narrative essay lesson plan middle school

A Step-by-Step Plan for Teaching Narrative Writing

July 29, 2018

Can't find what you are looking for? Contact Us

Listen to this post as a podcast:

Sponsored by Peergrade and Microsoft Class Notebook

This post contains Amazon Affiliate links. When you make a purchase through these links, Cult of Pedagogy gets a small percentage of the sale at no extra cost to you.

“Those who tell the stories rule the world.”  This proverb, attributed to the Hopi Indians, is one I wish I’d known a long time ago, because I would have used it when teaching my students the craft of storytelling. With a well-told story we can help a person see things in an entirely new way. We can forge new relationships and strengthen the ones we already have. We can change a law, inspire a movement, make people care fiercely about things they’d never given a passing thought.

But when we study storytelling with our students, we forget all that. Or at least I did. When my students asked why we read novels and stories, and why we wrote personal narratives and fiction, my defense was pretty lame: I probably said something about the importance of having a shared body of knowledge, or about the enjoyment of losing yourself in a book, or about the benefits of having writing skills in general.

I forgot to talk about the  power of story. I didn’t bother to tell them that the ability to tell a captivating story is one of the things that makes human beings extraordinary. It’s how we connect to each other. It’s something to celebrate, to study, to perfect. If we’re going to talk about how to teach students to write stories, we should start by thinking about why we tell stories at all . If we can pass that on to our students, then we will be going beyond a school assignment; we will be doing something transcendent.

Now. How do we get them to write those stories? I’m going to share the process I used for teaching narrative writing. I used this process with middle school students, but it would work with most age groups.

A Note About Form: Personal Narrative or Short Story?

When teaching narrative writing, many teachers separate personal narratives from short stories. In my own classroom, I tended to avoid having my students write short stories because personal narratives were more accessible. I could usually get students to write about something that really happened, while it was more challenging to get them to make something up from scratch.

In the “real” world of writers, though, the main thing that separates memoir from fiction is labeling: A writer might base a novel heavily on personal experiences, but write it all in third person and change the names of characters to protect the identities of people in real life. Another writer might create a short story in first person that reads like a personal narrative, but is entirely fictional. Just last weekend my husband and I watched the movie Lion and were glued to the screen the whole time, knowing it was based on a true story. James Frey’s book  A Million Little Pieces  sold millions of copies as a memoir but was later found to contain more than a little bit of fiction. Then there are unique books like Curtis Sittenfeld’s brilliant novel American Wife , based heavily on the early life of Laura Bush but written in first person, with fictional names and settings, and labeled as a work of fiction. The line between fact and fiction has always been really, really blurry, but the common thread running through all of it is good storytelling.

With that in mind, the process for teaching narrative writing can be exactly the same for writing personal narratives or short stories; it’s the same skill set. So if you think your students can handle the freedom, you might decide to let them choose personal narrative or fiction for a narrative writing assignment, or simply tell them that whether the story is true doesn’t matter, as long as they are telling a good story and they are not trying to pass off a fictional story as fact.

Here are some examples of what that kind of flexibility could allow:

• A student might tell a true story from their own experience, but write it as if it were a fiction piece, with fictional characters, in third person.
• A student might create a completely fictional story, but tell it in first person, which would give it the same feel as a personal narrative.
• A student might tell a true story that happened to someone else, but write it in first person, as if they were that person. For example, I could write about my grandmother’s experience of getting lost as a child, but I might write it in her voice.

If we aren’t too restrictive about what we call these pieces, and we talk about different possibilities with our students, we can end up with lots of interesting outcomes. Meanwhile, we’re still teaching students the craft of narrative writing.

A Note About Process: Write With Your Students

One of the most powerful techniques I used as a writing teacher was to do my students’ writing assignments with them. I would start my own draft at the same time as they did, composing “live” on the classroom projector, and doing a lot of thinking out loud so they could see all the decisions a writer has to make.

The most helpful parts for them to observe were the early drafting stage, where I just scratched out whatever came to me in messy, run-on sentences, and the revision stage, where I crossed things out, rearranged, and made tons of notes on my writing. I have seen over and over again how witnessing that process can really help to unlock a student’s understanding of how writing actually gets made.

A Narrative Writing Unit Plan

Before I get into these steps, I should note that there is no one right way to teach narrative writing, and plenty of accomplished teachers are doing it differently and getting great results. This just happens to be a process that has worked for me.

Step 1: Show Students That Stories Are Everywhere

Getting our students to tell stories should be easy. They hear and tell stories all the time. But when they actually have to put words on paper, they forget their storytelling abilities: They can’t think of a topic. They omit relevant details, but go on and on about irrelevant ones. Their dialogue is bland. They can’t figure out how to start. They can’t figure out how to end.

So the first step in getting good narrative writing from students is to help them see that they are already telling stories every day . They gather at lockers to talk about that thing that happened over the weekend. They sit at lunch and describe an argument they had with a sibling. Without even thinking about it, they begin sentences with “This one time…” and launch into stories about their earlier childhood experiences. Students are natural storytellers; learning how to do it well on paper is simply a matter of studying good models, then imitating what those writers do.

So start off the unit by getting students to tell their stories. In journal quick-writes, think-pair-shares, or by playing a game like Concentric Circles , prompt them to tell some of their own brief stories: A time they were embarrassed. A time they lost something. A time they didn’t get to do something they really wanted to do. By telling their own short anecdotes, they will grow more comfortable and confident in their storytelling abilities. They will also be generating a list of topic ideas. And by listening to the stories of their classmates, they will be adding onto that list and remembering more of their own stories.

And remember to tell some of your own. Besides being a good way to bond with students, sharing  your stories will help them see more possibilities for the ones they can tell.

Step 2: Study the Structure of a Story

Now that students have a good library of their own personal stories pulled into short-term memory, shift your focus to a more formal study of what a story looks like.

Use a diagram to show students a typical story arc like the one below. Then, using a simple story (try a video like The Present or Room ), fill out the story arc with the components from that story. Once students have seen this story mapped out, have them try it with another one, like a story you’ve read in class, a whole novel, or another short video.

Step 3: Introduce the Assignment

Up to this point, students have been immersed in storytelling. Now give them specific instructions for what they are going to do. Share your assignment rubric so they understand the criteria that will be used to evaluate them; it should be ready and transparent right from the beginning of the unit. As always, I recommend using a single point rubric for this.

Step 4: Read Models

Once the parameters of the assignment have been explained, have students read at least one model story, a mentor text that exemplifies the qualities you’re looking for. This should be a story on a topic your students can kind of relate to, something they could see themselves writing. For my narrative writing unit (see the end of this post), I wrote a story called “Frog” about a 13-year-old girl who finally gets to stay home alone, then finds a frog in her house and gets completely freaked out, which basically ruins the fun she was planning for the night.

They will be reading this model as writers, looking at how the author shaped the text for a purpose, so that they can use those same strategies in their own writing. Have them look at your rubric and find places in the model that illustrate the qualities listed in the rubric. Then have them complete a story arc for the model so they can see the underlying structure.

Ideally, your students will have already read lots of different stories to look to as models. If that isn’t the case, this list of narrative texts recommended by Cult of Pedagogy followers on Twitter would be a good place to browse for titles that might be right for your students. Keep in mind that we have not read most of these stories, so be sure to read them first before adopting them for classroom use.

Step 5: Story Mapping

At this point, students will need to decide what they are going to write about. If they are stuck for a topic, have them just pick something they can write about, even if it’s not the most captivating story in the world. A skilled writer could tell a great story about deciding what to have for lunch. If they are using the skills of narrative writing, the topic isn’t as important as the execution.

Have students complete a basic story arc for their chosen topic using a diagram like the one below. This will help them make sure that they actually have a story to tell, with an identifiable problem, a sequence of events that build to a climax, and some kind of resolution, where something is different by the end. Again, if you are writing with your students, this would be an important step to model for them with your own story-in-progress.

Step 6: Quick Drafts

Now, have students get their chosen story down on paper as quickly as possible: This could be basically a long paragraph that would read almost like a summary, but it would contain all the major parts of the story. Model this step with your own story, so they can see that you are not shooting for perfection in any way. What you want is a working draft, a starting point, something to build on for later, rather than a blank page (or screen) to stare at.

Step 7: Plan the Pacing

Now that the story has been born in raw form, students can begin to shape it. This would be a good time for a lesson on pacing, where students look at how writers expand some moments to create drama and shrink other moments so that the story doesn’t drag. Creating a diagram like the one below forces a writer to decide how much space to devote to all of the events in the story.

Step 8: Long Drafts

With a good plan in hand, students can now slow down and write a proper draft, expanding the sections of their story that they plan to really draw out and adding in more of the details that they left out in the quick draft.

Step 9: Workshop

Once students have a decent rough draft—something that has a basic beginning, middle, and end, with some discernible rising action, a climax of some kind, and a resolution, you’re ready to shift into full-on workshop mode. I would do this for at least a week: Start class with a short mini-lesson on some aspect of narrative writing craft, then give students the rest of the period to write, conference with you, and collaborate with their peers. During that time, they should focus some of their attention on applying the skill they learned in the mini-lesson to their drafts, so they will improve a little bit every day.

Topics for mini-lessons can include:

• How to weave exposition into your story so you don’t give readers an “information dump”
• How to carefully select dialogue to create good scenes, rather than quoting everything in a conversation
• How to punctuate and format dialogue so that it imitates the natural flow of a conversation
• How to describe things using sensory details and figurative language; also,  what  to describe…students too often give lots of irrelevant detail
• How to choose precise nouns and vivid verbs, use a variety of sentence lengths and structures, and add transitional words, phrases, and features to help the reader follow along
• How to start, end, and title a story

Step 10: Final Revisions and Edits

As the unit nears its end, students should be shifting away from revision , in which they alter the content of a piece, toward editing , where they make smaller changes to the mechanics of the writing. Make sure students understand the difference between the two: They should not be correcting each other’s spelling and punctuation in the early stages of this process, when the focus should be on shaping a better story.

One of the most effective strategies for revision and editing is to have students read their stories out loud. In the early stages, this will reveal places where information is missing or things get confusing. Later, more read-alouds will help them immediately find missing words, unintentional repetitions, and sentences that just “sound weird.” So get your students to read their work out loud frequently. It also helps to print stories on paper: For some reason, seeing the words in print helps us notice things we didn’t see on the screen.

To get the most from peer review, where students read and comment on each other’s work, more modeling from you is essential: Pull up a sample piece of writing and show students how to give specific feedback that helps, rather than simply writing “good detail” or “needs more detail,” the two comments I saw exchanged most often on students’ peer-reviewed papers.

Step 11: Final Copies and Publication

Once revision and peer review are done, students will hand in their final copies. If you don’t want to get stuck with 100-plus papers to grade, consider using Catlin Tucker’s station rotation model , which keeps all the grading in class. And when you do return stories with your own feedback, try using Kristy Louden’s delayed grade strategy , where students don’t see their final grade until they have read your written feedback.

Beyond the standard hand-in-for-a-grade, consider other ways to have students publish their stories. Here are some options:

• Stories could be published as individual pages on a collaborative website or blog.
• Students could create illustrated e-books out of their stories.
• Students could create a slideshow to accompany their stories and record them as digital storytelling videos. This could be done with a tool like Screencastify or Screencast-O-Matic .

So this is what worked for me. If you’ve struggled to get good stories from your students, try some or all of these techniques next time. I think you’ll find that all of your students have some pretty interesting stories to tell. Helping them tell their stories well is a gift that will serve them for many years after they leave your classroom. ♦

Want this unit ready-made?

If you’re a writing teacher in grades 7-12 and you’d like a classroom-ready unit like the one described above, including slideshow mini-lessons on 14 areas of narrative craft, a sample narrative piece, editable rubrics, and other supplemental materials to guide students through every stage of the process, take a look at my Narrative Writing unit . Just click on the image below and you’ll be taken to a page where you can read more and see a detailed preview of what’s included.

What to Read Next

Categories: Instruction , Podcast

Tags: English language arts , Grades 6-8 , Grades 9-12 , teaching strategies

52 Comments

Wow, this is a wonderful guide! If my English teachers had taught this way, I’m sure I would have enjoyed narrative writing instead of dreading it. I’ll be able to use many of these suggestions when writing my blog! BrP

Lst year I was so discouraged because the short stories looked like the quick drafts described in this article. I thought I had totally failed until I read this and realized I did not fai,l I just needed to complete the process. Thank you!

I feel like you jumped in my head and connected my thoughts. I appreciate the time you took to stop and look closely at form. I really believe that student-writers should see all dimensions of narrative writing and be able to live in whichever style and voice they want for their work.

Can’t thank you enough for this. So well curated that one can just follow it blindly and ace at teaching it. Thanks again!

Great post! I especially liked your comments about reminding kids about the power of storytelling. My favourite podcasts and posts from you are always about how to do things in the classroom and I appreciate the research you do.

On a side note, the ice breakers are really handy. My kids know each other really well (rural community), and can tune out pretty quickly if there is nothing new to learn about their peers, but they like the games (and can remember where we stopped last time weeks later). I’ve started changing them up with ‘life questions’, so the editable version is great!

I love writing with my students and loved this podcast! A fun extension to this narrative is to challenge students to write another story about the same event, but use the perspective of another “character” from the story. Books like Wonder (R.J. Palacio) and Wanderer (Sharon Creech) can model the concept for students.

Thank you for your great efforts to reveal the practical writing strategies in layered details. As English is not my first language, I need listen to your podcast and read the text repeatedly so to fully understand. It’s worthy of the time for some great post like yours. I love sharing so I send the link to my English practice group that it can benefit more. I hope I could be able to give you some feedback later on.

Thank you for helping me get to know better especially the techniques in writing narrative text. Im an English teacher for 5years but have little knowledge on writing. I hope you could feature techniques in writing news and fearute story. God bless and more power!

Thank you for this! I am very interested in teaching a unit on personal narrative and this was an extremely helpful breakdown. As a current student teacher I am still unsure how to approach breaking down the structures of different genres of writing in a way that is helpful for me students but not too restrictive. The story mapping tools you provided really allowed me to think about this in a new way. Writing is such a powerful way to experience the world and more than anything I want my students to realize its power. Stories are how we make sense of the world and as an English teacher I feel obligated to give my students access to this particular skill.

The power of story is unfathomable. There’s this NGO in India doing some great work in harnessing the power of storytelling and plots to brighten children’s lives and enlighten them with true knowledge. Check out Katha India here: http://bit.ly/KathaIndia

Thank you so much for this. I did not go to college to become a writing professor, but due to restructuring in my department, I indeed am! This is a wonderful guide that I will use when teaching the narrative essay. I wonder if you have a similar guide for other modes such as descriptive, process, argument, etc.?

Hey Melanie, Jenn does have another guide on writing! Check out A Step-by-Step Plan for Teaching Argumentative Writing .

Hi, I am also wondering if there is a similar guide for descriptive writing in particular?

Hey Melanie, unfortunately Jenn doesn’t currently have a guide for descriptive writing. She’s always working on projects though, so she may get around to writing a unit like this in the future. You can always check her Teachers Pay Teachers page for an up-to-date list of materials she has available. Thanks!

I want to write about the new character in my area

That’s great! Let us know if you need any supports during your writing process!

I absolutely adore this unit plan. I teach freshmen English at a low-income high school and wanted to find something to help my students find their voice. It is not often that I borrow material, but I borrowed and adapted all of it in the order that it is presented! It is cohesive, understandable, and fun. Thank you!!

So glad to hear this, Nicole!

Thanks sharing this post. My students often get confused between personal narratives and short stories. Whenever I ask them to write a short story, she share their own experiences and add a bit of fiction in it to make it interesting.

Thank you! My students have loved this so far. I do have a question as to where the “Frog” story mentioned in Step 4 is. I could really use it! Thanks again.

This is great to hear, Emily! In Step 4, Jenn mentions that she wrote the “Frog” story for her narrative writing unit . Just scroll down the bottom of the post and you’ll see a link to the unit.

I also cannot find the link to the short story “Frog”– any chance someone can send it or we can repost it?

This story was written for Jenn’s narrative writing unit. You can find a link to this unit in Step 4 or at the bottom of the article. Hope this helps.

I cannot find the frog story mentioned. Could you please send the link.? Thank you

Hi Michelle,

The Frog story was written for Jenn’s narrative writing unit. There’s a link to this unit in Step 4 and at the bottom of the article.

Debbie- thanks for you reply… but there is no link to the story in step 4 or at the bottom of the page….

Hey Shawn, the frog story is part of Jenn’s narrative writing unit, which is available on her Teachers Pay Teachers site. The link Debbie is referring to at the bottom of this post will take you to her narrative writing unit and you would have to purchase that to gain access to the frog story. I hope this clears things up.

Thank you so much for this resource! I’m a high school English teacher, and am currently teaching creative writing for the first time. I really do value your blog, podcast, and other resources, so I’m excited to use this unit. I’m a cyber school teacher, so clear, organized layout is important; and I spend a lot of time making sure my content is visually accessible for my students to process. Thanks for creating resources that are easy for us teachers to process and use.

Do you have a lesson for Informative writing?

Hey Cari, Jenn has another unit on argumentative writing , but doesn’t have one yet on informative writing. She may develop one in the future so check back in sometime.

I had the same question. Informational writing is so difficult to have a good strong unit in when you have so many different text structures to meet and need text-dependent writing tasks.

Creating an informational writing unit is still on Jenn’s long list of projects to get to, but in the meantime, if you haven’t already, check out When We All Teach Text Structures, Everyone Wins . It might help you out!

This is a great lesson! It would be helpful to see a finished draft of the frog narrative arc. Students’ greatest challenge is transferring their ideas from the planner to a full draft. To see a full sample of how this arc was transformed into a complete narrative draft would be a powerful learning tool.

Hi Stacey! Jenn goes into more depth with the “Frog” lesson in her narrative writing unit – this is where you can find a sample of what a completed story arc might look. Also included is a draft of the narrative. If interested in checking out the unit and seeing a preview, just scroll down to the bottom of the post and click on the image. Hope this helps!

Helped me learn for an entrance exam thanks very much

Is the narrative writing lesson you talk about in https://www.cultofpedagogy.com/narrative-writing/

Also doable for elementary students you think, and if to what levels?

Love your work, Sincerely, Zanyar

Hey Zanyar,

It’s possible the unit would work with 4th and 5th graders, but Jenn definitely wouldn’t recommend going any younger. The main reason for this is that some of the mini-lessons in the unit could be challenging for students who are still concrete thinkers. You’d likely need to do some adjusting and scaffolding which could extend the unit beyond the 3 weeks. Having said that, I taught 1st grade and found the steps of the writing process, as described in the post, to be very similar. Of course learning targets/standards were different, but the process itself can be applied to any grade level (modeling writing, using mentor texts to study how stories work, planning the structure of the story, drafting, elaborating, etc.) Hope this helps!

This has made my life so much easier. After teaching in different schools systems, from the American, to British to IB, one needs to identify the anchor standards and concepts, that are common between all these systems, to build well balanced thematic units. Just reading these steps gave me the guidance I needed to satisfy both the conceptual framework the schools ask for and the standards-based practice. Thank you Thank you.

Would this work for teaching a first grader about narrative writing? I am also looking for a great book to use as a model for narrative writing. Veggie Monster is being used by his teacher and he isn’t connecting with this book in the least bit, so it isn’t having a positive impact. My fear is he will associate this with writing and I don’t want a negative association connected to such a beautiful process and experience. Any suggestions would be helpful.

Thank you for any information you can provide!

Although I think the materials in the actual narrative writing unit are really too advanced for a first grader, the general process that’s described in the blog post can still work really well.

I’m sorry your child isn’t connecting with The Night of the Veggie Monster. Try to keep in mind that the main reason this is used as a mentor text is because it models how a small moment story can be told in a big way. It’s filled with all kinds of wonderful text features that impact the meaning of the story – dialogue, description, bold text, speech bubbles, changes in text size, ellipses, zoomed in images, text placement, text shape, etc. All of these things will become mini-lessons throughout the unit. But there are lots of other wonderful mentor texts that your child might enjoy. My suggestion for an early writer, is to look for a small moment text, similar in structure, that zooms in on a problem that a first grader can relate to. In addition to the mentor texts that I found in this article , you might also want to check out Knuffle Bunny, Kitten’s First Full Moon, When Sophie Gets Angry Really Really Angry, and Whistle for Willie. Hope this helps!

I saw this on Pinterest the other day while searching for examples of narritives units/lessons. I clicked on it because I always click on C.o.P stuff 🙂 And I wasn’t disapointed. I was intrigued by the connection of narratives to humanity–even if a student doesn’t identify as a writer, he/she certainly is human, right? I really liked this. THIS clicked with me.

A few days after I read the P.o.C post, I ventured on to YouTube for more ideas to help guide me with my 8th graders’ narrative writing this coming spring. And there was a TEDx video titled, “The Power of Personal Narrative” by J. Christan Jensen. I immediately remembered the line from the article above that associated storytelling with “power” and how it sets humans apart and if introduced and taught as such, it can be “extraordinary.”

I watched the video and to the suprise of my expectations, it was FANTASTIC. Between Jennifer’s post and the TEDx video ignited within me some major motivation and excitement to begin this unit.

Thanks for sharing this with us! So glad that Jenn’s post paired with another text gave you some motivation and excitement. I’ll be sure to pass this on to Jenn!

Thank you very much for this really helpful post! I really love the idea of helping our students understand that storytelling is powerful and then go on to teach them how to harness that power. That is the essence of teaching literature or writing at any level. However, I’m a little worried about telling students that whether a piece of writing is fact or fiction does not matter. It in fact matters a lot precisely because storytelling is powerful. Narratives can shape people’s views and get their emotions involved which would, in turn, motivate them to act on a certain matter, whether for good or for bad. A fictional narrative that is passed as factual could cause a lot of damage in the real world. I believe we should. I can see how helping students focus on writing the story rather than the truth of it all could help refine the needed skills without distractions. Nevertheless, would it not be prudent to teach our students to not just harness the power of storytelling but refrain from misusing it by pushing false narratives as factual? It is true that in reality, memoirs pass as factual while novels do as fictional while the opposite may be true for both cases. I am not too worried about novels passing as fictional. On the other hand, fictional narratives masquerading as factual are disconcerting and part of a phenomenon that needs to be fought against, not enhanced or condoned in education. This is especially true because memoirs are often used by powerful people to write/re-write history. I would really like to hear your opinion on this. Thanks a lot for a great post and a lot of helpful resources!

Thank you so much for this. Jenn and I had a chance to chat and we can see where you’re coming from. Jenn never meant to suggest that a person should pass off a piece of fictional writing as a true story. Good stories can be true, completely fictional, or based on a true story that’s mixed with some fiction – that part doesn’t really matter. However, what does matter is how a student labels their story. We think that could have been stated more clearly in the post , so Jenn decided to add a bit about this at the end of the 3rd paragraph in the section “A Note About Form: Personal Narrative or Short Story?” Thanks again for bringing this to our attention!

You have no idea how much your page has helped me in so many ways. I am currently in my teaching credential program and there are times that I feel lost due to a lack of experience in the classroom. I’m so glad I came across your page! Thank you for sharing!

Thanks so much for letting us know-this means a whole lot!

No, we’re sorry. Jenn actually gets this question fairly often. It’s something she considered doing at one point, but because she has so many other projects she’s working on, she’s just not gotten to it.

I couldn’t find the story

Hi, Duraiya. The “Frog” story is part of Jenn’s narrative writing unit, which is available on her Teachers Pay Teachers site. The link at the bottom of this post will take you to her narrative writing unit, which you can purchase to gain access to the story. I hope this helps!

I am using this step-by-step plan to help me teach personal narrative story writing. I wanted to show the Coca-Cola story, but the link says the video is not available. Do you have a new link or can you tell me the name of the story so I can find it?

Thank you for putting this together.

Hi Corri, sorry about that. The Coca-Cola commercial disappeared, so Jenn just updated the post with links to two videos with good stories. Hope this helps!

Leave a Reply

Your email address will not be published.

• Share full article

Advertisement

Supported by

Student Opinion

650 Prompts for Narrative and Personal Writing

By Michael Gonchar

• Oct. 20, 2016

Update, Sept. 4, 2019: Check out our newest evergreen collection of “ 550 Prompts for Narrative and Personal Writing ” that includes dozens of new prompts.

Update, Feb. 15, 2019: Learn more about how to use our 1000s of writing prompts by watching our free on-demand webinar: “ Give Them Something to Write About: Teach Across the Curriculum With New York Times-Inspired Daily Prompts. ”

Every school day since 2009 we’ve asked students a question based on an article in The New York Times.

Now, seven years later, and in honor of the Oct. 20 National Day on Writing , we’ve collected 650 of them that invite narrative and personal writing and listed them by category below. Consider it an update of a previous post, and a companion to the list of 301 argumentative writing prompts we published in 2015.

Here is a PDF of all 650 prompts , and we also have a related lesson plan, From ‘Lives’ to ‘Modern Love’: Writing Personal Essays With Help From The New York Times .

Below, a list that touches on everything from sports to travel, education, gender roles, video games, fashion, family, pop culture, social media and more. Like all our Student Opinion questions , each links to a related Times article and includes a series of follow-up questions. All questions published since May 2015 are still open to comment by any student 13 or older.

We are having trouble retrieving the article content.

Please enable JavaScript in your browser settings.

Thank you for your patience while we verify access. If you are in Reader mode please exit and  log into  your Times account, or  subscribe  for all of The Times.

Thank you for your patience while we verify access.

Already a subscriber?  Log in .

Want all of The Times?  Subscribe .

Bell Ringers

Middle school narrative writing made simple.

For the first few years that I taught, I hated teaching narrative writing to my middle schoolers. Writing days meant endless stress. Students were constantly calling my name. There were nonstop problems. Students hardly made progress with their narrative essays because they didn’t know what to do or were waiting on me to help them. It was terrible!

Fast forward to the present day, I look forward to narrative writing in my classroom. Writing days often mean a lot of productivity and a rather calm classroom. So, what has changed to transform my opinion on writing days?

I began using reference sheets! Throughout this blog, I’ll share how reference sheets for narrative writing are the way to a simple, productive middle school writing unit.

What is narrative writing?

Before I dive too deep into reference sheets, I want to make sure we are on the same page with narrative essays. A narrative essay can be fiction or nonfiction . Sometimes narratives are called short stories or personal narratives. Essentially, narratives are stories.

What makes narrative writing so exciting for students is the opportunity to create a detailed story. Whether the story is fiction or nonfiction, the space to add imagery, details, and imagination are huge perks for more creative students.

The downside is that many students can get lost in narratives. For some, the ability for your creativity to run wild can leave them with option paralysis. For others, they are so excited to tell their story that they leave every grammar and language rule behind. 

What are reference sheets?

As I spoke about, writing used to be a chaotic experience for me (and my students). I decided I either had to clone myself to help more kids or find a way for the kids to help themselves (and since cloning wasn’t an option…). Enter the reference sheets.

A reference sheet is probably what it sounds like. They are pages of notes that students can reference for information . You can actually snag ALL my narrative writing reference pages in a cute booklet FOR FREE by clicking HERE .

The goal is that students use these reference pages when they are stuck or have questions during writing. Instead of you being the first person they get information from, the reference sheet becomes their guide. Kinda like that three before me rule.

These reference guides can have anything you want in them, but you want to stick to key, need-to-know information. For narrative essays, this might look like dialogue, writing an introduction / body / conclusion, editing, and so forth. The reference page should be easy to find and read through. It can even contain examples for students to reference and model their essay after.

How Reference Sheets Saved my Writing Unit

Before reference sheets, I could easily earn 10,000 steps walking circles around my classroom. I never actually sat down with a student for long to dig deep into their writing. Instead, I was just trying to keep students motivated to write or answer questions like, “Do I put a comma here?”

With reference sheets, my writing routine changed. Here’s what my class now looks like during narrative writing.

• Mini-lesson : I introduce the skill I want students to work on today with their writing. For example, if I want students to add dialogue or edit dialogue in their narrative today, I will provide a mini-lesson on punctuation and placement of dialogue. During the mini-lesson, students will have a reference sheet I made, and we will use it to move through the mini-lesson.
• Example : Next, I will provide some sort of example to my students to model the skill. This example may also be on the reference page I gave them, or it might not. I’ll engage students in the example, and ask them to apply the skill.
• Independent Work : Students are now familiar with their specific skill and task of the day, and they have a go-to guide if they need it. Students are then challenged with working diligently to apply the new skill to their own writing. If they get stuck, they will consult the reference sheet before me.
• Conferences : While independent workers use their reference sheets to edit their writing, certain students will meet with me. Having the majority of the class work independently and not depend on me to answer so many questions frees up time to reteach, clarify, or simply talk to students about their writing. Often I do these in small groups to make use of time.
• Exit Ticket: Lastly, I try to engage students in some type of sharing. They can share something they are proud of, something they wrote, or a question they have.

This type of structure on a writing day would not be possible without my students being able to help themselves and have quick access to information. It’s all thanks to a reference page. Wanna learn more about how I plan my narrative writing units? Check out my other blog post!

If you want to try out reference pages in your own classroom, I have a narrative writing reference booklet ready with all the essential information your students will need. . It will save you time and sanity on your writing days. You can check out that resource here. It includes skills such as plot, details, transitions, dialogue, and much more.

I hope you try out reference pages of your own to see the magic happen in your classroom! If you aren’t sure where to start, try the writing day schedule I wrote about above. You can tweak it for your own students.

• Read more about: Middle School Writing

You might also like...

How to Explicitly Teach Elements of Narrative Writing

Short Story Mentor Texts to Teach Narrative Writing Elements

Using Mentor Texts for Narrative Writing in Middle School ELA

Get your free middle school ela pacing guides with completed scopes and sequences for the school year..

My ELA scope and sequence guides break down every single middle school ELA standard and concept for reading, writing, and language in 6th, 7th, and 8th grade. Use the guides and resources exactly as is or as inspiration for you own!

Meet Martina

I’m a Middle School ELA teacher committed to helping you improve your teaching & implement systems that help you get everything done during the school day!

Let's Connect

Member login.

PRIVACY POLICY 

 TERMS OF USE

WEBSITE DISCLAIMERS

MEMBERSHIP AGREEEMENT

© The Hungry Teacher • Website by KristenDoyle.co • Contact Martina

7 Great Narrative Lesson Plans Students and Teachers Love

How to Master Narrative Writing in a Single Week

Mastering narrative writing in one week is a big ask. A very BIG ask! But you can teach the core elements of how to craft a well-told tale in this tight timeframe. Mastery will come through diligent practice on the part of the student and thoughtful feedback on the teacher’s part.

How do you teach students narratives?

In this article, we’ll take a look at how you can take your students from zero to hero, in narrative writing terms, in just one lesson per day during the school week and a little extra effort over the weekend.

 Come the following Monday morning, and your desk should be positively heaving under the weight of your students’ freshly composed masterpieces.

 Though we’re in the game of narrative fiction here, let’s try to bring our aspirations into the realm of the possible. We won’t get a novel out of our students in a mere seven days, not without working their fingers and to the bone. However, the short story format will perfectly serve our ambitions.

 So, let’s get started by exploring these five narrative lesson plans – By Zeus’s breath! We’ve still set ourselves a task of Herculean proportions!

THE STORY TELLERS BUNDLE OF TEACHING RESOURCES

A MASSIVE COLLECTION of resources for narratives and story writing in the classroom covering all elements of crafting amazing stories. MONTHS WORTH OF WRITING LESSONS AND RESOURCES, including:

Lesson 1: Generate One Good Story Idea

 There’s a lot of ground to cover, so you’ll need to get your students off to an energetic start if they’re to reach the finish line of a completed story by the end of the week.

 They’ll need to come up with an idea for a story so engaging that they’ll be chomping at the bit to get their pens galloping over the page.

 Try one of these two activities to kickstart your students’ creativity:

• Spin Story Gold from Your Spam

Open up your email and go into your Spam folder. This is a repository of some of the highest-flying fiction in the modern age. It’s peopled with fanciful characters from far-flung lands such as generous princes, dying businessmen searching for heirs, devious diplomats, not to mention desperate widows.

Cut and paste a few of these that are student-suitable, print them, and distribute the results to your class.

If your students can’t make a story from this raw material, you may already have a lost cause on your hands!

• What Ever Happened to So-and-So?

We’ve all had friends and acquaintances we’ve lost touch with over the years. This is true of our students too – young as they are!

Ask your students to think of someone they used to know. Maybe a classmate from kindergarten who went on to a different school, or a neighbor who moved to another city. Anyone they used to know, but since they have since lost contact with will do.

Now, ask them to imagine what happened to this person. What twists and turns have their life taken since you last saw them? Have they fallen into a life of crime or been abducted by aliens? Maybe they moved to a distant, exotic country and have started life anew. Encourage your students to let their imaginations run wild!

And, needless to say, have your students change their names to protect the innocent!

Once the students have come up with their rough story idea , it’s time to nail down some things in more detail and decide on a few crucial elements of their story.

Students must decide who the characters in their story are and what point of view they will tell the story. Will it be told from the first person POV, from the main character’s perspective, or from the omniscient third-person viewpoint? Can students sketch quick character bios to help them later in writing?

How about the setting? Where does the action take place? Will the story be static, or will locations change throughout the story?

Decisions, decisions!

The more questions students generate and answer, the easier tomorrow will be.

Failing all of that, if you need some creative juice, be sure to check out our writing prompts here .

STORY ELEMENTS FOR KIDS TUTORIAL VIDEO

Lesson 2: Outline

Day 2, and it’s time for students to outline their story. You can help this process significantly by giving your students a clear structure to follow. Graphic organizers offer an efficient way to lay things out easily to follow manner, helping students get their story written in an organized fashion.

But, whether they use graphic organizers or sketch their outline by hand, their story outline should contain the following elements (or similar variations):

●      Exposition – include characters & setting details from yesterday.

●      Conflict – this will usually emerge from the initial story idea.

●      Rising Action – a related series of events that escalates the story’s drama

●      Climax – the dramatic highpoint where the conflict comes to a head

●      Falling Action – the dramatic tension of the story decreases, and things move toward the conclusion.

●      Resolution – loose ends are tied up, and the story draws to a close.

Sometimes it can be beneficial to allow students to form small discussion groups to offer each other feedback and constructive criticism on their ideas.

Remind students that the more detail they go into in their outlines, the easier writing their stories will be.

Lesson: 3: Write the First Act

By now, your students have laid all the necessary groundwork, and the writing begins in earnest.

From our early school days, everyone knows that every story has a beginning, a middle, and an end. This is the basic three-act story structure, a structure that is ideal for your students to follow when writing their short stories .

The purpose of today’s lesson will be for your students to complete the first act of their story. A well-written first act will provide great momentum to help the students through the remaining two acts.

In the first act, students should aim to:

●      Introduce the important characters

●      Establish the setting and tone of their story

●      Reveal the story’s central conflict

●      Begin the process of ramping up the drama through the rising action.

If the purpose of the first act is to grab the reader’s attention so that they simply have to read to the end, then your students will need to employ a hook right from the first scene of their tale.

The purpose of this hook is to intrigue the reader and entice them to continue reading. But, not only does the hook need to gain the reader’s interest, it needs to serve the needs of the plot too.

A well-used hook should:

●      Introduce the main character

●      Give an insight into that character’s daily life

●      Show them dealing with some problem or conflict to reveal their character

Showing the main character in action dealing with a problem or conflict begins the story’s movement forward – even if the problem is minor.

Moving on from the hook, your students must work to keep the reader engaged throughout the story. There are two main ways to do this, either make the characters interesting or make the events compelling.

And, of course, there is a third option  – do both!

The Inciting Incident

The inciting incident is the event that sets the ball rolling in terms of the story’s action. Often, this is when something happens to flip the main character’s world upside-down or begin a process that causes the pattern of their daily life to be altered significantly, often forever.

Here are two common options to help students create an inciting incident:

●      The Deliberate Choice – Here, the main character makes a decision or a choice that sets all in motion the rest of the events of the story.

●      The Coincidence – The merging of time, place, and characters. Think ‘right person in the right place at the right time.’ You could, of course, substitute ‘wrong’ for ‘right’ here!

From here on out, a sequence of events unfolds, leading us into and through Act 2…

Lesson 4: Write Right to the End

By finishing the first act of their story, your students have pushed the ball to the top of the hill. All that remains is to tip it over the other side and let it roll all the way to the end.

Act 2 will see the dramatic tension build over a series of cause-and-effect events. This is very important for students to grasp. While writing about fictional characters in a fictional world, their stories must still contain a sense of logical consistency or they will frustrate their readers.

The seeds of these events should have been planted in Act 1, whether in the central external conflict or within the characters themselves.

The tension of the plot should build toward the story’s climactic scene in the third act.

Usually, the climax will see the two opposing sides of the conflict come together in some final way. This is where the main character succeeds in their goal or fails. It is where we witness them pushed to their limits.

This is the point all previous events have been working towards. In the aftermath of the climactic scene, the story draws to a close. Loose ends are tied up as the story reaches the resolution stage.

In the resolution, your students should address (usually briefly) the consequences of the events of the story. In a short story such as you will have your students write, the resolution will usually take place over a single scene.

In character-focused stories, the resolution can usually be summed up in a single question: How has the main character changed?  

A short story doesn’t usually have much of a build-up. It will usually start at the last possible moment of the action that will still allow the reader to make sense of what happens.

Likewise, the ending of the story should be tight and lean. The writer shouldn’t hang about, but should still leave the reader with a sense of continuation. That is, the reader should be left with the feeling that life will go in in this fictional world long after they have put the book (or pages!) down.

L esson 5: Edit

You might be beautiful. But, if you don’t brush your teeth occasionally, give your hair the odd brush, and put on some fresh clothes a few times a week, you’ll always be a bit haggard.

Stories are the same. They need tidying up. A little TLC before they make a guest appearance on The Homework Show .

Editing is where this TLC takes place.

Often, it’s difficult for students to gain enough perspective on their story to edit it effectively. It can be good practice to assign students an editing partner, where each student can provide feedback and suggestions to the other.

In this first edit, the main thing students should look out for is the story’s structure. Is it all of a whole? That is, does the story move through the story arc as outlined on the first and second days?

Some other things to watch out for include:

●      Is there a plausibility to the story? This is necessary even in the most fantastical of tales. Even if the events described are impossible, they must ‘ring’ true.

●      Are all the major narrative elements there? Are the characters drawn convincingly? Is there a hook, an inciting incident, a climax, a resolution, etc?

If these larger structural elements are all there, then students check the writing for clarity and revise where necessary.

Editing should be a merciless process; that’s why writers so often talk about ‘killing their babies’ when they discuss editing.

The golden rule of editing narrative writing is, if it doesn’t serve the story, then out it goes!

They can also check for the dreaded incidences of telling instead of showing. For example, characters should reveal themselves through their words and actions, rather than long, boring paragraph upon paragraph of exposition.

Students should make extensive notes for one another if they’re working with partners.

If they are doing their own editing, they can help to gain perspective on their work by reading it out loud.

Now, with notes gripped firmly in ink-stained hands it’s almost time for that final draft.

But first, a Day 6 interlude.

Lesson 6: Let That Potboiler Simmer!

Good writing is a slow-cooked stew of creativity and technical ability. It needs a full day for all the ingredients to steep in their own juices. And that’s what Day 6 is for – a much-needed respite from feverous scribbling.

Allowing the writing to rest for a day does two important things.

Firstly, it allows the student to replenish their energies in readiness for writing the final draft.

It also, more importantly, gives the students a little time to gain some perspective on their stories.

The mind works in unfathomable ways. Sometimes problems that arise in the writing of stories, and other creative text types , get solved by the subconscious while we sleep.

Creativity doesn’t answer to the blare of the factory horn. Students should give their imaginations some time to frolic and cavort.

A COMPLETE UNIT ON TEACHING NARRATIVE WRITING

Teach your students to become skilled story writers with this HUGE   NARRATIVE & CREATIVE STORY WRITING UNIT . Offering a  COMPLETE SOLUTION  to teaching students how to craft  CREATIVE CHARACTERS, SUPERB SETTINGS, and PERFECT PLOTS .

Over 192 PAGES of materials, including:

Lesson 7: The Final Draft

Day 7! Where does the time go?

It’s time for your students to uncurl Day 5’s hurriedly scribbled notes and get working on that final draft.

Students should work through the suggestions, accepting and rejecting as they see fit. While this is predominantly a functional process, there is room for creativity in this problem-solving work.

This is the final run-through. So anything that doesn’t work should be put up against the wall and…well, you get the picture.

Once the story is in fine fettle structurally speaking, it’s time for a final proofread. Punctuation and spelling must be checked and corrected. All t ’s crossed and every I dotted.

With a final read-through, preferably aloud, each student should ceremoniously fold their masterpiece in quarters with great care and prepare to submit their work to the judgement of the Mighty Oracle of All That Is Educational at daybreak the following morn.

Failing that, they could just give it to their teacher in the morning!

There we have it, a rapid race through the twists and turns of mastering the narrative writing form. Just make sure you have set aside plenty of time to read a couple of dozen short stories come Monday night!

• Varsity Tutors
• K-5 Subjects
• Study Skills
• All AP Subjects
• AP Calculus
• AP Chemistry
• AP Computer Science
• AP Human Geography
• AP Macroeconomics
• AP Microeconomics
• AP Statistics
• AP US History
• AP World History
• All Business
• Business Calculus
• Microsoft Excel
• Supply Chain Management
• All Humanities
• Essay Editing
• All Languages
• Mandarin Chinese
• Portuguese Chinese
• Sign Language
• All Learning Differences
• Learning Disabilities
• Special Education
• College Math
• Common Core Math
• Elementary School Math
• High School Math
• Middle School Math
• Pre-Calculus
• Trigonometry
• All Science
• Organic Chemistry
• Physical Chemistry
• All Engineering
• Chemical Engineering
• Civil Engineering
• Computer Science
• Electrical Engineering
• Industrial Engineering
• Materials Science & Engineering
• Mechanical Engineering
• Thermodynamics
• Biostatistics
• College Essays
• High School
• College & Adult
• 1-on-1 Private Tutoring
• Online Tutoring
• Instant Tutoring
• Pricing Info
• All AP Exams
• ACT Tutoring
• ACT Reading
• ACT Science
• ACT Writing
• SAT Tutoring
• SAT Reading
• SAT Writing
• GRE Tutoring
• NCLEX Tutoring
• Real Estate License
• And more...
• StarCourses
• Beginners Coding
• Early Childhood
• Varsity Tutors for Schools Overview
• Free 24/7 Tutoring & Classes
• High-Dosage Tutoring Models
• Comprehensive ESSER Solutions
• Math Programs
• Reading and Literacy Programs
• Special Education & Required Services
• ACT & SAT Programs
• Our Live Learning Platform
• Meet The Tutors
• Learning Outcomes & Efficacy
• Additional Resources
• Talk With Our Team
• Reviews & Testimonials
• Press & Media Coverage
• Tutor/Instructor Jobs
• Corporate Solutions
• About Nerdy
• Become a Tutor

• Book Reports
• Children’s Literature
• Interdisciplinary
• Just for Fun
• Literature (Prose)
• Professional Resources
• Reading/Literacy
• Shakespeare
• Study Guides
• Technology Integration
• Young Adult Literature

Middle School Narrative Writing Lesson plans and other teaching resources

| Elementary Narrative Writing | |Middle School Narrative Writing| | High School Narrative Writing |

20 Mystical Bridges That Will Take You To Another World Creative writing prompt: "I walked across the bridge and ..." The photographs of real bridges on this page are astonishingly beautiful. However, the page also carries ads that may not be appropriate for the classroom. Consider copying the photographs into a new file for classroom use.

27 Magical Paths Begging To Be Walked Photographs of beautiful paths all over the world, showing a variety of seasons and geography, just waiting to inspire a poem or serve as the setting for a short story. Note: this page carries ads that may not be appropriate for the classroom. Consider copying the photographs into a new file for classroom use.

500 Prompts for Narrative and Personal Writing Organized by category.

Constructing Narratives: A Unit Plan for Taking Apart and Reconstructing Stories This lesson is designed as a project-based unit plan that will take students through the narrative process from deconstruction to construction. After initial discussion, students will use an interactive story map to deconstruct a short story. Students will use pictures to put together a PowerPoint-based storyboard that other students will use to construct a story. This unit is designed for grades 6-8.

From Object to Story: Writing a Historical Narrative Featuring an Artifact from One's Family History Students share observations about the history of familial artifacts. They then research the history and cultural significance of selected objects to prepare their own historical narratives. Includes short reading as prewriting activity. Designed for grades 7-12.

Hands, Hands, Hands - Writing a Narrative Essay from the Perspective of a Particular Hand The teacher will show pictures of six hands to students (pictures included with other handouts). After a brainstorming session, students will choose one hand that illustrates a particular story from their life. Then students will write a two page narrative essay about this story. These stories will be posted on a class blog to allow for feedback and discussion from classmates. Designed for grades 7-10.

In Search Of Wisdom: An Interview With An Elder Students develop interview questions, interview someone aged 60 or older, and write a narrative using that person's voice. Designed for grades 6-12.

Incorporating Flashbacks in Narrative Text — The Sinking of the U.S.S. Indianapolis Students watch a 2:25 video segment that shows an interview with one of the survivors of the U.S.S. Indianapolis who recalls the sinking of the ship and his survival. Students then create an original narrative that utilizes flashback to tell the survivor's story. This lesson is designed for grades 6-12 and includes links to the downloadable video and all support materials.

Little Red Riding Hood Little Red Riding Hood is now part of an elite group of fairy tale crime scene investigators. You remember Humpty Dumpty? He didn't fall. He was pushed. Or so it seemed at first. This idea will work on multiple grade levels.

Meet Comic Book Artist Phil Jimenez This video (4:34) presents writer and comic book artist Phil Jimenez, who has worked for DC and Marvel Comics. Jimenez describes his early inspiration, gives tips for good storytelling, and discusses the unique way comics approach sequential narrative. Links at the site include a student assignment handout to review Jimenez's advice, an assignment on making a visual story about an "everyday adventure," and a teacher handout for reflection prompts and discussion questions about visual storytelling that focus on Common Core State Standards for Writing: Text Types and Purposes, for students in grades 6, 7, and 8.

Memory Preservation--One Relative at a Time After organizing and conducting an interview of a grandparent/senior citizen, students create a slideshow presentation using the information and memorabilia collected at the interview. This lesson plan includes rubric and model. It is designed for 8th grade.

Narrative, Argumentative and Informative Writing About Baseball Students compose a one- or two-paragraph scene in which a valuable signed baseball is destroyed. The narrative task is the first of four prompts here. Common Core Standards indicated. Don't miss the extension activity, a video of Abbott and Costello's "Who's on First?" Grades 6-12.

A Picture's Worth a Thousand Words Students are given a picture that tells a story. They brainstorm words and ideas, then write a story based on what they see. This lesson is designed for grades 6-8.

Prewriting Exercises for Personal Narratives Ten activities for personal narrative writing, grades 7-12.

Using Personal Photographs to Spark Narrative Writing The lesson plan asks students to bring in a photograph that has special meaning for them and to write about it. This will work on multiple grade levels.

• Our Mission

A Systematic Approach to Teaching Narrative Writing

Clear strategies for each stage of the writing process help students improve their writing and serve as effective readers for their peers.

“I’ll never forget the colors,” I often read in student reflections.

As a middle school language arts teacher, I’ve developed a systematic approach to writing that helps students improve their storytelling skills. It includes strategies for writing in a variety of genres, such as personal narrative, memoir, and creative nonfiction. And in the revision stage I teach a color-coded approach to analyzing details that helps students see clearly what kinds of details they’ve used—and which they haven’t. Apparently this approach really sticks with my students.

When these strategies are used together, they help students improve their writing skills while also fostering relationships among themselves as they act as sounding boards for each other’s work.

Prewriting Q&A as a Source of New Ideas

Prewriting is an essential part of the writing process. If ideas aren’t flowing, however, some students may become stalled, with a lack of ideas acting as a roadblock for them. To get the ball rolling, I pair students together for prewriting conversations.

To begin, I share one of my own stories to demonstrate the art of storytelling. Next, I give students the opportunity to discuss their own story ideas with a partner. Then, as I walk around listening to their conversations, I’ll pause every now and then and ask a few students whose ideas piqued my interest to share their story ideas aloud with the entire group.

Next, I’ll demonstrate asking a series of questions to the student who is sharing aloud, explaining to the class that this strategy can help them dive deeper as writers. Students will continue their discussions in pairs, eliciting as many details as possible from the storyteller through questioning.

They might ask:

• “How was the narrator feeling at that moment?”
• “What would happen if…”
• “Can you help me picture the character?”

This type of thoughtful questioning helps students visualize the scene more vividly and replaces initial writing jitters with fun and flexibility.

They jot down their ideas with words, pictures, bullets, or anything else that helps them solidify the memories from their spoken stories now that they are ready to prewrite independently.

To See What You’re Writing, Act It Out

Instead of summarizing a whole story from beginning to end, I want students to create a writing piece based on a brief period that includes vivid detail. I’ve found that having students act out a scene helps them grasp this concept. 

First, I’ll have students read aloud a few pages from our class book. Then, in small groups, they’ll act out the scene. “Now that you’ve acted it out, how long do you think this moment would have taken in real life?” I’ll ask. There will be a friendly debate. In the end, students will realize that the scene was a moment of time told with meaningful details, whether they said it took 30 seconds or 10 minutes.

Students then deconstruct the scene they just acted out by creating a timeline of key character actions. For example, using pages 9–10 of The Glass Castle , by Jeannette Walls, the scene breakdown might look like this:

• At age 3, Jeannette is standing on a chair cooking hot dogs in the kitchenette and feeding them to her dog.
• Her dress catches on fire, sending flames up her body.
• Jeannette’s mom, painting in the next room, hears her scream and enters the kitchen.
• Mom uses an army surplus blanket to put the fire out.
• Mom, Jeannette, and brother Brian run to the neighbor’s house to get help.
• The neighbor drops her laundry she was hanging on the line and races to take them to the hospital, saying nothing.

Students will then work independently to apply the same strategy to their own ideas, focusing on showing rather than telling the entire story. Students will share their lists with their groups and then act out each other’s ideas.

The following conversation suggestions help students clarify and solidify their ideas.

Beginning, ending, and timing: Where does the heart of this moment start? Where does it end? When one student describes a moment that feels excessively long, the rest of the group suggests methods to shorten it. If a student has a moment that is too short, the group helps to extend it.

Characters: What is each character doing? What’s their motivation? What do they look like? How are they acting?

Setting: Where and when is this taking place? What’s going on around your characters?

Dialogue: What’s being said, how, and by whom?

Internal thinking: What are the characters thinking?

Students are now ready to move on to independent writing and complete a full draft.

Color-Coding Writing as a Detail-Oriented Strategy

Following the drafting phase, I teach students a variety of revising techniques. Every day I introduce a new one—and they’re color-coded to make it easier for students to distinguish between them. We might, for example, focus on character details one day. First, students will find vivid character descriptions they love from the read-aloud or their own independent reading. Then, they’ll add their own character descriptions to their writing, highlighting them in a particular color.

I encourage students to incorporate each color throughout their drafts. If character details are represented by blue, for example, blue highlighting should be used in the beginning, middle, and end of their pieces. Other color-coded strategies include setting details, figurative language, sensory details, dialogue, and internal thinking.

The use of assorted colors allows students to clearly see areas that have been enriched with vivid details and areas that have not. This visual strategy benefits learners of all levels by instilling confidence and a sense of accomplishment as rainbows of color emerge throughout their work.

This color-coding approach also aids in peer editing and teacher conferencing by encouraging meaningful conversations like this: “I see you’ve developed thoughtfully crafted blues in the beginning to describe the Mom character. How can you assist readers in picturing and getting to know your other characters? How can you incorporate more blues later to describe them?”

To showcase daily accomplishments, students add their favorite highlighted lines to the classroom bulletin boards. While students could easily copy and paste their examples into a shared class Google Doc, I’ve found that they’re more engaged when there’s movement and camaraderie, and they like having their words physically present in the classroom.

Recently I taped a piece of bulletin board paper for students to write on in the front of the classroom and another in the back. A student was waiting patiently for others to finish at the front. I encouraged him to go write his favorite line in the back since there was no wait and it offered more space to write.

“No thanks,” he chirped. “I want everyone to see mine when they walk into the room.”

Teach Starter, part of Tes Teach Starter, part of Tes

Search  everything  in all resources

Teaching Narrative Writing: 14 Activities to Help Your Students Learn to Love It

Written by Alison Smith

When it comes down to it, narrative writing is basically the art of telling a story. And if there’s one thing that little kids are fond of doing, it’s telling stories … especially the “big fish” kind! But if you’re teaching narrative writing to your class, you know there’s a lot more to it than just being able to spin a wild tale.

Helping your students to develop their narrative writing strategies will take them from story spinners with a lot to say out loud to storytellers who can craft a beautifully written story on the page.

But how do you actually do that? Let’s dig in!

How Do You Teach Narrative Writing?

Narrative writing is one of the four major types of writing we expect from our students — along with argumentative (or opinion) writing, expository, and informative writing.

Perhaps the most important aspect of teaching narrative writing is nurturing a love of storytelling, along with helping your students to understand narrative writing structure and organization, and how to develop the story by adding details.

Naturally, teaching narrative writing differs by grade level with the kindergarten through second-grade learning largely through read-alouds and exposure to narrative writing examples, while older elementary schoolers will spend more time putting pencil to paper (or fingertips to keyboard) writing their stories. We’ll break down a few ways to teach each age and stage!

But before we do that, a quick reminder:

What Are the Five Rules of Narrative Writing?

Eventually, your students will get to a stage where the rules of writing will be a little less important, but we have to start somewhere! So call these the rules of narrative writing or the five elements of narrative writing. Either way — every story should have a:

• Character(s)

Activities for Teaching Narrative Writing

Sowing the seeds for successful narrative story writing starts as early as pre-k or kindergarten.

Read Mentor Texts

Sure, your students may not be ready to write out their full thoughts, but the read-alouds you do in the classroom are an important part of introducing narrative story writing examples they can build off in their future education.

Here are some of our favorite children’s books to introduce the concept:

• Ralph Tells a Story by Abby Hanlon
• Jabari Jumps by Gaia Cornwall
• My Dog Mouse by Eva Lindstrom

Use Story Prompt Handwriting Worksheets

Help your kindergarten and first-grade students develop their handwriting skills by recounting a story based on prompts they can trace and then add to! Bonus: This resource is free!

[resource:4139650]

Teach the 5Ws (and 1H)

Help your students build out the structure of their storytelling with the basics — the 5ws (and that pesky 1 H ):

• What happened?
• Who is it about?
• Where did it take place?
• When did it take place?
• Why did it happen?
• How did it happen?

Scaffold with Storybooks

After teaching your students the vocabulary of narrative writing, use storybooks as narrative writing examples they can use to identify the different elements of the story. To make it easier, provide a template like this cute story spine porcupine so they can identify the process that the author used to build out a story, sequencing the events one by one.

You can also use the template as a scaffold when students write their own story — with 8 steps accompanied by easy-to-follow sentence starters, your students will have planned their writing in full before they know it!

Try Guided Writing Activities

Guided writing is a brilliant narrative writing activity. Working in a small group with teacher guidance helps students to build confidence and to be active participants in discussions about writing.

Guided writing is very similar to guided reading in the classroom. Students work in small differentiated groups and work towards a similar writing goal. Guided writing sessions are usually 20-25 minutes long and are generally broken down into the following framework:

• Direct instruction, where the teacher reminds the students of their writing goals and provides them with some form of writing stimulus (approximately 5 minutes).
• Shared experience, where the students and teacher have a rich conversation about the writing topic and/or writing stimulus, key vocabulary, and the possible text types that could be written (approximately 5 minutes).
• Independent writing and sharing, where students write as much as they can in the allocated time. The teacher provides timely feedback and scaffolds key writing skills. Students then share what they have written with the small group or the rest of the class (approximately 10 minutes).

Direct Instruction

Research shows that students need direct instruction that includes the I do (teacher modeling), we do ( guided practice), and you do (independent practice). Teaching narrative writing is no exception to this rule, and it’s critical to include a balance of modeled, guided, and independent writing.

A big part of direct teaching instruction is making the lesson objectives clear. Narrative writing is a complex task and so it is important to focus on one thing at a time and to make the success criteria clear. For example, if your lesson focus is narrative structure, don’t stress about the spelling.

Set Up a Writing Station

Take the fear out of writing, and set up a free writing station. Provide students with paper, blank comic strips, blank postcards, greeting cards, pictures cut out of magazines, pens, pencils, sticky notes, or whatever else inspires your students to put pencil to paper.

To make the writing station effective as a skill-building activity:

• Acknowledge and praise all writing as a masterpiece
• Avoid correcting the spelling, punctuation, and grammar used in free writing tasks
• Make time for your students to use the writing station
• Avoid making it a fast finisher activity, as the students who need it most are likely to miss out

Use a Writer’s Notebook

Encourage your students to keep a Writer’s Notebook to jot down new ideas for narrative writing.

How to Set Up a Writer’s Notebook Daily Routine

Each student needs their own notebook. Allow students to create a cover for their notebook, or you can provide them with this  Writer’s Notebook Cover Page  which they can decorate. Introduce the concept to your class, ensuring they understand the notebook will not be graded, but will instead be used daily as a place for them to play with ideas and words. This  Writer’s Notebook Poem   by Ralph Fletcher is great to stick in the front of their notebooks as a reminder of the book’s purpose. Provide students with  Writer’s Notebook Writing Prompt Cards (these are optional) Dedicate at least 5 minutes every day to your students’ Writer’s Notebooks, providing specific activities or allowing free writing time.

Create a Writer’s Prop Table

Picture a small table in your classroom, scattered with a collection of objects such as a key, a padlock, a candle, a map, or a train ticket, and your imagination will be popping with ideas for a narrative. Before you know it, your students will be looking for objects to add to the collection and planting seeds for their next narrative.

Slow Down and Break It Up!

For incredible writing outcomes, break down the main parts of a narrative text type. Spend a significant amount of time on each structural element. Think of it as laying one brick at a time. Ask your students to write a complete narrative only when they have secure knowledge, understanding, and experience of writing an orientation, complication, resolution, and ending.

[resource:9825][resource:891][resource:788][resource:24296]

A great activity to teach the structure of narrative writing is to deconstruct a text by cutting it up and sticking it back together! Given that it’s not ideal to cut up books, we have created a sorting task to reinforce the structural features of a narrative text. Your students can play surgeon, dissecting the text and putting it all back together again!

Sizzling Starts

Do your students fall into the trap of writing orientations that begin with One day…, On Monday, Once upon a time…?

If your mission is to change this, believe me when I say that students need to see it to believe it.

Read amazing story openings, the more the better. I love the sizzling start to How to Bee by Bren MacDibble…

Today! It’s here! Bright and real and waiting. The knowing of it bursts into my head so big and sudden, like a crack of morning sun bursting through the gap at the top of the door…

Once you’ve given your students the opportunity to read, watch and experience the impact of amazing sizzling starts, show your students a  Narrative Plot Structure Diagram to demonstrate how a great narrative often starts with action!

Sentence Starter Roll Call

Select a Narrative Sentence Starter Card , and display or write it on the whiteboard. Ask your students to think of an imaginative way to finish the sentence, (the sillier the better).

Provide your students with a little thinking time. Ask each student to share their response when you call their name. This is sure to get a few giggles!

TEACHER: Jonah, I found a strange package at the door… JONAH: …it turned into a robot who helped me to fly to the moon

Round Robin Storytelling

Have you ever tried a round-robin story with your class? It’s great fun and a perfect warm-up at the beginning of a writing lesson and is a brilliant way to develop speaking and listening skills.

• Arrange your students in a circle. The teacher joins the circle.
• Start the round-robin by reading aloud one of the Narrative Sentence Starter Cards.
• Moving in a clockwise direction, ask the next person to continue the story.
• The teacher finishes off the story when it returns to the starting point.

Be mindful of less confident learners and the support that they need during this activity.

Shared Writing

Shared writing is a crucial part of teaching narrative writing. This effective teaching strategy (whereby the teacher models writing while being given ideas and direction from the students), is ideal to use with the whole class or in a small group.

Try our  Picture Writing Prompts Widget as a stimulus for shared writing. Each image comes with writing prompts ideas,  Five Ws and One H questions and suggested activities.

Tips for leading shared writing sessions

• Focus your shared writing session on one or two elements of narrative writing. For example, focus on text structure, ideas, characters. and setting or vocabulary.
• Keep it short. This will depend on the year level of your class. 10 -15 minutes is an awesome effort. As a general rule, as soon as you notice that your students are disengaged, call it a day, until tomorrow!
• Model how to write a narrative using a plan. In fact, model how to write a plan! Show your students the art of referring to the plan on a regular basis.
• Use Think, Pair, Share and Elbow Partners , to encourage ideas and discussion.
• Inspire your students and stimulate ideas through the use of visual prompts, props, and feely bags.
• Make it fun and do it often.

For more useful ideas on how to use writing prompts in the classroom, don’t miss our blog   5 Ways to Spark Imagination in the Classroom Using Writing Prompts .

What are your favorite ways to teach narrative writing? Try our extensive collection of narrative writing resources !

30 Buzzing Facts About Bees to Excite Kids About Nature

Everyone benefits from the busyness of bees which is why these bee facts will help inspire your students to appreciate and protect them!

21 Epic Last Day of School Activities to Kick Off Summer Break

Looking for easy last day of school ideas for elementary or middle school? These quick and fun end of year classroom activities will help you finish off your year just right!

70 1st Grade Books to Add to Your Classroom Reading Corner This Year

Wondering which 1st grade books you should add to your classroom library? Look no further! We have a list of 70 that are teacher (and student) approved!

22 Fun Groundhog Facts to Share With Your Class on Groundhog Day

Need fun groundhog facts to share with your students this Groundhog Day? Find out what groundhogs eat, where they live and why we let them predict the weather!

How to Teach 1st Grade — The Ultimate Guide to What to Do, What to Buy and What to Teach

Looking for tips on teaching first grade? Our comprehensive 1st grade teacher guide will answer all your questions from what to buy to how to prepare for the first day of school and what to do throughout the school year.

10 Best Pencil Sharpeners for the Classroom — Recommended by Teachers

Need new pencil sharpeners in your classroom? We've rounded up 10 best pencil sharpeners recommended by teachers to get you started.

Get more inspiration delivered to your inbox!

Sign up for a free membership and receive tips, news and resources directly to your email!

PRESTO PLANS

prestO PLANS

ENGLISH TEACHER RESOURCES

Sent straight to your inbox

CLICK HERE TO ACCESS

Sign up to receive 10 ready-to-use ELA resources your students will love! 

10 FREE ELA RESOURCES

Teaching Students How to Annotate Poetry

8 Ways Teachers Can Celebrate Student Success 

Bulletin Board Ideas for Middle & High School English

ON THE BLOG

teacher favorites

an ELA facebook community

TEACHERS' LOUNGE

join us in the

Engage your students as soon as they walk into your classroom with my best-selling, full-year bell-ringer set. Each day includes a unique and creative task. Topics include grammar, vocabulary, writing, and figurative language.  

Full Year of English  Bell-Ringers (Vol 3)

teacher resource

Top categories, i'm bonnie from presto plans.

I’m a curriculum writer, literacy educator, and all around book lover with a passion for helping English teachers engage their students with creative, high-quality resources. My mission? To make teaching English a whole lot easier for you, teacher friend! 

Hello, Teachers! 

10 Tips for Teaching Personal Narrative Writing in Middle School ELA

One of my favorite middle school ELA writing activities for the beginning of the school year is a personal narrative essay . I find this assignment is a great way for us to learn a lot about who our students are – as writers, and as people! It’s a great way to build foundational relationships with new students and set everyone up for a positive year!

Here’s how I like to set up personal narrative essay writing in the classroom:

1. Teach about the Genre

To begin, I like to explore the idea of personal narrative writing . While many of our middle school ELA students have written other types of essays before, this is often the first time they encounter this the personal narrative writing genre. First, I like to ask students if they have ever heard of personal essays and guide a brief class discussion.

Personal narratives create a valuable opportunity for students to share relevant stories from their own lives. Usually, this type of writing is designed to provoke an emotional reaction. Often, they find that personal narratives can be one of the most enjoyable writing assignments in ELA class!

2. Help them Choose a Topic

I find that one of our students’ biggest roadblocks to writing a personal narrative essay is the fact they think they don’t have anything worthwhile to say!

When this inevitably happens, I like to remind them that personal narratives can encompass a broad range of topics. As they plan their writing, they can choose to write about a single event, or an overall experience. For example, they might like to highlight on a moment in time. Alternatively, they could focus on a single thing that spanned a number of years (developing a skill at swimming lessons or dance class, for example). Even the simplest story can make an excellent topic for a personal narrative essay, as long as it is presented in a powerful way.

I also like to emphasize that the most important part of a personal narrative is that the writing has a purpose. For example:

• A funny story might enlighten readers on a lesson learned the hard way.
• A scary story might serve as a warning or wake up call.
• A touching story might inspire others to be a better person or view the world from a different perspective.

Sometimes I even like to share one of my favorite quotes. The saying (which is often attributed to the Dalai Lama) goes, “If you think you’re too small to make a difference, try sleeping with a mosquito!” This usually reassures our middle school ELA students that we all have the ability to make a powerful impact!

If they are stuck…

If the class still seems stuck on choosing a topic, I like to set stations up around the room and break students into small groups. Next, I provide them with task card prompts at each station to get them thinking about their various life experiences that might make a good topic for a personal narrative essay.

When they arrive at each station, they read the card. Each member of the group briefly shares a story that relates to the prompt, and students take a few minutes to jot down a few possible ideas on their brainstorming sheet. As they move through the stations and repeat the process, they should generate a number of different ideas to consider.

When their sheet is full, I invite them to narrow down their choices by considering their answers to the following questions:

• What are you most inspired by or excited to write about? 
• What might be the most interesting for others to read? 
• Which topic can be told with a clear series of events and interesting details or enticing descriptions? 
• Which story has a thought-provoking message or point? 

3. Share Two Important Questions

As the class works through the brainstorming process, they need to also consider the fact that personal narrative essays are meant to be shared with others. I will read their work when I grade it, of course, and I also like to share and display students’ writing around my classroom.

With this in mind, I like to invite students to consider two questions before they get too deep into their initial draft:

• Am I comfortable sharing this story with others?
• Will people be able to relate to my experiences and what I learned?

When thinking about these questions, if the student cannot respond with an enthusiastic “yes” to both, it is time to go back to the brainstorming sheet and choose a different topic. But if their topic passes this important self-check, they can keep going!

4. Start With the End in Mind

Now, it’s time for students to step back and consider the purpose of their writing. In this section of the lesson , I encourage the middle school ELA class to think about the “heart” of the story. In other words, what do they want the audience to notice and consider as they read?

This is also an opportunity for students to consider their own purpose for writing. Some questions I like to ask are:

• Why do you want to share this story?
• What do you want people to feel as they read your personal narrative essay?
• What should the lasting impression of this story be on your reader?

5. Consider Your Audience

As part of the pre-planning process, I also like to remind middle schoolers of who their audience for this task will be. After all, personal stories should be shared with others!

I find that sometimes students approach an assignment from a different perspective depending on who will be reading their written work. This is why I like to make it very clear about the audience for their finished writing upfront.

There are many options for sharing students’ written work. Sometimes, after the essays are written, I have students sit and read them aloud to small groups of their peers. I also usually invite them to include their personal narratives in their portfolio of work from the year, which can be accessed by parents and guardians through an online portal. I may also keep a copy of their personal narratives to share with families during student-led conferences.

In some cases, a conversation with students about how they would like their words and ideas to be shared can be useful. They may surprise you with their own ideas. For example, they might like to post excerpts from their personal narratives to a blog, or even make them into a podcast! 

6. Plan Out Your Story Elements

Once you have addressed the issues of topic and audience, it’s time to consider the elements of a personal narrative.

Characters:

I like to emphasize that while the writer is the main character, a personal narrative essay usually involves other characters as well. When preparing to write, I invite students to consider:

• Who else is involved in the story or event?
• What are their character traits, and how will you show them through your writing?
• What is your relationship like with this person (or people?)

Once the characters are established, a next step for students is to consider the setting. For example, if location is important to the story, I might ask the class how they will convey a sense of place. 

Here, I find it helps to brainstorm sensory details to include. I like to ask the class about the weather, time of day, sounds (for example, birds chirping, crowds, rain on the roof) and other details. These can help add color to the overall scene.

During the lesson , I like to explain that most personal narratives include one of the four types of conflict. This is sometimes new information for my middle school ELA students! I find it helps to ask the following questions:

• Is there conflict between you and another person in the story? (person vs. person) 
• Are you struggling with some type of inner turmoil or struggling to make a decision? (person vs. self) 
• Are you in conflict with the natural elements? (person vs. environment)
• Are you challenging an element of government or society? (person vs. society)

7. Provide an Organizational Framework

As we discuss the organizational framework of a personal narrative essay, middle school ELA students usually notice similarities to traditional story writing. During this process, a graphic organizer can support them with their planning.

Planning the Beginning of the Essay:

I remind them that the beginning of their essay should provide a captivating hook, establishing the basic details of the story. This can include background information, as well as information about the characters and setting. Most importantly, I like to reinforce that this is where they need to establish themselves as the main character! Depending on the topic, the students might introduce the conflict in this section as well.

Planning the Middle of the Essay :

As they move on to the middle of the personal narrative, I like to tell middle school ELA students to dive even more deeply into the situation, problem, or event they are describing. This helps their reader connect with the story. To do this, I also like to invite them to consider the character’s experiences (how they were feeling and what they were thinking). Just like in traditional fiction, this is also the place to build to some kind of climax.

Planning the Conclusion of their Essay:

Finally, I have students consider how they plan to conclude their personal narrative writing ELA task. In this section, they will want to tie up any loose ends, and identify any key messages they want to leave with the reader. As they organize their ideas, I ask them to think about a few things: 

• What could the reader learn from your experience?
• Is there a moral or lesson the reader might consider in their own life?  
• Will your story leave the reader laughing, in tears, or ready to take action?  

One thing I emphasize is that students who are unfamiliar with personal narrative writing will probably want to stick quite closely to this planning format at first. As they become more comfortable with this type of writing task, they will gain more confidence in their own style, and take more creative risks.

8. Share Writing Strategies

Now it’s time for the fun part – the writing itself! Before my middle school ELA students write their essays in earnest, I offer a few tips to get them started.

First, I remind them to write their narrative essays in first person. After all, they’re telling their own stories! We discuss the idea of being “true to your voice” as a writer, and consider how the students wish to tell their personal stories. A humorous, witty, inspiring or sad story will all require a different tone – and whatever direction the student chooses to go in, the writing should be consistent.

Next, I like to offer a few tips about engaging the reader . Dialogue can add color and vibrancy to a personal narrative. Vivid imagery and sensory details can show, rather than tell, a sense of place or emotional connection. I love sharing the sample sentence, “Her face flushed to a shocking shade of red.” This is much more effective than, “She was embarrassed.”

9. Allow Time For Peer Editing

In my classroom, I like to leave a period or two for peer editing and revisions at the end of the writing process.

The first time, I encourage ELA students to read their personal narrative writing aloud. Or – even better – they can have a peer read their work back to them. This is a great starting point for finding mistakes or weak spots in the writing that need to be changed. The second time through, students can use a checklist to edit the work in sections and offer suggestions for improvement.

By breaking the editing process down into three key areas (grammar, content, and writing structure), I find students can keep their feedback constructive, focused and efficient. Finally, I leave time for the students to go over their writing again, making spelling and grammar corrections to ensure they turn in their best work.

10. Give Options for Sharing

It’s important to remember that each student has their own personal comfort level about sharing their work with a large group. A brief survey (either on paper or via Google Forms) is a great way to check in on students and find out how they would like to share their writing.

Here are some choices I like to offer:

• sharing their personal narrative essay through a pre-recorded podcast or video
• reading their essay in front of the class
• presenting their work to a small group of their peers
• booking a private meeting with me (usually at lunch) to go through their essay together

There you have it! I hope your middle school ELA students love writing personal narrative essays as much as mine do!

If you’re looking for more unique writing ideas for middle and high school, check out 5 Outside the Box Creative Writing Assignments in ELA !

Students stuck in a writing rut? Here are 8 Ways to Engage Reluctant Writers .

share this post

VISIT THE BLOG

Snowball writing: collaborative writing activity, 10 ideas to make your teachers’ lounge a positive space.

Send students on an online date with a book

7 bell-ringer ideas for middle and high school english.

Search the blog for what you are teaching

PRIVACY   |

CONTACT   |

© PRESTO PLANS  |

I’m Bonnie, a curriculum writer, literacy educator, and all around book lover on a mission to make English teachers’ lives a whole lot easier! 

resources sent to your inbox!

10 FREE ENGLISH TEACHER

@PRESTOPLANS

FIND ME ON 

sent straight to your inbox!

10 days of ELA TEACHER

• Tpt-icon-iii

Narrative Writing for Middle School ELA – Development of a Theme

During the first nine weeks, we cover narrative writing.  This is a way to teach standards like how to develop a theme.  We use quick narrative writing assignments simply because we have SO much to teach.  Teaching narrative writing makes sense for us to do in the first nine weeks because we read a lot of short stories and can peek at how authors of these stories develop their theme.  during this time.  If you’re interested in seeing what we do for the first nine weeks of school and how we fit everything in, we have a free resource in our TpT store called 7th Grade ELA, a Glimpse into our Yearly Plans , that maps it all out and even gives helpful links that  you can use.  

Now, let’s get started on this quick narrative writing lesson!

What standards will you cover.

One of the standards for sixth, seventh, and eighth grades is for students to analyze the development of theme.  The narrative writing exercise we are going to tell you about today will cover that standard while at the same time provide a creative and fun narrative writing opportunity.  

Here’s what you do!  Put your students in small groups – three works best.  Give each group a theme statement.  Tell them that their job is to write a quick story that teaches that theme.  Before writing, they need to do some planning.  They will ask themselves questions about the characters, setting, and plot.

In order to create this theme, who should my characters be?  What type of personalities should they have?  What should their flaws be?  Their strengths?

Where should this story take place in order for readers to conclude the theme?

What should be the main conflict?  How should the story begin?   What will be the turning point of the story?  How will we end it?

Once students have done their planning, they should write their quick story.  Make sure students understand that this story is just a writing exercise, so it doesn’t have to be perfect.  Their job is to quickly write a story, developing the theme they were given. 

After writing the story, give students some questions to think through HOW they developed their theme.  Why did you choose the characters you did?  What did you use the most to develop the theme?   Did the setting contribute to the theme or could the story take place somewhere else?

After the stories are written…more look more at how the theme was developed

When time is up, take up each groups’ story.   Give each group a copy of all of the theme statements, each one labeled with a number   Read each story out loud, one by one, and have the class guess which theme belongs to that story by matching the number corresponding to the theme statement to the story.  

Once the students have had time to choose the theme, reveal the true theme statement that the group was assigned.  Then, engage the group who wrote the story in explaining how they developed the theme.

Some things to help you use this activity today…

This is a list of theme statements that you can use. 

We also have a product in our TpT store that includes a PowerPoint to teach theme and development, handouts for the students, and even a poem with a prompt for analyzing the development of theme in it.  There is even a sample essay included.  And, it of course all of the things we talked about!   A meaningful and engaging way to allow your students to understand the ways authors develop theme is now at your fingertips!

Happy teaching!

Recent Posts

• 2024 Cicadas ELA Activity and Fun Solar Eclipse ELA Lessons!
• Laying the ELA Foundation: Essential Skills for Middle School Students
• From Expectations to Efficiency: Essential Techniques for Classroom Management
• One-Pager Assignment in ELA
• What it Takes to Manage a Middle School ELA Classroom
• Bell Ringers
• Common Core
• Free Sample Lesson Plans
• Free short story lesson plans
• Holiday Lessons
• Interactive Activities
• Novel Unit Free Handouts
• Short Story
• Teach Grammar
• Teach Reading
• Teach Writing
• Teaching Tips

Sign Up for Email Updates

• Chess (Gr. 1-4)
• TV (Gr. 1-4)
• Metal Detectors (Gr. 2-6)
• Tetris (Gr. 2-6)
• Seat Belts (Gr. 2-6)
• The Coliseum (Gr. 2-6)
• The Pony Express (Gr. 2-6)
• Wintertime (Gr. 2-6)
• Reading (Gr. 3-7)
• Black Friday (Gr. 3-7)
• Hummingbirds (Gr. 3-7)
• Worst Game Ever? (Gr. 4-8)
• Carnivorous Plants (Gr. 4-8)
• Google (Gr. 4-8)
• Honey Badgers (Gr. 4-8)
• Hyperinflation (Gr. 4-8)
• Koko (Gr. 4-8)
• Mongooses (Gr. 5-9)
• Trampolines (Gr. 5-9)
• Garbage (Gr. 5-9)
• Maginot Line (Gr. 5-9)
• Asian Carp (Gr. 5-9)
• Tale of Two Countries (Gr. 6-10)
• Kevlar (Gr. 7-10)
• Tigers (Gr. 7-11)
• Statue of Liberty (Gr. 8-10)
• Submarines (Gr. 8-12)
• Castles (Gr. 9-13)
• Gutenberg (Gr. 9-13)
• Author's Purpose Practice 1
• Author's Purpose Practice 2
• Author's Purpose Practice 3
• Fact and Opinion Practice 1
• Fact and Opinion Practice 2
• Fact and Opinion Practice 3
• Idioms Practice Test 1
• Idioms Practice Test 2
• Figurative Language Practice 1
• Figurative Language Practice 2
• Figurative Language Practice 3
• Figurative Language Practice 4
• Figurative Language Practice 5
• Figurative Language Practice 6
• Figurative Language Practice 7
• Figurative Language Practice 8
• Figurative Language Practice 9
• Figurative Language of Edgar Allan Poe
• Figurative Language of O. Henry
• Figurative Language of Shakespeare
• Genre Practice 1
• Genre Practice 2
• Genre Practice 3
• Genre Practice 4
• Genre Practice 5
• Genre Practice 6
• Genre Practice 7
• Genre Practice 8
• Genre Practice 9
• Genre Practice 10
• Irony Practice 1
• Irony Practice 2
• Irony Practice 3
• Making Inferences Practice 1
• Making Inferences Practice 2
• Making Inferences Practice 3
• Making Inferences Practice 4
• Making Inferences Practice 5
• Main Idea Practice 1
• Main Idea Practice 2
• Point of View Practice 1
• Point of View Practice 2
• Text Structure Practice 1
• Text Structure Practice 2
• Text Structure Practice 3
• Text Structure Practice 4
• Text Structure Practice 5
• Story Structure Practice 1
• Story Structure Practice 2
• Story Structure Practice 3
• Author's Purpose
• Characterizations
• Context Clues
• Fact and Opinion
• Figurative Language
• Grammar and Language Arts
• Poetic Devices
• Point of View
• Predictions
• Reading Comprehension
• Story Structure
• Summarizing
• Text Structure
• Character Traits
• Common Core Aligned Unit Plans
• Teacher Point of View
• Teaching Theme
• Patterns of Organization
• Project Ideas
• Reading Activities
• How to Write Narrative Essays
• How to Write Persuasive Essays
• Narrative Essay Assignments
• Narrative Essay Topics
• Persuasive Essay Topics
• Research Paper Topics
• Rubrics for Writing Assignments
• Learn About Sentence Structure
• Grammar Worksheets
• Noun Worksheets
• Parts of Speech Worksheets
• Punctuation Worksheets
• Sentence Structure Worksheets
• Verbs and Gerunds
• Examples of Allitertion
• Examples of Hyperbole
• Examples of Onomatopoeia
• Examples of Metaphor
• Examples of Personification
• Examples of Simile
• Figurative Language Activities
• Figurative Language Examples
• Figurative Language Poems
• Figurative Language Worksheets
• Learn About Figurative Language
• Learn About Poetic Devices
• Idiom Worksheets
• Online Figurative Language Tests
• Onomatopoeia Worksheets
• Personification Worksheets
• Poetic Devices Activities
• Poetic Devices Worksheets
• About This Site
• Privacy Policy
• Terms of Use
• Understanding CCSS Standards
• What's New?

Ereading Worksheets

Free reading worksheets, activities, and lesson plans., site navigation.

• Learn About Author’s Purpose
• Author’s Purpose Quizzes
• Character Types Worksheets and Lessons
• List of Character Traits
• Differentiated Reading Instruction Worksheets and Activities
• Fact and Opinion Worksheets
• Irony Worksheets
• Animal Farm Worksheets
• Literary Conflicts Lesson and Review
• New Home Page Test
• Lord of the Flies Chapter 2 Worksheet
• Lord of the Flies Chapter 5 Worksheet
• Lord of the Flies Chapter 6 Worksheet
• Lord of the Flies Chapter 10 Worksheet
• Narrative of the Life of Frederick Douglass
• Sister Carrie
• The Count of Monte Cristo
• The Odyssey
• The War of the Worlds
• The Wizard of Oz
• Mood Worksheets
• Context Clues Worksheets
• Inferences Worksheets
• Main Idea Worksheets
• Making Predictions Worksheets
• Nonfiction Passages and Functional Texts
• Setting Worksheets
• Summarizing Worksheets and Activities
• Short Stories with Questions
• Story Structure Activities
• Story Structure Worksheets
• Tone Worksheets
• Types of Conflict Worksheets
• Reading Games
• Figurative Language Poems with Questions
• Hyperbole and Understatement Worksheets
• Simile and Metaphor Worksheets
• Simile Worksheets
• Hyperbole Examples
• Metaphor Examples
• Personification Examples
• Simile Examples
• Understatement Examples
• Idiom Worksheets and Tests
• Poetic Devices Worksheets & Activities
• Alliteration Examples
• Allusion Examples
• Onomatopoeia Examples
• Onomatopoeia Worksheets and Activities
• Genre Worksheets
• Genre Activities
• Capitalization Worksheets, Lessons, and Tests
• Contractions Worksheets and Activities
• Double Negative Worksheets
• Homophones & Word Choice Worksheets
• ‘Was’ or ‘Were’
• Simple Subjects & Predicates Worksheets
• Subjects, Predicates, and Objects
• Clauses and Phrases
• Type of Sentences Worksheets
• Sentence Structure Activities
• Comma Worksheets and Activities
• Semicolon Worksheets
• End Mark Worksheets
• Noun Worksheets, Lessons, and Tests
• Verb Worksheets and Activities
• Pronoun Worksheets, Lessons, and Tests
• Adverbs & Adjectives Worksheets, Lessons, & Tests
• Preposition Worksheets and Activities
• Conjunctions Worksheets and Activities
• Interjections Worksheets
• Parts of Speech Activities
• Verb Tense Activities
• Past Tense Worksheets
• Present Tense Worksheets
• Future Tense Worksheets
• Point of View Activities
• Point of View Worksheets
• Teaching Point of View
• Cause and Effect Example Paragraphs
• Chronological Order
• Compare and Contrast
• Order of Importance
• Problem and Solution
• Text Structure Worksheets
• Text Structure Activities
• Essay Writing Rubrics
• Narrative Essay Topics and Story Ideas

Narrative Essay Worksheets & Writing Assignments

• Persuasive Essay and Speech Topics
• Persuasive Essay Worksheets & Activities
• Writing Narrative Essays and Short Stories
• Writing Persuasive Essays
• All Reading Worksheets
• Understanding Common Core State Standards
• Remote Learning Resources for Covid-19 School Closures
• What’s New?
• Ereading Worksheets | Legacy Versions
• Online Figurative Language Practice
• Online Genre Practice Tests
• Online Point of View Practice Tests
• 62 School Project Ideas
• 2nd Grade Reading Worksheets
• 3rd Grade Reading Worksheets
• 4th Grade Reading Worksheets
• 5th Grade Reading Worksheets
• 6th Grade Reading Worksheets
• 7th Grade Reading Worksheets
• 8th Grade Reading Worksheets
• 9th Grade Reading Worksheets
• 10th Grade Reading Worksheets
• Membership Billing
• Membership Cancel
• Membership Checkout
• Membership Confirmation
• Membership Invoice
• Membership Levels
• Your Profile

Want Updates?

Common core state standards related to narrative writing.

CCSS.ELA-Literacy.CCRA.W.3 – Write narratives to develop real or imagined experiences or events using effective technique, well-chosen details and well-structured event sequences.

ELA Standards: Writing

CCSS.ELA-Literacy.W.K.3 – Use a combination of drawing, dictating, and writing to narrate a single event or several loosely linked events, tell about the events in the order in which they occurred, and provide a reaction to what happened. CCSS.ELA-Literacy.W.1.3 – Write narratives in which they recount two or more appropriately sequenced events, include some details regarding what happened, use temporal words to signal event order, and provide some sense of closure. CCSS.ELA-Literacy.W.2.3 – Write narratives in which they recount a well-elaborated event or short sequence of events, include details to describe actions, thoughts, and feelings, use temporal words to signal event order, and provide a sense of closure. CCSS.ELA-Literacy.W.3.3a – Establish a situation and introduce a narrator and/or characters; organize an event sequence that unfolds naturally. CCSS.ELA-Literacy.W.3.3b – Use dialogue and descriptions of actions, thoughts, and feelings to develop experiences and events or show the response of characters to situations. CCSS.ELA-Literacy.W.4.3 – Write narratives to develop real or imagined experiences or events using effective technique, descriptive details, and clear event sequences. CCSS.ELA-Literacy.W.4.3d – Use concrete words and phrases and sensory details to convey experiences and events precisely. CCSS.ELA-Literacy.W.4.3e – Provide a conclusion that follows from the narrated experiences or events. CCSS.ELA-Literacy.W.5.3 – Write narratives to develop real or imagined experiences or events using effective technique, descriptive details, and clear event sequences. CCSS.ELA-Literacy.W.6.3a – Engage and orient the reader by establishing a context and introducing a narrator and/or characters; organize an event sequence that unfolds naturally and logically. CCSS.ELA-Literacy.W.7.3 – Write narratives to develop real or imagined experiences or events using effective technique, relevant descriptive details, and well-structured event sequences. CCSS.ELA-Literacy.W.7.3a – Engage and orient the reader by establishing a context and point of view and introducing a narrator and/or characters; organize an event sequence that unfolds naturally and logically. CCSS.ELA-Literacy.W.7.3b – Use narrative techniques, such as dialogue, pacing, and description, to develop experiences, events, and/or characters. CCSS.ELA-Literacy.W.8.3c – Use a variety of transition words, phrases, and clauses to convey sequence, signal shifts from one time frame or setting to another, and show the relationships among experiences and events. CCSS.ELA-Literacy.W.8.3d – Use precise words and phrases, relevant descriptive details, and sensory language to capture the action and convey experiences and events. CCSS.ELA-Literacy.W.8.3e – Provide a conclusion that follows from and reflects on the narrated experiences or events. CCSS.ELA-Literacy.W.9-10.3a – Engage and orient the reader by setting out a problem, situation, or observation, establishing one or multiple point(s) of view, and introducing a narrator and/or characters; create a smooth progression of experiences or events. CCSS.ELA-Literacy.W.11-12.3c – Use a variety of techniques to sequence events so that they build on one another to create a coherent whole and build toward a particular tone and outcome (e.g., a sense of mystery, suspense, growth, or resolution).

36 Comments

Stephanie johnson.

An all-time favorite of mine, since the pandemic. Thank you so much Ereading Worksheets and your hard-working team.

Loving this site. Especially the interesting non-fiction which is sure to engage my students while being accessible! So glad I found your site.

Mrs. Gibson

You should be teacher of the century because your worksheets are amazing and saves me time and energy. Thank you so very much.

Thank you so very much for your excellent resources!

Thank you for your awesome resources!

Carol Cross

I love this site for my students grades 5 thru 8. It has challenging, interesting work and it’s my “Go To” site for everything. Thanks for such a great website!

That means a lot to me. Thanks for taking the time to comment.

Alycia Cohen

I am a mother of a struggling 7th grader and 4th grader this website is absolutely amazing. They receive the extra enrichment they need.

This is a wonderful website. I’m a first year LA teacher, and even though we have covered some of this material already, I am going to use it for review & next years lesson plans. Thanks for the creative way to incorporate these lessons.

thank you so much for sharing your free material to teachers who desire to teach proper writing to students. We really appreciate this. You will be rewarded!! Susan

I already have been rewarded with awesome visitors like you, Susan. Thanks for taking the time to visit and comment.

I am excited to see that this site shares the basics and connects us to the required rigor in todays educational realm. The information covered on this site is what every teacher needs in his or her treasure chest of activities. Thank you for all the hard work you put into developing this site. Please keep it up.

Will do. Thank you for the kind words and for visiting the site.

Amal Hmedeh

I love u guys. I really do appreciate and cherish this piece of art.. Ur work is highly appreciated. Thanks a billion.

Who ever did these things–bravo to all of you!!!You just don’t know how much it saved teachers like me who are always preoccupied with so many things…I am forever grateful.

Evy Indrawati Siregar

Thank you for putting these materials on line. I enjoyed looking and adapting these materials for my own class. I would be very, very careful in referencing for it.

Thank you for saving this homeschooling Mom! This is treasure cove of information that is truly appreciated, thank you once again!

Evangelyn G.

THIS IS A VERY USEFUL SITE. THANK YOU VERY MUCH FOR THE ORGANIZERS.

Hillary John

This is an extremely useful site. It covers so many areas of teaching Language Arts. I am really glad I found it

I’m glad too.

I LOVE this website! I teach special 7th grade special ed. and use this site OFTEN!

I’m so happy to hear it. Thank you for visiting.

Frank Darby

The resources here are wonderful! Keep it going…

Thank you. I’m working on it right now…

Thank you for all of these helpful resources!

Thank you so much. You made my life easy 🙂

Duraiya Rangwala

awesome website

This site is my “go to” site! it has everything I need and more! Thank you!

this is a great and helpful site! it help me a lot to improve my understanding of reading, writing as well as critical thinking.. this is amazing’ Thanks!

I’m so happy to hear it and you are most welcome.

This is a great site! thanks

Where have you guys been all my life? (hyperbole!) 🙂

You’ve given me a rope; I shall hang on to it! Many thanks 🙂

Shanna Rush

I LOVE THIS SITE!!! THANK YOU FOR THE RESOURCES IT IS A BIG HELP TO ME HAVING BEEN A MIDDLE SCHOOL HISTORY TEACHER FOR 7 YEARS, AND NOW AS A NEW TEACHER TO 5TH GRADE ELEMENTARY SCHOOL AND USING THE COMMON CORE STANDARDS.

Thank you for saying so. Best wishes.

Leave a Reply Cancel reply

Your email address will not be published. Required fields are marked *

Subscribe Now

Popular content.

• Author's Purpose Worksheets
• Characterization Worksheets
• Common Core Lesson and Unit Plans
• Online Reading Practice Tests
• Plot Worksheets
• Reading Comprehension Worksheets
• Summary Worksheets
• Theme Worksheets

New and Updated Pages

• Capitalization Worksheets
• Contractions Worksheets
• Double Negatives Worksheets
• Homophones & Word Choice Worksheets

BECOME A MEMBER!

Having My Say: A Multigenre Autobiography Project

• Resources & Preparation
• Instructional Plan
• Related Resources

Students can be guided to make powerful connections between their life experiences and the world surrounding their individual narratives. In this lesson, Elizabeth and Sarah Delany's autobiography, Having Our Say , serves as a model for student texts. Students read and analyze passages from Having Our Say looking for specific examples of multigenre writing within the text. Students then choose to narrate a life event that has connections to or is informed by a larger event in their lives or in the world around them. They compose a multigenre paper that includes the autobiographical narrative essay as well as an informational nonfiction piece that provides context for and connections to the story from their life.

Featured Resources

Autobiographical Narrative Component Peer Review Guide : This handout includes a chart to guide students in a thoughtful peer review of a classmate's autobiographical essay, but it could be adapted for use with any peer review. Contextual Essay Planning Sheet : This handout provides a chart that guides students in thinking about the kinds of information an audience might need to know to understand their autobiographical essay.

From Theory to Practice

In Blending Genre, Altering Style: Writing Multigenre Papers , Tom Romano describes his ideal ELA classroom as one in which students "are both consumers and producers of all kinds of literature and media" (43).  As students are exposed to or are expected to have gained "mastery" of certain genres, teachers can challenge students by asking them to combine genres into cohesive multigenre pieces.  In her article discussing the use of multigenre writing assignments in her classroom, Nancy Mack states "I know that assignments must be innovative and interesting enough so that they appear unlike the old drudgery of hackneyed assignments. The format must be open and attractive to invite the possibility of doing something engaging rather than merely pursuing the trivial school game. Topics for writing should make use of the unique knowledge and skills that students already have, connecting school work in a respectful way to things that they value in their personal lives. The completed assignment should be personally significant and full of power and integrity for the author so that the writing itself demands to be heard by a real audience." (98) The writing assignments in this lesson do just that, as they challenge students to write in multiple genres with connections to stories from their lives. Further Reading

Common Core Standards

This resource has been aligned to the Common Core State Standards for states in which they have been adopted. If a state does not appear in the drop-down, CCSS alignments are forthcoming.

State Standards

This lesson has been aligned to standards in the following states. If a state does not appear in the drop-down, standard alignments are not currently available for that state.

NCTE/IRA National Standards for the English Language Arts

• 1. Students read a wide range of print and nonprint texts to build an understanding of texts, of themselves, and of the cultures of the United States and the world; to acquire new information; to respond to the needs and demands of society and the workplace; and for personal fulfillment. Among these texts are fiction and nonfiction, classic and contemporary works.
• 2. Students read a wide range of literature from many periods in many genres to build an understanding of the many dimensions (e.g., philosophical, ethical, aesthetic) of human experience.
• 4. Students adjust their use of spoken, written, and visual language (e.g., conventions, style, vocabulary) to communicate effectively with a variety of audiences and for different purposes.
• 5. Students employ a wide range of strategies as they write and use different writing process elements appropriately to communicate with different audiences for a variety of purposes.
• 6. Students apply knowledge of language structure, language conventions (e.g., spelling and punctuation), media techniques, figurative language, and genre to create, critique, and discuss print and nonprint texts.
• 11. Students participate as knowledgeable, reflective, creative, and critical members of a variety of literacy communities.
• 12. Students use spoken, written, and visual language to accomplish their own purposes (e.g., for learning, enjoyment, persuasion, and the exchange of information).

Materials and Technology

• Copies of Having Our Say: The Delany Sisters’ First 100 Years by Sarah L. Delany and A. Elizabeth Delany with Amy Hill Hearth (Dell)
• Overhead or large post-its for recording student responses
• Pens, paper for drafting in class or time in a computer lab for composition and revision
• “Teaching Racially Sensitive Literature: A Teacher’s Guide” (optional)
• Multigenre Autobiography Planning Sheet
• Contextual Essay Planning Sheet
• Autobiographical Narrative Component Peer Review Guide
• Contextual Component Peer Review Guide
• Multigenre Autobiography Project Rubric
• Understanding the Two Genres Handout (optional)

Preparation

• Determine how much of the book you will ask students to read. You may wish to use this text in its entirety as an example of the genre of autobiography. Alternately, a few of the sections can serve as supplementary resources to existing units. For example, the section “I Am Free! ” could supplement a unit on slavery, “Jim Crow Days” could enrich a unit on Civil Rights and segregation, and “Harlem-Town” would integrate into a study of the Harlem Renaissance. A third option is to treat one of the sections as a stand-alone autobiographical piece.
• Preview the section(s) you plan to teach and read Teaching Racially Sensitive Literature: A Teacher’s Guide .  Having Our Say does contain frank conversations about race, including representations of blatant racism through language and action. Determine the type and level of preparation your students might need.
• Make copies of all necessary handouts.
• Think about an event from your life you would be comfortable using in the modeling the drafting process. (See Instruction and Activities Session 3.)
• Plan for computer lab/internet access for any sessions during which you will use ReadWriteThink interactives or students will be word processing.
• If you are unfamiliar with the story of the  Delany sisters, the Having Our Say Website includes brief information about the sisters and how their story came to be written, as well as a study guide for the book.
• Test the Venn Diagram and Timeline interactives on your computers to familiarize yourself with the tools and ensure that you have the Flash plug-in installed. You can download the plug-in from the technical support page.

Student Objectives

Students will

• identify features that are unique to and common between informational and autobiographical nonfiction.
• choose an event from their life to narrate in essay form, adopting genre-appropriate voice, style, and methods of development.
• determine the specific historical, cultural, or familial background information that readers of the above essay would need.
• craft an informational nonfiction essay around that information, adopting genre-appropriate voice, style, and methods of development.
• successfully integrate informational and autobiographical nonfiction.

Session One

• Prepare students for the reading by discussing its unique structural features.  Have them leaf through the book and take note of its structure while you guide them through the different sections (major sections indicated by roman numerals and titles, unlabeled introductory chapters, alternating chapters labeled with the narrating sister’s name, etc. ).
• Point out that the third author, a writer for The New York Times , is the objective voice in the chapters at the beginning of the sections.
• Offer students the label of “multigenre text” and ask if they have read or are familiar with any multigenre texts (Avi’s Nothing But the Truth , Walter Dean Myers’ Monster ).  Ask them what genres seem to be represented in this work.  See the ReadWriteThink lesson Reading and Analyzing Multigenre Texts for more information on this specialized reading and writing, including a booklist with more examples.
• Have students produce a list of ways that informational nonfiction (perhaps students can conceive of it as “newspaper” writing) and autobiographical nonfiction are similar and different.  You may wish to use the Venn Diagram tool to facilitate this discussion.
• Extend this discussion into a conversation about what makes each of these genres especially effective.  Write students’ observations on an overhead or large sheet of Post-It paper for later use/reference.  You can then use these preparatory materials as a rubric for the final student product or use the Multigenre Autobiograpy Project Rubric included in this lesson.

Session Two

• Have students read the desired section(s) of the book. 
• direct presentation of ideas: “A generation after the end of slavery, freedom for black Americans was still elusive” (90)
• a focus on facts and events:  “1896…the Supreme Court ruling in the Plessy v. Ferguson case” (90)
• development with third-person examples and explanation:  “The case stemmed from an incident in which a Louisiana citizen named Homer Plessy lost his appeal to the Supreme Court, which sanctioned the establishment of ‘separate but equal’ facilities for blacks and whites” (90 – 91)
• formal, standard English throughout and objective perspective throughout.

The style here stands in marked contrast to the conversational style of the sisters’ chapters, where the narrative is driven by dialogue, descriptions, stories, and opinions.

• Use an overhead of the Multigenre Autobiography Planning Sheet to have students summarize the Delanys’ story in the center circle.  Then review the section opener to list context the third author provides and put the contextual information in the outer circle.  Point out that, diverse as the styles of the two sections may be, they work together to show how the sisters’ lives were part of a larger, more dynamic picture than their individual life experiences alone.
• Preview the multigenre autobiography assignment, noting to students that they will write about an event from their life as well as the larger context surrounding it.  Encourage students to make connections between their autobiography and the information they include in the contextual essay like the ones from Having Our Say .

Session Three

• Have students brainstorm a significant event or experience from their lives that they would like to share.  Some students will choose to start with a significant world, community, or family event first ( e.g. , the September 11 attack, the closing of a plant or factory in their town, the birth of a sibling) and then determine the personal narrative they will write in relation to that event.  Others will have an experience they want to narrate and will determine the focus of the contextual information later.  Either approach can work, but ensure that students choose a personal experience that will need to be contextualized.
• Refer to the list of qualities of narrative/autobiographical nonfiction the class produced in Session 1 (or use the Understanding the Two Genres handout ). 
• Remind students that they will need to work toward these objectives as they produce a rough draft of their personal essay.
• Distribute the Multigenre Autobiography Planning Sheet .
• Model for students the functionality of the Multigenre Autobiography Planning Sheet . Using an event from your own life, start jotting down the events, feelings, and reactions you would need to include in an autobiographical essay recounting the event.
• As the connections become apparent, or after you’ve modeled the inner circle, write down in the outer circle elements of context you would need to include.
• Answer any student questions about the process and give them time to start planning the autobiographical component in the inner circle.

Session Four

• At the beginning of this session, ask students to recall specific instances from the book to exemplify the qualities of autobiographical narrative writing (focus on events and reactions; indirect presentation of main ideas; opinions and reactions are central to the piece; etc .) from the Understanding the Two Genres handout or the list of qualities the class developed to help them focus their efforts.
• Give students time to work on composition of a draft of the personal essay.  Use the Timeline tool to help students plan the structure of their essay. 
• Ask students to complete a draft of the essay by the next session.  They should be ready for a peer review activity.

Session Five

• Put students in pairs to read each others’ drafts and provide feedback to their partners’ essays.  Use the Autobiographical Component Peer Review Guide or a similar resource reflecting the qualities on which you wish students to focus.
• After giving students time to share their comments with each other, tell students that their attention will now be shifting to concerns of audience as they prepare for the second essay in the project. They need to consider the questions  “Who will be reading this piece?” and “What kind(s) of information do those readers need to gain a full understanding of the experience?”
• Refer back to sections such as “Harlem Town” or “Jim Crow” to give students a model for this way of thinking.  Remind them that the essay at the beginning of each section provides historical, familial, or cultural context for the individual stories that the sisters narrate in the chapters that follow. 
• Ask for a few volunteers to tell what event they are narrating.  As a class, discuss the kind of context they will need ( e.g. , If a student is writing about moving from a large city to his/her new home in a smaller town, he/she could describe their city/neighborhood as a reporter would; If a student is narrating the divorce of his/her parents, he/she could provide a brief objective chronology of his/her family life up to that point).
• Direct peer response pairs to focus on the type and amount of contextualizing their essays will require.  Does the reader need background on the author’s family?  On a historical event?  About a cultural term or concept?  These mini-conferences will produce a plan for the second piece in this assignment.
• Have students record their needs on the outer circle of the Multigenre Autobiography Planning Sheet .
• For homework, have them further think about/refine their plan for the contextual essay using the Contextual Essay Planning Sheet . There they should make firm decisions about the amount and type of background information they will need to give their readers. 
• Ask students to begin the process of researching any information to which they do not have immediate access (family history, historical events).  This research need not be formal, but students should gather information they will need.

Session Six

• Check students’ plans for the contexual essay and review the guidelines for effective informational writing (see the Understanding the Two Genres handout). 
• Answer any questions students have about the contextual essay and allow time for the composition of the context opener. 
• Ask students to have the context opener drafted for the next session.  They should be ready for a second peer review activity.

Session Seven

• Students meet in the same response pairs and use the Contextual Component Peer Review Guide or a similar resource to provide each other feedback on their partners’ work. 
• Have pairs go back to the autobiographical essays as well as their plans from Session 5 to make sure the contextual essay sufficiently prepares the reader for the autobiographical essay.
• If time allows, give students time to begin preparations for revision.

Session Eight

• Allow students time to revise and polish their project based on feedback and self-evaluation.
• As a class, choose a unifying school, community, national, or world event.  Write a collaborative contextual essay and have students contribute individual autobiographical essays.
• Families can choose a unifying event and write a contextual essay together.  Individual family members can contribute individual autobiographical essays.
• Expand the multigenre requirement to include photographs, poetry, a play, or another genre of your choice.
• Deepen or expand your study of the literary piece or of autobiographical writing by exploring these related ReadWriteThink Lessons: Breaking Barriers, Building Bridges: Critical Discussion of Social Issues , Paying Attention to Technology: Writing Technology Autobiographies , and The Year I Was Born: An Autobiographical Research Project .

Student Assessment / Reflections

• Use the Multigenre Autobiography Project Rubric to evaluate the revised student work.
• Students should also be asked to reflect on what they learned by putting their story into a larger context.  Although they may not have the dynamic connections that are present in the Delany sisters’ story, encourage them to see how putting their stories in a new perspective can help them understand themselves more critically.  This reflection could come as a preface or introduction to the completed multigenre piece.
• Calendar Activities
• Professional Library
• Student Interactives
• Lesson Plans

Students come together with family and friends to take part in a read-in of books by African American authors and report their results.

Students generate descriptive timelines and can include images in the description.

This interactive tool allows students to create Venn diagrams that contain two or three overlapping circles, enabling them to organize their information logically.

To understand the historical background that influenced Maya Angelou's poems, students research events to produce trading cards using the ReadWriteThink Trading Card Student Interactive. Through the sharing of these trading cards, students understand the historical background as they analyze Angelou's poetry.

Add new comment

• Print this resource

Explore Resources by Grade

• Kindergarten K

• Oct 25, 2022

Personal Narrative Writing in Middle School: Digging Deeper

Updated: Oct 25, 2022

For years, I didn't do personal narrative writing in middle school. In fact, I wrote an entire blog post about why I didn't do it . Main reason...it's been done before in many years prior to when those students came to you, especially if teachers prior use writing workshop.

However, I've grown to embrace it again. The biggest reason why is because I think it helps build a classroom community. I decided to go with personal narrative instead of my usual fiction writing in response to reading during the pandemic. I felt, since the kids were remote, this was a good way to get to know each other a little better.

I did peruse Lucy Calkins' Personal Narrative unit for the digital notebook, however, as I went through the unit, I changed a lot.

I like to have the students do a quick narrative based on a person in their lives . The idea of writing about a special moment with a person has been done a lot up until this point so I feel it's an easy way to get a sense of where they are. I have them start with listing moments with an important person. They pick one of those moments to write about.

I don't necessarily need an entire story; I just want them to show me what they can do.

Getting Started

If you don't know already, a personal narrative focuses on a small moment , not an entire day, trip, game, etc. In the earlier grades, teachers spend a lot of time on this (think less watermelon, more seed). At this point, I feel that students just need a refresher.

I like to do this through mentor texts . I provide students with actual written student narratives from my past students. (Here are two you can use. These are by actual students, so definitely not perfect examples. Student Narrative #1 and Student Narrative #2 ).

Students go in to highlight specifically the small moment components of the stories. We discuss how these stories are small moments (or not) and they also start analyzing what the stories did well (or not).

I think it is super valuable to see other students' stories to give students perspective of what's expected or what can be improved.

Brainstorming

Students begin to brainstorm by thinking of a place that is important to them. I tell them to be as specific as possible.

Their idea may be big, but then they make a map of the place. The map is more focused on the moments that happened in the place. They then pick one of those moments in the place and write long about it.

Next, I have students write about moments that mattered. For this, I like to do Show and Tell . I tell students a few days before to bring in an item that is important to them. This should symbolize something or someone that is important in their lives. This goes so well! It goes beyond just what the objects are, but also what they can represent.

They use that object to brainstorm ideas within the topics of "first times", "last times", and "moments I learned something" . For example, I showed a picture of my husband and me at my brother's wedding. This was important to me because it was the first time I had left my son with another babysitter. I was dealing with post-partum anxiety. This stemmed lots of ideas: first time I left my son with a babysitter, first time I had an anxiety attack, the LAST time I had an anxiety attack, the first time I changed a diaper, the moment I learned it's important to enjoy small things, etc.

I start with students focusing on story structure . I have them look at short stories to do this. I really like "Eleven" and "Fish Cheeks". They are short and sweet and are great models for personal narrative.

They fill out the chart for those stories. We discuss, then they plan their own stories on a story structure chart.

The next day we focus on internal and external . This is something we cover in our unit prior. I do a Deep Study of Character before this and we often get into internal and external characteristics of characters. For writing, they focus on what they could be thinking (internal) in each part of their chart and what they could be doing (external) in each part.

Like everything else, we look at short stories first to see how these mentor authors do the same.

Before getting into the actual writing, I spend a day on Show Don't Tell . There are so many things you can do with this, but here's how I do it .

I usually break down each part of the story structure chart by day. So, I will do exposition one day, rising action another, etc. I will start each day with them looking at mentor expositions, etc. Each year, I've done different things. I also share MY PERSONAL NARRATIVE. This is so important; you HAVE to write what the students are expected to write .

A few things I've done:

I would share a Doc with a page or two out of a shared read aloud. I'd give them specific questions that focus on that part of the story map; for example, "how did Jason Reynolds introduce the characters in this chapter?".

I'd have them go back into whatever books they are reading and answer similar questions ("how did the author introduce setting/problem/solution?" "how did the author show feelings/thoughts/actions?").

I always share with them MY exposition, rising action, etc. Sometimes I just read it to them, other times I have them work with partners to look for similar things mentioned in the bullets before this.

It's important to look at mentors. I don't just have them go and write the whole story in a day. It's so important to break it up.

There are so many different lessons you can do. I always have to remind myself that you don't have to teach them EVERY thing. I try to keep revision pretty straightforward.

Of course, there is editing; focusing on grammar, punctuation, spelling. I like to tie in anything I do with mentor sentences or vocabulary . It's a good idea to connect it to anything you do for grammar or word study.

Four major areas of revision as per the Lucy Calkins' unit:

Looking at mentor sentences and trying it out with their own writing.

Finding the heart of the story.

Stretching out scenes (finding a moment that can use more detail and stretching it).

Slowing down the problem scene.

I don't always commit to these exactly. I do like to spend time on dialogue and elaboration . I really get into how important it is to punctuate it properly and how to tag it so it shows more description.

I also revisit their showing and not telling slides and have them apply it to their writing.

One of the very last things I do in the revision stage is have them do critique groups . This is a bit different than just them swapping Docs with each other and commenting. It's more of a dialogue.

Lastly, they finalize their draft and put it on a Padlet . This is used for lots of things. Guardians are able to see their writing. They can see each other's writing. And I have a spot with ALL of their stories.

Bottom Line

While personal narrative has been done, there is always room to grow. I really feel it depends on the group you have. It's a nice way to start the year to get to know each other. I usually spend about a month on the entire unit.

Click below to get my digital notebook for the unit!

************

Want a custom bundle from me click below.

Teachers Pay Teachers Store

Recent Posts

Spring Things! Fun with Poetry and Figurative Language

Text Structure Explanatory Writing: Creating a Dodecahedron

Online Research, Note-Taking, & Argument Essay: Student Choice Driven

Have a language expert improve your writing

Run a free plagiarism check in 10 minutes, generate accurate citations for free.

• Knowledge Base
• How to write a narrative essay | Example & tips

How to Write a Narrative Essay | Example & Tips

Published on July 24, 2020 by Jack Caulfield . Revised on July 23, 2023.

A narrative essay tells a story. In most cases, this is a story about a personal experience you had. This type of essay , along with the descriptive essay , allows you to get personal and creative, unlike most academic writing .

Instantly correct all language mistakes in your text

Upload your document to correct all your mistakes in minutes

Table of contents

What is a narrative essay for, choosing a topic, interactive example of a narrative essay, other interesting articles, frequently asked questions about narrative essays.

When assigned a narrative essay, you might find yourself wondering: Why does my teacher want to hear this story? Topics for narrative essays can range from the important to the trivial. Usually the point is not so much the story itself, but the way you tell it.

A narrative essay is a way of testing your ability to tell a story in a clear and interesting way. You’re expected to think about where your story begins and ends, and how to convey it with eye-catching language and a satisfying pace.

These skills are quite different from those needed for formal academic writing. For instance, in a narrative essay the use of the first person (“I”) is encouraged, as is the use of figurative language, dialogue, and suspense.

Here's why students love Scribbr's proofreading services

Discover proofreading & editing

Narrative essay assignments vary widely in the amount of direction you’re given about your topic. You may be assigned quite a specific topic or choice of topics to work with.

• Write a story about your first day of school.
• Write a story about your favorite holiday destination.

You may also be given prompts that leave you a much wider choice of topic.

• Write about an experience where you learned something about yourself.
• Write about an achievement you are proud of. What did you accomplish, and how?

In these cases, you might have to think harder to decide what story you want to tell. The best kind of story for a narrative essay is one you can use to talk about a particular theme or lesson, or that takes a surprising turn somewhere along the way.

For example, a trip where everything went according to plan makes for a less interesting story than one where something unexpected happened that you then had to respond to. Choose an experience that might surprise the reader or teach them something.

Narrative essays in college applications

When applying for college , you might be asked to write a narrative essay that expresses something about your personal qualities.

For example, this application prompt from Common App requires you to respond with a narrative essay.

In this context, choose a story that is not only interesting but also expresses the qualities the prompt is looking for—here, resilience and the ability to learn from failure—and frame the story in a way that emphasizes these qualities.

An example of a short narrative essay, responding to the prompt “Write about an experience where you learned something about yourself,” is shown below.

Hover over different parts of the text to see how the structure works.

Since elementary school, I have always favored subjects like science and math over the humanities. My instinct was always to think of these subjects as more solid and serious than classes like English. If there was no right answer, I thought, why bother? But recently I had an experience that taught me my academic interests are more flexible than I had thought: I took my first philosophy class.

Before I entered the classroom, I was skeptical. I waited outside with the other students and wondered what exactly philosophy would involve—I really had no idea. I imagined something pretty abstract: long, stilted conversations pondering the meaning of life. But what I got was something quite different.

A young man in jeans, Mr. Jones—“but you can call me Rob”—was far from the white-haired, buttoned-up old man I had half-expected. And rather than pulling us into pedantic arguments about obscure philosophical points, Rob engaged us on our level. To talk free will, we looked at our own choices. To talk ethics, we looked at dilemmas we had faced ourselves. By the end of class, I’d discovered that questions with no right answer can turn out to be the most interesting ones.

The experience has taught me to look at things a little more “philosophically”—and not just because it was a philosophy class! I learned that if I let go of my preconceptions, I can actually get a lot out of subjects I was previously dismissive of. The class taught me—in more ways than one—to look at things with an open mind.

If you want to know more about AI tools , college essays , or fallacies make sure to check out some of our other articles with explanations and examples or go directly to our tools!

• Ad hominem fallacy
• Post hoc fallacy
• Appeal to authority fallacy
• False cause fallacy
• Sunk cost fallacy

College essays

• Choosing Essay Topic
• Write a College Essay
• Write a Diversity Essay
• College Essay Format & Structure
• Comparing and Contrasting in an Essay

 (AI) Tools

• Grammar Checker
• Paraphrasing Tool
• Text Summarizer
• AI Detector
• Plagiarism Checker
• Citation Generator

If you’re not given much guidance on what your narrative essay should be about, consider the context and scope of the assignment. What kind of story is relevant, interesting, and possible to tell within the word count?

The best kind of story for a narrative essay is one you can use to reflect on a particular theme or lesson, or that takes a surprising turn somewhere along the way.

Don’t worry too much if your topic seems unoriginal. The point of a narrative essay is how you tell the story and the point you make with it, not the subject of the story itself.

Narrative essays are usually assigned as writing exercises at high school or in university composition classes. They may also form part of a university application.

When you are prompted to tell a story about your own life or experiences, a narrative essay is usually the right response.

The key difference is that a narrative essay is designed to tell a complete story, while a descriptive essay is meant to convey an intense description of a particular place, object, or concept.

Narrative and descriptive essays both allow you to write more personally and creatively than other kinds of essays , and similar writing skills can apply to both.

Cite this Scribbr article

If you want to cite this source, you can copy and paste the citation or click the “Cite this Scribbr article” button to automatically add the citation to our free Citation Generator.

Caulfield, J. (2023, July 23). How to Write a Narrative Essay | Example & Tips. Scribbr. Retrieved June 11, 2024, from https://www.scribbr.com/academic-essay/narrative-essay/

Is this article helpful?

Jack Caulfield

Other students also liked, how to write an expository essay, how to write a descriptive essay | example & tips, how to write your personal statement | strategies & examples, get unlimited documents corrected.

✔ Free APA citation check included ✔ Unlimited document corrections ✔ Specialized in correcting academic texts

In order to continue enjoying our site, we ask that you confirm your identity as a human. Thank you very much for your cooperation.

narrative writing rubric middle school

All Formats

Resource types, all resource types.

• Rating Count
• Price (Ascending)
• Price (Descending)
• Most Recent

Narrative writing rubric middle school

Middle School Writing Rubrics : Narrative , Opinion, and Informative

Middle School Writing Rubric & Checklist - Narrative Writing

Middle School Common Core Writing Rubrics Opinion, Informative, and Narrative

Narrative Pre- writing Assignment with Rubric - Middle School ELA

Editable Narrative Writing Rubric & Data Trackers for Middle School Writing

Personal Narrative Writing Rubric | Middle School | Common Core Aligned

Writing Progress Monitoring - Middle School - Narrative Writing Prompts & Rubric

Middle School Level Writing Rubrics : Narrative , Argumentative, Informative

RUBRIC for Narrative Writing Middle and High School

Middle School Writing Prompts & Rubric - Narrative Writing

Narrative Writing Rubric for Middle School

Middle School Narrative Writing Rubric

• Word Document File

Narrative Writing - Graphic Organizers, Rubrics & More For A Personal Narrative

Personal Narrative Essay Writing - Presentation, Graphic Organizers, and Rubric

Essay Writing Rubrics - Summary, Narrative , Persuasive, Response to Literature

Personal Narrative Writing Unit | Brainstorm Graphic Organizer Checklist Rubric

• Easel Activity

SBAC Aligned Rubrics : Informative, Narrative , Opinion Writing (student-friendly)

Middle School ELA Editable Rubrics and Reading and Language Exit Tickets Bundle

On-Demand Testing Writing Rubrics : Inform & Explain, Narrative , Opinion Writing

Personal Narrative Writing Student Checklist and Teacher Rubric *Editable*

• Google Docs™

6th Grade Narrative Writing Rubric - Common Core Standards

Narrative Writing Prompts, Narrative Writing Graphic Organizer, Narrative Rubric

FREE Narrative Writing Checklists | Rubrics | All Ages | Editing Assessment

Narrative Writing - Digital Version - Organizers, Examples, & Rubrics

• Google Apps™
• Microsoft OneDrive
• We're hiring
• Help & FAQ
• Privacy policy
• Student privacy
• Terms of service
• Tell us what you think

• Grades 6-12
• School Leaders

NEW: Classroom Clean-Up/Set-Up Email Course! 🧽

The Big List of Essay Topics for High School (120+ Ideas!)

Ideas to inspire every young writer!

High school students generally do a lot of writing, learning to use language clearly, concisely, and persuasively. When it’s time to choose an essay topic, though, it’s easy to come up blank. If that’s the case, check out this huge round-up of essay topics for high school. You’ll find choices for every subject and writing style.

• Argumentative Essay Topics
• Cause-and-Effect Essay Topics
• Compare-Contrast Essay Topics
• Descriptive Essay Topics
• Expository and Informative Essay Topics
• Humorous Essay Topics

Literary Essay Topics

• Narrative and Personal Essay Topics
• Personal Essay Topics
• Persuasive Essay Topics

Research Essay Topics

Argumentative essay topics for high school.

When writing an argumentative essay, remember to do the research and lay out the facts clearly. Your goal is not necessarily to persuade someone to agree with you, but to encourage your reader to accept your point of view as valid. Here are some possible argumentative topics to try. ( Here are 100 more compelling argumentative essay topics. )

• The most important challenge our country is currently facing is … (e.g., immigration, gun control, economy)
• The government should provide free internet access for every citizen.
• All drugs should be legalized, regulated, and taxed.
• Vaping is less harmful than smoking tobacco.
• The best country in the world is …
• Parents should be punished for their minor children’s crimes.
• Should all students have the ability to attend college for free?
• Should physical education be part of the standard high school curriculum?

WeAreTeachers

• Schools should require recommended vaccines for all students, with very limited exceptions.
• Is it acceptable to use animals for experiments and research?
• Does social media do more harm than good?
• Capital punishment does/does not deter crime.
• What one class should all high schools students be required to take and pass in order to graduate?
• Do we really learn anything from history, or does it just repeat itself over and over?
• Are men and women treated equally?

Cause-and-Effect Essay Topics for High School

A cause-and-effect essay is a type of argumentative essay. Your goal is to show how one specific thing directly influences another specific thing. You’ll likely need to do some research to make your point. Here are some ideas for cause-and-effect essays. ( Get a big list of 100 cause-and-effect essay topics here. )

• Humans are causing accelerated climate change.
• Fast-food restaurants have made human health worse over the decades.
• What caused World War II? (Choose any conflict for this one.)
• Describe the effects social media has on young adults.

• How does playing sports affect people?
• What are the effects of loving to read?
• Being an only/oldest/youngest/middle child makes you …
• What effect does violence in movies or video games have on kids?
• Traveling to new places opens people’s minds to new ideas.
• Racism is caused by …

Compare-Contrast Essay Topics for High School

As the name indicates, in compare-and-contrast essays, writers show the similarities and differences between two things. They combine descriptive writing with analysis, making connections and showing dissimilarities. The following ideas work well for compare-contrast essays. ( Find 80+ compare-contrast essay topics for all ages here. )

• Public and private schools
• Capitalism vs. communism
• Monarchy or democracy
• Dogs vs. cats as pets

• Paper books or e-books
• Two political candidates in a current race
• Going to college vs. starting work full-time
• Working your way through college as you go or taking out student loans
• iPhone or Android
• Instagram vs. Twitter (or choose any other two social media platforms)

Descriptive Essay Topics for High School

Bring on the adjectives! Descriptive writing is all about creating a rich picture for the reader. Take readers on a journey to far-off places, help them understand an experience, or introduce them to a new person. Remember: Show, don’t tell. These topics make excellent descriptive essays.

• Who is the funniest person you know?
• What is your happiest memory?
• Tell about the most inspirational person in your life.
• Write about your favorite place.
• When you were little, what was your favorite thing to do?
• Choose a piece of art or music and explain how it makes you feel.
• What is your earliest memory?

• What’s the best/worst vacation you’ve ever taken?
• Describe your favorite pet.
• What is the most important item in the world to you?
• Give a tour of your bedroom (or another favorite room in your home).
• Describe yourself to someone who has never met you.
• Lay out your perfect day from start to finish.
• Explain what it’s like to move to a new town or start a new school.
• Tell what it would be like to live on the moon.

Expository and Informative Essay Topics for High School

Expository essays set out clear explanations of a particular topic. You might be defining a word or phrase or explaining how something works. Expository or informative essays are based on facts, and while you might explore different points of view, you won’t necessarily say which one is “better” or “right.” Remember: Expository essays educate the reader. Here are some expository and informative essay topics to explore. ( See 70+ expository and informative essay topics here. )

• What makes a good leader?
• Explain why a given school subject (math, history, science, etc.) is important for students to learn.
• What is the “glass ceiling” and how does it affect society?
• Describe how the internet changed the world.
• What does it mean to be a good teacher?

• Explain how we could colonize the moon or another planet.
• Discuss why mental health is just as important as physical health.
• Describe a healthy lifestyle for a teenager.
• Choose an American president and explain how their time in office affected the country.
• What does “financial responsibility” mean?

Humorous Essay Topics for High School

Humorous essays can take on any form, like narrative, persuasive, or expository. You might employ sarcasm or satire, or simply tell a story about a funny person or event. Even though these essay topics are lighthearted, they still take some skill to tackle well. Give these ideas a try.

• What would happen if cats (or any other animal) ruled the world?
• What do newborn babies wish their parents knew?
• Explain the best ways to be annoying on social media.
• Invent a wacky new sport, explain the rules, and describe a game or match.

• Imagine a discussion between two historic figures from very different times, like Cleopatra and Queen Elizabeth I.
• Retell a familiar story in tweets or other social media posts.
• Describe present-day Earth from an alien’s point of view.
• Choose a fictional character and explain why they should be the next president.
• Describe a day when kids are in charge of everything, at school and at home.

Literary essays analyze a piece of writing, like a book or a play. In high school, students usually write literary essays about the works they study in class. These literary essay topic ideas focus on books students often read in high school, but many of them can be tweaked to fit other works as well.

• Discuss the portrayal of women in Shakespeare’s Othello .
• Explore the symbolism used in The Scarlet Letter .
• Explain the importance of dreams in Of Mice and Men .
• Compare and contrast the romantic relationships in Pride and Prejudice .

• Dissect the allegory of Animal Farm and its relation to contemporary events.
• Interpret the author’s take on society and class structure in The Great Gatsby .
• Explore the relationship between Hamlet and Ophelia.
• Discuss whether Shakespeare’s portrayal of young love in Romeo and Juliet is accurate.
• Explain the imagery used in Beowulf .

Narrative and Personal Essay Topics for High School

Think of a narrative essay like telling a story. Use some of the same techniques that you would for a descriptive essay, but be sure you have a beginning, middle, and end. A narrative essay doesn’t necessarily need to be personal, but they often are. Take inspiration from these narrative and personal essay topics.

• Describe a performance or sporting event you took part in.
• Explain the process of cooking and eating your favorite meal.
• Write about meeting your best friend for the first time and how your relationship developed.
• Tell about learning to ride a bike or drive a car.
• Describe a time in your life when you’ve been scared.

• Share the most embarrassing thing that ever happened to you.
• Tell about a time when you overcame a big challenge.
• Tell the story of how you learned an important life lesson.
• Describe a time when you or someone you know experienced prejudice or oppression.
• Explain a family tradition, how it developed, and its importance today.
• What is your favorite holiday? How does your family celebrate it?
• Retell a familiar story from the point of view of a different character.
• Describe a time when you had to make a difficult decision.
• Tell about your proudest moment.

Persuasive Essay Topics for High School

Persuasive essays are similar to argumentative , but they rely less on facts and more on emotion to sway the reader. It’s important to know your audience, so you can anticipate any counterarguments they might make and try to overcome them. Try these topics to persuade someone to come around to your point of view. ( Discover 60 more intriguing persuasive essay topics here. )

• Do you think homework should be required, optional, or not given at all?
• Everyone should be vegetarian or vegan.
• What animal makes the best pet?
• Visit an animal shelter, choose an animal that needs a home, and write an essay persuading someone to adopt that animal.
• Who is the world’s best athlete, present or past?
• Should little kids be allowed to play competitive sports?
• Are professional athletes/musicians/actors overpaid?
• The best music genre is …

• Is democracy the best form of government?
• Is capitalism the best form of economy?
• Students should/should not be able to use their phones during the school day.
• Should schools have dress codes?
• If I could change one school rule, it would be …
• Is year-round school a good idea?

A research essay is a classic high school assignment. These papers require deep research into primary source documents, with lots of supporting facts and evidence that’s properly cited. Research essays can be in any of the styles shown above. Here are some possible topics, across a variety of subjects.

• Which country’s style of government is best for the people who live there?
• Choose a country and analyze its development from founding to present day.
• Describe the causes and effects of a specific war.
• Formulate an ideal economic plan for our country.
• What scientific discovery has had the biggest impact on life today?

• Analyze the way mental health is viewed and treated in this country.
• Explore the ways systemic racism impacts people in all walks of life.
• Defend the importance of teaching music and the arts in public schools.
• Choose one animal from the endangered species list, and propose a realistic plan to protect it.

What are some of your favorite essay topics for high school? Come share your prompts on the WeAreTeachers HELPLINE group on Facebook .

Plus, check out the ultimate guide to student writing contests .

We Are Teachers

You Might Also Like

100 Thought-Provoking Argumentative Writing Prompts for Kids and Teens

Practice making well-reasoned arguments using research and facts. Continue Reading

Copyright © 2024. All rights reserved. 5335 Gate Parkway, Jacksonville, FL 32256