later in this article.

Add captions to the image files using Lightroom, Bridge, or other software programs.

Create a document, such as a Google or Word doc, with captions for each image.

In your captions, share a bit about the story behind the image, or the creation process. Add whatever makes sense to share that provides a greater understanding of the image and its purpose.

Photo essays allow you to explore deliberate style choices, such as a focus on shapes, patterns, textures, and lines. Since each photo is part of a larger essay, it encourages you to be bold with choices you might not otherwise make. 

5 Examples of amazing nature photo essays

1. “how the water shapes us” from the nature conservancy.

This gorgeous essay, crafted with the work of multiple photographers, explores the people and places within the Mississippi River basin. Through the images, we gain a sense of how the water influences life from the headwater all the way to the Gulf of Mexico. Notice how each photographer is tasked with the same theme, yet approaches it with their own distinct style and vision. It is a wonderful example of the sheer level of visual variety you can have while maintaining a consistent style or theme.

View it here

2. “A Cyclist on the English Landscape” from New York Times’ The World Through A Lens series

This photo essay is a series of self-portraits by travel photographer Roff Smith while “stuck” at home during the pandemic. As he peddled the roads making portraits, the project evolved into a “celebration of traveling at home”. It’s a great example of how visually consistent you can be inside a theme while making each image completely unique.

3. “Vermont, Dressed In Snow” from New York Times’ The World Through A Lens series

This essay by aerial photographer Caleb Kenna uses a very common photo essay theme: snow. Because all images are aerial photographs, there’s a consistency to them. Yet, the compositions are utterly unique from one another. It’s a great example of keeping viewers surprised as they move from one image to the next while still maintaining a clear focus on the theme.

4. “Starling-Studded Skies” from bioGraphic Magazine

This beautiful essay is by Kathryn Cooper, a physicist trained in bioinformatics, and a talented photographer. She used a 19th century photographic technique, chronophotography, to create images that give us a look at the art and science of starling murmurations. She states: “I’m interested in the transient moments when chaos briefly changes to order, and thousands of individual bodies appear to move as one.” This essay is a great example of deep exploration of a concept using a specific photographic technique.

View it here   (Note: must be viewed on desktop)

5. “These Scrappy Photos Capture the Action-Packed World Beneath a Bird Feeder” from Audubon Magazine

This photo essay from conservation photographer Carla Rhodes explores the wildlife that takes advantage of the bounty of food waiting under bird feeders . Using remote camera photography , Rhodes gives viewers a unique ground-level perspective and captures moments that make us feel like we’re in conversation with friends in the Hundred Acre Woods. This essay is a great example of how perspective, personality, and chance can all come into play as you explore both an idea and a technique.

25 Ideas for creative photo essays you can make

The possibilities for photo essays are truly endless – from the concepts you explore to the techniques you use and styles you apply.

Choose an idea, hone your unique perspective on it, then start applying the 9 simple steps from above. 

• The life of a plant or animal (your favorite species, a species living in your yard, etc)
• The many shapes of a single species (a tree species, a bird species, etc)
• How a place changes over time
• The various moods of a place
• A conservation issue you care about
• Math in nature
• Urban nature
• Seasonal changes
• Your yard as a space for nature
• Shifting climate and its impacts
• Human impacts on environments
• Elements: Water, wind, fire, earth
• Day in the life (of a person, a place, a stream, a tree…)
• Outdoor recreation (birding, kayaking, hiking, naturalist journaling…)
• Wildlife rehabilitation
• Lunar cycles
• Sunlight and shadows
• Your local watershed
• Coexistence

As you zero in on a photo essay theme, consider two things: what most excites you about an idea, and what about it pushes you out of your comfort zone. The heady mix of joy and challenge will ensure you stick with it. 

Your photo essay is ready for the world! Decide how you’d like to make an impact with your work. You might use one or several of the options below.

1. Share it on your website

Create a gallery or a scrollytelling page on your website. This is a great way to drive traffic to your website where people can peruse your photo essay and the rest of the photography you have.

Putting it on your website and optimizing your images for SEO helps you build organic traffic and potentially be discovered by a broader audience, including photo editors.

2. Create a scrollytelling web page

If you enjoy the experience of immersive visual experiences, consider making one using your essay. And no, you don’t have to be a whiz at code to make it happen.

Shorthand helps you build web pages with scrollytelling techniques that make a big impression on viewers. Their free plan allows you to publish 3 essays or stories.

3. Create a Medium post

If you don’t have a website and want to keep things simple, a post on Medium is a great option.

Though it’s known for being a platform for bloggers, it’s also possible to add images to a post for a simple scroll.

And, because readers can discover and share posts, it’s a good place for your photos to get the attention of people who might not otherwise come across it.

4. Share it on Instagram

Instagram has changed a lot over the last couple of years, but it’s still a place for photographers to share their work thoughtfully.

There are at least 3 great ways to share your photo essay on the platform.

– Create a single post for each image. Add a caption. Publish one post per day until the full essay is on your feed. Share each post via Instagram Stories to bring more attention and interaction to your photo essay.

– Create a carousel post. You can add up 10 photos to a carousel post, so you may need to create two of them for your full photo essay. Or you might create a series of carousel posts using 3-4 images in each.

– Create a Reel featuring your images as a video.  The algorithm heavily favors reels, so turning your photo essay into a video experience can get it out to a larger audience.

I ran a “create a reel” challenge in my membership community. One member created a reel with her still images around a serious conservation issue. It gathered a ton of attention and landed her opportunities to share her message through YouTube and podcast interviews and publishing opportunities. Watch it here.

5. Exhibit it locally

Reach out to local galleries, cafes, pubs, or even the public library to see if they’re interested in hanging your photo essay for display. Many local businesses and organizations happily support the work of local artists.

6. Pitch your photo essay to publications

One of the best ways to reach an audience with your work is to get it published. Find publications that are a great fit for the theme and style of your photo essay, then pitch your essay for consideration. You gain a fantastic opportunity to share your work widely and can earn a paycheck at the same time.

Remember that if you want to get your photo essay published, you may want to hold back from sharing it publicly before you pitch it to publications.

PIN THIS FOR LATER

Jaymi Heimbuch

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17 Awesome Photo Essay Examples You Should Try Yourself

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If you’re looking for a photo essay example (or 17!), you’ve come to the right place. But what is the purpose of a photo essay? A photo essay is intended to tell a story or evoke emotion from the viewers through a series of photographs. They allow you to be creative and fully explore an idea. But how do you make one yourself? Here’s a list of photo essay examples. Choose one that you can easily do based on your photographic level and equipment.

Top 17 Photo Essay Examples

Here are some fantastic ideas to get you inspired to create your own photo essays!

17. Photograph a Protest

16. Transformation Photo Essays

15. Photograph the Same Place

14. Create a Photowalk

13. Follow the Change

12. Photograph a Local Event

11. Photograph an Abandoned Building

10. Behind the Scenes of a Photo Shoot

9. Capture Street Fashion

8. Landmark Photo Essay

7. Fathers & Children

6. A Day In the Life

5. Education Photo Essay

4. Fictitious Meals

3. Photograph Coffee Shops Using Cafenol

2. Photograph the Photographers

1. Capture the Neighbors

Photo essays tell stories. And there are plenty of amazingly interesting stories to tell! Photographing photo essays is a great way to practice your photography skills while having fun. You might even learn something! These photo essay examples are here to provide you with the inspiration to go out and tell your own stories through photos!

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How to Make a Photo Essay: 5 Tips for Impactful Results

A Post By: Christina N Dickson

Want to tell meaningful stories with your photos? That’s what a photo essay is all about: conveying concepts and narratives through a series of carefully chosen images.

While telling a story with photos can be a daunting task, there are several easy tips and techniques you can use in your photo essays to create striking, stunning, eye-opening results.

And that’s what I’m going to share in this article: five photo essay tips that you can immediately apply to your photography. You’ll leave as a better photo essayist than when you arrived!

Let’s get started.

What is a photo essay?

A photo essay is a collection of images placed in a specific order to convey certain emotions , specific concepts, or a progression of events.

In other words:

The photo essay tells stories just like a normal piece of writing , except with images instead of words. (Here, I’m using the term “story” loosely; as mentioned above, photo essays can encapsulate emotions or concepts in addition to traditional, time-based narratives.)

Plenty of world-class photojournalists use photo essays, including Lauren Greenfield, James Nachtwey, and Joachim Ladefoged. But the photo essay format isn’t exclusive to professionals, and photo essays don’t need to cover dramatic events such as wars, natural disasters, and social issues. Whether you are a complete beginner, a hobbyist, or a professional, the photo essay is a great way to bring your images to life, tell relevant stories about your own surroundings, and touch your family, friends, and coworkers.

So without further ado, let’s look at five easy tips to take your photo essays to the next level, starting with:

1. Find a topic you care about

Every good photo essay should start with an idea .

Otherwise, you’ll be shooting without a purpose – and while such an approach may eventually lead to an interesting series of photos, it’s far, far easier to begin with a topic and only then take out your camera.

As I emphasized above, a photo essay can be about anything. You don’t need to fixate on “classic” photo essay themes, such as war and poverty. Instead, you might focus on local issues that matter to you (think of problems plaguing your community). You can also think about interesting stories worth telling, even if they don’t have an activism angle.

For instance, is there an area undergoing major development? Try documenting the work from start to finish. Is there a particular park or nature area you love? Create a series of images that communicate its beauty.

One key item to remember:

Photo essays are most powerful when you, as the photographer, care about the subject. Whether you choose to document something major and public, like an environmental crisis, or whether you choose to document something small and intimate, like the first month of a newborn in the family, make sure you focus on a topic that matters to you .

Otherwise, you’ll struggle to finish the essay – and even if you do successfully complete it, viewers will likely notice your lack of passion.

2. Do your research

The best photo essays involve some real work. Don’t just walk around and shoot with abandon; instead, try to understand your subject.

That way, you can capture a more authentic series of photos.

For instance, if you document a newborn’s first month , spend time with the family. Discover who the parents are, what culture they are from, and their parenting philosophy.

If you cover the process of a school’s drama production, talk with the teachers, actors, and stagehands; investigate the general interest of the student body; find out how the school is financing the production and keeping costs down.

If you photograph a birthday party, check out the theme, the decorations they plan on using, what the birthday kid hopes to get for their gifts.

If you’re passionate about your topic, the research should come easy. You should enjoy learning the backstory.

And then, when it comes time to actually shoot, you’ll have a much clearer understanding of the topic. You’ll know the key players in the story, the key ideas, and the key locations. You’ll be able to hone in on what matters and block out the flashy distractions.

Make sense?

3. Find the right angle

Once you’ve done your research, you’ll know your topic inside and out.

At which point you’ll need to ask yourself:

What is the real, authentic story I want to tell?

Every story has a hundred different angles and perspectives. And trying to share the story from every perspective is a recipe for failure.

Instead, pick a single angle and focus on it. If you’re documenting a local issue, do you want to focus on how it affects children? The physical area? The economy? If you’re documenting a newborn’s first month, do you want to focus on the interaction between the newborn and the parents? The growth of the newborn? The newborn’s emotions?

As you’ll find out during your research, even stories that seem to be completely one-sided have plenty of hidden perspectives to draw on.

So think about your story carefully. In general, I recommend you approach it from the angle you’re most passionate about (consider the previous tip!), but you’re always free to explore different perspectives.

4. Convey emotion

Not all photo essays must convey emotion. But the most powerful ones do.

After all, think of the stories that you know and love. Your favorite books, movies, and TV shows. Do they touch you on an emotional level?

Don’t get me wrong: Every photo essay shouldn’t cover a sappy, heartstring-tugging tale. You can always focus on conveying other emotions: anger, joy, fear, hurt, excitement.

(Of course, if your story is sappy and heartstring-tugging, that’s fine, too – just don’t force it!)

How do you convey emotions, though? There’s no one set way, but you can include photos of meaningful scenes – human interactions generally work well here! – or you can simply show emotion on the faces of your photographic subjects . Really, the best way to communicate emotions through your photos is to feel the emotions yourself; they’ll bleed over into your work for a unique result.

5. Plan your shots

Once you’ve done the research and determined the angle and emotions you’d like to convey, I recommend you sit down, take out a pen and paper, and plan your photo essay .

Should you extensively visualize each photo? Should you walk through the venue, imagining possible compositions ?

Honestly, that’s up to you, and it’ll depend on how you like to work. I do recommend that beginners start out by creating a “shot list” for the essay. Here, you should describe the main subject, the narrative purpose of the image, plus any lighting or composition notes. Once you become more experienced, you can be looser in your planning, though I still recommend you at least think about the different shots you want to capture.

You can start by planning 10 shots. Each one should emphasize a different concept or emotion, but make sure to keep a consistent thread running through every composition; after all, the end goal is to create a powerful series of images that tell a story.

One final tip:

While you should stick to your plan pretty closely, at least at first, don’t ignore the potential for spontaneity. If you see a possible shot, take it! You can later evaluate whether it’s a worthwhile addition to your essay.

Photo essay tips: final words

Now that you’ve finished this article, you know all about what photo essays are, and – hopefully! – how to create a beautiful essay of your own.

Just remember: storytelling takes practice, but you don’t have to be an incredible writer to pull off a powerful photo essay. All you need is a bit of photographic technique, some creativity, and a lot of heart.

Once you start to tell stories with your photos, your portfolio will never be the same!

Now over to you:

Do you have any tips for doing photo essays? Do you have any essays you’re proud of? Share them in the comments below!

Read more from our Tips & Tutorials category

is a visionary artist and philanthropist in Portland Oregon. Her work includes wedding photography www.BrideInspired.com and leadership with www.RevMediaBlog.com .

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• Photojournalism Links

The 10 Best Photo Essays of the Month

This month’s Photojournalism Links collection highlights 10 excellent photo essays from across the world, including Tomas Munita ‘s photographs from Gaza and Israel, made on assignment for the New York Times . The work, coinciding with the first anniversary of last year’s 50 day war between Israel and Palestinian militant groups, consists of eight innovative stop-motion-sequences which take us to the streets, hospitals, and homes on both sides of the conflict, and provide an immersive glimpse of how the two groups of communities are coping, one year after.

Tomas Munita: Walking in War’s Path (The New York Times )

Brent Stirton: Tracking Ivory: Terror in Africa | Ivory’s Human Toll (National Geographic) Two strong sets of images for National Geographic magazine’s latest cover story.

Lynsey Addario: Inside the Democratic Republic of Congo’s Diamond Mines (TIME LightBox) Terrific set of images looking at Congo’s diamond mining communities.

Andres Kudacki: Spain’s Housing Crisis (TIME LightBox) Powerful three-year project on the country’s home evictions, now on show at Visa pour l’Image photojournalism festival.

Mary Ellen Mark: New Orleans (CNN Money) The legendary photographer’s final assignment, done ahead of Hurricane Katrina’s 10th anniversary.

Daniel Etter: Hands Across Water (Al Jazeera America) Moving series on a small Sea-Watch ship, with a rotating crew of just eight volunteers, trying to save refugees and migrants in the Mediterranean.

Sergey Ponomarev: On Island of Lesbos, a Microcosm of Greece’s Other Crisis: Migrants (The New York Times ) Dramatic photographs of refugees and migrants arriving to the Greek island.

Allison Joyce: Child Marriage Bangladesh (International Business Times) Heartbreaking pictures of a 15-year-old Bangladeshi girl’s wedding | See also Joyce’s other Bangladeshi child marriage series at Mashable .

Andrea Bruce: Romania’s Disappearing Girls (Al Jazeera America) The Noor photographer’s work shows how poverty and desperation drive Romanian girls into the arms of sex traffickers.

Matt Black: Geography of Poverty: Chapter 2 | Chapter 3 (MSNBC) Second and third chapters of the Magnum photographer’s ambitious project mapping poverty around the U.S.

Mikko Takkunen is an Associate Photo Editor at TIME. Follow him on Twitter @photojournalism .

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How to Make a Photo Essay

Last Updated: September 27, 2023 Fact Checked

This article was co-authored by Heather Gallagher . Heather Gallagher is a Photojournalist & Photographer based in Austin, Texas. She runs her own photography studio named "Heather Gallagher Photography" which was voted Austin's Best Family Photographer and top 3 Birth Photographers in 2017, 2018, and 2019. Heather specializes in family Photojournalism and has over 15 years of experience documenting individuals, families, and businesses all over the world. Her clients include Delta Airlines, Oracle, Texas Monthly, and her work has been featured in The Washington Post and The Austin American Statesman. She is a member of the International Association of Professional Birth Photographers (IAPBP). There are 11 references cited in this article, which can be found at the bottom of the page. This article has been fact-checked, ensuring the accuracy of any cited facts and confirming the authority of its sources. This article has been viewed 287,037 times.

Photo essays are an increasingly popular medium for journalists, bloggers, and advertisers alike. Whether you’re trying to show the emotional impact of a current news story or share your hobby with friends and family, images can capture your topic in a personal, emotional, and interesting way. Creating a photo essay can be as easy as choosing a topic, getting your images, and organizing the essay.

Things You Should Know

• Reflect long and hard on your topic, considering your audience, current events, and whether to go for a thematic or narrative approach.
• Create an outline, including your focus image, establishing shot, clincher, and other image details.
• When you finally take your photos, remember to take more photos than you think you need and don't be afraid to let the project change as you create it.

Finding Your Topic

• Offer a photo essay of your place of business as a training tool.
• Use a photo essay about your business as a sales or social tool by publishing it on your website or social media page.
• Create a how to photo essay to help others learn about your hobby, so they can take it up as well. [4] X Research source

• Thematic subjects are big ideas including things like local gun laws, at-risk youth, or welcoming home soldiers.
• Narrative essays can include a day in the life, how to tutorials, or progression series that show changes over time such as tracking a building project.
• If you have been given a commission or specific publication to work with, you may need to choose a topic that will fit a thematic or narrative approach as outlined by the publication. Make sure you are aware of any publication guidelines in advance.

Organizing Your Shoot

• Consider how difficult it will be to get permission to photograph your subjects. If you already have relationships established, it will be easier. If not, allow for extra time to get permission and/or waivers.
• Schools, daycares, and other places with kids typically have more regulations on who can be photographed and for what purposes. You’ll usually need to get parental approval, in addition to permission from those in charge. [7] X Research source

• Consider doing interviews with people involved prior to the shoot. Ask things like, “What’s the most interesting thing you do during this event?” or “How long have you been involved with this organization?”
• These interviews are also a great opportunity to ask for permission and get waivers.
• If you’re going to visit a job site, charitable event, or other large group activity, ask the person or persons in charge to explain what you’re doing to everyone before you arrive. [8] X Research source

Capturing Your Images

• Many new photographers stay away from high ISO shots because they allow more light through producing a “busy” image. However, these images are often easier to edit later as there’s more information to work with. [11] X Research source
• If it’s very bright in your location or you’ve set up artificial lighting, a low ISO is likely adequate, For darker areas, you’ll likely need to use a higher ISO.
• If you need one second to capture an image with a base ISO of 100, you’ll need one eighth of a second to capture with an ISO of 800. [13] X Research source

• Even snapping candid shots, which you may need to capture quickly, take a few moments to think about how objects are placed to make the most impact.
• Always think about how the main subject’s surroundings play into the overall image, and try to create different levels and points of interest.
• You can change composition as part of the editing process in some cases, so if you can’t line up the shot just right, don’t let it deter you from capturing the image you want. [14] X Research source

Organizing the Essay

• If you’re doing a day in the life photo essay about a frustrated person working in an office, an image of that person struggling to open the front door against the wind might be an apt focus shot.
• If your essay is about the process of building a home, your focus image may be something like a contractor and architect looking at blue prints with the framed up home in the background.
• If your essay is about a family reunion, the focus image may be a funny shot of the whole family making faces, pretending to be fighting, or a serious photo of the family posed together. Capture whatever seems natural for the family. [18] X Research source

• Regardless of essay type, you’ll need a focus image to grab attention.
• Use an overall shot to give context to your essay. Where is it, when is it happening, who’s involved, what’s going on, and why should someone be interested? The five “W’s” of journalism are a great way to determine what your overall shot should capture.
• Find your final image. This should be something provocative that asks your viewer to think about the topic.
• Between the focus and overall shot and ending image, include a series of images that move the viewer from the lead-in shots to its result. Use images that build in intensity or draw the viewers further into the essay.

• If the images aren’t telling the story, ask your friends to look at your other photos and ask, “I wanted this image to make this point. You got a different idea. Would any of these images make this point to you more clearly?”
• If the others like the images you’ve chosen, you may still want to ask them to look at your other photos and tell you if they think any of the images you didn’t include should be added in. They may see something you missed. [20] X Research source

• If you're commissioned to add photos to an essay, you should make sure images reflect the written word, but also add emotion and context the writing could not capture. For example, an essay on poverty may include an image of a child and parent living on the street could capture more emotional context.
• Captions should only include information the viewer could not derive from the photo itself. For instance, you can include a date, the subject’s name, or a statistic relevant to your subject in the caption.
• If you choose not to have any text or just a title and some introductory and/or closing words, make sure you convey all necessary information succinctly. [21] X Research source

Expert Q&A

• Be creative with your topics. However, something as simple as "things I like" will suffice so long as you stay creative. Thanks Helpful 0 Not Helpful 0
• Make sure you're familiar with your camera. It will make the photo composition a lot easier. Thanks Helpful 0 Not Helpful 0
• Don't get discouraged. It may take several tries to get the desired results in your photos. Thanks Helpful 1 Not Helpful 0

You Might Also Like

• ↑ http://digital-photography-school.com/5-photo-essay-tips/
• ↑ Heather Gallagher. Professional Photojournalist & Photographer. Expert Interview. 8 April 2020.
• ↑ http://improvephotography.com/30816/10-ideas-creative-photo-essays/
• ↑ http://www.apogeephoto.com/how-to-create-a-photo-essay/
• ↑ https://petapixel.com/how-to-create-a-photo-essay/
• ↑ http://photo.journalism.cuny.edu/week-5/
• ↑ http://clickitupanotch.com/2010/12/creating-a-photo-essay/
• ↑ https://photographylife.com/what-is-iso-in-photography
• ↑ https://wiredimpact.com/blog/how-to-make-a-photo-essay-nonprofit/
• ↑ http://digital-photography-school.com/5-tips-for-creating-a-photo-essay-with-a-purpose/
• ↑ https://www.format.com/magazine/resources/photography/how-to-make-photo-essay-examples

About This Article

To make a photo essay, start by selecting a subject that is easy to capture and that inspires you, like a friend or a family pet. Then, decide if you want to present your photo essay as thematic, which shows specific examples of a big idea, or narrative, with a beginning, middle, and end. Next, create an outline of your essay to determine which photos you’ll need, like an establishing shot. Finally, take your photos, select which images you want to use in your essay, and organize them according to your theme before adding text to explain the essay. To learn how to capture the best images, keep scrolling! Did this summary help you? Yes No

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Ten examples of immersive photo essays

By Marissa Sapega — Contributing Writer

Photo essays are one of the most powerful forms of storytelling in the last century. From the great depression photographer W. Eugene Smith to the photojournalism of National Geographic or Life Magazine , the best photo essays entertain, educate, and move readers more than words alone ever could. 

But photo essays have changed. Over the last decade, web publishing technologies — including web browsers and file formats — have improved by leaps and bounds. A good photo essays today is more than a collection of images. It’s a truly interactive, immersive, and multimedia experiences.

In this guide, we introduce 10 stunning examples of visually arresting interactive photo essays to fuel your creative juices.

Now, let's set the scene with a short introduction to immersive, interactive photo essays on the web.

What do the BBC, Tripadvisor, and Penguin have in common? They craft stunning, interactive web content with Shorthand. And so can you! Publish your first story for free — no code or web design skills required. Sign up now.

The rise of immersive, interactive photo essays

What is an immersive, interactive photo essay? Let's take these terms one at a time. 

An immersive photo essay uses rich media and story design to capture and keep the reader's attention. Immersive content is typically free of the most distracting elements of the web, such as pop-ups, skyscrapers, and other intrusions on the reading experience.

As a basic rule of thumb, immersive content respects the reader's attention. 

An interactive photo essay is one that allows the reader to control how the content appears. It may include interactive elements, like maps and embedded applications.

More commonly, modern interactive photo stories use a technique known as scrollytelling . Scrollytelling stories allow the reader to trigger animations and other visual effects as they scroll. Many of the examples in this guide use scrollytelling techniques. Read more scrollytelling examples .

Until relatively recently, immersive, interactive photo essays could only be created with the help of a designer or web developer. But with the rise of digital storytelling platforms , anyone can create compelling, dynamic stories without writing a single line of code.

If you're looking to learn more about how to create a photo essay — or are looking for more photo essay ideas  — check out our introduction to photo essays . 

Photo essay topics

If you’re looking for photo essay examples, chances are you’re looking to create a photo essay for yourself. If you’re just getting started, you might want some guidance on exactly what kinds of topics make for great photo essays.

More experienced photographers — feel free to skip this section. But for those who are just starting out, here’s a quick list of classic photo essay subject matter, for all types of photo essays.

• Local events. A great way to start out is photograph local events in your community, such as a high school fundraiser. A bonus is that you’ll have a ready
• Historic sites. Another classic photo essay topic is an exploration of a historic site. This could be a building, a monument, or even just a specific location that has significance.
• Profile of a person. A great way to get to know someone is to profile them in a photo essay. This could be a family member, friend, or even just someone you’ve met.
• Animals in captivity. Another popular subject matter for photo essays is animals in captivity, whether that’s at a zoo or elsewhere.
• A day in the life. Have you ever wondered what it’s like to live someone else’s life for a day? Why not find out and document it in a photo essay?
• Street photography. Another great way to practice your photography skills is to head out into the streets and photograph the everyday lives of people around you. The world has plenty of photo essays of cities like New York and London. But what about street photography in your own backyard?
• Still life photography. Still life photography is all about capturing inanimate objects on film. This could be anything from flowers to furniture to food. It’s a great way to practice your photography skills and learn about composition
• Landscapes . Landscape photography is one of the most popular genres, and for good reason. There are endless possibilities when it comes to finding interesting subjects to shoot. So get out there and start exploring!
• Abandoned buildings. There’s something fascinating about abandoned buildings. They offer a glimpse into the past, and can be eerily beautiful. If you have any in your area, they make for great photo essay subjects.
• Lifestyles. Document someone who lives a lifestyle that’s different from your own. This could be a portrayal of an everyday person, or it could be someone with an unusual job or hobby.
• Social issues. Take photos depicting significant social issues in your community, remembering to respect your subjects.

Ten inspiring photo essay examples

Pink lagoon and peculiar galaxies — July’s best science images

In Pink lagoon and peculiar galaxies , Nature present a mesmerising series of images from the natural world. Highlights include:

• a blink-and-you’ll-miss-it photo of rare albino orcas performing feats of synchronized swimming;
• an arresting aerial view of the aftermath of the flash floods in Germany; and,
• a scarlet gawping Venus flytrap sea anemone. 

The best part? Nature publishes similarly powerful photo essays every month, showcasing some of the best and most creative photography of the natural world anywhere on the web.

Vanishing Lands

Vanishing lands — an ominously interesting photo essay from media company Stuff — opens with a bucolic visual featuring meandering sheep flanked by breathtaking mountains that blur into obscurity.

Soon, more awe-inspiring photos of breathtaking New Zealand farmland appear, accompanied by expressive prose whose tone matches the visuals’ stark beauty.

In this unflinchingly honest photographic essay, Stuff takes the viewer behind the scenes with a day in the life of a high country sheep farmer facing an uncertain future. One stunning photo fades into the next as you scroll through, broken only by the occasional noteworthy quote and accompanying narrative.

Olympic photos: Emotion runs high

This emotionally wrought sports story from NBC begins with a close-up of an anxious Simone Biles, her expression exemplifying the tension and frustration echoed on so many of her fellow athletes’ faces.

The subtitle puts it perfectly: “The agony—and thrill—of competition at the Olympics is written all over their faces.”

Devastation, disappointment, and defeat take centre stage in this piece — but not all the subjects of the photos in this compelling photography essay depict misery. Some of the images, like that taken of the gold medal-winning Russian artistic gymnasts, manage to project the athletes’ joy almost beyond the edges of the screen.

The NBC editors who created this visual story chose to display the series of photos using the entire screen width and limit the copy to simple captions, letting the visuals speak for themselves. The result is a riveting montage of photographs that manage to capture the overarching sentiment of the 2020 Olympic Games.

James Epp: A Twist of the Hand

In A Twist of the Hand , the Museum of Classical Archaeology at the University of Cambridge have produced a gorgeous photo essay. This online art show showcases artist James Epp’s installation, combining photographs of the exhibit with images of museum prints and authentic artefacts.

As you scroll down, close-up shots of the installation make you feel like you’re physically wandering among the ancient sculptures, able to examine hairline spider cracks and tiny divots marking the surface of every antiquated figure. In between the photos—and often flanked by museum prints—are James Epp's musings about what inspired him to create the pieces. It’s an absorbing virtual gallery that will no doubt inspire real life visits to the exhibition.

The Café Racer Revolution

Though it’s a cleverly built piece of interactive content marketing , Honda’s “ Café Racer Revolution ” is also a great photo essay. Alongside information about the latest and greatest motorcycles Honda has to offer, it details the history of the bikers who sought to employ motorcycles (specifically “café racers”) as a way to forge an identity for themselves and project a “statement of individuality.”

Scroll down, and nostalgic black-and-white photos give way to contemporary action shots featuring fully decked-out motorcyclists on various Honda models.

Dynamic photos of bikes rotate them 360 degrees when you mouse over them, and text superimposed over flashy shots rolls smoothly down the screen as you scroll. This photo essay will stir a longing to hit the open road for anyone who has ever dreamed of owning one of Honda’s zippy bikes.

Built to keep Black from white

In Built to keep Black from white , NBC News and BridgeDetroit have built a stunning narrative photo essay that encapsulates the history of Detroit’s Birwood Wall — a literal dividing line intended to separate neighborhoods inhabited by people of different races. 

The piece begins with a brief history of the concrete barrier. Between paragraphs of text, it weaves in quotes from residents who grew up as the wall was erected and a short video. Animated maps highlighting the affected neighborhoods unspool across the screen as you scroll down, accompanied by brief explanations of what the maps represent.

In the series of photographs that follow, contemporary images transition into decades-old shots of the wall when it was newly constructed. This is followed by images of original real estate documents, resident portraits, and additional animated maps — each considering the issue from different angles.

The piece ends with an interactive display of how Detroit’s racial makeup has changed over the past several decades, from majority white to black, and how the wall has impacted the lives of its residents who lived (and died) within its borders.

The story of Black Lives Matter in sport

The BBC pairs illustrations and bold imagery in this photo essay on how athletes participated in the Black Lives Matter movement . At the start, a narrow column of text leads into an iconic image of American football players kneeling during the pre-game national anthem in a solemn protest against police brutality. 

The first excerpt, a summary of Trayvon Martin’s death in 2012, draws you in with piercing prose capped off with photographs that bleed into one another. Every account in the photo essay follows this layout.

WaterAid Climate Stories

Climate change affects everyone on the planet, but some people are feeling the effects more than others. WaterAid’s scrollytelling photo essay illuminates the plight of individuals living in areas where extreme weather conditions — caused by climate change — have drastically impacted the water supply and environment, endangering their livelihoods and ability to survive.

This climate change story starts with an engrossing video that provides an up-close and personal look at the devastation that climate change-induced droughts have wreaked on people and the environment. As you scroll down, images of massively depleted bodies of water with superimposed text and quotes unfold before your eyes. It’s an efficient way to drive home the critical message WaterAid wants to convey: climate change is real, and it’s harming real people.

Each extreme weather story focuses on an individual to help viewers empathise and understand that climate change has real, drastic consequences for millions of people worldwide. The piece ends with a call to action to learn more about and financially support WaterAid’s fight to assist people living in the desperate situations depicted in the essay.

28 Days in Afghanistan

In this piece, Australian photo-journalist Andrew Quilty tells the story of the four weeks he spent in Afghanistan . He captures daily events ranging from the mundane—like a casual visit to his barber—to jarring. More than one photo documents blood-spattered victims of violence.

Viewers must scroll through the piece to follow Andrew’s daily musings and the striking photos that accompany them. His photo essay is a powerful example of how scrollytelling is transforming the art of long-form journalism .

La carrera lunática de Musk y Bezos (Musk and Bezos' lunatic careers)

Billionaires Elon Musk and Jeff Bezos are angling to conquer the final frontier: space.

El Periódico captures their story via a whimsically illustrated photo essay, filled with neon line drawings and bold photos of the massive spaceships, the hangars that house them, and footprints on the moon. La carrera lunática de Musk y Bezos describes the battle between the two titans’ space companies (Blue Origin and SpaceX) for the honor of partially funding NASA’s next mission to the moon.

As you scroll down, white and fluorescent yellow words on a black background roll smoothly over images. The team at El Periódico slips in stylistic animations to break up the text—such as rocket ships with shimmering “vapour trails”—then ups the ante with a series of moon images that transition into portraits of the 12 U.S. astronauts who visited the celestial body.

The photo essay ends with the question: “Who will be the next to leave their footprints on the dusty lunar soil?” At the time of publishing, NASA had not yet decided between the two companies. (Spoiler alert: SpaceX won .)

Marissa Sapega is a seasoned writer, editor, and digital marketer with a background in web and graphic design.

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Photo Essay

We all know that photographs tell a story. These still images may be seen from various perspectives and are interpreted in different ways. Oftentimes, photographers like to give dramatic meaning to various scenarios. For instance, a blooming flower signifies a new life. Photographs always hold a deeper meaning than what they actually are.

In essay writing , photographs along with its supporting texts, play a significant role in conveying a message. Here are some examples of these kinds of photo-text combinations.

What is Photo Essay? A photo essay is a visual storytelling method that utilizes a sequence of carefully curated photographs to convey a narrative, explore a theme, or evoke specific emotions. It goes beyond individual images, aiming to tell a cohesive and impactful story through the arrangement and combination of pictures.

Photo Essay Format

A photo essay is a series of photographs that are intended to tell a story or evoke a series of emotions in the viewer. It is a powerful way to convey messages without the need for many words. Here is a format to guide you in creating an effective photo essay:

1. Choose a Compelling Topic

Select a subject that you are passionate about or that you find intriguing. Ensure the topic has a clear narrative that can be expressed visually.

2. Plan Your Shots

Outline the story you wish to tell. This could involve a beginning, middle, and end or a thematic approach. Decide on the types of shots you need (e.g., wide shots, close-ups, portraits, action shots) to best tell the story.

3. Take Your Photographs

Capture a variety of images to have a wide selection when editing your essay. Focus on images that convey emotion, tell a story, or highlight your theme.

4. Edit Your Photos

Select the strongest images that best convey your message or story. Edit for consistency in style, color, and lighting to ensure the essay flows smoothly.

5. Arrange Your Photos

Order your images in a way that makes sense narratively or thematically. Consider transitions between photos to ensure they lead the viewer naturally through the story.

6. Include Captions or Text (Optional)

Write captions to provide context, add depth, or explain the significance of each photo. Keep text concise and impactful, letting the images remain the focus.

7. Present Your Photo Essay

Choose a platform for presentation, whether online, in a gallery, or as a printed booklet. Consider the layout and design, ensuring that it complements and enhances the visual narrative.

8. Conclude with Impact

End with a strong image or a conclusion that encapsulates the essence of your essay. Leave the viewer with something to ponder , reflecting on the message or emotions you aimed to convey.

Best Photo Essay Example?

One notable example of a powerful photo essay is “The Photographic Essay: Paul Fusco’s ‘RFK Funeral Train'” by Paul Fusco. This photo essay captures the emotional journey of the train carrying the body of Robert F. Kennedy from New York to Washington, D.C., after his assassination in 1968. Fusco’s images beautifully and poignantly document the mourning and respect shown by people along the train route. The series is a moving portrayal of grief, unity, and the impact of a historical moment on the lives of ordinary individuals. The photographs are both artistically compelling and deeply human, making it a notable example of the potential for photo essays to convey complex emotions and historical narratives.

Photo Essay Examples and Ideas to Edit & Download

• A Day in the Life Photo Essay
• Behind the scenes Photo Essay
• Event Photo Essay
• Photo Essay on Meal
• Photo Essay on Photo walking
• Photo Essay on Protest
• Photo Essay on Abandoned building
• Education photo essay
• Photo Essay on Events
• Follow the change Photo Essay
• Photo Essay on Personal experiences

Photo Essay Examples & Templates

1. narrative photo essay format example.

nytimes.com

2. Student Photo Essay Example

3. Great Depression Essay Example

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4. Example of Photo Essay

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5. Photo Essay Examples About Nature

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6. Travel Photo Example

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7. Free Photo Essay Example

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Most Interesting Photo Essays of 2019

Now that you are educated with the fundamentals of photo essays, why not lay eyes on some great photo essays for inspiration. To give you a glimpse of a few epitomes, we collected the best and fascinating photo essays for you. The handpicked samples are as follows:

8. Toys and Us

journals.openedition.org

This photo essay presents its subject which is the latest genre of photography, toy photography. In this type of picture taking, the photographer aims to give life on the toys and treat them as his/her model. This photography follows the idea of a toy researcher, Katrina Heljakka, who states that also adults and not only children are interested in reimagining and preserving the characters of their toys with the means of roleplay and creating a story about these toys. This photo essay is based on the self-reflection of the author on a friend’s toys in their home environment.

9. The Faces of Nature Example

godandnature.asa3.org

This photo essay and collection caters the creativity of the author’s mind in seeing the world. In her composition, she justified that there are millions of faces that are naturally made that some of us have not noticed. She also presented tons of photos showing different natural objects that form patterns of faces. Though it was not mentioned in the essay itself, the author has unconsciously showcased the psychological phenomenon, pareidolia. This is the tendency to translate an obscure stimulus that let the observer see faces in inanimate objects or abstract patterns, or even hearing concealed messages in music.

10. The Country Doctor Example

us1.campaign-archive.com

This photo essay depicts the medical hardships in a small rural town in Colorado called Kremling. For 23 days, Smith shadowed Dr. Ernest Ceriani, witnessing the dramatic life of the small town and capturing the woeful crisis of the region. The picture in this photographic essay was photographed by Smith himself for Life magazine in 1948 but remained as fascinating as it was posted weeks ago.

11. New York City Coffeehouses

lens.blogs.nytimes.com

Café Latte, cappuccino, espresso, or flat white—of course, you know these if you have visited a coffee shop at least once. However, the photographer of this photo essay took it to a whole new level of experience. Within two to three days of visiting various coffee places, Mr. Gavrysh stayed most of his day observing at the finest details such as the source of the coffee, the procedure of delivering them, and the process of roasting and grounding them. He also watched how did the baristas perfect the drinks and the reaction of the customers as they received their ordered coffee with delights in their faces. Gavrysh did not mean to compose a coffeehouse guide, but to make a composition that describes modern, local places where coffee is sipped and treated with respect.

12. Hungry Planet: What The World Eats

13. Photo Essay Example

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14. Photo Essay in PDF

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15. Sample Photo Essay Example

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16. Basic Photo Essay Example

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17. Printable Photo Essay Example

One of the basic necessity of a person to live according to his/her will is food. In this photo essay, you will see how these necessities vary in several ways. In 2005, a pair of Peter Menzel and Faith D’ Aluisio released a book that showcased the meals of an average family in 24 countries. Ecuador, south-central Mali, China, Mexico, Kuwait, Norway, and Greenland are among the nations they visited.  This photo essay is written to raise awareness about the influence of environment and culture to the cost and calories of the foods laid on the various dining tables across the globe.

Photo essays are not just about photographic aesthetics but also the stories that authors built behind those pictures. In this collection of captivating photo essays, reflect on how to write your own. If you are allured and still can’t get enough, there’s no need for you to be frantic about. Besides, there are thousands of samples and templates on our website to browse. Visit us to check them all out.

What are good topics for a photo essay?

• Urban Exploration: Document the unique architecture, street life, and cultural diversity of urban environments.
• Environmental Conservation: Capture the beauty of natural landscapes or document environmental issues, showcasing the impact of climate change or conservation efforts.
• Everyday Life in Your Community: Showcase the daily lives, traditions, and activities of people in your local community.
• Family Traditions: Document the customs, rituals, and special moments within your own family or another family.
• Youth Culture: Explore the lifestyle, challenges, and aspirations of young people in your community or around the world.
• Behind-the-Scenes at an Event: Provide a backstage look at the preparation and execution of an event, such as a concert, festival, or sports competition.
• A Day in the Life of a Profession: Follow a professional in their daily activities, offering insights into their work, challenges, and routines.
• Social Issues: Address important social issues like homelessness, poverty, immigration, or healthcare, raising awareness through visual storytelling.
• Cultural Celebrations: Document cultural festivals, ceremonies, or celebrations that showcase the diversity of traditions in your region or beyond.
• Education Around the World: Explore the various facets of education globally, from classrooms to the challenges students face in different cultures.
• Workplace Dynamics: Capture the atmosphere, interactions, and diversity within different workplaces or industries.
• Street Art and Graffiti: Document the vibrant and dynamic world of street art, capturing the expressions of local artists.
• Animal Rescues or Shelters: Focus on the efforts of organizations or individuals dedicated to rescuing and caring for animals.
• Migration Stories: Explore the experiences and challenges of individuals or communities affected by migration.
• Global Food Culture: Document the diversity of food cultures, from local markets to family meals, showcasing the role of food in different societies.

How to Write a Photo Essay

First of all, you would need to find a topic that you are interested in. With this, you can conduct thorough research on the topic that goes beyond what is common. This would mean that it would be necessary to look for facts that not a lot of people know about. Not only will this make your essay interesting, but this may also help you capture the necessary elements for your images.

Remember, the ability to manipulate the emotions of your audience will allow you to build a strong connection with them. Knowing this, you need to plan out your shots. With the different emotions and concepts in mind, your images should tell a story along with the essay outline .

1. Choose Your Topic

• Select a compelling subject that interests you and can be explored visually.
• Consider the story or message you want to convey. It should be something that can be expressed through images.

2. Plan Your Essay

• Outline your narrative. Decide if your photo essay will tell a story with a beginning, middle, and end, or if it will explore a theme or concept.
• Research your subject if necessary, especially if you’re covering a complex or unfamiliar topic.

3. Capture Your Images

• Take a variety of photos. Include wide shots to establish the setting, close-ups to show details, and medium shots to focus on subjects.
• Consider different angles and perspectives to add depth and interest to your essay.
• Shoot more than you need. Having a large selection of images to choose from will make the editing process easier.

4. Select Your Images

• Choose photos that best tell your story or convey your theme.
• Look for images that evoke emotion or provoke thought.
• Ensure there’s a mix of compositions to keep the viewer engaged.
• Sequence your images in a way that makes narrative or thematic sense.
• Consider the flow and how each image transitions to the next.
• Use juxtaposition to highlight contrasts or similarities.

6. Add Captions or Text (Optional)

• Write captions to provide context or additional information about each photo. Keep them brief and impactful.
• Consider including an introduction or conclusion to frame your essay. This can be helpful in setting the stage or offering a final reflection.

7. Edit and Refine

• Review the sequence of your photos. Make sure they flow smoothly and clearly convey your intended story or theme.
• Adjust the layout as needed, ensuring that the visual arrangement is aesthetically pleasing and supports the narrative.

8. Share Your Essay

• Choose the right platform for your photo essay, whether it’s a blog, online publication, exhibition, or print.
• Consider your audience and tailor the presentation of your essay to suit their preferences and expectations.

Types of Photo Essay

Photo essays are a compelling medium to tell a story, convey emotions, or present a perspective through a series of photographs. Understanding the different types of photo essays can help photographers and storytellers choose the best approach for their project. Here are the main types of photo essays:

1. Narrative Photo Essays

• Purpose: To tell a story or narrate an event in a chronological sequence.
• Characteristics: Follows a clear storyline with a beginning, middle, and end. It often includes characters, a setting, and a plot.
• Examples: A day in the life of a firefighter, the process of crafting traditional pottery.

2. Thematic Photo Essays

• Purpose: To explore a specific theme, concept, or issue without being bound to a chronological sequence.
• Characteristics: Centers around a unified theme, with each photo contributing to the overall concept.
• Examples: The impact of urbanization on the environment, the beauty of natural landscapes.

3. Conceptual Photo Essays

• Purpose: To convey an idea or evoke a series of emotions through abstract or metaphorical images.
• Characteristics: Focuses on delivering a conceptual message or emotional response, often using symbolism.
• Examples: Loneliness in the digital age, the concept of freedom.

4. Expository or Informative Photo Essays

• Purpose: To inform or educate the viewer about a subject with a neutral viewpoint.
• Characteristics: Presents factual information on a topic, often accompanied by captions or brief texts to provide context.
• Examples: The process of coffee production, a day at an animal rescue center.

5. Persuasive Photo Essays

• Purpose: To convince the viewer of a particular viewpoint or to highlight social issues.
• Characteristics: Designed to persuade or elicit action, these essays may focus on social, environmental, or political issues.
• Examples: The effects of plastic pollution, the importance of historical preservation.

6. Personal Photo Essays

• Purpose: To express the photographer’s personal experiences, emotions, or journeys.
• Characteristics: Highly subjective and personal, often reflecting the photographer’s intimate feelings or experiences.
• Examples: A personal journey through grief, documenting one’s own home during quarantine.

7. Environmental Photo Essays

• Purpose: To showcase landscapes, wildlife, and environmental issues.
• Characteristics: Focuses on the natural world or environmental challenges, aiming to raise awareness or appreciation.
• Examples: The melting ice caps, wildlife in urban settings.

8. Travel Photo Essays

• Purpose: To explore and present the culture, landscapes, people, and experiences of different places.
• Characteristics: Captures the essence of a location, showcasing its uniqueness and the experiences of traveling.
• Examples: A road trip across the American Southwest, the vibrant streets of a bustling city.

How do you start a picture essay?

1. choose a compelling theme or topic:.

Select a theme or topic that resonates with you and has visual storytelling potential. It could be a personal project, an exploration of a social issue, or a visual journey through a specific place or event.

2. Research and Conceptualize:

Conduct research on your chosen theme to understand its nuances, context, and potential visual elements. Develop a conceptual framework for your photo essay, outlining the key aspects you want to capture.

3. Define Your Storytelling Approach:

Determine how you want to convey your narrative. Consider whether your photo essay will follow a chronological sequence, a thematic structure, or a more abstract and conceptual approach.

4. Create a Shot List:

Develop a list of specific shots you want to include in your essay. This can help guide your photography and ensure you capture a diverse range of images that contribute to your overall narrative.

5. Plan the Introduction:

Think about how you want to introduce your photo essay. The first image or series of images should grab the viewer’s attention and set the tone for the narrative.

6. Consider the Flow:

Plan the flow of your photo essay, ensuring a logical progression of images that tells a cohesive and engaging story. Consider the emotional impact and visual variety as you sequence your photographs.

7. Shoot with Purpose:

Start capturing images with your conceptual framework in mind. Focus on images that align with your theme and contribute to the overall narrative. Look for moments that convey emotion, tell a story, or reveal aspects of your chosen subject.

8. Experiment with Perspectives and Techniques:

Explore different perspectives, compositions, and photographic techniques to add visual interest and depth to your essay. Consider using a variety of shots, including wide-angle, close-ups, and detail shots.

9. Write Descriptive Captions:

As you capture images, think about the accompanying captions. Captions should provide context, additional information, or insights that enhance the viewer’s understanding of each photograph.

What are the key elements of a photo essay?

1. Theme or Topic:

Clearly defined subject matter or theme that unifies the photographs and tells a cohesive story.

2. Narrative Structure:

An intentional narrative structure that guides the viewer through the photo essay, whether chronological, thematic, or conceptual.

3. Introduction:

A strong introduction that captures the viewer’s attention and sets the tone for the photo essay.

4. Captivating Images:

A series of high-quality and visually compelling images that effectively convey the chosen theme or story.

5. Variety of Shots:

A variety of shots, including wide-angle, close-ups, detail shots, and different perspectives, to add visual interest and depth.

6. Sequencing:

Careful sequencing of images to create a logical flow and emotional impact, guiding the viewer through the narrative.

7. Captions and Text:

Thoughtful captions or accompanying text that provide context, additional information, or insights, enhancing the viewer’s understanding.

8. Conclusion:

A concluding section that brings the photo essay to a satisfying close, leaving a lasting impression on the viewer.

Purpose of a Photo Essay

With good writing skills , a person is able to tell a story through words. However, adding images for your essay will give it the dramatic effect it needs. The photographs and the text work hand in hand to create something compelling enough to attract an audience.

This connection goes beyond something visual, as photo essays are also able to connect with an audience emotionally. This is to create an essay that is effective enough to relay a given message.

5 Tips for Creating a Photo Essay

• Don’t be afraid to experiment. Find the right angle and be dramatic with your description, just be creative.
• Pay attention to detail. Chances are, your audience will notice every single detail of your photograph.
• Shoot everything. Behind a single beautiful photo is a hundred more shots.
• Don’t think twice about editing. Editing is where the magic happens. It has the ability to add more drama to your images.
• Have fun. Don’t stress yourself out too much but instead, grow from your experience.

What is a photo essay for school?

A school photo essay is a visual storytelling project for educational purposes, typically assigned to students. It involves creating a narrative using a series of carefully curated photographs on a chosen theme.

How many pictures should be in a photo essay?

The number of pictures in a photo essay varies based on the chosen theme and narrative structure. It can range from a few impactful images to a more extensive series, typically around 10-20 photographs.

Is a photo essay a story?

Yes, a photo essay is a visual storytelling form. It uses a series of carefully curated photographs to convey a narrative, evoke emotions, or communicate a specific message or theme.

What makes a photo essay unforgettable?

An unforgettable photo essay is characterized by a powerful theme, emotionally resonant images, a well-crafted narrative structure, attention to detail, and a connection that leaves a lasting impact on viewers.

Photo Essay Generator

Text prompt

• Instructive
• Professional

Create a Photo Essay on the theme of urban exploration.

Discuss the story of a local community event through a Photo Essay.

The Year of Endurance

Hope and uncertainty amid a pandemic that wouldn’t end.

In 2021, the pandemic forced us all to think hard about who we do and don’t trust

Introduction by david rowell.

As a nation, we are supposed to be built around trust. Look at the back of the bills in your wallet. “In God We Trust.”

Trust the system.

Trust yourself.

Trust but verify.

Trust your instincts.

Love may be the emotion we like to think ultimately propels us, but it’s trust that informs how we go about our daily lives. And yet. Our level of trust, our very foundation, has been crumbling for a long time now. Scandals, abuse and corruption in the major pillars of our society — religious institutions, education, business, military, government, health care, law enforcement, even the sports world — have made us a wary people.

When the pandemic came, first as murmurs that were easy to tune out, then as an unbounded crisis we couldn’t tune into enough, our relationship to trust was newly infected with something we didn’t fully understand. And before long, who and what we trusted — or didn’t — in the form of elected leaders, scientists and doctors became one more cause of death here and all over the world. In this way, distrust was a kind of pandemic itself: widely contagious and passed by the mouth.

As the first American casualties of covid-19 were announced, President Trump kept insisting it would disappear “with the heat” or “at the end of the month” or “without a vaccine.” Like a disgraced, fringe science teacher, he entertained this idea at one coronavirus news conference: “I see the disinfectant that knocks it out in a minute, one minute. And is there a way we can do something like that by injection inside, or almost a cleaning?” With leadership like this, the country was receiving an injection — of chaos.

The pandemic ripped through the rest of 2020, and America was not only more splintered than ever, but also a dangerous place to be. Some politicians declared to the public, “I trust the science,” as if that were an unprecedented and heroic stance.

As we navigated our way into 2021, questions about what to believe led — painfully and predictably — to doubts about the most reliable way we had to stay safe: wearing masks. With the return to schools looming, the debate about masks and children — masks as protectors, or masks as educational folly — played out like a plague of rants. No one seemed to trust others to do the right thing anymore, whatever that was. By summer’s end, trust felt like the latest variant to avoid.

Trust takes lots of forms, but can we actually see it in a photograph the way we can identify a cloud or a wave, or an overt moment of joy or sadness? The photo essays that follow capture a full tableau of human responses in year two of the pandemic — trepidation, but also a sense of renewal; celebration, but caution as well. And despite rancor and confusion still being in as steady supply as the vaccine itself, the permutations of trust have their own presence here, too, if we’re open enough to seeing them.

When Jay Wescott went on tour with rock band Candlebox, he was documenting one of the many performing acts that returned to the road this summer, after the long hiatus. On tour there’s a lot variables you can control, and just as many, if not more, that you can’t — and in the time of covid, control and trust form their own essential but perilous interplay. The picture of the band’s drummer, Robin Diaz, who is vaccinated but unmasked, setting up his kit in such proximity to road manager Carlos Novais, vaccinated and masked, not only captures that still-odd dynamic that goes into making any live performance happen right now; it is also a welcome contrast to all the images of masked and unmasked protesters screaming at each other about what and whom to trust. On tour with Candlebox, Westcott observed how trust is carrying the band forward, creating harmonies on and off the stage.

Much farther away, in Michael Robinson Chavez’s pictures from Sicily, we bear witness to religious celebrations as part of saint’s days, which were canceled last year because of the pandemic. The celebrations resumed, though stripped down, this September, with vaccines readily available, but then, as Chavez notes, the people of Sicily were vaccinated at lower numbers than those in other regions of the country. In one image, we see a tuba player, his mask down below his chin as he blows his notes out into the world. Behind him are masked adults and maskless children. And, perhaps all through the festival, a trust in God to watch over them.

Lucía Vázquez trained her lens on the eager crowds of young women who descended upon Miami, a city known for its own style of carnival-type celebrations, though decidedly less holy ones. These women have left masks out of their outfits and are trusting something not quite scientific and not quite political, but more personal: their guts. Such a calculation comes down to a conviction that either you won’t get the coronavirus, or, if you do, you’ll survive. It means placing a lot of trust in yourself.

As a visual meditation, the pictures in this issue offer a portrait of a historical moment in which trust and distrust have defined us. Ultimately, the photographs that follow, reflecting various realities of the pandemic, are tinted with hope that we can reclaim our lives. Not exactly as they were in the past, but in a way that still resembles how we had once imagined them for the future. These images remind us that even in our fractured, confused and suffering world, it remains possible that where we can find trust again, we can be healed.

Ready to Rock

Unmasked fans and mayflies: on tour with the band candlebox, text and photographs by jay westcott.

I n February 2020, after a dear friend passed away (not from covid), all I could think about was getting on the road with a band so I could lose myself in the work and create something that would bring joy to people. The world had other plans, though.

Sixteen months later, I headed out on tour with Candlebox. Almost 30 years has passed since the Seattle hard-rock group released its debut album and saw it sell more than 4 million copies. Frontman Kevin Martin and his current lineup invited me along to document the first part of their tour. I packed up my gear, drove west, and met the band at Soundcheck, a rehearsal and gear storage facility in Nashville, as they prepared for the tour.

Whenever people learn that I photograph musicians, inevitably they ask me what it’s like on a tour bus. I tell people it’s like camping with your co-workers from the office where you all sleep in the same tent. For weeks on end. That sours their midlife fantasies about digging out that guitar from the garage and hitting the road to become a rock star.

The people who do tour and play music, build the sets, mix the sound, sell the merch and lug the gear night after night are some of the hardest-working people I’ve ever met. They are a special breed of artists, deep thinkers, poets, masters of their instruments. Music has the ability to make you move and stop you in your tracks, to change your mood, make you smile, cry, think. The goal is the same: Put on a great show. Every night. Play like it could be your last show.

It’s easy to sit back and armchair quarterback on social media about the risks of holding festivals and rock concerts amid the pandemic, but this is what people do for a living. Few people buy albums or CDs or even download music anymore. It’s all about streaming and grabbing viewers on social media now. Touring and merch sales are about the only way musicians have to make money these days. Music is meant to be performed in front of people, a shared experience. With everybody on the bus vaccinated and ready to go, we headed to Louisville for the first of a 49-show run.

The crowd of mostly older millennials and GenXers were ready for a rock show. They knew all the words to the hits in the set — especially Candlebox’s mega-hit from the ’90s, “Far Behind” — and were into the band’s new songs too. It felt good. Then came the mayflies, in massive swarms.

The next stop on the tour was a festival along the Mississippi River in Iowa. I was up early, and as soon as we pulled in you could see mayflies dancing in the air all around us. As the day wore on, the flies intensified, and by nightfall any kind of light revealed hundreds upon hundreds of them, dancing in their own way like the crowd of unmasked fans below them. Also there were Confederate flags everywhere. Boats tied together on the river flew Trump flags in the warm summer breeze.

I was asleep when we crossed the river and made our way to St. Louis, the third stop on the tour and my last with the band. A great crowd: Close your eyes and you can easily picture yourself at Woodstock ’94. But it’s 2021 and Kevin Martin and company are still here.

Jay Westcott is a photographer in Arlington.

‘He Gave Me Life’

A cuban single mother reflects on isolation with her son, text and photographs by natalia favre.

S ingle mother Ara Santana Romero, 30, and her 11-year-old son, Camilo, have spent the past year and a half practically isolated in their Havana apartment. Just before the pandemic started, Camilo had achieved his biggest dream, getting accepted into music school. Two weeks after classes began, the schools closed and his classes were only televised. A return to the classroom was expected for mid-November, at which point all the children were scheduled to be vaccinated. According to a UNICEF analysis, since the beginning of the pandemic, 139 million children around the world have lived under compulsory home confinement for at least nine months.

Before the pandemic, Ara had undertaken several projects organizing literary events for students. After Havana went into quarantine and Camilo had to stay home, her days consisted mainly of getting food, looking after her son and doing housework. As a single mother with no help, she has put aside her wishes and aspirations. But Ara told me she never regretted having her son: “He gave me life.”

Natalia Favre is a photographer based in Havana.

Life After War in Gaza

A healing period of picnics, weddings and vaccinations, text and photographs by salwan georges.

A s I went from Israel into the Gaza Strip, I realized I was the only person crossing the border checkpoint that day. But I immediately saw that streets were vibrant with people shopping and wending through heavy traffic. There are hardly any working traffic lights in Gaza City, so drivers wave their hands out their windows to alert others to let them pass.

Despite the liveliness, recent trauma lingered in the air: In May, Israeli airstrikes destroyed several buildings and at least 264 Palestinians died. The fighting came after thousands of rockets were fired from Gaza into Israel, where at least 16 people died. Workers were still cleaning up when I visited in late August, some of them recycling rubble — such as metal from foundations — to use for rebuilding.

I visited the city of Beit Hanoun, which was heavily damaged. I met Ibrahim, whose apartment was nearly destroyed, and as I looked out from a hole in his living room, I saw children gathered to play a game. Nearby there is a sports complex next to a school. Young people were playing soccer.

Back in Gaza City, families come every night to Union Soldier Park to eat, shop and play. Children and their parents were awaiting their turn to pay for a ride on an electric bike decorated with LED lights. In another part of town, not too far away, the bazaar and the markets were filled ahead of the weekend.

The beach in Gaza City is the most popular destination for locals, particularly because the Israeli government, which occupies the territory, generally does not allow them to leave Gaza. Families picnicked in the late afternoon and then stayed to watch their kids swim until after sunset. One of the local traditions when someone gets married is to parade down the middle of a beachfront road so the groom can dance with relatives and friends.

Amid the activities, I noticed that many people were not wearing face coverings, and I learned that the coronavirus vaccination rate is low. The health department started placing posters around the city to urge vaccination and set up a weekly lottery to award money to those who get immunized.

I also attended the funeral of a boy named Omar Abu al-Nil, who was wounded by the Israeli army — probably by a bullet — during one of the frequent protests at the border. He later died at the hospital from his wounds. More than 100 people attended, mainly men. They carried Omar to the cemetery and buried him as his father watched.

Salwan Georges is a Washington Post staff photographer.

Beyond the Numbers

At home, i constructed a photo diary to show the pandemic’s human toll, text and photographs by beth galton.

I n March 2020, while the coronavirus began its universal spread, my world in New York City became my apartment. I knew that to keep safe I wouldn’t be able to access my studio, so I brought my camera home and constructed a small studio next to a window.

I began my days looking at the New York Times and The Washington Post online, hoping to find a glimmer of positive news. What I found and became obsessed with were the maps, charts and headlines, all of which were tracking the coronavirus’s spread. I printed them out to see how the disease had multiplied and moved, soon realizing that each of these little visual changes affected millions of people. With time, photographs of people who had died began to appear in the news. Grids of faces filled the screen; many died alone, without family or friends beside them.

This series reflects my emotions and thoughts through the past year and a half. By photographing data and images, combined with botanicals, my intent was to speak to the humanity of those affected by this pandemic. I used motion in the images to help convey the chaos and apprehensions we were all experiencing. I now see that this assemblage is a visual diary of my life during the pandemic.

Beth Galton is a photographer in New York.

Finding Hope in Seclusion

A self-described sickle cell warrior must stay home to keep safe, text and photographs by endia beal.

O nyekachukwu Onochie, who goes by Onyeka, is a 28-year-old African American woman born with sickle cell anemia. She describes herself as a sickle cell warrior who lives each day like it’s her last. “When I was younger,” she told me, “I thought I would live until my mid-20s because I knew other people with sickle cell that died in their 20s.”

The Centers for Disease Control and Prevention describes sickle cell anemia as an inherited red blood cell disorder that causes those cells to become hard and sticky, and appear C-shaped. Healthy red blood cells are round and move through small blood vessels to carry oxygen, whereas sickle cells die earlier and transport less oxygen. The disorder can cause debilitating pain and organ failure.

In June 2020, Onyeka began preparing her body for a stem cell transplant — a new treatment — and underwent the procedure in April. She is now home in Winston-Salem, N.C., recovering from the transplant. Despite the positive results thus far, Onyeka’s immune system is compromised and she is at greater risk of severe illness or death from viruses.

I asked about her life during the pandemic. She told me: “My new normal includes video chat lunch dates. I have more energy now than ever before, but I have to stay indoors to protect myself from airborne viruses, among other things.” Onyeka believes she has been given a new life with endless possibilities — even though she is temporarily homebound.

Endia Beal is an artist based in Winston-Salem, N.C.

Baker’s Choice

A fun-loving, self-taught baker decides to open her shop despite the pandemic, text and photographs by marvin joseph.

T iffany Lightfoot is the owner and founder of My Cake Theory, where she merges her love of fashion with her gifts as a baker. Undaunted by the pandemic, she opened her first brick-and-mortar shop on Capitol Hill last year. Lightfoot, 41, combined the skills she learned as a student at the Fashion Institute of Technology with dozens of hours watching the Food Network and YouTube videos — and spun her self-taught baking into a business. With these photographs I wanted to show how much fun she has baking — while building a career she clearly loves.

Marvin Joseph is a Washington Post staff photographer.

Leap of Faith

Despite low vaccination rates, sicilians resume religious parades, text and photographs by michael robinson chavez.

T he island of Sicily has been overrun and conquered by numerous empires and civilizations. The year 2020 brought a new and deadly conqueror, the coronavirus. The lockdown was absolute — even church doors were shut tight. But in 2021, Sicilians brought life and traditions back to their streets.

Saint’s days, or festas, are important events on the Sicilian calendar. Last year, for the first time in more than a century, some towns canceled their festas. The arrival of vaccines this year seemed to offer hope that the processions would once again march down the ancient streets. However, a surge in summer tourism, while helping the local economy, also boosted the coronavirus infection rate.

Sicily has the lowest vaccination rate in Italy. Nevertheless, scaled-down celebrations have reappeared in the island’s streets. In the capital city of Palermo, residents gathered for the festa honoring the Maria della Mercede (Madonna of Mercy), which dates to the 16th century. Children were hoisted aloft to be blessed by the Virgin as a marching band played in a small piazza fronting the church that bears her name. Local bishops did not permit the normal procession because of the pandemic, so local children had their own, carrying a cardboard re-creation of the Virgin through the labyrinth of the famous Il Capo district’s narrow streets.

As the fireworks blossomed overhead and the marching band played on, it was easy to see that Sicilians were embracing a centuries-old tradition that seems certain to last for many more to come.

Michael Robinson Chavez is a Washington Post staff photographer.

Defiant Glamour

After long months of covid confinement, a fearless return to 2019 in miami beach, text and photographs by lucía vázquez.

O n Miami Beach’s Ocean Drive I’ve seen drunk girls hitting other drunk girls, and I’ve seen men high on whatever they could afford, zombie-walking with their mouths and eyes wide open amid the tourists. I’ve seen partyers sprawled on the pavement just a few feet from the Villa Casa Casuarina, the former Versace mansion.

I’ve seen groups of women wearing fake eyelashes as long and thick as a broom, and flashing miniature bras, and smoking marijuana by a palm tree in the park, next to families going to the beach. I’ve seen five girls standing on the back of a white open-air Jeep twerking in their underwear toward the street.

My photographs, taken in August, capture South Beach immersed in this untamed party mood with the menace of the delta variant as backdrop. They document young women enjoying the summer after more than a year of confinement. Traveling from around the country, they made the most of their return to social life by showing off their style and skin, wearing their boldest party attire. I was drawn to the fearlessness of their outfits and their confidence; I wanted to show how these women identify themselves and wish to be perceived, a year and a half after covid-19 changed the world.

Lucía Vázquez is a journalist and photographer based in New York and Buenos Aires.

A Giving Spirit

‘this pandemic has taught me to be even closer to my family and friends’, text and photographs by octavio jones.

M arlise Tolbert-Jones, who works part time for an air conditioning company in Tampa, spends most of her time caring for her 91-year-old father, Rudolph Tolbert, and her aunt Frances Pascoe, who is 89. Marlise visits them daily to make sure they’re eating a good breakfast and taking their medications. In addition to being a caregiver, Marlise, 57, volunteers for a local nonprofit food pantry, where she helps distribute groceries for families. Also, she volunteers at her church’s food pantry, where food is distributed every Saturday morning.

“I’m doing this because of my [late] mother, who would want me to be there for the family and the community,” she told me. “I’ve had my struggles. I’ve been down before, but God has just kept me stable and given me the strength to keep going. This pandemic has taught me to be even closer to my family and friends.”

Octavio Jones is an independent photojournalist based in Tampa.

First, people paused. Then they took stock. Then they persevered.

Text and photographs by anastassia whitty.

W e all know the pandemic has challenged people and altered daily routines. I created this photo essay to highlight the perspectives and experiences of everyday people, specifically African Americans: What does their “new normal” look like? I also wanted to demonstrate how they were able to persevere. One such person is Maria J. Hackett, 30, a Brooklyn photographer, dancer and mother of a daughter, NiNi. Both are featured on the cover.

I asked Maria her thoughts on what the pandemic has meant for her. “Quarantine opened up an opportunity to live in a way that was more healthy while taking on much-needed deep healing,” she told me. “It was my mental and emotional health that began breaking me down physically. ... I put things to a stop as my health began to deteriorate. I decided I will no longer chase money — but stay true to my art, plan and trust that things will come together in a healthier way for us. I focused more on letting my daughter guide us and on her remaining happy with her activities and social life.”

“Enrolling her in camps and classes like dance and gymnastics led me to develop a schedule and routine,” Maria explained, “opening room for me to complete my first dance residency in my return to exploration of movement. I made time to share what I know with her and what she knows with me.”

Jasmine Hamilton of Long Island, 32, talked in similiar terms. She too became more focused on mental health and fitness. She told me: “The pandemic has demonstrated that life is short and valuable, so I’m more open to creating new experiences.”

Anastassia Whitty is a photographer based in New York.

About this story

Photo editing by Dudley M. Brooks and Chloe Coleman. Design and development by Audrey Valbuena. Design editing by Suzette Moyer and Christian Font. Editing by Rich Leiby. Copy editing by Jennifer Abella and Angie Wu.

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‘Where We Are’: A Photo Essay Contest for Exploring Community

Using an immersive Times series as inspiration, we invite teenagers to document the local communities that interest them. Contest dates: Feb. 14 to March 20.

By The Learning Network

Update, March 21: This contest is closed.

The Covid-19 pandemic closed schools and canceled dances. It emptied basketball courts, theaters, recreation centers and restaurants. It sent clubs, scout troops and other groups online.

Now, many people have ventured back out into physical spaces to gather with one another once again. What does in-person “community” look like today? And what are the different ways people are creating it?

In this new contest, inspired by “ Where We Are ” — an immersive visual project from The New York Times that explores the various places around the world where young people come together — we’re inviting teenagers to create their own photo essays to document the local, offline communities that interest them.

Take a look at the full guidelines and related resources below to see if this is right for your students. We have also posted a student forum and a step-by-step lesson plan . Please ask any questions you have in the comments and we’ll answer you there, or write to us at [email protected]. And, consider hanging this PDF one-page announcement on your class bulletin board.

Here’s what you need to know:

The challenge, a few rules, resources for teachers and students, frequently asked questions, submission form.

Using The Times’s Where We Are series as a guide, create a photo essay that documents an interesting local, offline community. Whether your grandmother’s Mah Jong club, the preteens who hang out at a nearby basketball court, or the intergenerational volunteers who walk the dogs for your neighborhood animal shelter, this community can feature people of any age, as long as it gathers in person.

We encourage you to choose a community you are not a part of for reasons we explain below, in the F.A.Q.

Whichever community you choose, however, it’ll be your job to interview and photograph them. Then, you’ll pull everything together in a visual essay, which will tell the group’s story via a short introduction and a series of captioned photographs.

Your photo essay MUST include:

Between six and eight images, uploaded in the order in which you’d like us to view them.

A short caption of no more than 50 words for each image that helps explain what it shows and why it is important to the story.

A short introduction of up to 300 words that offers important background or context that complements and adds to the information in the photos and captions. You might consider the introduction the beginning of your essay, which the photos and captions will then continue. Together they will answer questions like who this community is, how it came to be, and why it matters. (Our How-To guide offers more detail about this.)

At least one quote — embedded in either the introduction or one of the captions — from a member of the community about what makes it meaningful.

In addition to the guidelines above, here are a few more details:

You must be a student ages 13 to 19 in middle school or high school to participate , and all students must have parent or guardian permission to enter. Please see the F.A.Q. section for additional eligibility details.

The photographs and writing you submit should be fundamentally your own — they should not be plagiarized, created by someone else or generated by artificial intelligence.

Updated, Feb. 29 : Please keep digital manipulation and postprocessing to a minimum in general. (That is, you may use editing software for minor corrections such as one might make in a darkroom — cropping, adjusting brightness, balancing colors, etc. — but please do not alter the reality of the photo in any way.)

Your photo essay should be original for this contest. That means it should not already have been published at the time of submission, whether in a school newspaper, for another contest or anywhere else.

Keep in mind that the work you send in should be appropriate for a Times audience — that is, something that could be published in a family newspaper (so, please, no curse words).

You may work alone, in pairs, or in groups of up to four for this challenge , but students should submit only one entry each.

Remember to get permission from those you photograph, and to collect their contact information. Learn more about this in the F.A.Q. below.

You must also submit a short, informal “artist’s statement” as part of your submission, that describes your process. These statements, which will not be used to choose finalists, help us to design and refine our contests. See the F.A.Q. to learn more.

All entries must be submitted by March 20, at 11:59 p.m. Pacific time using the electronic form below.

Use these resources to help you create your photo essay:

A related Student Opinion question to help you brainstorm ideas before you begin taking photos.

A step-by-step guide that uses examples from the Where We Are series to walk students through creating their own.

Free links to the “Where We Are” Collection :

1. The Magic of Your First Car 2. At This Mexican Restaurant, Everyone is Family 3. Where the Band Kids Are 4. In This Nigerian Market, Young Women Find a Place of Their Own 5. At Camp Naru, Nobody Is ‘an Outlier’ 6. For Black Debutantes in Detroit, Cotillion Is More Than a Ball 7. At This Wrestling Academy, Indian Girls Are ‘Set Free’ 8. In Seville, Spain, These Young Rappers Come Together to Turn ‘Tears Into Rhymes’ 9. For a Queer Community in Los Angeles, This Public Park Is a Lifeline 10. In Guatemala, A Collective of Young Artists Finds Family Through Film 11. On a Caribbean Island, Young People Find Freedom in ‘Bike Life’ 12. At This Texas Campus Ministry, ‘Inclusive Love’ Is the Mission 13. For Young Arab Americans in Michigan, the Hookah Lounge Feels like Home

An activity sheet for understanding and analyzing the Where We Are series.

Lessons on interviewing and taking photographs . While these two resources were originally created for our 2022 Profile Contest , each contains scores of tips from educators and Times journalists that can help students learn to interview, and to take and select compelling photographs that tell a story.

Our contest rubric . These are the criteria we will use to judge this contest. Keep them handy to make sure your photo essay meets all of the qualifications before entering.

Below are answers to your questions about writing, judging, the rules and teaching with this contest. Please read these thoroughly and, if you still can’t find what you’re looking for, post your query in the comments or write to us at [email protected].

QUESTIONS ABOUT CREATING YOUR PHOTO ESSAY

What is a photo essay? How does it differ from just a series of photos?

A photo essay tells a story through a series of images. These images work together and build on each other to explore a theme of some kind. The photo essays in the Where We Are series, for instance, focus on the themes of community and coming-of-age, but each through a different lens, as the three images published here illustrate. Together they are beautiful examples of how visual collections can investigate ideas by illuminating both the “big picture” and the tiny, telling details.

How do I choose a good subject for this?

Our Student Opinion forum can help via its many questions that encourage you to brainstorm local, offline communities of all kinds.

Can I be a member of the community I photograph?

You can, but we encourage you not to. Part of the point of this contest is to help you investigate the interesting subcultures in your area, and expand your understanding of “community” by finding out about groups you otherwise may never have known existed.

But we also think it will be easier to do the assignment as an outsider. You will be coming to the community with “fresh eyes” and relative objectivity, and will be able to notice things that insiders may be too close to see.

If you do choose to depict a community you are a part of, we ask that you do not include yourself in the photos.

I’d like to work with others to create this. How do I do that?

You can work alone, with a partner, or with up to three other people. So, for example, in a group of four, two people might act as photographers, while the other two interview community members. When you are ready to edit your material and write up what you have discovered, the interviewers could use their notes to handle the short introduction, while the photographers could edit their shots into a meaningful visual sequence, and help collaborate on the captions.

Please remember, however, that you can only have your name on one submission.

Do I need permission to photograph the people in this community?

You do. It is good journalistic practice to tell the people you are photographing why you are taking pictures of them, and to ask their permission. They should also know that, if you are a winner, their image and name may appear online.

Though you do not have to have a signed permission sheet from every participant, if you are a winner and we publish your work, we will need to be able to reach those depicted, so please get their contact information before you take their pictures. (If you are photographing young children, this is especially important. Secure a parent or guardian’s permission first.)

An important exception to this: If you are taking photos of crowds in public places, such as at a sporting event, a community meeting or a local fair, you don’t need to worry about permissions, as it would be impossible to get them from all attendees.

I don’t know where to begin! What advice do you have?

Once you’ve chosen a community to photograph, begin by introducing yourself to ensure the participants are open to your project. Then, devote a bit of time to just observing, noticing how and where the members of this group spend time, what they do together, and how they relate to each other.

When you’re ready to start documenting what you find, our step-by-step guide will help you take it from there.

QUESTIONS ABOUT JUDGING

How will my photo essay be judged?

Your work will be read by New York Times journalists as well as by Learning Network staff members and educators from around the United States. We will use this rubric to judge entries.

What’s the prize?

Having your work published on The Learning Network and being eligible to be chosen to have your work published in the print editions of The New York Times.

When will the winners be announced?

About two months after the contest has closed.

QUESTIONS ABOUT THE RULES

Who is eligible to participate in this contest?

This contest is open to students ages 13 to 19 who are in middle school or high school around the world. College students cannot submit an entry. However, high school students (including high school postgraduate students) who are taking one or more college classes can participate. Students attending their first year of a two-year CEGEP in Quebec Province can also participate. In addition, students age 19 or under who have completed high school but are taking a gap year or are otherwise not enrolled in college can participate.

The children and stepchildren of New York Times employees are not eligible to enter this contest. Nor are students who live in the same household as those employees.

Why are you asking for an Artist’s Statement about our process? What will you do with it?

All of us who work on The Learning Network are former teachers. One of the many things we miss, now that we work in a newsroom rather than a classroom, is being able to see how students are reacting to our “assignments” in real time — and to offer help, or tweaks, to make those assignments better. We’re asking you to reflect on what you did and why, and what was hard or easy about it, in large part so that we can improve our contests and the curriculum we create to support them. This is especially important for new contests, like this one.

Another reason? We have heard from many teachers that writing these statements is immensely helpful to students. Stepping back from a piece and trying to put into words what you wanted to express, and why and how you made artistic choices to do that, can help you see your piece anew and figure out how to make it stronger. For our staff, they offer important context that help us understand individual students and submissions, and learn more about the conditions under which students around the world create.

Whom can I contact if I have questions about this contest or am having issues submitting my entry?

Leave a comment on this post or write to us at [email protected].

QUESTIONS ABOUT TEACHING WITH THIS CONTEST

Do my students need a New York Times subscription to access these resources?

No. Students can get free access to the entire Where We Are series through The Learning Network . (All 13 photo essays are listed above, in our Resources section.) In addition, our related student forum , activity sheet and “how to” guide are also free, as are everything they link to.

However, if you are interested in learning more about school subscriptions, visit this page .

I’m not an art teacher. Can this work for my students too?

Yes! Though this is a new contest for us, we chose it in part because the theme of “community” is such an important one in subjects across the curriculum. In fact, we hope it might inspire teachers in different curriculum areas to collaborate.

For example, students in social studies could investigate the role of community locally, learning about the history of different influential groups. An English teacher might support students as they interview and craft their introductions and photo captions, while an art teacher could offer tips for photo composition. And, of course, a journalism teacher could guide the full project, or work with other teachers to publish the most successful results in the school paper.

How do my students prove to me that they entered this contest?

After they press “Submit” on the form below, they will see a “Thank you for your submission.” line appear. They can take a screenshot of this message. Please note: Our system does not currently send confirmation emails.

This contest is closed.

Pulling together: how Cambridge came to dominate the Boat Race – a photo essay

The race along the River Thames between England’s two greatest universities spans 195 years of rivalry and is now one of the world’s oldest and most famous amateur sporting events. Our photographer has been spending time with the Cambridge University Boat Club over the past few months as they prepare for 2024’s races

T he idea of a Boat Race between the two universities dates back to 1829, sparked into life by a conversation between Old Harrovian schoolfriends Charles Merivale, a student at the time at St John’s College Cambridge, and Charles Wordsworth who was at Christ Church Oxford. On 12 March that year, following a meeting of the newly formed Cambridge University Boat Club, a letter was sent to Oxford.

The University of Cambridge hereby challenge the University of Oxford to row a match at or near London each in an eight-oar boat during the Easter vacation.

From then, the Cambridge University Boat Club has existed to win just one race against just one opponent, something Cambridge has got very good at recently. Last year the Light Blues won every race: the open-weight men’s and women’s races, both reserve races, plus both lightweight races – six victories, no losses, an unprecedented clean sweep. Cambridge women’s open-weight boat, or blue boat, has won the last six Boat Races while the men’s equivalent have won five out of the last seven. In such an unpredictable race, where external factors can play a large part, this dominance is startling.

Thames trials

Rough water as the two women’s boats make their way along the River Thames near Putney Embankment during the Cambridge University Boat Race trials.

It’s a mid-December day by the River Thames. The sky and water merge together in a uniform battleship grey and the bitter north wind whips the tops off the waves. Outside a Putney boathouse two groups of tense-looking women dressed in duck-egg blue tops and black leggings with festive antlers in their hair are huddling together, perhaps for warmth, maybe for solidarity. The odd nervous bout of laughter breaks out. For some of them this is about to be their first experience of rowing on the Tideway, a baptism of fire on the famous stretch of London water where the Boat Race takes place. “Perfect conditions,” remarks Paddy Ryan, the head coach for Cambridge University women, for this is trial eights day, when friends in different boats duel for coveted spots in the top boat.

A couple of hours later these women along with their male equivalents will have pushed themselves to the absolute limit, so much so that several of the men are seen trying to throw up over the side of their boats at the finish under Chiswick Bridge. This may be brutal but it’s just the start. For these students the next few months are going to be incredibly tough, balancing academic work with training like a professional athlete. Through the harshest months of the year they will be focused on preparing for the end of March and a very simple goal: beating Oxford in the Boat Race.

Agony for one of the men’s boats after the finish of the race near Chiswick Bridge during the Cambridge University Boat Race trials.

Ely early mornings

Two of the women’s boats head out in the early morning for a training session on the Great Ouse.

Early winter mornings on the banks of the Great Ouse, well before the sun has risen, can be pretty bleak. In the pitch black a batch of light blue minivans drop off the men and women rowers together at the sleek Ely boathouse that was opened in 2016 at the cost of £4.9m – it’s here that all Cambridge’s on-water training takes place. Very soon a fleet of boats carrying all the teams takes to the water for a training session that may last a couple of hours. Then it’s a quick change, a lift to the train station and back to Cambridge for morning lectures.

The women’s squad head into the Ely boathouse after a 6am drop-off.

As a rower descends the stairs to the bays where the boats are stored, there is a clear indication of why it was built and why they are there. “This is where we prepare to win Boat Races,” a sign says. Since this boathouse was built, Cambridge have won 30 of the 37 races across all categories.

Top: The men’s squad stretch in the boathouse before an early morning training session and a member of the men’s blue boat descends the stairs into where the boats are kept. Below: One of the men’s teams set off for early morning training and the women’s blue boat rows past the women’s lightweight crew during a training session.

It’s a far cry from the old tin sheds with barely any heating and no showers. These current facilities are impressive, enabling the entire men’s and women’s squads to be there at the same time and get boats out.

Top: The men’s blue boat prepare to derig their boat at their Ely training site. Above: The women’s blue boat put their vessel back in the boathouse after a training session on the Great Ouse.

But it’s not just the boathouse that has contributed so much, it’s also the stretch of water they train on. In a year when floods have affected so many parts of the country it has really come into its own. Paddy Ryan, the chief women’s coach, explains: “Along this stretch the river is actually higher than the surrounding land. The water levels are carefully managed by dikes and pumps. As a result we haven’t lost a single session to flooding. That’s not the case for Oxford. I believe their boathouse has been flooded multiple times this year, unable to get to their boats. We’ve had multiple storms but we’ve been able to row through them all.”

The men’s third boat practises on the Great Ouse.

It’s a flat, unforgiving landscape, especially in midwinter, definitely not the prettiest stretch of water, but Cambridge don’t care. Ryan says: “It might be a little dull on the viewing perspective but we could row on for 27km before needing to turn round. We have a 5km stretch that is marked out every 250m. We are lucky to have it.”

The men’s blue boat practise their starts on the long straight on the Great Ouse.

The sweat box

Members of the men’s squad check on their technique with the use of a mirror at the Goldie boathouse.

The old-fashioned Goldie boathouse is right in the centre of Cambridge perched on the banks of the River Cam. Built in 1873, its delicate exterior belies what goes on inside. This is the boat club’s pain cave, where the rowers sweat buckets, pushing themselves over and over again; it’s a good job the floor is rubberised and easy to wipe clean.

A wreath to Charles Merivale, the founder of the Boat Race, and wood panelling in the upstairs room at the Goldie boathouse which commemorates Cambridge crews that have competed in the Boat Race from 1829.

(Top) Seb Benzecry, men’s president of the Cambridge University Boat Club, and (above) Martin Amethier, a member of the reserve Goldie crew, sweat during sessions on ergo machines.

Iris Powell of the women’s blue boat (above) performs pull-ups during a training session.

Above left: Hannah Murphy, the cox of the women’s blue boat, urges on four of her crew (left to right) Gemma King, Megan Lee, Jenna Armstrong and Clare Hole, as they undertake a long session on the ergo machines. Above right: Kenny Coplan, a member of the men’s blue boat crew, looks exhausted then writes in his times after his session on an ergo machine (below).

Brutal sessions on the various ergo machines, where thousands of metres are clocked and recorded, are a staple of the training regime set in place. If there is any slacking off the students just need to look up at one of the walls where a map of the Boat Race course hangs. The “S” shape of the Thames has been carefully coloured in the correct shade of blue and record timings for various key points on the course have been written in for both men and women. All but one record, and that one is shared, is held by Cambridge.

Paddy Ryan, the women’s chief coach, talks to the women’s blue boat during a training session on the River Great Ouse in February.

A key ingredient in any successful team is the coaching. Cambridge’s setup is stable and well established. Paddy Ryan is the chief women’s coach, a genial, tall Australian, he has been part of the women’s coaching team since 2013. The care and devotion to his squad is perfectly clear. “I have my notebook next to my bed so I can jot things down. I wake up in the middle of the night going: am I making the right decisions? I care about them as people and I need to manage them … We joke as coaches that we are teaching some of the smartest people on the planet how to pull on a stick.”

Rob Baker, the chief men’s coach, has Cambridge rowing in the blood. Born and bred in the city, his father was a university boatman for 25 years. He even married into the sport – his wife, Hayley, rowed for Cambridge as a lightweight – so it was no surprise that he became part of the coaching setup way back in 2001. He was the first full-time women’s coach in 2015 then moved to take over the men in 2018.

Rob Baker, the men’s chief coach, talks to his blue boat at their Ely training site.

Apart from an obvious role in the development of rowing skills, a key part of their job is making sure there is a balance for their student athletes. They understand they have to juggle training needs. “Every week we have a general plan,” says Baker, “but then someone might have an extra class or supervision they’ve got to do so we have to move around it. They are studying at one of the most competitive universities in the world with the highest standards so you’ve got to give them space to do that properly.” He goes on: “But when they get on the start line for their race, they’ll be just as competitive as if they were professionals.”

The presidents

Jenna Armstrong and Seb Benzecry discuss their plans in the Great Hall at Jesus College.

Every year one man and one woman are elected presidents to represent Cambridge University Boat Club. They are the captains and leaders, not only responsible for helping design the training programme in conjunction with the coaches but also making budgetary and tactical decisions along the way. This year both of them, Jenna Armstrong and Seb Benzecry, are from the same college, Jesus, which helps the communication between the two of them. They share ideas and knowledge, thoughts and worries. Their lives, for these intense few months, are a juggling act.

Armstrong is a 30-year-old from New Jersey, and doing a PhD in physiology. Once a very keen competitive junior skier she was forced to abandon her hopes of a career on the slopes after a number of serious knee injuries. She only started rowing in 2011 and only became aware of the Boat Race when she saw it on TV a couple of years later.

Jenna Armstrong, cycling down the Chimney, the grand entrance to Jesus College, to go to the other side of the city to carry out more of her PhD research at the department of physiology, development and neuroscience.

The research she carries out at the university labs could be turn out to be life-saving. “I study mitochondrial function in placentas from women from all over the world to learn how genetic and environmental factors during pregnancy can influence placental metabolism and impact the health of both mother and baby. I’m particularly interested in growth restriction which affects about 10% of babies worldwide. That can have lifelong implications for these babies and currently we don’t have any treatment for this.”

Benzecry, 27, is studying for a PhD in film and screen studies, and comes from a completely different rowing background. He grew up just a stone’s throw from the Boat Race course and went to a school on the banks of the Thames. This will be his 14th year of competitive rowing but his fourth and last Boat Race.

“ I remember one year my birthday fell on race day and we watched after my birthday party. Because we live fairly close to the course, I’ve always felt connected to the race.”

Seb Benzecry stands next to an Antony Gormley statue in the Quincentenary Library at Jesus College as he conducts research for his dissertation which forms part of his PhD in film and screen studies.

Talking about how hard it is to get the right balance between academic student life and rowing, Benzecry says: “I guess you have to accept there are many, many things you can’t do, you just don’t have time for during the season. You have to put the blinkers on.”

Armstrong says: “I have to be very prepared, very strategic and organised. I pack everything the night before, and then once I leave my room in the morning, I don’t go back. That allows me to go to training, go to the lab, go to training again. It’s surreal actually, to come to a place like Cambridge, have one of the best educations in the world on top of the most incredible rowing experiences in the world. We have a thing now in the boat, when we are doing something incredibly hard, I say this is my ideal Saturday, I wouldn’t want to be anywhere else. I would rather be here than in bed or on a date. And I make everyone else say it with me too. I’d rather be nowhere else.”

Benzecry states: “When it’s really bad, when training is so hard, we say Oxford aren’t doing this, they could never do this. It’s an incredibly powerful thing to be thinking we work harder than them, our culture is better than them. They don’t want to go hard as we do – they might think they do but they don’t, they just don’t have it.”

Integration

The men’s and women’s blue boats during a training session on the River Great Ouse in February.

Until 1 August 2020, there were three separate university boat clubs in Cambridge: one for open-weight men, one for lightweight men, and one for open-weight and lightweight women. Since they merged to become one club, it has undoubtedly helped with everyone sharing the same resources and motivating and inspiring one another. No one is more important and everyone has a key part to play in the result. This year, Oxford have followed suit.

Baker says: “I definitely feel, for the athletes themselves, it makes a big difference. They all feel like they’re contributing to one common goal. Every cog in the wheel has to do its job but for sure it feels like one big team on a mission.”

Benzecry explains: “We’re seeing each other train, we’re all out on the water at the same time, we’re supporting each other throughout the season, building a sense of momentum for the whole club towards the races. Everyone’s just inspiring each other all the time and I think that’s been such a sort of cultural shift for Cambridge.”

The men’s blue boat pack their craft on to a trailer at their Ely training site ready for the trip down to London for the Boat Race.

Siobhan Cassidy, the chair of the Boat Race, knows from first-hand how the integration has helped. She rowed for the Light Blues in 1995 and had a key role in the transition. “We could see the advantages of working together, collaborating as a bigger team, the positive impact we felt that could have on performance. But not just the output, actually the whole experience for the young people taking part.”

Siobhan Cassidy, the chair of the Boat Race, pictured at the Thames Rowing Club at Putney Embankment.

This Saturday, if the weather holds, an estimated 250,000 people, the vast majority of whom have no allegiance to one shade of blue or the other, will pack the banks of the Thames to see these races. It’s one of the largest free events in Britain. Broadcast live on BBC One, the race is also beamed to 200 countries across the world.

The starting stone for the University Boat Race and pavement inscription: “The best leveller is the river we have in common” at Putney Embankment.

A map of the Boat Race course at the Goldie boathouse, with the Thames coloured in Cambridge blue and record timings written in for men and women showing almost total Cambridge dominance.

A sporting pinnacle being contested on a fast-flowing, unpredictable river by two teams of university students – it’s pretty bizarre. But maybe it’s that quirkiness that keeps the race, after almost two hundred years, still going strong. And even more bizarre to think that Cambridge, the current dominant force in the Boat Race, a sporting event that can’t shrug off its elitist stereotype, owes so much of that success to such egalitarian principles.

• The Guardian picture essay
• The Boat Race
• University of Cambridge
• Photography

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My Davidson | A Student Blog Photo Essay: English Scholars Go to AWP Conference

In February, Abbott Scholars in Davidson College’s English Department had the opportunity to attend the AWP (Association of Writers & Writer Programs) Conference in Kansas City. Check out their photos and reflections. 

About the Authors

Isabel smith '24: poetry & book fairs.

The Abbott Scholars Program allows students to spend a year crafting either a scholarly or creative thesis on a topic of their choice, working alongside a director, a reader, and the other scholars. You get an extended period of time to produce strong writing, opportunities to talk with visiting authors, and the ability to request funding for related research and travel.

Abbott Scholars

One travel opportunity is the chance to attend the Association of Writers & Writer Programs (AWP) conference, which seven of us went to in February of this year. This year, the conference was in Kansas City, and it lasted three days: Thursday to Saturday. Each of us individually picked what panels to go to each day. I am writing a poetry thesis, so the first talk I attended was “Sound and Color: Poets and Visual Artists in Exquisite Exchange.” The presentation was my favorite of all of them because of how illuminating and beautiful it was. Each poet had partnered with a visual artist, and they shared the process of working in tandem to create together, displaying photographs, blurbs of text exchanges, paintings, and finally, the finished poetry. Due to this experience, I decided to incorporate visual art into my own practice, and I have since begun working on finding available art as well as creating some myself. Additionally, my mother is a painter and my father is a poet, so I was very excited to share what I had learned with the both of them.

Throughout the few days, I attended panels on drafting tips and tricks (featuring Davidson Professors Parker and Shavers), sharing elegies, queer post-religious poetry, and trans poetics, all of which were a pleasure and incredibly helpful. Another important aspect of the conference was the bookfair. It was a labyrinth, spanning an entire floor of the huge conference center. Besides fun and silly booths — like one labeled “Poetic Help”  — the bookfair featured presses, literature reviews, and MFA programs, so I got the chance to talk to experts in the field of writing and publishing. They also tended to give out free books, excitingly, so I got quite the haul, all of which I can’t wait to read. At night, the seven of us — Tavie Kittredge, Michael Chapin, Nate Bagonza, Mason Davis, Taylor Dykes, Abby Morris, and myself — would explore the city, including events put on by AWPers. We went out to dinner together and attended the keynote, a poetry reading at a cat cafe, and a Rock & Roll-themed reading. It was amazing to bond with my peers and explore a new city. Thanks to the funding of the Abbott Scholars Program, I know much more about how to pursue a future in writing.

Michael Chapin ’24: Surrounded by Passionate Writers

The seven of us traveling together really solidified the bonds we’ve been building over the past semester and allowed us to spend time together outside of our thesis work, whether that was over Thai or ramen for dinner or just taking the time to explore the city. 

Getting to spend that time at AWP was incredibly special because, for me at least, it was the first time being surrounded by people deeply connected and committed to writing in all its forms. We attended events ranging from poetry readings at cat cafés to queer narrative presentations in speakeasy bars. 

My personal highlight of the conference was listening to Jericho Brown deliver the keynote speech in which he called on us to challenge the world as we know it — to challenge book bans and our perception of the world as impossible to change. Brown asked why we can’t imagine a better world while acknowledging that a better world is not created without a fight. A quote from the speech that has stuck with me in the weeks since was his question: “If the fight is against fascism, who do we need to be if we lose that fight?” And then, who do we need to be to win?

Trying a taste of Kansas City barbecue!

Exploring the streets of Kansas City.

Mason Davis '24: The Impact of AWP

The best part of the conference? Talking to authors, talking to MFA directors, talking to independent publishers … Being honest about what I wanted to know and not feeling awkward about lacking experience was so valuable. 

The best single moment I had was cornering Susan Choi and telling her how much I loved  Trust Exercise . She seemed so delighted that I loved the book, which warmed my heart. AWP carried an infectious feeling of immense creative potential that has stuck with me vividly.

Now that I’ve seen a piece of the literary world, I want to be a part of it. I loved talking about books and the book-world all day. It felt a bit like the Davidson College campus except that  everyone wants to do creative writing. That was a dream for me. I felt sad coming back to reality ... Sitting side-by-side with people who have just done a fantastic reading, or highly regarded editors, or publishers etc. etc. made me feel like my goals are imminently possible. There is so, so much writing out there and so many people making it work, somehow. If they can do it, so can I. 

I'd also been skeptical about MFA programs (how will I afford it? is it even necessary?), but meeting all those MFA students and directors has convinced me that I'd be doing myself a serious disservice by not applying to programs in the next 1-5 years, depending on where life takes me. Not to get ahead of myself.

I want to express my gratitude to the Abbott family (and personally Susan, who was so wonderful to share a dinner with) for the opportunity to, in a sense, role-play as a 'real' writer for an extended weekend and get to try on those shoes. I liked how they fit. I can only speak with certainty for myself, but I know I felt (re)invigorated in becoming a person of letters.

Keep Exploring

Learn more about English at Davidson College

Learn more about the Abbott Scholars Program

• March 26, 2024
• My Davidson

Photo Essay: What You Missed Saturday During Kraken-Stars At CPA

D oesn't matter if you were at Climate Pledge Arena Saturday for the Seattle Kraken 3-0 loss to the Dallas Stars or not. Doesn't matter if you were keeping one eye peeled on hockey while watching baseball on TV or not.

Regardless, you'll find new and entertaining perspectives on the game from our eagle-eye photographer Dexter Guiang.

The captions, as always, are my fault.

The Invisible Work of America’s Domestic Workers

With few protections, the day-to-day demands of caregivers can go unnoticed..

Chloe Aftel April 1, 2024

Care worker Vivian Siordia with Colin Campbell, for whom she works. Chloe Aftel

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This story is a collaboration with the Economic Hardship Reporting Project and Magnum Foundation . We asked photographers to show us the paradox of today’s labor movement. Even as the popularity of unions has grown over the last decade, actual membership has continued to decline . Can new enthusiasm revitalize American labor? Read about this unique moment for workers here .

Domestic workers perform grueling work with few protections. They provide care in isolated settings, leaving their essential labor all too often hidden. It can be a difficult job and a complicated one. When you work in a home, lines blur. 

For decades, feminist activists have said that work in the home—often performed for no pay by wives, mothers, and daughters—has been misunderstood as separate from “real” labor. This feminized care has been relegated and detached from a labor movement focused on men.

In the United States, such work has also been done by Black women who have had to organize aggressively against the odds. Infamously, domestic workers were excluded from the labor agenda during the New Deal. And, since then, they have had to fight to catch up to standards enshrined for others in the law. The National Domestic Workers Alliance and others have sought to change the state of play. After the pandemic , there has also been an uptick in interest in movements like Wages for Housework —a campaign in the 1970s to organize and recognize work in the home.

In this project, Chloe Aftel highlights the day-to-day demands of these workers who often go unnoticed. She follows Vivian Siordia and Liezl Japona, both care workers in California, showing the daily ups and downs of such labor. Both Siordia and Japona think that more organizing and aid to care workers could help make the job better.

Care worker Vivian Siordia dressing Colin Campbell, who has cerebral palsy, in the morning.

Colin’s shoes in his bedroom. Siordia has been caring for him for a year. Before, she worked as a teacher.

Siordia lifting Colin out of bed in the morning. “Unionization is important to me,” she says of efforts to organize home workers. “I would like to go in that direction.” 

Siordia helps Colin get dressed in the morning.

Arianne Campbell makes breakfast, including pancakes, for Colin, her son, and Siordia. “Arianne is very professional, and I am very lucky that my life and space are protected,” Siordia told me. “For others, bringing a live-in caregiver, sometimes boundaries can be overstepped. Personal rights should be a given.”

Siordia and Campbell eat together after Colin has finished his meal.

Siordia gets ready to take Colin out to play with his basketball.

Colin and Siordia play with a basketball in the hallway of their apartment complex in the morning. Originally, Siordia had planned to be a nanny and then saw an opportunity to work for Arianne Campbell. “It was a big new step for me that worked out,” she says.

Colin and Siordia work on reading skills.

Arianne shows Colin what is coming up for the week on his wall calendar.

Vivian Siordia at home.

Care worker Liezl Japona gives Dr. Irene Goldenberg her first round of medications for the day at her home in Los Angeles. Japona is affiliated with Hand in Hand, a national group of employers of nannies, house cleaners, and home attendants advocating for better labor practices and affordable, accessible homecare, both in solidarity with workers.

Japona has worked as a caregiver for 23 years—18 in the Middle East and five in the United States. She spends time talking with Dr. Irene after her first round of medications.

Japona does the dishes after preparing breakfast for Dr. Irene. 

Japona picks out clothing options for Dr. Irene. Currently, Japona works only 15 hours a week. 

Japona helps Dr. Irene put on jewelry for the day after helping her get dressed.

Japona waits for Dr. Irene to come down the stairs and prepares her walker.

Japona does laundry for Dr. Irene.

Care worker Liezl Japona at her home.

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A Latina Harvard grad advised women to marry older men. The internet had thoughts.

When she was 20 years old and a junior at Harvard College, Grazie Sophia Christie had an epiphany. She could study hard and diligently pursue her “ideal existence” though years of work and effort.

Or she “could just marry it early.”

Christie chose the latter. 

In a column for New York magazine’s The Cut, the Cuban American editor and writer extolled the value of marrying an older, wealthier man as a shortcut to the life she desired. Christie’s March 27 story went viral, topping the magazine’s “most popular” list and inspiring hundreds of overwhelmingly negative comments online and on social media. As Miami New Times described it , “The essay hit the internet with a virtual thud heard round the world.”

Readers were taken aback by myriad aspects of Christie’s florid essay, which runs nearly 4,000 words. Though she was an undergraduate, Christie lugged “a heavy suitcase of books each Saturday to the Harvard Business School,” which she felt offered the best options for a suitable mate. “I had high breasts, most of my eggs, plausible deniability when it came to purity, a flush ponytail, a pep in my step that had yet to run out," she wrote. "Older men still desired those things.” 

She crashed an event at the Harvard Business School and met her future husband when she was 20, and they married four years later.

Many readers were struck by the fact that Christie had the benefit of an elite education — she also completed a fellowship at Oxford University — yet chose to enter into an unequal marriage. “My husband isn’t my partner. He’s my mentor, my lover, and, only in certain contexts, my friend,” she writes. “I’ll never forget it, how he showed me around our first place like he was introducing me to myself. This is the wine you’ll drink, where you’ll keep your clothes, we vacation here; this is the other language we’ll speak, you’ll learn it and I did.”

Christie, now 27, writes that she enjoys time “to read, to walk central London and Miami and think in delicious circles.”

There is, Christie writes, a downside to her monied existence: “I live in an apartment whose rent he pays and that shapes the freedom with which I can ever be angry with him. He doesn’t have to hold it over my head, it just floats there, complicating usual shorthands to explain dissatisfaction.”

By marrying so young — although as many social media users pointed out, her husband is only 10 years older — Christie was able to leave a “lucrative but deadening spreadsheet job to write full-time, without having to live like a writer.”

A recurring theme in the viral response to Christie’s article, ostensibly about age-gap relationships, is that it should have been titled “The Case for Marrying a Rich Man.”

Christie’s transactional approach to marriage and relationships resonated — negatively — with readers. An online parody of her original piece has already been posted by the literary magazine McSweeney’s. Her words have been dissected by a columnist at Slate, who called it “bad advice for most human beings, at least if what most human beings seek are meaningful and happy lives.”

Online, people who commented on Christie’s essay called it “an insult to women of any age,” “a sad piece of writing,” and “pitiful in so many ways.”  Some readers wondered if the article was a satire or a joke. One of the kinder comments on New York magazine’s website said: “This is one of the most embarrassing things I have ever read. I am truly mortified for the writer.”

Christie has so far not responded to media requests for interviews, and several attempts by NBC News to contact her were unsuccessful. Her Instagram account was recently switched from public to private.

According to her personal website , Christie is editor-in-chief of a new publication, The Miami Native, “a serious magazine about an unserious city.” Her website’s bio page, which appears to have been disabled, previously stated that she was “writing a novel between Miami, London, sometimes France.”

Christie grew up in Miami. Her parents,  Miami New Times has reported , are prominent in Florida’s conservative Catholic community. Her mother was appointed to the state Board of Education in March 2022. A senior fellow for The Catholic Association, she hosts a radio show , “Conversations with Consequences,” on the Eternal Word Television Network. Her father is a physician and an anti-abortion activist who, according to his website , lectures regularly on Catholic social issues, particularly marriage, family, and the dignity of life.”

For more from NBC Latino,  sign up for our weekly newsletter .

Raul A. Reyes, a lawyer, is a member of the USA Today Board of Contributors. He has written for The New York Times, the Los Angeles Times, The Christian Science Monitor, Texas Monthly and the Huffington Post.