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25 Engaging Narrative Speech Examples for Effective Storytelling

Are you finding it tough to keep your audience hooked on your stories? Trust me, you’re in good company; I’ve wrestled with the same challenge and knew something had to give. After diving deep into research, I stumbled upon 25 captivating narrative speech examples that completely revolutionized my approach to storytelling .

In this article, I’ll share these dynamic techniques and real-life instances that will empower you to enchant any crowd. Brace yourself for a true game-changer !

Table of Contents

Key Takeaways

• Narrative speeches are a powerful way to share stories and ideas. They use personal experiences or creative tales to make messages memorable.
• Effective narrative speeches require careful planning, from choosing the right topic to organizing thoughts in an engaging way.
• Using descriptive language, vivid details, and expressive tone can help bring your story to life for listeners.
• There are many topics you can explore in a narrative speech, including personal challenges, memorable experiences, and lessons learned.
• Practice and feedback are important steps in improving your storytelling skills for captivating audience attention .

Understanding the Essence of Narrative Speeches

What is a narrative speech and how it differs from anecdotes.

Definition of the word ‘narrative’

A narrative is a story that someone tells or writes . This story can be about real events from the past or made-up adventures . In speeches, narratives help us share personal experiences and entertain our audience.

They bring life to our words by allowing listeners to see through our eyes. Stories in narrative speeches often highlight lessons learned or moments that changed us.

Using effective storytelling techniques , these stories connect with people on a deeper level . Every good speech uses elements of narratives to keep the audience engaged and interested.

We use tales from our own lives or others’ experiences as examples when talking about overcoming fear, learning new skills, or any topic we choose for public speaking .

Difference between anecdotes and stories

Anecdotes are brief personal stories , while stories are more detailed and often fictional or based on real events. Anecdotes aim to illustrate a specific point or experience , whereas stories have a developed plot with characters and settings .

Anecdotes usually focus on one incident, while stories can span a longer period and involve multiple events. Additionally, anecdotes tend to be shorter in length than stories.

The distinction between anecdotes and stories lies in their depth and purpose; anecdotes serve as brief illustrations for specific points or experiences, while stories offer more extensive plots with characters and settings, typically involving multiple events over a longer timespan.

Effective Narrative Speech Topics

Choosing captivating narrative speech topics is crucial for engaging your audience and making an impact. From brainstorming ideas to selecting the right topic, this section will guide you through the process, ensuring your narrative speech resonates with your listeners.

Brainstorming ideas

When brainstorming ideas for narrative speeches, consider real-life experiences and personal anecdotes . Here are some engaging topics to spark your creativity:

• Reflect on a valuable lesson learned
• Describe a memorable travel experience
• Share a moment of overcoming fear or adversity
• Discuss a significant achievement or milestone
• Explore a unique hobby or passion
• Recall a funny or embarrassing moment
• Delve into a cultural tradition or family heritage
• Analyze a turning point in your life
• Examine the impact of a role model or mentor
• Reflect on a memorable childhood experience

Remember , your own experiences can be the most compelling source of storytelling material!

Choosing the right topic

When choosing a topic, consider real-world experiences and anecdotes . Your story should be engaging and relatable to your audience. Think about personal challenges , unexpected adventures , or lessons learned .

These topics will make your narrative speech more impactful and memorable for your listeners, enhancing the effectiveness of your storytelling skills.

So, here are 40 firsts you can consider for your narrative speech topics :

• Your first day at school
• Your first pet
• Your first time riding a bike
• The first movie you ever watched at the cinema
• Your first camping trip
• The first time you traveled by plane
• Your first job interview experience
• Your first public speaking experience in school
• The first time you cooked a meal by yourself
• Your first volunteering experience
• The first time you overcame a fear or phobia
• The moment of your highest achievement so far
• The moment of your lowest point in life
• That one person who has had the most significant impact on your life
• A great lesson learned from a failure
• Your biggest adventure yet
• The funniest mistake you’ve ever made
• A surprising discovery that changed your perspective on something important
• A moment when someone’s small act of kindness meant the world to you
• An unforgettable family tradition or ritual
• Your most memorable travel experience
• A mystery or ghost story that still gives you chills
• Meeting someone famous unexpectedly
• An embarrassing moment that turned into a valuable life lesson
• The day that completely changed the course of your life
• The greatest risk you took and what happened next
• A challenge that tested your patience and resilience
• How a seemingly ordinary event led to extraordinary opportunities for growth and success
• The best surprise party or celebration planned for someone else
• An unexpected turn of events leading to an unusual friendship
• Losing something precious and learning to cope with it
• Experiencing an extreme weather condition like never before
• Rescuing an animal in need or being rescued by one
• That one subject in school which impacted your way of thinking
• Owning up to a mistake and dealing with its consequences
• A personal project or hobby turning into something much more than anticipated
• Discovering an old family secret or hidden treasure
• Attending an event that broadened your cultural horizons dramatically
• An encounter with nature that left an indelible mark on your soul
• The day when empathy made all the difference, bringing about positive change.

As we have explored various engaging narrative speech examples, let’s now understand how to write a compelling narrative speech .

40 tell-a-story speech topics

• Overcoming a fear
• A memorable family vacation
• Learning to ride a bike
• Meeting a childhood hero
• Getting lost in an unfamiliar place
• Standing up for what’s right
• My first job interview
• Making a big decision
• The best gift I ever received
• A challenging sports moment
• A funny misunderstanding
• My proudest achievement
• Dealing with failure and learning from it
• An unexpected act of kindness
• The power of teamwork in a tough situation
• Making a new friend in an unlikely place
• .The day that changed my life
• .An unforgettable journey
• .Coping with a difficult loss
• .Discovering a passion or hobby
• .A valuable lesson learned from a mistake
• .Facing a personal challenge head – on
• .Exploring a new culture or tradition
• Experiencing the joy of accomplishment after hard work
• Exploring the beauty of nature
• Facing and overcoming adversity
• Discovering the true meaning of friendship
• Learning to appreciate the little things in life
• Navigating through peer pressure successfully
• Stepping out of my comfort zone for growth
• Making a tough moral decision
• Finding inspiration from an unexpected source

35 more narrative or personal story speech topics

Transitioning from brainstorming ideas to choosing the right topic, here are 35 more narrative or personal story speech topics:

• Overcoming a challenging obstacle
• A meaningful encounter with a stranger
• Learning a valuable lesson from a mistake
• An unforgettable adventure in a new place
• Navigating through tough decision – making
• Embracing change and growth
• Facing and conquering fear
• Unforgettable moments of friendship
• Discovering an unexpected passion
• The impact of a mentor in your life
• Standing up for what you believe in
• Finding strength in moments of weakness
• Adapting to a new culture or environment
• The joy of pursuing a lifelong dream
• Humorous mishaps and their life lessons
• Celebrating cultural traditions and experiences
• Moments of empowerment and self – discovery
• Overcoming adversity in the face of criticism
• Life – changing travels and discoveries
• The power of resilience and perseverance
• Living with gratitude despite challenges
• Drawing inspiration from influential figures
• Cultivating empathy through personal experiences
• Heartwarming acts of kindness and compassion
• Resilience forged through difficult times
• Unforgettable lessons from unexpected sources
• Navigating the complexities of family dynamics
• Triumphs over self – doubt and insecurities
• Lessons learned from overcoming failure
• Unforgettable encounters with nature’s beauty
• Moments that reshaped your perspective on life
• Honoring the impact of significant relationships
• Personal milestones that shaped your identity
• The journey towards self – acceptance and confidence
• Transformative experiences that changed your outlook

These topics aim to inspire engaging storytelling for effective communication, public speaking, and literary projects.

How to Write a Narrative Speech

Craft your narrative speech around a personal experience or significant event. Create a strong introduction , include vivid details in the body, and conclude with an impactful ending to engage your audience.

Utilize descriptive language and sensory details to make your story come alive for your listeners. This will help them connect with your experiences and emotions on a deeper level.

Steps and guidelines

When writing a narrative speech, consider the following steps and guidelines:

• Understand your audience and their interests before deciding on a topic.
• Brainstorm ideas and select a personal experience or anecdote that resonates with you.
• Structure your speech with an engaging introduction , body, and conclusion.
• Use descriptive language to paint a vivid picture for your audience.
• Include relevant details that add depth and emotion to your story.
• Practice delivering your speech using varied intonation and gestures for impact.
• Seek feedback from others to refine your narrative for maximum effectiveness.

These steps will help you craft a compelling narrative speech that captivates your audience and leaves a lasting impression.

Sample student narrative speech outline

When it comes to crafting a compelling narrative speech, having a well-structured outline is crucial. Here’s a meticulously tailored student narrative speech outline to guide you through the process:

• Introduction
• Engaging opening : Grab the audience’s attention with a captivating hook or personal anecdote.
• Establishing the theme : Clearly introduce the topic and its relevance to the audience.
• Purpose statement : State the main idea or lesson that will be conveyed through the narrative.
• Setting the Scene
• Describe the setting : Paint a vivid picture of the time and place where the story takes place.
• Introduce characters : Briefly introduce key characters and their roles in the narrative.
• Build tension : Set up any conflicts or challenges that drive the story forward.
• Conflict and Resolution
• Unveil the problem : Clearly present the central conflict or obstacle faced by the protagonist.
• Rising action : Detail how tensions escalate as characters attempt to overcome challenges.
• Climax and resolution : Describe the pivotal moment when the conflict reaches its peak and explain how it is ultimately resolved.
• Lesson Learned
• Reflect on experiences : Share personal insights gained from overcoming obstacles in your story.
• Relatable message : Tie in universal themes or lessons that resonate with your audience.
• Call to action (optional) : Encourage listeners to apply newfound wisdom in their own lives.
• Recap key points : Summarize the main events and takeaways from your narrative journey.
• Final thought or quote : End with a memorable closing line that leaves a lasting impression on your audience.

By following this structured outline, you can effectively craft a captivating narrative speech that engages your audience and leaves a lasting impact.

Examples of Engaging Narrative Speeches

Explore captivating narrative speech examples such as “A long way,” “A valuable lesson,” “My guided lesson 3,” and “Improving communication.” Discover the power of effective storytelling.

Personal narrative speech: A long way

I remember the time when I started my public speaking journey . It felt like a mountain to climb, but with practice and determination, it became more manageable. Engaging storytelling can transform your fear into confidence .

Real-world experiences make for compelling narratives – they resonate with the audience and bring your speech alive.

Moving forward, let’s learn about “Personal narrative speech: A valuable lesson “.

Personal narrative speech: A valuable lesson

During my college years, I learned a valuable lesson on the power of perseverance . It all started when I faced a tough challenge that seemed impossible to overcome. Despite feeling discouraged, I refused to give up and pushed through the obstacles.

This experience taught me that determination can lead to success , even in the face of adversity. The journey was not easy, but it strengthened my resilience and showed me the importance of never backing down from difficult situations.

My time grappling with this challenge was a turning point in realizing how perseverance can lead us towards unexpected victories. Through this personal narrative speech , you’ll explore how embracing challenges can pave the path for growth and triumph in both personal and professional endeavors.

Personal narrative speech: My guided lesson 3

During my guided lesson 3, I learned how to craft a compelling narrative speech that captivates the audience. Real-world experiences and anecdotes are the backbone of an engaging narrative.

The importance of narrative style in effective storytelling cannot be underestimated, emphasizing the significance of engaging storytelling to bring ideas alive .

– Personal narrative speech: Improving communication

Personal narrative speech: Improving communication

Improving communication is crucial for effective storytelling . It helps in connecting with the audience and conveying the message clearly. To enhance communication skills , practice active listening, maintain eye contact, and use body language effectively.

Engaging the audience is essential by using expressive tone and gestures to keep them interested. Make sure to speak clearly and confidently while avoiding filler words like “um” or “uh”.

These steps will help improve your overall communication skills and make your narrative speech more engaging for your listeners. Now let’s move on to exploring effective narrative speech topics .

Narrative essay on basketball injury

Transitioning from the topic of improving communication, let’s delve into a personal experience that revolves around a narrative essay on basketball injury . I vividly recall the adrenaline rush during a crucial game when, unfortunately, an unexpected twist led to an ankle injury .

The excruciating pain and subsequent recovery became a significant part of my journey and have since shaped my perspective on perseverance and resilience in the face of adversity.

Navigating through the complexities of physical setbacks provided valuable insights into determination and overcoming obstacles. Despite the daunting nature of such experiences, they can serve as powerful narratives that resonate with audiences, illustrating the importance of perseverance and fortitude.

Let’s talk about narrative speeches. They’re a great way to tell stories and keep people interested. I used to struggle with public speaking, but I worked hard and learned a lot. Now, I help others speak confidently.

Narrative speeches use storytelling to share ideas or experiences . There are 25 engaging examples in this topic that show how powerful storytelling can be, no matter what you’re talking about.

Stories make things interesting and help people remember your message. Whether you’re using personal experiences or creative tales, the right story can really make your speech stand out.

Writing a narrative speech takes some planning. You need to pick the right topic and organize your thoughts carefully. But when you get it right, it’s worth it!

There are all sorts of topics you can choose for your speech. From personal stories to lessons learned , there’s always something interesting you can talk about.

Remember that telling a good story is key in narrative speeches. It doesn’t matter what genre or form; if your story is compelling, people will listen.

Adding entertainment into your speech makes it more fun for everyone listening. They’ll enjoy hearing what you have to say and appreciate the effort you put into making it engaging.

Digital storytelling is another cool thing to try! You can mix different media like videos and pictures with your words to bring ideas alive even more vividly than ever before.

Understanding how narratives work helps too – knowing skills like setting up tension and providing resolutions keeps listeners on their toes wanting more!

Always looking at new ways to improve my own speaking has shown me just how much impact a well-told story can have on an audience.

Ryan Nelson is the founder of Speak2Impress, a platform dedicated to helping individuals master the art of public speaking. Despite having a crippling fear of public speaking for many years, Ryan overcame his anxiety through diligent practice and active participation in Toastmasters. Now residing in New York City, he is passionate about sharing his journey and techniques to empower others to speak with confidence and clarity.

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How to Write and Deliver a Compelling Narrative Speech (With Examples)

• The Speaker Lab
• August 8, 2024

Table of Contents

If you want to elevate your public speaking game, storytelling is one of the best ways to do so. By weaving captivating tales into your presentations, you’ll forge a powerful emotional bond with your audience in a way you can’t with mere data and statistics. Not sure where to begin? Look no further than these narrative speech examples , designed to spark your creativity and help you craft your own compelling narratives.

From personal anecdotes to historical tales, these examples will demonstrate the power of storytelling to engage, persuade, and inspire. You’ll also see how great speakers use vivid language, descriptive details, and relatable characters to draw their listeners in and keep them hanging on every word. So get ready to take notes, because you’re about to unleash your inner storyteller!

What Is a Narrative Speech?

If you’ve ever been captivated by a great story, then you know the power of storytelling. A narrative speech is a type of speech that uses a personal story or narrative to engage the audience and illustrate a point. It’s one of the most effective ways to connect with your listeners on an emotional level.

Elements of a Good Narrative Speech

So, what makes a good narrative speech? First and foremost, it needs to have a clear beginning, middle, and end. Your story should have a strong opening that hooks the audience, a compelling middle that builds tension and keeps them engaged, and a satisfying conclusion that ties everything together.

If you want your story to pack a punch, don’t skimp on the specifics. Describe what you experienced using the five senses: sight, hearing, smell, touch, and taste. When you paint a vivid picture with your words, your audience will feel like they’re right there with you, experiencing every thrilling moment firsthand.

Benefits of Giving a Narrative Speech

But why bother with a narrative speech in the first place? Because stories have the power to change hearts and minds. They allow you to connect with your audience on a personal level, making your message more memorable and impactful. Think about it—when was the last time a list of facts and figures moved you to tears or inspired you to take action? Probably never. But a well-told story? That can stay with you for a lifetime.

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How to Choose a Topic for Your Narrative Speech

Now that you’ve unlocked the potential of narrative speeches, the next step is selecting the perfect topic. Look for a narrative that not only resonates with you on a personal level but will also strike a chord with your audience.

Brainstorming Ideas

Start by brainstorming speech topics that are meaningful to you. Think about pivotal moments in your life, lessons you’ve learned, or challenges you’ve overcome. Consider stories that highlight your values, passions, or unique experiences.

One brainstorming technique is to make a list of “firsts”—first love, first job, first big failure, etc. These moments often make for compelling stories because they’re relatable and emotionally charged.

Narrowing Down Your Options

Once you have a list of potential topics, it’s time to narrow them down. Ask yourself which stories are most relevant to your audience and the message you want to convey. Which ones have the most dramatic arc or the most valuable lessons?

You also want to consider your comfort level with each story. Some stories may be too personal or emotionally raw to share in a public setting. Others may not have enough substance to sustain a full speech. Trust your gut and choose the story that feels right for you.

Ensuring Your Topic Is Engaging

Finally, make sure your chosen topic is engaging and compelling. A good story should have some sort of conflict or tension that keeps the audience on the edge of their seats. It should also have a clear theme or message that resonates with listeners.

To determine if your story is a crowd-pleaser, put it to the test by sharing it with your inner circle. As you weave your narrative, watch closely for signs of engagement or boredom. Then, afterwards, ask for feedback on how you can improve your narrative speech—and don’t be afraid to ask for examples of how you might re-write specific sections. Jot down these suggestions and use them to fine-tune your story, ensuring it’s a hit with any audience.

Crafting an Outline for Your Narrative Speech

Now that you’ve nailed down your topic, it’s time to roll up your sleeves and craft a speech outline . Trust us, having a clear roadmap will make all the difference when it comes to delivering your message with confidence and clarity.

Introduction

Begin your speech with a hook, something that will pique your audience’s interest and encourage them to keep listening. Oftentimes, speakers like to use a shocking statistic or a captivating anecdote to kick things off.

For example, if your narrative speech is about overcoming a fear of public speaking , you might start with something like, “Imagine standing in front of a room full of people, your heart racing, your palms sweating, your mind going blank. That was me, just a few years ago.”

The body of your speech is where you’ll tell your actual story. Break it down into clear, chronological segments with smooth transitions between each part. Use vivid details and sensory language to bring the story to life.

As you’re writing, consider incorporating dialogue, humor , or suspense to keep the audience engaged. You might also use rhetorical devices like repetition or metaphor to drive home your key points.

As you wrap up your story, consider the bigger picture. What insights did this journey reveal to you? How have you grown as a person because of it? Think about the key takeaway you want to leave with your readers—something that will stick with them long after they’ve walked away.

End with a call-to-action or a thought-provoking question that encourages the audience to reflect on your message. You might also circle back to the opening anecdote or question to create a sense of closure.

Incorporating Characterization Techniques

To make your story more engaging, consider incorporating characterization techniques. This means giving your characters distinct personalities, motivations, and quirks that make them feel like real people.

Firstly, bring your characters to life through their conversations. The words they choose, their facial expressions, and even their body language can speak volumes about who they are and what makes them tick.

Secondly, to help your audience visualize your characters, use rich descriptions of their physical attributes, fashion choices, and distinct behaviors. Paint a picture of what they look like, how they present themselves through their attire, and any idiosyncrasies that define who they are. By bringing your characters to life, you’ll make your story more relatable and memorable for the audience.

In order to create a narrative speech that truly stands out , you’ll need to put in the time and effort to refine your craft. The reward? An opportunity to share a personal story that not only entertains but also motivates and inspires your audience, forging a connection that lasts long after the final word is spoken.

Delivering Your Narrative Speech Effectively

Before we get to narrative speech examples, let’s take a look at speech delivery. Speech delivery isn’t just about the words you say, but how you say them. Your body language, eye contact, and vocal delivery all play crucial roles in engaging your audience and making your story memorable.

In addition, practice until you can recite your story in your sleep. When you know your content like the back of your hand, you can focus on engaging with your listeners and making your words come alive.

Practicing Your Speech

Rehearsing your speech is of utmost importance. It’s a step that many speakers overlook, but it can make a world of difference in your delivery. When you practice, you familiarize yourself with the flow of your story, allowing you to speak more naturally and confidently.

One technique you find particularly helpful is recording yourself delivering the speech. When you watch the playback, you can identify areas where you need to improve your vocal variety, adjust your speaking rate , or refine your body language. It’s a powerful tool for self-critique and growth as a speaker.

Engaging Your Audience

When you take the stage, your focus should be squarely on those who have gathered to hear you. Eye contact is just the beginning; truly engaging your audience means creating a genuine connection and making them feel like they’re right there with you, experiencing your story firsthand. Try using words like “we” and “us” to make your audience feel included. Asking questions can also get them thinking about what you’re saying.

Using Props and Visual Aids

Your narrative speech may revolve around your words, but don’t underestimate the impact of a carefully selected prop or visual aid. These tools can make abstract ideas tangible, evoke strong emotional responses, and ensure your message lingers long after you’ve left the stage.

However, it’s important to use these tools judiciously. Overreliance on props or visuals can distract from your message and undermine your credibility as a speaker. When selecting props or creating visual aids, always ask yourself: does this add value to my story, or is it just a gimmick?

Overcoming Nervousness

Even seasoned speakers get the jitters sometimes. Before stepping up to the mic, take a moment to ground yourself with some breathing exercises. Visualize yourself delivering your story with confidence and poise, and watch as that nervous energy transforms into pure charisma on stage.

Remember, your listeners are your biggest supporters. They’ve gathered to hear your unique perspective and leave feeling uplifted. Rely on the effort you’ve put in, breathe deeply, and allow your fervor for your message to radiate throughout the room.

Examples of Compelling Narrative Speeches

Great speakers have always known the secret to capturing an audience’s attention: storytelling. Whether it’s an ancient Greek orator spinning a yarn or a modern-day TED Talker sharing a personal journey, the ability to craft a compelling narrative is what sets the best speakers apart. So, what do these narrative speeches look like in action? Let’s dive into some narrative speech examples that have educated, inspired, and motivated people across the ages.

Inspirational Stories

Inspirational stories are those that uplift and motivate us to be our best selves. They often involve overcoming adversity, achieving a seemingly impossible goal, or making a positive difference in the world. Take, for example, Amy Purdy’s narrative speech about the power of imagination. In case you aren’t familiar with the name, Amy Purdy is a Paralympic snowboarder who lost both her legs below the knee due to bacterial meningitis. In her TED talk, she shares her journey of resilience and adaptation, showing how she turned a devastating setback into an opportunity to inspire others.

Humorous Anecdotes

Want to instantly connect with your audience? Try sprinkling in some humor. A well-timed joke or absurd anecdote can break the ice and leave your listeners in stitches. Keep them on their toes with unexpected twists, and they’ll be hanging on your every word.

Darren LaCroix, a professional speaker, frequently uses humorous stories in his talks. Take a look at how he uses his stories of failure in this speech to motivate his crowd to chase their dreams.

Emotional Tales

Emotional tales have a way of grabbing our hearts and not letting go. These stories frequently revolve around individual challenges, the pain of loss, or powerful moments of clarity that reshape a person’s path forward.

One example of an emotional narrative speech is Steve Jobs’ 2005 Stanford Commencement Address , in which he shares three personal stories that shaped his philosophy on life and work. From his adoption story to his battle with cancer, Jobs’ tales are raw, honest, and deeply moving.

Motivational Narratives

Ever heard a story that made you want to jump up and take on the world? That’s the power of a motivational narrative. These inspiring tales feature everyday people doing incredible things—conquering challenges, chasing their passions, and proving that with hard work and determination, anything is possible.

If you want to hear an inspiring tale, check out J.K. Rowling’s Harvard Commencement Speech . She shares her personal journey of failure and resilience, and how she used her imagination to create one of the most adored book series ever. It’s a beautiful story about the power of storytelling and never giving up on your dreams.

Want to hook your audience, tug at their heartstrings, and spur them to action? Take a look at some narrative speech examples from those who’ve mastered the craft. But as you do, don’t forget: your story, told in your unique voice, is the most powerful tool you have. Share it boldly, and watch as it transforms lives.

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FAQs on Narrative Speech Examples

How do you start a narrative speech.

Kick off with a hook that grabs attention. Maybe share an unexpected fact, ask a thought-provoking question, or launch into the heart of your tale.

What is an example of storytelling?

An example would be recounting how overcoming acute anxiety before a big job interview taught resilience and self-confidence.

Dive straight into setting the scene or introduce your main character in action. Let listeners feel they’re right there with you from the get-go.

What are examples of narrative speech?

Narrative speeches might explore personal growth through volunteering experiences or share humorous anecdotes about learning to drive. They weave personal stories to engage and enlighten audiences.

Storytelling is a timeless art that has the power to captivate, inspire, and transform. By studying these narrative speech examples, you’ve seen firsthand how weaving narratives into your presentations can create an emotional connection with your audience and make your message unforgettable.

In order to engage your audience, focus on your characters. Additionally, include details that engage the senses. And don’t be afraid to get a little personal. After all, your own experiences can be the most powerful stories of all.

With these tips in mind, go forth and tell your stories with passion, authenticity, and purpose. Your audience is waiting to be inspired by the narratives only you can tell. Happy storytelling!

• Last Updated: August 6, 2024

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• Story telling setups

Story telling setups: what works & why

How to successfully introduce stories in speeches.

By:  Susan Dugdale  | Last modified: 11-30-2022

Some storytelling setups, (the way you lead in, or introduce a story as part of a speech), are much more successful than others.

Get it right and you'll have your audience enthralled, hanging off your every word. 

Get it wrong and your audience will have turned their ears off as fast as if you'd flicked a switch. 

Have you ever had a story fall flat?

If you've had the experience of a story failing to fire, yet you know it was relevant to your audience, and your speech, maybe the way you introduce it needs fine tuning.

The best storytelling setups sneak up on an audience capturing their attention before they've had an opportunity to zone out. They do it without fanfare. The drums do not beat loudly. The trumpets do not herald their arrival.

What's on this page? Quick links to get around fast.

Examples and discussion of what NOT to do and why

Examples of what to do - 3 sets of storytelling setup types:

• Imaginative openings 
• Personal openings
• Rhetorical questions - silly and serious

More resources for storytelling including narrative speech topics

From the 'how NOT to open a story' department

Speakers who skillfully weave story telling into their speeches tend not use these introductions:

• That reminds me of a really funny story...
• Have you heard the one about ...?
• I heard a great joke the other day. You're going to love it.
• I don't know whether I should tell you this but ...

All of those  introductions are dangerous. They come waving big red warning flags. 

"Hey!", they shout at the audience, "There's a story coming up!  I want you to be amused by it. I want you to laugh!" 

What's the problem with these openings?

The problem is that they give your audience a chance to pit themselves against you.  Fortunately that's not usually out loud. So they're not shouting back at you.

However in the privacy of their own minds they're beginning to wonder whether they want to listen to you.

Let me show you how it works.

That reminds me of a REALLY funny story

In the first example, "That reminds me of a really funny story", you've created several hurdles for yourself to get over before you even get to telling your story.

The first is that you have said you are, "telling a story". Your audience may interpret that as you are about to tell them something fictional,  perhaps a lie, and worse, completely irrelevant.

The second hurdle is that you've told them it's "really funny".

While some people don't want to listen to "make believe",  many more don't want to be told something is funny before they experience the funniness for themselves. They want to make up their own minds about what is amusing and what is not. (Thank you very much. Please don't waste my time!)

Have you heard the one about ...? and other gems

Using "Have you heard the one about ... ?" as an opener sets your story up as a yarn or a joke that is going the rounds.

Someone told it to me. They got it from someone else, who got it from someone else, and now I'm telling it to you. It's not personal experience, or even a new story, and therefore it can be dismissed very easily. Boring. Not original. A total turn off.

"I heard a great joke the other day ..." fits into the same slot as the starter above with the added loaded inference that the word "joke" carries. This is funny. You will laugh. Because I say so.

The last example, "I don't know whether I should tell you this ..." invites the response, "No, you shouldn't", in the mind of your audience before your story has begun.

Do you see what's happening?

So what story telling setups do work?

The ideal is an opener that doesn't appear to be one. It has the audience involved, listening attentively without pausing to consider whether they want to, or not. 

Even though it precedes the actual story, it does not create an opportunity for the same inner resistance as the examples above do.

1. Invitations to imagine

Openers actively engaging the audience's imagination are effective. They invite partnership,  togetherness, a shared journey.

• I want you to visualize ...
• Imagine ...
• Let's step back in time ...
• Come with me ...

Do you see the difference?

2. Making it personal

Setting your story as part of your personal experience works well. These invite your audience to share an aspect of your life, to trust and to identify with you.

Consider these:

• Just yesterday I was talking with a friend ...
• On my way to work this morning ...
• My wife thinks I ...
• My phone rang. It was ...
• I was in XXXX (insert name of local shop/restaurant etc) when...
• Last summer ...

3. Rhetorical questions - silly & serious

If it fits your speech you could also experiment with story telling setups based on rhetorical questions. As well as straight or serious questions, try some obviously ridiculous ones to grab your audience's attention. 

Examples of both are:

• How many years have you been 40?
• Is it true that diamonds are a girls best friend?
• Do you remember when the sky was always blue and summer was endless?
• Why is it that whenever you're late, you can never find a car park?
• Why should we care about others?
• Who decides what is fashionable and what is not?
• How come it always rains when it's holiday time?
• How come so many people are described as "average"?

Try multiple openings

When you're writing or rehearsing your speech try several setups before settling on the one you're definitely going to use. Listen for "rightness" of fit to your story, your speech,  and your audience.

PS. Consider endings too

Just as there are seamless ways of entering a story, so too there are slicker ways to exist.

You do not have to announce, "By the way, that's the end of the story".

Instead try a pause, a change of tone, a shift in body language or speaking rate. All of these signal the start of a new segment without saying anything.

More about storytelling in speeches 

For how to choose the right story, the benefit of sharing personal stories, and how to improve your storytelling see: storytelling in speeches .

I've also got two pages of tell-a-personal-story speech topic suggestions that are perfect for honing skills. (If you're looking for suitable topics for the Toastmasters Level 3 Storytelling project, do check these out.)

• 125 narrative speech topics -This page includes a free printable narrative speech outline.
• 60 vocal variety and body language topics .
• Return to top of storytelling setups

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Storytelling is a powerful communication tool — here’s how to use it, from TED

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Many of the best TED Talks are built around stories, with speakers’ personal anecdotes helping them bring their ideas to life. Here, TED head curator Chris Anderson provides us with some storytelling dos and don’ts. Plus: news about the TED Masterclass app.

After watching a great talk on TED.com , many of us have wondered: “Could I do it myself? Could I give a TED Talk?”

Now’s your chance to find out.

The new TED Masterclass app — available from the Google Play store and the Apple App store — is designed to help you develop and share your best ideas as a TED-style talk. Guided by TED head curator Chris Anderson and based on his book TED Talks: The Official TED Guide to Public Speaking , the app-based course features 11 animated lessons that break down the public-speaking techniques that TED speakers use to present their ideas. Developed by TED-Ed , the course also features a library of full-length TED Talks from Brené Brown, Bryan Stevenson, Susan Cain and others to reinforce its lessons.

In this post, which is adapted from the TED Masterclass app and his book, Anderson discusses how we can learn to use storytelling to elevate our speeches, presentations and talks.

The best evidence from archaeology and anthropology suggests the human mind evolved with storytelling. About a million years ago our hominid ancestors began gaining control of the use of fire, and it seems to have had a profound impact on their development. It provided warmth, defense against predators, and the ability to cook food (along with its remarkable consequences for the growth of our brains.

But it brought humans something else. Fire created a new magnet for social bonding and drew people together after dark. In many cultures, one form of fireside interaction became prevalent: Storytelling.

It’s no surprise that many of the best TED Talks are anchored in storytelling. But when it comes to sharing a story as part of a presentation or speech, there are four key things for you to remember.

• Base it on a character your audience can empathize with or ar0und a dilemma your audience can relate to.
• Build tension whether through curiosity, intrigue or actual danger.
• Offer the right level of detail. Too little and the story is not vivid; too much and it gets bogged down.
• End with a satisfying resolution, whether it’s funny, moving or revealing.

Of course, it’s all in the execution. Before speaking in front of a group, it’s really worth fine-tuning our stories — including the stories from our own lives. Many of us overstuff them with details that are important to us, but a wider audience just doesn’t need to know.

Building your talk around a single story can offer huge benefits. The personal story is the simplest, easiest-to-prepare type of talk; after all, you know your story and you know more about it than anyone else in the world. A personal story will also create empathy with your audience. Your throughline is taken care of — it’s simply the narrative arc of the story.

But there’s one trap that you must avoid. Your overall goal as as speaker is to give, yet personal stories sometimes fail to do that. They may entertain or intrigue or boost your ego. But they don’t automatically give the audience something they can walk away with — such as insights, actionable information, perspective, context, hope.

One of the biggest reasons we turn down applications to speak at TED is when they offer compelling anecdotes but no central idea that wraps their narrative together. This is heartbreaking, because the speakers are often fascinating people. But without an idea, it’s an opportunity missed.

The key shift needed is an artful edit of your journey that links together critical moments in a way that someone else can derive meaning from them. If your journey reveals something powerful you’ve learned and if each step is revealed with humility, honesty or vulnerability, it’s a journey that other people will gladly make with you.

There’s one other non-negotiable essential if you’re telling your own story: It has to be true. This may seem obvious, but people sometimes try to impress their audience by exaggerating or fibbing — precisely because they know a story can have so much impact. You must resist this temptation.

When you combine a truthful story with a desire to use it for the benefit of other people, you’ll be giving your listeners an extraordinary gift. In her TED Talk , psychologist Eleanor Longden was willing to share how she began hearing voices in her head while she was at university. It led her to being diagnosed with schizophrenia, institutionalized, and driven to the point of suicide.

Her story alone is riveting, but she builds it so people leave her talk with inspiring insights on schizophrenia, mental illness, and how we might rethink our responses to them.

Here’s part of her ending:

“There is no greater honor or privilege than facilitating that process of healing for someone, to bear witness, to reach out a hand, to share the burden of someone’s suffering, and to hold the hope for their recovery. And likewise, for survivors of distress and adversity, that we remember we don’t have to live our lives forever defined by the damaging things that have happened to us. We are unique. We are irreplaceable. What lies within us can never be truly colonized, contorted, or taken away. The light never goes out.”

In his TED Talk: How the worst moments in our lives make us who we are , writer Andrew Solomon described how he was humiliated as a child, even before he came out as gay. But he manages to turn his story into an exhilarating narrative of identity that anyone could relate to and learn from.

“There’s always somebody who wants to confiscate our humanity. And there are always stories that restore it. If we live out loud, we can trounce the hatred, and expand everyone’s lives.”

Stories resonate deeply in every human. By giving your talk as a story or a series of related stories, you can greatly increase your connection with your audience. But please: Let it mean something.

Ready to tell your own story? Download the TED Masterclass app from the Google Play store and the Apple App store . After downloading it, you’ll be able to see an overview of every lesson — including what it’s about, what you’ll learn, and a two-minute video — from the entire course. You’ll also get a preview of the library and the idea log. Full access to the course ($89.99) is available via in-app purchase, and all proceeds will go to support the nonprofit work of TED.  

About the author

Chris Anderson is the curator of TED.

• Chris Anderson
• public speaking
• storytelling

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Public Speaking Tips & Speech Topics

Narrative Speech [With Topics and Examples]

Jim Peterson has over 20 years experience on speech writing. He wrote over 300 free speech topic ideas and how-to guides for any kind of public speaking and speech writing assignments at My Speech Class.

Narrative Speech Topics

• Your Events, Life Lessons, Personal Experiences, Rituals and Your Identity.

The main point is that you are talking about yourself.

Your  thoughts, feelings, ideas, views, opinions and events are the leading ladies in this special public speaking speech writing process.

In this article:

Your Life Lessons

Experiences, narrative speech writing tips, 10 fast showcases.

Here are example narrative speech topics you can share in a speech class or other public speaking assignment in high school, college education. Narrow the speech topics appropriately to the public speaking occasion rules with the specialized checklist I have composed with seven narrative speech writing  tips .

The checks and tips also serve as hooks for to narrate a paragraph in an college essay.

Can We Write Your Speech?

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The backbone of my advice is: try to keep the story devoted and dedicated. If you find it hard to develop speech topics for narration purposes and you are a little bit overwhelmed, then try ten ways I’ve developed to  find narrative speech topics .

Most students mark out an event in their speeches and essays. An event that stipulate a great step in life or an important moment that has impact on your prosperity or lifestyle from that particular period:

E.g. An accident or remarkable positive event that changed my life. The birth of my brother, sister or other relative and the impact on our household and family-life. My first day at high school or college. The decision I regret most at my school or in my professional job career. My day of graduation (If you have not yet graduated from an educational institution, describe your hardworking and your planning efforts to achieve the qualification). My first serious date with my boyfriend / girlfriend. A significant family event in the summer. A memorable vacation. A historical event that impressed me. The day I will move overseas. A milestone that seemed bad but turned out to be good. My heroic sports moment at the campus field.

Take personal growth and development as starting point. Widen the horizon of the audience to a greater extent with narrative speech topics on wisdom. Construct a life lesson yourself, based on a practical wisdom acquired by own experience, or one you have been be introduced to by someone else:

E.g. The influence of a special person on my behavior. How I have dealed with a difficult situation. What lessons I have learned through studying the genealogy of my family. A prejudice that involved me. An Eureka moment: you suddenly understood how something works in life you had been struggling with earlier. How you helped someonelse and what you learned from her or him, and from the situation.

For this kind of public speaking training begin with mentioning intuitively the emotions you feel (in senses and mind) and the greater perception of the circumstances that lead to apprehension of a precarious situation:

E.g. My most frustrating moment. How you handled in an emergency situation. How I break up with my love. A narrow escape. A moment when you did something that took a lot of courage. A time when you choose to go your own way and did not follow the crowd. How I stood up for my beliefs. The day you rebelled with a decision concerning you. How you cope with your nerves recently – think about fear of public speaking and how you mastered and controlled it in the end. What happened when you had a disagreement with your teacher or instructor in class, this triggering narrative speech idea is great for speech class, because everyone will recognize the situation.

This theoretic method is close related to the previous tips. However, there is one small but significant difference.

Let’s define rituals as a system of prescribed procedures or actions of a group to which you belong. In that case you have the perfect starters to speak out  feelings .

Complement the ritual with your own feelings and random thoughts that bubble up when you are practicing the ritual:

E.g. How you usually prepare for a test at high school or for a personality interview or questionnaire. Your ritual before a sports game. Your ritual before going out with friends – make up codes, choosing your dress or outfit, total party looks. The routines you always follow under certain circumstances on your way to home. Church or other religious rituals you think are important to celebrate. Special meditative techniques you have learned from old masters in East Asia.

These examples are meant to accent the cultural and personal charateristics based on values, beliefs and principles.

What do you think is making life worth living? What shaped your personality? What are the psychological factors and environmental influences?

And state why and how you ground your decisions:

E.g. My act of heroism. The decisions my parents made for me when I was young – school choice, admission and finance. How curiosity brings me where I am now. I daydream of … A place that stands for my romantic moments – a table for two in a restaurant with a great view. My pet resembles my personal habits. A vivid childhood memory in which you can see how I would develop myself in the next ten to fifteen years. Samples of self-reliance in difficult conditions, empathy towards others in society, and your learning attitude and the learning curve.

Make a point by building to a climax at the end of your speech topic, whatever the narrative speech topics may be you want to apply in some sort of public speaking training environment. Build your way to the most intense point in the development or resolution of the subject you have chosen – culminate all facts as narrator to that end point in your verbal account.

Narrative speech tips for organizing and delivering a written description of past events, a story, lesson, moral, personal characteristic or experience you want to share.

• Select carefully the things you want to convey with your audience. Perhaps your public speaking assignment have a time limit. Check that out, and stick to it.This will force you to pick out one single significant story about yourself.And that is easier than you think when you take a closer look at my easy ways to find narrative topics.
• What do you want your audience to remember after the lapse?
• What is the special purpose, the breaking point, the ultimate goal, the smart lesson or the mysterious plot?
• Develop all the action and rising drama you need to visualize the plot of the story: the main events, leading character roles, the most relevant details, and write it in a sequence of steps. Translate those steps into dialogues.
• Organize all the text to speech in a strictly time ordered format. Make a story sequence. Relate a progression of events in a chronologically way.The audience will recognize this simple what I call a What Happened Speech Writing Outline, and can fully understand your goal. Another benefit: you will remember your key ideas better.It can help if you make a simple storyboard – arrange a series of pictures of the action scenes.
• Build in transition sentences, words or phrases, like the words then, after that, next, at this moment, etc. It helps to make a natural flow in your text.
• Rehearse your narrative speech in front of a friend and ask opinions. Practice and practice again. And return to my narrative speech topics gallore if you get lost in your efforts.Avoid to memorize your text to speech. When you are able to tell it in a reasonably extemp manner – everyone can follow you easily – it is okay.
• Finally, try to make eye contact with your listeners when you deliver this educational speech and apply my public speaking tips one by one of course.
• A good place to start finding a suitable narrative speech topic is brainstorming about a memorable moments in your life, a situation you had to cope with in your environment, a difficult setting or funny scene you had to talk your way out.

Try to catch it in one phrase: At X-mas I … and followed by a catchy anf active verb.

E.g. At X-mas I think … I want … I’m going … I was … I stated … I saw … .

After the task verb you can fill in every personal experience you want to share with your public speaking audience in a narration. These 40 speech topics for a storytelling structure can trigger your imagination further.

My most important advice is: stay close to yourself, open all your senses: sight, hearing, taste, and even smell and touch. Good for descibing the memorable moment, the intensity of it.

• A second way to dig up a narrative speech topic is thinking about a leading prophetic or predictive incident in the previous 10 years or in your chidhood. Something that illustrates very well why and how you became who you are right now.

E.g. Your character, moral beliefs, unorthodox manner of behaving or acting or you fight for freedom by not conforming to rules, special skills and qualities.

• The third way I like to communicate here with you is storytelling. Let yourself be triggered for a narrative speech story by incidents or a series of events behind a personal photograph or a video for example.

E.g. Creative writing on a photo of your grand-grandparents, of a pet, a horse, an exciting graduation party, a great architectural design.

• You also can find anecdotal or fictional storylines by highlighting a few of your typical behavior or human characteristics.

E.g. Are you a person that absorbs and acquires information and knowledge, likes to entertain other people or nothing at all? Or are you intellectually very capable in solving comprehensive mathematical calculations? Or are you just enjoying life as it is, and somewhat a live fast die young type?

Or a born organizer – than write speech topics about the last high school or college meeting you controlled and administered.

• The fifth method I would like to discuss is the like or not and why technique. Mark something you absolutely dislike or hate and announce in firm spoken language (still be polite) why. A narrative speech topic based on this procedure are giving insight in the way you look at things and what your references are in life.

It’s a bit like you make a comparison, but the difference is that you strongly defend your personal taste as narrator. It has a solid persuasive taste:

E.g. Speeches about drilling for oil in environmental not secure regions, for or against a Hollywood or Bollywood movie celebrity, our bankingsystem that runs out of trust of you the simple bank account consumer. Or your favorite television sitcom series.

• An exciting, interesting, inspiring or funny experience or event that changed your life is the next public speaking tip I like to reveal now.

E.g.? Staying weekends at your uncle’s farm shaped you as the hardworking person you are nowadays. A narrative speech topic in this category could also be about music lessons, practical jokes. Or troublesome events like divorce, or great adventures like trips at the ocean. Or even finding faith or a wedding happiness.

And what do you think of extreme sports tournaments?

• An important lesson you learned from someone you admire. This is a very classical narrative speech topic.

It tends to be a little bit philosophical, but if you tell you story people will recognize what you mean and compare that with their own stories and wisdom lessons.

Tell the story of a survivor of a traffic accident, and how you admire her or his recovery. Winners of awards, great songwriters, novelists, sportsheroes.

This list is almost exhaustive. Share the wisdom of their fails and achievements.

• The moment in your life you see the light, or that was very insightful. It seems a bit like my number six advice, but focus more on the greatness and happiness of that very moment. A moment’s insight is sometimes worth a life’s experience, American Judge Oliver Wendell Holmes have said.

Magnificent and breath-taking nature phenomenons, precious moments after a day of struggle, final decisions that replenish, lift your spirit.

• A fable or myth that has a moral lesson you try to live to.

Aesop Fables are a great source for a narrative speech topic idea structure. Think about The Dog and His Reflection, The Fox and The Grapes, and Belling the Cat. Talking about fairy tales as an inspiring source: what do you think of a personal story about the moral of The Emperor’s New Clothes?

• The relation between a brief series of important milestones in your life that mold your character is also possible – if catchy narrated storytelling of course :-).

First day of school, first kiss, Prom Night, your high school graduation, wedding, first job interview.

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How to tell powerful stories in your speeches.

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Why tell stories in speeches? Because they are interesting, they help people remember what you say, and they are a good way to convey information and emotion memorably.

Mark Turner , a writer and philosopher who has been associated with the Institute for Advanced Study, and the Center for Neural and Cognitive Sciences at the University of Maryland, goes even further. In his landmark book, The Literary Mind , published by Oxford in 1996, he says, “Story is a basic principle of mind.” In other words, he argues that we think in terms of stories. We learn from the high chair that if we push a glass of milk over, white liquid spills on the floor, a parent comes running making noises, mops it up, and kisses us on the top of the head (if we’re lucky). That’s a story, and it’s a basic understanding of cause and effect by which we make sense of our world.

There are actors, actions, objects, and results. It’s all good fun, it’s memorable, and it’s how we continue to think long after we’ve left the high chair.

How does that apply to public speaking? Most people organize their talks in lists of information. (Five reasons to join our exciting investment program.) Unfortunately, the human mind is not constructed to remember lists very well. Once you’ve told me 3 or 4 things, to remember the 4th or 5th I’ll have to forget the first. ‘In one ear and out the other’ pretty describes how we respond to lists. Yet everyone who has heard, seen, or read it once remembers the story of Romeo and Juliet.

So if you give speeches more like Shakespeare and less like the phone book, you’ll be much more memorable. That’s why stories are important.

How do you create a great story for the purposes of public speaking?

My favorite structure for a persuasive speech is the problem-solution structure.

You begin by describing a problem that the audience has, and then you describe a solution. You can either hold to that structure, and tell stories at various points along the way, as examples and supporting evidence and so on, or you can treat the whole speech as a story.

Think of your stories as having three acts.

The first act presents an idea or a situation that will engage the audience (Romeo meets Juliet and falls in love). It’s best if this idea or situation is one that, once it has happened or been told, cannot be undone. (Romeo cannot ‘unmeet’ Juliet.) If you give your audience some information at the beginning of your speech that they don’t know, it has the same effect. (Our customer base has been eroding for the last 16 quarters, and just today I learned that it’s official — we’re now down for 17 quarters. We can’t afford to go on like this…).

Needless to say, it should be information that is of interest to the audience — it should be about a problem they have.

The second act raises the stakes on the earlier idea or situation. (Romeo marries Juliet despite the feud between the two families.) Once again, it should be something that cannot easily be undone. (If we have another down quarter, we’re going to have to close manufacturing plants in Chicago and Ohio.)

The third act precipitates a resolution, either favorable or unfavorable, by posing a question that must be resolved. (Romeo kills Tybalt in a duel, thus resulting in his banishment. Will Romeo and Juliet live happily ever after? Answer: no.) (To turn things around, I’m starting a new product line, code name Lemmings, that will excite customers once again and bring them flocking back to our stores.) Just as no one in the play Romeo and Juliet ever literally asks the resolving question out loud, you don’t have to in your speech. You do have to resolve it, and the best way is to get your audience to undertake some action to enlist them in your persuasive moment. (I’ve put prototype Lemmings underneath your chairs. I’d like you now to please take them out of their boxes and try them out.)

Just as the rest of Romeo and Juliet fills in around these key moments with scenes that explore the consequences of these interesting, fateful actions, your speech should too.

That’s the basic structure of a good story. But there’s more.

Western society contains a few basic stories that everyone knows and resonates to, so if you can invoke one of those stories, you’ll get instant buy-in from your audience.

For example, if you ask your employees to embark with you on a long and arduous journey to develop a new product, they’ll complain about the obstacles along the way, unless you invoke a Quest story. Then, the obstacles are to be expected because that’s what happens on a quest. The heroes (your audience) meet obstacles and suffer reversals — but eventually overcome them all to reach the goal. Don’t make the mistake of casting yourself as the lone hero — always bring the audience along with you.

The Quest story is the most basic one, and audiences get the idea very quickly because the story is so deeply ingrained in our psyches. Quest stories have heroes, journeys, obstacles, mentors, and most importantly a goal at the end. For more information on the subject, read Joseph Campbell’s The Hero with a Thousand Faces the definitive book on the subject.

After the Quest, the other fundamental stories are: Stranger in a Strange Land , Love Story , Rags to Riches , and Revenge .

The way to think about these stories is as thematic ideas that you invoke as you go through your speech. You might do it with a specific reference to a particular, well-known Quest story, like the Holy Grail, the Wizard of Oz, or Raiders of the Lost Ark, or you might use the elements and the language of a Stranger in a Strange Land story in order to bring the audience into that magical space without actually telling them bluntly that ‘you’re on a quest’. It’s better in this case not to be blunt, but rather to evoke the stories with their unconscious power to orient us and bring us into a space where we see the outcome as ordained by the structure of the story.

Once you’ve picked your thematic story and you’re off on a Quest or you’re all Strangers in a Strange Land, then you want to think about using archetypes to get further storytelling mileage out of our common mythology.

Basically, an archetype is a model of a character, or part of a character. The word and concept have been around for a long time, but they were made famous, so to speak, by the great Swiss psychologist Carl Jung.

When Jung talked about archetypes, he meant primarily aspects of a person — the Self, the Shadow (your Dark Side) and the Persona (the face you put toward the world). But he also talked about a host of other kinds of people, and aspects of people and the natural world, that could be archetypes, from the child, hero, mother and wise old man to the fish.

The idea is that your particular mother resonates for you with the archetypal mother in some ways, and not in other ways. You may develop a mother complex as a result. We live at our best and most fully when we’re in harmony with all the archetypes we summon up.

Jung believed that archetypes were real — a kind of bridge between our inner psychological world and the real world out there. More than that, we all have access to universal wisdom and understanding through and with these archetypes.

OK, so what does that mean for speakers?

I think we can invoke the power of the basic archetypes by naming them at appropriate moments in our stories and by using them as ways to connect with the audience. Words like ‘child’, ‘mother’, ‘father’ and so on have enormous resonance for just about everyone in your audience. The trick is to let your audience do the work, creating the associations, by giving them enough detail to get their minds working, but not so much that you stop them from using their imaginations.

Archetypes work best in simple stories that allow audiences to fill in the blanks. You need to craft these stories — really parables — with great care so that they are not hackneyed or silly.

If you do it right, you can create powerful, memorable stories — on a variety of levels — in your speeches that call us all to our best, archetypal selves and move your audiences to action.

For a great example of successful storytelling in a speech, watch Malcolm Gladwell’s TED.com talk on Howard Moskowitz, spaghetti sauce, and the platonic dish. Gladwell’s story artfully weaves together the food industry’s quest for understanding human food-eating behavior with a three-act drama about Howard Moskowitz’s search for the perfect spaghetti sauce. The result of the search will surprise you; in part because Gladwell has constructed the story so well, and in part because you may think you know what you want in a spaghetti sauce, but you really don’t.

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About the author: nick morgan.

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[…] Depois de todas as dicas anteriores, é importante compilar tudo e criar uma ligação. A apresentação tem que ter um fio condutor, do princípio ao fim. Uma excelente maneira é contar uma história, criando personagens, por exemplo. Deves ser criativo e dar asas à tua imaginação. Sobre este ponto podes ler mais aqui. […]

[…] to our thinking: Stranger in a Strange Land, Revenge, Rags to Riches, and Love Story. You can look elsewhere in the archives for explanations of the stories and what they […]

Very helpful :-)

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8 Opening a Speech: Get Their Attention from the Start!

Get the audience’s attention, or the rest of your speech is a waste. I mean it!  Most people spend the majority of their speech preparation time working on the body of their speech and then they tack on an opening and a closing last minute.

The opening and closing deserve the most attention. Why?  If you don’t get the audience’s attention and get them to pay attention to you instead of…  the thoughts in their heads, their grocery lists, their neighbors, their social media…then all the rest of your brilliant content is wasted because they will never hear it. Lisa Marshall of Toastmasters International stresses the opening words are so important that “I spend 10 times more time developing and practicing the opener than any other part of the speech.”

Look at the description of Person A and Person B and tell me which person you like more.

Person A envious, stubborn, critical, impulsive, industrious, and intelligent

Person B intelligent, industrious, impulsive, critical, stubborn, and envious

If you are like most people, you have a preference for Person B.  This illustrates a study by Solomon Ashe. He had subjects rate these two people using a string of descriptive words. Now look back at the descriptions. Look closely and you will notice they are the same words in a different order. Most people put the most emphasis on the first three words in determining how they will create the person. Like Asche’s subjects, your audience will be evaluating those first three words. Let’s bring it back around to speechmaking. The first sentence out of your mouth is crucial and the first three words are especially important.

I am sure you are not surprised to know that people form opinions quickly. To prove this, researchers showed subjects either a 20-minute clip of a job applicant or a 20-30 second clip of a job applicant. They were asked to rate the person on likeability and self-assurance. People were able to form an opinion in under thirty seconds. Not only that but they were able to form the same opinions from a 30-second clip as a 20-minute exposure.

The Battle for Attention

Remember that every piece of content in our modern era is part of an attention war. It’s fighting against thousands of other claims on people’s time and energy. This is true even when you’re standing on a stage in front of a seated audience. They have deadly distracters in their pockets called smartphones, which they can use to summon to their eyes a thousand outside alternatives. Once emails and texts make their claim, your talk may be doomed. And then there’s that lurking demon of modern life, fatigue. All these are lethal enemies. You never want to provide someone with an excuse to zone out. You have to be a savvy general directing this war’s outcome. Starting strong is one of your most important weapons. Chris Anderson, TED Talks, The Official TED Guide to Public Speaking.

“People don’t pay attention to boring things,” according to John Medina, author of Brain Rules, “You’ve got 30 seconds before they start asking the question, ‘Am I going to pay attention to you or not?'” It is important to get your audience’s attention right away. In this chapter, I will share with you several ways to win the war for attention and to start your speech right. I will show you the basic opening and closing structure of speeches and give you many examples of what that looks like.  A speech, like an airplane, needs a good take-off and a good landing. Now it’s time to prepare to have a strong take-off and learn everything that goes into a speech introduction. This chapter is full of examples from a variety of talks. I included quotes from those introductions, but I also included links to each of those talks hoping you will be interested enough to want to listen.

Ways to Start a Speech

Chris Anderson likens this to battle. “First there is the 10-second war: can you do something in your first moments on stage to ensure people’s eager attention while you set up your talk topic? Second is the 1-minute war: can you then use that first minute to ensure that they’re committed to coming on the full talk journey with you?”

When thinking about your speech, spend a lot of time thinking about how to win the battle for their attention. Your introduction should make your audience want to put down their phones and listen. Your introduction should be so compelling they stop their wandering minds and turn their thoughts to you and you alone. Your introduction should start with three strong words where they form a strong opinion of you and your speech.  Let me share how to accomplish this. 

Capturing the audience through the story is one of the most powerful ways to start a speech. A story engages the brain in powerful ways and causes the audience’s brains to sync with the speakers. A well-told story will allow the audience to “see” things in their mind’s eye and to join the speaker’s emotions.

Watch this clip by Ric Elias for how he begins his speech with a powerful story. Particularly notice his first four words, “Imagine a big explosion.” 

Imagine a big explosion as you climb through 3,000 ft.   Imagine a plane full of smoke.   Imagine an engine going clack, clack, clack.   It sounds scary.   Well, I had a unique seat that day. I was sitting in 1D. I was the only one who could talk to the flight attendants. So I looked at them right away, and they said, “No problem. We probably hit some birds.” The pilot had already turned the plane around, and we weren’t that far. You could see Manhattan. Two minutes later, three things happened at the same time.

Ric Elias, Three Things I Learned While My Plane Crashed. 

Consider these other examples and notice how the speaker uses a story.

More powerful introductions using story:

I love you, I believe in you and it’s going to be OK. The three things that I needed to hear three years ago when I felt more abandoned than ever. I remember that day as if it happen this morning. It was Sunday and I had just woken up early at a brisk 12:30 in the afternoon. Ryan Brooks, Honesty, courage, and the importance of brushing your teeth.  When I was nine years old I went off to summer camp for the first time. And my mother packed me a suitcase full of books, which to me seemed like a perfectly natural thing to do. Because in my family, reading was the primary group activity. And this might sound antisocial to you, but for us, it was really just a different way of being social. You have the animal warmth of your family sitting right next to you, but you are also free to go roaming around the adventureland inside your own mind. And I had this idea that camp was going to be just like this, but better. Susan Cain. The Power of Introverts. I grew up to study the brain because I have a brother who has been diagnosed with a brain disorder: schizophrenia. Jill Bolte Taylor, My Stroke of Insight. A few years ago, I got one of those spam emails. I’m not quite sure how, but it turned up in my inbox, and it was from a guy called Solomon Odonkoh.  James Veitch This is What Happens When You Reply to Spam Email. Eleven years ago, while giving birth to my first child, I hemorrhaged and was transfused with seven pints of blood. Four years later, I found out that I had been infected with the AIDS virus and had unknowingly passed it to my daughter, Ariel, through my breast milk, and my son, Jake, in utero. Elizabeth Glaser,  Address to the 1992 Democratic National Convention.

Good stories immediately set the stage and introduce you to the place and to the people. Doing this helps your brain can form a structure where the story takes place. It helps you see the story unfold in your mind.  If you need help starting a story, Vanessa Van Edwards suggests these prompts:

• Once upon a time.
• I’m here for a reason, and it’s an interesting story.
• The best thing that ever happened to me was.

There is an entire chapter on the Power of Story that can be found here.

Humor is a rubber sword – it allows you to make a point without drawing blood. – Mary Hirsch

  When Family Guy’s Seth MacFarlane spoke at Harvard Commencemen t in the rain, he started with “There’s nowhere I would rather be on a day like this than around all this electrical equipment.” People laughed, people smiled, and the speech was off to a strong start. Humor works because it gives the audience a hit of the feel-good hormone dopamine. That is … if you are funny. If you decide to use humor, make sure you are funny. Test your humor on honest friends. In addition, the humor you use should fit your personality and your audience. Be warned, some groups would find humor inappropriate, do your research.

Watch this clip for how Tshering Tobgay begins his speech with humor. 

In case you are wondering, no, I’m not wearing a dress, and no, I’m not saying what I’m wearing underneath. (Laughter) This is a go. This is my national dress. This is how all men dress in Bhutan. That is how our women dress. Like our women, we men get to wear pretty bright colors, but unlike our women, we get to show off our legs. Our national dress is unique, but this is not the only thing that’s unique about my country. Our promise to remain carbon neutral is also unique, and this is what I’d like to speak about today, our promise to remain carbon neutral.

Tshering Tobgay, This Country Isn’t Just Carbon Neutral–Its Carbon Negative. 

More powerful introductions using humor

I didn’t rebel as a teenager.   I started late and was still going at it the summer I turned thirty. I just became an American citizen, I divorced my husband, I got a big tattoo of a bat on my arm, and I joined a New York City punk band. Danusia Trevino, Guilty I need to make a confession at the outset here. A little over 20 years ago, I did something that I regret, something that I’m not particularly proud of.   Something that, in many ways, I wish no one would ever know, but that here I feel kind of obliged to reveal. In the late 1980s, in a moment of youthful indiscretion, I went to law school. Dan Pink, The Puzzle of Motivation.  It is really interesting to be a woman and to get to 45 and to not be married yet and to not have kids, especially when you have pushed out your fifth kid on television. Tracee Ellis Ross, 2017 Glamour Woman of the Year. I am not drunk …but the doctor who delivered me was.” (reference the shake she has due to a botched medical procedure at birth causing her cerebral palsey). Maysoon Zayid, I’ve Got 99 Prolbems and Cerebral Palsey is Not One of Them .

Salutation followed by humor

Oh boy, thank you so much, thank you so much.   Thank you, President Cowan, Mrs. President Cowen; distinguished guests, undistinguished guests, you know who you are, honored faculty and creepy Spanish teacher.   And thank you to all the graduating Class of 2009, I realize most of you are hungover and have splitting headaches and haven’t slept since Fat Tuesday, but you can’t graduate ’til I finish, so listen up. When I was asked to make the commencement speech, I immediately said yes.   Then I went to look up what commencement meant which would have been easy if I had a dictionary, but most of the books in our house are Portia’s, and they’re all written in Australian.   So I had to break the word down myself, to find out the meaning. Commencement: common, and cement, common cement.   You commonly see cement on sidewalks.   Sidewalks have cracks, and if you step on a crack, you break your mother’s back.   So there’s that.   But I’m honored that you’ve asked me here to speak at your common cement Ellen DeGenres, Commencement Speech at Tulane. Well, thank you. Thank you Mr. President, First Lady, King Abdullah of Jordan, Norm, distinguished guests. Please join me in praying that I don’t say something we’ll all regret. That was for the FCC. If you’re wondering what I’m doing here, at a prayer breakfast, well so am I. I’m certainly not here as a man of the cloth, unless that cloth is — is leather. Bono at  the  54th annual National Prayer Breakfast.  

Starting your speech by sharing a little-known fact, can be powerful. For this to fully work, you need to have the audience’s attention from the very first word. Read on for how these speakers started strong.

Powerful introductions using facts

Sadly, in the next 18 minutes when I do our chat, four Americans that are alive will be dead from the food that they eat. Jamie Oliver, Teach Every Child About Food. So I want to start by offering you a free, no-tech life hack, and all it requires of you is this: that you change your posture for two minutes. Amy Cuddy, Your Body Language May Shape Who You Are. Okay, now I don’t want to alarm anybody in this room, but it’s just come to my attention that the person to your right is a liar. (Laughter) Also, the person to your left is a liar. Also the person sitting in your very seats is a liar. We’re all liars. What I’m going to do today is I’m going to show you what the research says about why we’re all liars, how you can become a lie spotter and why you might want to go the extra mile and go from lie spotting to truth seeking, and ultimately to trust building. Pamela Meyer, How to Spot a Liar. You will live 7.5 minutes longer than you would have otherwise, just because you watched this talk.  Jane McGonigal. The Game That Can Give You Ten Extra Years of Life. There are 900,000 divorces   in the United States of America every year.   Fewer than 10% of them   ever talked to anybody about their relationship.   So why would you need a science?   Well, we need a science to develop effective treatment   and understanding of how to make love work.   Why?   Why should we care about having great relationships?   Well, it turns out that in the past 50 years,   a field called social epidemiology has emerged,   and it shows that great friendships,   great love relationships between lovers and parents and children   lead to greater health – mental health as well as physical health –   greater wealth, greater resilience,   faster recovery from illness,   greater longevity –   if you want to live 10 to 15 years longer, work on your relationships,   not just your exercise –   and more successful children as well.   John Gottman. The Science of Love.  This room may appear to be holding 600 people but there is actually so many more because within each of us there is a multiple of personalities. Elizabeth Lesser,  Take the Other to Lunch.

Using a physical object can draw the audience’s attention. Make sure you plan the timing of the prop, and you practice with it. It is important that it is large enough for the audience to see and they can see it well enough that they are not frustrated. Depending on your speech, it may be appropriate to put it away, so it is not distracting.

Powerful introductions using props

Darren Tay walks onto the stage and stares at the audience. He pulls a pair of underwear out of his pocket and puts them on over his suit. “Hey loser how do you like your new school uniform. I think it looks great on you. Those were the words of my high school bully Greg Upperfield. Now if you are all wondering if the underwear that Greg used was clean, I had the same questions. Darren Tay, Outsmart, Outlast. Toastmasters 2016 World Champion of Public Speaking . Mohammed Qahtani walks onstage, puts a cigarette in his mouth … then looks up as if noticing the audience and says, “What?” As the audience laughs, he continues. “Oh, you all think smoking kills? Ha-ha, let me tell you something. Do you know that the amount of people dying from diabetes are three times as many [as the] people dying from smoking? Yet if I pulled out a Snickers bar, nobody would say anything.” He goes on to say, his facts are made up and his real topic is about how words have power. Mohammed Qahtani, Toastmasters 2015 World Champion of Public Speaking

JA Gamach blows a train whistle and then starts his speech as if he were a conductor, “All aboard! It’s a bright sunny day and you are taking a train. You are wearing a pair of sandals you proudly made yourself. As you board the train one of your sandals slips off and falls beside the track.  (J.A. loses one sandal that falls down the platform.)  You try to retrieve it. Too late. The train starts to pull away. What would you have done? I would have cursed my bad luck, mad at losing a sandal. JA Gamache, Toastmasters 2007 World Championship. 

Use a Quotation

Powerful introductions using quotes.

Rules for using quotes

• Be sure to use the quote purposefully and not just as placeholders.
• Quotes can just take up valuable space where you could put content unless they are not properly used.
• Let the quote be more important than the author. When using a quote at the opening, say the quote first and then the author. When using a quote at the end of a speech, say the author first and then the quote.
• Keep it short and sweet. Use a quote that gets to the point quickly.
• If you must use long quotes–put them on your slide.
• If you project a quote, read it to the audience. Never expect them to read it while you talk about something else. Never say stupid things like, “You can read, I’ll let you read this for yourselves” or “Your adults, I’ll let you process this.”
• Check the authorship and authenticity of the quote. There are so many quotes on the internet that are misattributed and misquoted. For example, who wrote the quote: “They may forget what you said, but they will never forget how you made them feel”?
• Do not go for the overused quote or your audience is prone to dismiss it.  Instead of quoting an overused “I have a dream quote” do as Jim Key, the 2003 Toastmasters International World Championship of Public Speaking did and pick an equally great but lesser-used Martin Luther King Quote: “The time is always right to do what is right!”

Watch Nate Stauffer at a Moth Grand Slam as he uses poetry to start and carry his story.

Watch this clip for how Andrew Solomon opens with a quote to make us think about depression. 

Andrew Solomon, Depression, The Secret We Share. 

Reference the Occasion

Ceremonial speeches often call for acknowledgment of those in attendance or a mention of the occasion. Here is how Martin Luther King Junior set up his famous speech. I am happy to join with you today in what will go down in history as the greatest demonstration for freedom in the history of our nation. Five score years ago, a great American, in whose symbolic shadow we stand today, signed the Emancipation Proclamation. Martin Luther King Junior, I Have a Dream.

Get the Audience Involved

Having the audience stand, raise their hand, or even nod in encouragement can cause them to focus on your message. This can be particularly helpful if the audience has been sitting for a while. Let me show you a few examples of how that works.

Ask a Question

You can involve the audience from the start by asking them a question.

Watch the first few minutes of Amy Purdy’s speech and how she starts with a question, “ If your life were a book   and you were the author,   how would you want your story to go?” 

More powerful introductions using a question

I’m here today to talk about a disturbing question, which has an equally disturbing answer. My topic is the secret of domestic violence and the question I’m going to tackle is the one everyone always asks. Why would she stay? Why would anyone stay with a man who beats her? Why Domestic Violence Victims Don’t Leave- Leslie Morgan Steiner Here’s a question we need to rethink together: What should be the role of money and markets in our societies? Today, there are very few things that money can’t buy. If you’re sentenced to a jail term in Santa Barbara, California, you should know that if you don’t like the standard accommodations, you can buy a prison cell upgrade. It’s true. For how much, do you think? What would you guess? Five hundred dollars? It’s not the Ritz-Carlton. It’s a jail! Eighty-two dollars a night. Eighty-two dollars a night. Michael Sandel, Why We Shouldn’t Trust Markets with Our Civic Life.

How do you explain when things don’t go as we assume? Or better, how do you explain when others are able to achieve things that seem to defy all of the assumptions? For example: Why is Apple so innovative? Year after year, after year, after year, they’re more innovative than all their competition. Simon Sinek, How Great Leaders Inspire Action.  Can you remember a moment when a brilliant idea flashed into your head? Darren LaCroix,  Ouch! World Champion of Public Speaking.

Have the Audience Participate

If you ask a question you want the audience to answer, be sure to give them time to respond. If they raise their hands, be sure to acknowledge their response. You might have the answer by standing, by raising their hands, by speaking to their neighbor. You might call on one member of the audience to answer for the group.

If you ask a question you want the audience to answer, don’t let your presentation slide give away the answer. For example, one speaker had a slide behind him that said, “Lesson 1: Don’t Worry About IQ.” He has the audience raise their hand if they want to improve their grades then he asks, “So can I get a show of hands, how many would say IQ is going to be the most important to get those marks to go up?” Very few people responded because the answer was “written on the wall” literally.

Watch this clip as Allan Pease engages the audience.

Everybody hold your right hand in front like this in a handshaking position. Uncross your legs. Relaxed position. Right hand in front. When I say the word, “Now” here’s what we’re going to do. I am going to ask you to turn to someone besides you, shake hands as if you’re meeting for the first time, and keep pumping till I ask you to stop. Then you’ll stop and freeze it and we’re going to analyze what’s happening. You got that? You don’t have time to think about this. Do it now. Pick anybody and pump. Pump, everybody. Freeze it. Hold it. Stop. Hold it. Freeze it. Keep your hands locked. Keep them locked. The person whose hand is most on top is saying “I’ll be the boss for the rest of the day.” Allan Pease, Body Language, the Power is in the Palm of Your Hands. 

More powerful introductions using audience participation

I have a confession to make. But first, I want you to make a little confession to me. In the past year, I want you to just raise your hand if you’ve experienced relatively little stress? Kelly McGonigal, How to Make Stress Your Friend. So I’d like to start, if I may, by asking you some questions. If you’ve ever lost someone you truly loved, ever had your heartbroken, ever struggled through an acrimonious divorce, or being the victim of infidelity, please stand up. If standing up isn’t accessible to you, you can put your hand up. Please stay standing and keep your hand up there. If you’ve ever lived through a natural disaster, being bullied or made redundant, stand on up. If you’ve ever had a miscarriage, if you’ve ever had an abortion or struggled through infertility, please stand up. Finally, if you or anyone you love has had to cope with mental illness, dementia, some form of physical impairment or cope with suicide, please stand up. Look around you. Adversity doesn’t discriminate. If you are alive, you are going to have to, or you’ve already had to, deal with some tough times Thank you, everyone. Take a seat. Lucy Hone: The Three Secrets of Resilient People.  Advice from Moth Storytelling Club Have a great first line that sets up the stakes and grabs attention No: “So I was thinking about climbing this mountain. But then I watched a little TV and made a snack and took a nap and my mom called and vented about her psoriasis then I did a little laundry (a whites load) (I lost another sock, darn it!) and then I thought about it again and decided I’d climb the mountain the next morning.” Yes: “The mountain loomed before me. I had my hunting knife, some trail mix and snow boots. I had to make it to the little cabin and start a fire before sundown or freeze to death for sure.”  

Arouse Suspense or Curiosity

Watch this clip for how Kathryn Schulz creates curiosity by showing us Johnny Depp’s tattoo and then talks about her tattoo of regret. We hang on to her every word wondering, “Where is all this going and how bad can her tattoo really be?”

So that’s Johnny Depp, of course.   And that’s Johnny Depp’s shoulder.   And that’s Johnny Depp’s famous shoulder tattoo.   Some of you might know that, in 1990,   Depp got engaged to Winona Ryder,   and he had tattooed on his right shoulder   “Winona forever.”   And then three years later —   which in fairness, kind of is forever by Hollywood standards —   they broke up,   and Johnny went and got a little bit of repair work done.   And now his shoulder says, “Wino forever.”

Kathryn Schulz, Don’t Regret, Regret. 

  Saying unexpected things or challenging assumptions can get a speech started off right. A herd of wildebeests, a shoal of fish, a flock of birds. Many animals gather in large groups that are among the most wonderful spectacles in the natural world. But why do these groups form? The common answers include things like seeking safety in numbers or hunting in packs or gathering to mate or breed, and all of these explanations, while often true, make a huge assumption about animal behavior, that the animals are in control of their own actions, that they are in charge of their bodies. And that is often not the case. Ed Yong. Zombie Roaches and Other Parasite Tales. TED Talk

 Keys to Success

Memorize your first sentence so you can deliver it with impact. Memorize your whole speech opening if possible. Make sure your first three words have an impact.

Typical Patterns for Speech Openings

• Get the audience’s attention–called a hook or a grabber.
• Establish rapport and tell the audience why you care about the topic of why you are credible to speak on the topic.
• Introduce the speech thesis/preview/good idea.
• Tell the audience why they should care about this topic.
• Give a transition statement to the body of the speech.

Step Two: Credibility

First, you hook the audience with your powerful grabber, then you tell them why you are credible to speak on the topic and why the topic is important. If they know your credentials, you would not need to tell them your credibility but you may still want to tell them why you are interested in the topic. Here are a few examples of how some speakers included credibility.

Tell Why You Are Credible

I’m a doctor, but I kind of slipped sideways into research, and now I’m an epidemiologist. Ben Goldacre, Battling Bad Science.  I started studying resilience research a decade ago at the University of Pennsylvania in Philadelphia. It was an amazing time to be there because the professors who trained me had just picked up the contract to train all 1.1 million American soldiers to be as mentally fit as they always have been physically fit. Lucy Hone: The Three Secrets of Resilient People.  What I’m going to do is to just give a few notes,   and this is from a book I’m preparing called   “Letters to a Young Scientist.”   I’d thought it’d be appropriate to   present it, on the basis that I have had extensive experience   in teaching, counseling scientists across a broad array of fields.   And you might like to hear some of the principles that I’ve developed in doing   that teaching and counseling. EO Wilson: Advice to a Young Scientist. 

Step Three: Tell Why it is Important

Early on in your speech, you should tell the audience why they should care. You should connect the speech to things they care about. This is where you answer, so what, who cares?

You know, I didn’t set out to be a parenting expert. In fact, I’m not very interested in parenting, per se. It’s just that there’s a certain style of parenting these days that is kind of messing up kids, impeding their chances to develop.  Julie Lythcott-Haims, How to Raise Successful Kids – Without Over-Parenting

Step Four: Tell the Purpose of the Talk (aka Preview/ Thesis)

“If you don’t know what you want to achieve in your presentation your audience never will.” – Harvey Diamond, author

Tell the audience your purpose, clearly give them an overview of the main points.  MIT professor, Patrick Winston says one of the best things to add to your speech is an empowerment promise. You want to tell people what they will know at the end of your speech that they didn’t know at the beginning. It’s their reason for being here.  His empowerment promise was, “Today you will see some examples of what you can put in your armory of speaking techniques and it will be the case that one of those examples–some heuristic, some technique, maybe only one will be the one that will get you the job. By the end of the next 60 minutes, you will have been exposed to a lot of ideas, some of which you will incorporate into your own repertoire, and they will ensure that you get the maximum opportunity to have your ideas valued and accepted by the people you speak with.” Notice that this statement told you what to expect and why it mattered.

Here are examples of how various speakers accomplished this.

For years, I’ve been telling people, stress makes you sick. It increases the risk of everything from the common cold to cardiovascular disease. Basically, I’ve turned stress into the enemy. But I have changed my mind about stress, and today, I want to change yours. Kelly McGonigal, How to Make Stress Your Friend.   We’ve been sold the lie that disability is a Bad Thing, capital B, capital T. It’s a bad thing, and to live with a disability makes you exceptional. It’s not a bad thing, and it doesn’t make you exceptional. Stella Young, I’m Not Your Inspiration, Thank You Very Much

What I’m going to show you is all of the main things, all of the main features of my discipline, evidence-based medicine. And I will talk you through all of these and demonstrate how they work, exclusively using examples of people getting stuff wrong. Ben Goldacre, Battling Bad Science.  I would like to think that we (Arab women) poor, oppressed women actually have some useful, certainly hard-earned lessons to share, lessons that might turn out useful for anyone wishing to thrive in the modern world. Here are three of mine. Leila Hoteit, Three Lessons on Success from an Arab businesswoman We are often terrified and fascinated by the power hackers now have. They scare us. But the choices they make have dramatic outcomes that influence us all. So I am here today because I think we need hackers, and in fact, they just might be the immune system for the information age. Sometimes they make us sick, but they also find those hidden threats in our world, and they make us fix it. Keren Elazari. Hackers: The Internet’s Immune System Try This — Inspired by TED Master Class After you write your thesis, send it to three people with the question, “Based on what you read here, what do you think my speech will be about?”  

Putting It All Together

At this point, you know you need to have a grabber, a preview, a credibility statement, and a so-what-who-cares statement.  Let’s take a look at one of the top TED talks of all time by Jamie Oliver. This speech is a good illustration of everything we’ve been talking about so far and how all this works together.

“Everybody close your eyes.”

I don’t want to close my eyes; it makes me feel awkward and exposed to be in a group of people with my eyes closed. Because of that, I keep my eyes open. The problem is  when I keep my eyes open, I feel like some sort of horrible nonconformist rebel. I feel awkward with my eyes closed and I feel guilty if they are open. Either way, I just feel bad. Besides, half of the time when speakers tell audience members to close their eyes, they forget to tell us when we can open them. If you are wanting me to imagine a story, just tell me to imagine it, don’t make me close my eyes (rant over).

“Can everybody hear me?”

You should plan your opening to be intentional and with power. “Can everybody hear me” is a weak and uncertain statement and this is not the first impression you want to leave. Do a microphone check before the audience members arrive and have someone stand in different corners of the room to make sure you can be heard. Don’t waste your valuable speech time with questions that you should already know the answer to.

“How long do I have to speak?”

You should know that before you begin. Even if the presentations for the day are running over and you are the last speaker, you should ask the MC before you begin. Always plan your first words with power.

“Can you read this?”

You should make your slides big, really big. Test out your slides in advance of your speech, walk all around the room and make sure you can read them. Have a friend check them out as well. You should know they are big enough because you planned for it and tested it.

“Turn off your cell phones and laptops.”

People really hate having things taken away, not to mention that your audience may want to take notes on their devices. Chances are you are speaking to adults, let them determine if it is appropriate to have out their technology.

“I’m sorry, I’m losing my voice.” “I’m stopped up.” “I’m under the weather.”

Stop apologizing! Stop making excuses!  While these lines may be true, they just come of as excuses and can make the audience either feel like you don’t want to be there, or they just feel sorry for you.

“I’m so nervous right now.”

Talking about your nervousness will make you more nervous and will make them look for signs of your nervousness. Just start your speech.

“So, Um, Ok.”

Do not start with hesitation. Plan the first words, memorize the first words, practice the first words.  Do not start with “Ok, so um, now I’d like…” Plan strong and start strong.

Do Not Discuss Your Business with People Watching…Really! I Mean It! Many of us are giving and listening to presentations in an online format.  I have attended numerous presentations this year through Zoom where I have to sit and watch while the organizers engage in personal small talk or deal with the details of the presentation. This is how the speech I recently attended began. “Donna, you are going to share your screen, right?” “Yes. I have my PowerPoint ready to go. Will you push “record” when I give the signal?” “Sure. Where did you say that button is again? Do you think we should wait five more minutes, I think we had more who were coming? Dave, what was the total we were expecting?” “Yeah, we had 116 sign up, but the reminders went out late so this may be all we have. We can give them a few more minutes to log on.” “Donna, How is your dog? Is she still struggling with her cone since her spay surgery? My dog never would wear the cone –she tore her stitches out and broke her wound open. It was terrible. Well, it looks like it is about time to begin, thank you everyone for coming.” If you are organizing an event online, hosting a speech online, giving a presentation online–please keep it professional. Most platforms will allow you to keep the audience in a waiting room until it is time to start. If you have a business to deal with, keep the audience out until you have everything ready to go. Once the audience is in the meeting, you should engage the audience in group-type small talk or you should just start the presentation. In professional settings, you should start the meeting on time. Why punish those who showed up on time to wait for those who aren’t there yet?

A Conversation Over Coffee with Bill Rogers

I asked my long-time friend, Bill Rogers, to write an excerpt to add to the book.  I met Bill when he was the Chief Development Officer for a hospital in Northwest Arkansas and I met him again when he was reinventing himself as a college student getting a Master’s Degree in the theater.  He would love to share a symbolic cup of coffee with you and give you advice about public speaking. 

Perfect morning for a walk, isn’t it? Join me for a cup of coffee? Wonderful. Find us a table and I’ll get our coffee.

There you go; just like you like it. There’s nothing like a great cup of coffee on the patio of your neighborhood coffee shop, is there?

Now that you’re settled in your favorite chair, take a sip, and let that glorious caffeine kick in and do its stuff. Okay, let’s talk.

So, you were asking me about public speaking.

Well, let’s see. Where do we begin?

One of the first pieces of advice I ever received was to imagine that every member of your audience is sitting there in their underwear! Yeah, right. That never worked for me. I tried it once with a local civic group of community leaders both male and female. If the intent of that tidbit is to make you relax, it certainly didn’t work for me. It just made me more self-conscious…and more nervous. I not only got distracted, but I also lost my train of thought, I started sweating, and, of course, imagined myself standing there without clothes. Needless to say, that speech was a disaster and I’ve never used it again. I suggest you don’t either.

In the early days, I also relied very heavily on my typed-up speech. Now, there’s nothing wrong with that unless you find yourself reading it word for word as I did. Nothing is more boring nor puts an audience to sleep quicker than a speaker with their nose down reading a speech. There’s no connection and connection with your audience is key.

As you know, I love theatre and I’ve done a bit of acting over the years. Early on, I learned that the quicker I learned my lines, the more I could play, experiment, and shape my character. It relaxed me and gave me enormous freedom. It led me to find a mantra for myself: “With discipline comes freedom.” This freedom will allow you to improvise as your audience or situation dictates while still conveying the core message of your presentation. That discipline and its resulting freedom apply to public speaking of any kind and, I think, will serve you well.

Another old adage we’ve all heard is Aristotle’s advice. You know the one. No? Well, roughly, it’s to tell your audience what you’re going to say, say it, and then tell them what you just said. That’s the basic formula for public speaking. And it works as a good place to start.

However, effective speaking is much more and, to me, it starts with a story or even a simple sentence.

You know the feeling you get when you read the first sentence of a good book and it just reaches out and grabs you? That should be your goal with every presentation. One sentence to capture your audience’s attention. Something that causes them to lean forward. Something that sparks their imagination.

It doesn’t have to be all that profound either. It can be something very simple. A personal story that relates to your topic. A relevant fact or statistic that defines or illustrates the issue or subject matter at hand.

A couple of classics come to mind. The first is Alice Walker’s, “The Color of Purple.”

“You better not tell nobody but God.”

And the second one is from my favorite novel, “To Kill A Mockingbird,” by Harper Lee.

“When he was nearly thirteen, my brother Jem got his arm broken at the elbow.”

Both sentences hook you immediately. A few simple words speak volumes. After reading or hearing those words, you naturally lean in. You want to learn more. You want to find out what happens next. Every effective speech or presentation does the same thing.

Of course, make sure that the first and last thing you say to your audience is both relevant and appropriate. I share this out of an abundance of caution. I once worked for an internationally recognized and well-respected children’s research hospital and I was given the privilege to speak at a national educational convention. The room was filled wall to wall with teachers. I thought I’d be cute and add a little levity. I opened my presentation with this line, “You know, I’ve had nightmares like this…” Instead of the roars of laughter, I was expecting, a wave of silence ensued. Not only was the line not funny, but it was also wholly inappropriate and I immediately lost my audience. Not my best day. Learn from my mistakes.

Finally, let’s touch on the importance of approaching a speech as a conversation. You and I are sitting here enjoying our coffee and having a friendly, relaxed conversation. Strive for that every chance you get. You may not always have that luxury. Some speeches and presentations simply demand formality. But even in those cases, you can usually make it somewhat conversational. I always try to write my speeches in a conversational style. Like I’m talking to a friend…or trying to make a new one.

So, to recap: tell a story, learn your lines, hook your audience with a simple sentence, close with a question or call to action, use repetition, keep it conversational, treat your audience as a friend, and give yourself permission to relax.

Above all, be yourself. Allow yourself to be as relaxed as you are with those closest to you. If you’re relaxed, if you try to think of your audience as a friend, then, in most cases, they too will relax and they will root for you. Even if they disagree with what you are telling them, they will respect you and they will listen.

How about another cup?

Key Takeaways

Remember This!

• The most important part of your speech is the introduction because if you don’t get their attention, they are not listening to the rest of what you have to say.
• To get attention, tell a story, use humor, share a quote, tell a startling fact, show a prop, ask a question, reference the occasion.
• In addition to the grabber, a good introduction should establish rapport and tell the audience why you are credible.
• An introduction often includes a “so what who cares statement” to tell the audience why this should matter to them.
• The thesis/preview should be clear enough that someone could read just that sentence or couple of sentences and know what the speech is about.

Please share your feedback, suggestions, corrections, and ideas.

I want to hear from you. 

Do you have an activity to include? Did you notice a typo that I should correct? Are you planning to use this as a resource and do you want me to know about it? Do you want to tell me something that really helped you?

Click here to share your feedback. 

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Resource 9: Storytelling Speech Template

Storytelling speech template.

The most effective and enjoyable story to tell are the ones that come from the heart. Instead of concentrating on the fact that you have to tell a story, start from a place of excitement and care: What are you really excited to share with people? What moments are special to you? What memories bring strong emotions for you, whether they be motivation, pride, shame, longing, or even regret? Don’t get in your own way by thinking about how a particular memory might be too small, too insignificant, or too boring. Instead, remember stories should be a reflection of you, not what you think others want to hear.

The following template can be used in more formal storytelling situations, where you are telling a story uninterrupted for an audience, often as a portion of a speech. As with any template, you might not need this tool; in fact, if it interferes with you being authentic, please disregard! That said, if it helps you get unstuck or get the ideas flowing, use this template to organize your ideas. Note: the sections in this template can also be placed in any order, depending on what makes sense for your speech. For additional help, watch the video example of 16-year old Matteo giving a speech on arts education.

“Personal-Universal-Application” Format

How to Start a Speech: The Best (and Worst) Speech Openers

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One of the hardest things about public speaking is knowing how to start a speech. Your opening line is your first impression. It’s how you capture attention. It’s how you captivate the audience. So how do you make sure you nail it every time?

The best way to know how to open a speech is to look at what has worked in the past. When we examined the top speeches of all time and the most popular TED talks of all time, we found some interesting speaking patterns.

Time has identified the top 10 greatest speeches of all time. They are:

Opening Lines of the Top 10 Greatest Speeches of All Time

#1: Socrates – “Apology”

#2: Patrick Henry – “Give Me Liberty or Give Me Death”

#3: Frederick Douglass – “The Hypocrisy of American Slavery”

#4: Abraham Lincoln – “Gettysburg Address”

Opening Line: “Fourscore and seven years ago our fathers brought forth on this continent a new nation, conceived in liberty and dedicated to the proposition that all men are created equal.”

#5: Susan B. Anthony – “Women’s Rights to the Suffrage”

#6: Winston Churchill – “Blood, Toil, Tears, and Sweat”

#7: John F. Kennedy – “Inaugural Address”

Opening Line: “We observe today not a victory of party, but a celebration of freedom — symbolizing an end, as well as a beginning — signifying renewal, as well as change.”

#8: Martin Luther King, Jr. – “I Have a Dream”

#9: Lyndon B. Johnson – “The American Promise”

#10: Ronald Reagan – “Remarks at the Brandenburg Gate”

How do all of these historical greats start their speeches? Is there a difference between these and some of the more modern top TED talks?

Before we dive in, let’s recap with some critical do’s and don’ts when opening a speech:

Opening Lines of the Top 10 TED Talks of All Time

Here are the opening lines to the top 10 Ted Talks of all time according to view count:

#1: Sir Ken Robinson – “Do schools kill creativity?” Opening Line: “Good morning. How are you? It’s been great, hasn’t it? I’ve been blown away by the whole thing. In fact, I’m leaving.”

#2: Amy Cuddy – “Your Body Language May Shape Who You Are” Opening Line: “So I want to start by offering you a free, no-tech life hack, and all it requires of you is this: that you change your posture for two minutes.”

#3: Simon Sinek – “How Great Leaders Inspire Action”

#4: Brene Brown – “The Power of Vulnerability” Opening Line: “So, I’ll start with this: a couple years ago, an event planner called me because I was going to do a speaking event.”

#5: Mary Roach – “10 Things You Didn’t Know About Orgasm” Opening Line: “All right. I’m going to show you a couple of images from a very diverting paper in The Journal of Ultrasound in Medicine.”

#6: Julian Treasure – “How to Speak so that People Want to Listen” Opening Line: “The human voice: It’s the instrument we all play.”

#7: Jill Bolte Taylor – “My Stroke of Insight” Opening Line: “I grew up to study the brain because I have a brother who has been diagnosed with a brain disorder: schizophrenia.”

#8: James Veitch – “This is What Happens When You Reply to Spam Email” Opening Line: “A few years ago, I got one of those spam emails.”

#9: Cameron Russell – “Looks Aren’t Everything; Believe Me, I’m a Model” Opening Line: “Hi. My name is Cameron Russell, and for the last little while, I’ve been a model.”

#10: Dan Pink – “The Puzzle of Motivation” Opening Line: “I need to make a confession at the outset here.”

What can we learn from these opening lines? There are some patterns that can help us. First, let’s start with what you shouldn’t do. Have you ever made one of these cardinal speaking sins?

Never Start a Presentation with…

Anything technical! This is a big mistake people make when they have not done a tech check ahead of time or are feeling nervous. Never start with these openers:

• Is this microphone working?
• Can you hear me?
• Wow, these lights are bright!

Your nervousness. Many people think it is vulnerable to start with how nervous they are about speaking — you can mention this later, but it should not be the first thing. Why? People will then only be looking for signs of your nervousness. Don’t start with:

• I’m so nervous right now!
• Wow there are so many people here.
• I’m not a great public speaker.

A lackluster or non-believable nicety. It’s great to be grateful to the person who introduced you, but it’s not a great way to include the audience. It’s ok to thank the audience for being there—but do it at the end (not as your opening line). These are all too boring:

• Thanks for having me.
• Thanks for that intro.
• Nice to be here.

Boring, shmoring! I have an exception here if you can make it funny. Ken Robinson started with a nicety and then turned it into a joke. He said, “ “Good morning. How are you? It’s been great, hasn’t it? I’ve been blown away by the whole thing. In fact, I’m leaving.”

More Public Speaking Resources

Get even more public speaking tips with our related resources:

• 10 Presentation Ideas that will Radically Improve Your Presentation Skills
• 6 Public Speaking Apps to try Before Your Next Presentation
• My Top 5 Favorite Public Speakers
• 15 Science-Based Public Speaking Tips To Become a Master Speaker
• How to Give Captivating Presentations
• How to Give an Awesome Toast

How to Start a Presentation

A story. The absolute best way to start a presentation is with a story. There is nothing better to capture the imagination and attention of an audience. Try to use these speaking openers as fill-in-the-blanks for your speech.

• I’m here for a reason. And it’s an interesting story…
• The best thing that ever happened to me was…
• Once upon a time…

In his talk, “The lies our culture tells us about what matters,” David Brooks started off with a great opening line AND a story. He said, “So, we all have bad seasons in life. And I had one in 2013. My marriage had just ended, and I was humiliated by that failed commitment.” Makes you want to watch right…

And if you need help on storytelling basics, be sure to check out some of my top 5 favorite speakers .

A BIG idea. Sometimes you want to share your big idea right up front. This can be helpful because it is intriguing and gets people clued in right away. All TED speakers try to integrate their big idea early.

• You’re here for a reason. It’s…
• The single most important thing I want to share with you today is…
• Today, I want to share a big idea…

I love how Stacy Smith starts off her talk with her big idea framed in an interesting way. She said, “Today, I want to tell you about a pressing social issue. Now, it’s not nuclear arms, it’s not immigration, and it’s not malaria. I’m here to talk about movies.”

Special Note: Be very careful to NOT deliver your one-liner by re-reading your title slide. You also want to position it as exciting and intriguing. For example, don’t say, “Today I am going to talk about body language.” Instead say, “Today I am going to teach you the single most important thing you can do to improve your charisma… and it starts with your body.”

A quirky one-liner. If you can use humor — do it! Humor or curiosity is a great way to start a speech on a high. You can get creative with these! Think of an interesting fact about you, your audience or your topic that can lead you into your content.

• One thing most people don’t know about me is…
• A teacher, a mother and a duck walk into a bar…
• I want to tell you something surprising.

When I gave my TEDx London Talk I started off with a quirky one-liner that immediately got a few laughs. It was “Hi, I’m Vanessa and I am a recovering awkward person.” It worked so well it is also the first line of my book, Captivate . 

II love the way Eve Ensler opens her speech with an interesting one-liner: “For a long time, there was me, and my body.”

This is a great tip from Conor Neill. He says that it is great to start with a question that the audience is asking themselves or would be very curious to know the answer to. This might be phrasing a pain point or worry for your audience.

• Do you ever worry about…?
• Have you ever wondered…?
• You might have always thought…

See Cono Neill’s examples here: 

Did you know…? Any interesting factoid or curiosity is bound to intrigue your audience. This is great if it leads into your content or a story. I like to start with did you know… Here are some that I use. You will have to fill in the blank for your audience:

• Did you know that it takes less than a second to make a first impression ?
• Did you know that your nonverbal communication is 12.5 times more powerful than your words ?
• Did you know that we are lied to 200 times a day ?

Jamie Oliver does this amazingly in his TED Talk. He starts with this mind-blowing fact, “Sadly, in the next 18 minutes when I do our chat, four Americans that are alive will be dead through the food that they eat.”

Hopefully these opening lines will give you some ideas to use to open your speech.

How to End a Speech: My Favorite Closers

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20 thoughts on “how to start a speech: the best (and worst) speech openers”.

Love your material

didnt help me but still good stuff

Thank you Vanessa. I’ve been a public speaker for 25 years and I’m impressed with your content here. Thank you. Looking forward to a deep dive into more of your material. With gratitude.

Found these examples super informative. Can’t wait to mix match the examples to see which one will work best for my presentation!

I am preparing to make a presentation on Public Speaking and came across your article. This is very instructive and timely too.Many thanks.

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How to Start a Speech with a Story

by Alan | Feb 2, 2018 | Communication skills , public speaking , Storytelling

The question of how to start a speech seems simple and there are several ways to open your presentation. Using a story is a great way to start a speech.

I just attended the fabulous KEY5 Conference in Charlotte, NC.  The concept is simple – put professional speakers on the stage for five minutes, create top-notch videos of them, and capture audience testimonials. Think TEDx, demo reel, conference, and marketing push all mixed together.  Every one of the speakers had something worthwhile to say and the audience was never put to sleep because the event moved really fast.  Every speaker did a FANTASTIC job.

But I have some inside information.  I helped coach many of the speakers.  It was one of the few times I have gotten to see the live delivery of a speech I’ve coached. That was a special treat.  But there is one other surprise.  I was also one of the speakers at the event.  Five minutes to get my message out. I felt that people would expect me to be at least decent.  And I wanted to be much more than decent.

It was probably the toughest speech I’ve ever written.  I was trying out new material (a no-no when the stakes are high – try it in a risk-free environment first!).  I was slammed for time and utilized a skill I perfected in college – procrastination.  I had preached to the speakers in our monthly coaching calls that the way to write a five-minute speech is not to trim your one-hour keynote, but to build a new speech from the ground up.  I did just that.  My core message was fleshed out a long time ago and it was solid.  I had to make some decisions about which example, story, and data backed up my points the best (and in some cases, the fastest), but I was happy with the core block of my talk.  It was just under four minutes.

It was the open and close where I was struggling.  The opening I wanted to use was the personal backdrop of why the topic (coaching and self-evaluation) is important to me.  I could easily use 20 minutes to hash that out.  The trimmed version was over three minutes.  That won’t do for an intro to a five-minute talk (I usually use the guideline to use about 10% of your talk time for an open AND a close combined).   I was at a frustrating crossroads driven by the external constraint of time.

The saving way out came in the form of my own teaching on how to start a speech.  I led a discussion for part of our fantastic PRiSM Speaker’s practice group the day before I left for the conference.

We were discussing… openers and how to start a speech.  Few people doubt that stories top the list, but the #1 question is always “ How do I know what story to use? ”  I had the answer.  Find your core message.  Reduce it to a sentence or a phrase.  Then brainstorm stories that talk about or imply that singular point.  Make the segue to your content.  And come back and end the way you started.

As I was helping lead this discussion by using some examples from our group, I had one of those sky-parting-angels-singing moments.  “ Hey, speech coach!  Why don’t you do that on your own speech! ”  There was one complication, I had almost no time to sit and brainstorm and think.  So I used the three-hour commute to the conference and the Bluetooth connection to my truck and my phone to record my new opening.  The new opening did nothing I originally set out to do – covering why the topic mattered to me.  And that probably violates rule #1 (it’s not about me) anyway.  But it did what I said it would do.  It got me into my content (in 37 seconds) and gave me an exit and call to action at the end.  And when I sat down to compose what my phone recordings were telling me worked, it took less than 15 minutes to have it all ironed out.  I was very pleased with the result.  My experience doing this for others helps, to be sure, but once you have the message hook and use it to start a speech, it’s a relatively easy task to find an opener.

The morals of this story:

Moral #1: if you believe in your system/product/secret enough to sell it to clients, it better work for you!

Moral #2: Don’t be so married to your content that you are not willing to change it.  More than one speaker told me they resisted my suggestions to their speech, but their practice and their frustration eventually told them they should just give up and take the suggestions.

By the way.  Several of the speakers confessed that they spent over 40 hours preparing their five-minute speeches.  I meandered into the room late on the eve of the big show and there was a speaker on the stage practicing.  The next time you see a keynote speaker and think it’s easy work, please reconsider your position.

How much time are you willing to spend to make your next meeting, talk, or message stand out? 

We will give you insights on how to start a story in our Power of Storytelling in Business and Life workshop.  We also cover how to segue to and from the story, how to make it interesting, making sure your audience applies your story, and how to practice storytelling.  Great speakers tell stories well. Come and join us to find out how!

Communication matters, what are  YOU  saying?

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How to Start a Speech: 7 Tips and Examples for a Captivating Opening

By Status.net Editorial Team on December 12, 2023 — 10 minutes to read

1. Choosing the Right Opening Line

Finding the perfect opening line for your speech is important in grabbing your audience’s attention. A strong opening line sets the stage for the points you want to make and helps you establish a connection with your listeners.

1. Start with a question

Engage your audience from the very beginning by asking them a thought-provoking question related to your topic. This approach encourages them to think, and it can create a sense of anticipation about what’s coming next.

• “Have you ever wondered how much time we spend on our phones every day?”

2. Share a personal story

A relatable personal story can create an emotional connection with your audience. Make sure your story is short, relevant to your speech, and ends with a clear point.

• “When I was a child, my grandmother used to tell me that every kind deed we do plants a seed of goodness in the world. It was this philosophy that inspired me to start volunteering.”

3. Use a quote or a statistic

Incorporate a powerful quote or an intriguing statistic at the outset of your speech to engage your audience and provide context for your topic.

• “As the great Maya Angelou once said, ‘People will forget what you said, people will forget what you did, but people will never forget how you made them feel.'”

4. Make them laugh

Injecting a little humor into your opening line puts everyone at ease and makes your speech more memorable. Just make sure your joke is relevant and doesn’t offend your audience.

• “They say an apple a day keeps the doctor away, but if the doctor is cute, forget the fruit!”

5. Paint a mental picture

Draw your audience in by describing a vivid scene or painting an illustration in their minds. This creates an immersive experience that makes it easier for your audience to follow your speech.

• “Picture this: you’re walking down the beach, and you look out on the horizon. The sun is setting, and the sky is a breathtaking canvas of reds, oranges, and pinks.”

2. Using a Personal Story

Sharing a personal story can be a highly effective way to engage your audience from the very beginning of your speech. When you open your talk with a powerful, relatable story, it helps create an emotional connection with your listeners, making them more invested in what you have to say.

Think about an experience from your life that is relevant to the topic of your speech. Your story doesn’t have to be grand or dramatic, but it should be clear and vivid. Include enough detail to paint a picture in your audience’s minds, but keep it concise and on point.

The key to successfully using a personal story is to make it relatable. Choose a situation that your audience can empathize with or easily understand. For example, if you’re giving a speech about overcoming adversity, you could talk about a time where you faced a seemingly insurmountable challenge and overcame it.

Make sure to connect your story to the main point or theme of your speech. After sharing your experience, explain how it relates to the topic at hand, and let your audience see the relevance to their own lives. This will make your speech more impactful and show your listeners why your personal story holds meaning.

3. Making a Shocking Statement

Starting your speech with a shocking statement can instantly grab your audience’s attention. This technique works especially well when your speech topic relates to a hot-button issue or a controversial subject. Just make sure that the statement is relevant and true, as false claims may damage your credibility.

For example, “Believe it or not, 90% of startups fail during their first five years in the market.” This statement might surprise your listeners and make them more receptive to your ideas on how to avoid pitfalls and foster a successful business.

So next time you’re crafting a speech, consider opening with a powerful shocking statement. It could be just the thing to get your audience sitting up and paying full attention. (Try to keep your shocking statement relevant to your speech topic and factual to enhance your credibility.)

4. Using Humor

Humor can be an excellent way to break the ice and grab your audience’s attention. Opening your speech with a funny story or a joke can make a memorable first impression. Just be sure to keep it relevant to your topic and audience.

A good joke can set a light-hearted tone, lead into the importance of effective time management, and get your audience engaged from the start.

When using humor in your speech, here are a few tips to keep in mind:

• Be relatable: Choose a story or joke that your audience can easily relate to. It will be more engaging and connect your listeners to your message.
• Keep it appropriate: Make sure the humor fits the occasion and audience. Stay away from controversial topics and avoid offending any particular group.
• Practice your delivery: Timing and delivery are essential when telling a joke. Practice saying it out loud and adjust your pacing and tone of voice to ensure your audience gets the joke.
• Go with the flow: If your joke flops or doesn’t get the reaction you were hoping for, don’t panic or apologize. Simply move on to the next part of your speech smoothly, and don’t let it shake your confidence.
• Don’t overdo it: While humor can be useful in capturing your audience’s attention, remember that you’re not a stand-up comedian. Use it sparingly and focus on getting your message across clearly and effectively.

5. Incorporating a Quote

When you want to start your speech with a powerful quote, ensure that the quote is relevant to your topic. Choose a quote from a credible source, such as a famous historical figure, a well-known author, or a respected expert in your field. This will not only grab your audience’s attention but also establish your speech’s credibility.

For example, if you’re giving a speech about resilience, you might use this quote by Nelson Mandela: “The greatest glory in living lies not in never falling, but in rising every time we fall.”

Once you’ve found the perfect quote, integrate it smoothly into your speech’s introduction. You can briefly introduce the source of the quote, providing context for why their words are significant. For example:

Nelson Mandela, an inspirational leader known for his perseverance, once said: “The greatest glory in living lies not in never falling, but in rising every time we fall.”

When you’re incorporating a quote in your speech, practice your delivery to ensure it has the intended impact. Focus on your tone, pace, and pronunciation. By doing so, you can convey the quote’s meaning effectively and connect with your audience emotionally.

Connect the quote to your main points by briefly explaining how it relates to the subject matter of your speech. By creating a natural transition from the quote to your topic, you can maintain your audience’s interest and set the stage for a compelling speech.

In our resilience example, this could look like:

“This quote by Mandela beautifully illustrates the power of resilience. Today, I want to share with you some stories of remarkable individuals who, like Mandela, overcame obstacles and rose every time they fell. Through their experiences, we might learn how to cultivate our own resilience and make the most of life’s challenges.”

6. Starting with a Question

Opening your speech with a question can be a great way to engage your audience from the start. This strategy encourages your listeners to think and become active participants in your presentation. Your opening question should be related to your core message, sparking their curiosity, and setting the stage for the following content. Here are a few examples:

• For a motivational speech : “Have you ever wondered what you would do if you couldn’t fail?”
• For a business presentation : “What’s the biggest challenge your team faces daily, and how can we overcome it?”
• For an educational talk : “How does the way we use technology today impact the future of our society?”

When choosing the right starting question, consider your audience. You want to ask something that is relevant to their experiences and interests. The question should be interesting enough to draw their attention and resonate with their emotions. For instance, if you’re presenting to a group of entrepreneurs, gear your question towards entrepreneurship, and so on.

To boost your question’s impact, consider using rhetorical questions. These don’t require a verbal response, but get your audience thinking about their experiences or opinions. Here’s an example:

• For an environmental speech : “What kind of world do we want to leave for our children?”

After posing your question, take a moment to let it sink in, and gauge the audience’s reaction. You can also use a brief pause to give the listeners time to think about their answers before moving on with your speech.

7. Acknowledging the Occasion

When starting a speech, you can acknowledge the occasion that brought everyone together. This helps create a connection with your audience and sets the stage for the rest of your speech. Make sure to mention the event name, its purpose, and any relevant individuals or groups you would like to thank for organizing it. For example:

“Hello everyone, and welcome to the 10th annual Charity Gala Dinner. I’m truly grateful to the fundraising committee for inviting me to speak tonight.”

After addressing the event itself, include a brief personal touch to show your connection with the topic or the audience. This helps the audience relate to you and gain interest in what you have to say. Here’s an example:

“As a long-time supporter of this cause, I am honored to share my thoughts on how we can continue making a difference in our community.”

Next, give a brief overview of your speech so the audience knows what to expect. This sets the context and helps them follow your points. You could say something like:

“Tonight, I’ll be sharing my experiences volunteering at the local food bank and discussing the impact of your generous donations.”

Frequently Asked Questions

What are some effective opening lines for speeches.

A powerful opening line will grab your audience’s attention and set the stage for the rest of your speech. Some effective opening lines include:

• Start with a bold statement: “The world needs your creativity now more than ever.”
• Share a surprising fact: “Did you know that the average person spends (…) years of their life at work?”
• Pose a thought-provoking question: “What would you attempt to do if you knew you could not fail?”
• Tell a short, engaging story: “When I was 10 years old, I discovered my passion for baking in my grandmother’s kitchen.”

Can you provide examples of engaging introductions for speeches?

• Use humor: “As a kid, I believed that 7 pm bedtime was a form of torture. Now, as an adult, I find myself dreaming of 7 pm bedtime.”
• Share a personal experience: “On a trip to Italy, I found myself lost in the winding streets of a small village. It was there, amidst my confusion, that I stumbled upon the best gelato I’d ever tasted.”
• Use an analogy: “Starting a new business is like taking a journey into the unknown. There will be challenges to overcome, and you’ll need resilience, determination, and a strong compass.”

Which speech styles can make a powerful impact on the audience?

Different speech styles will resonate with different audiences. Some styles to consider include:

• Inspirational: Motivate your audience to take action or overcome challenges.
• Storytelling: Share personal experiences or anecdotes to illustrate your points and keep listeners engaged.
• Educational: Provide useful information and insights to help your audience learn or grow.
• Persuasive: Present a compelling argument to convince your audience to adopt a particular perspective or take specific action.

How do successful speakers establish a connection with their listeners?

Establishing a connection with your listeners is key to delivering an impactful speech. Some ways to connect with your audience include:

• Show empathy: Demonstrating understanding and concern for your audience’s feelings and experiences will generate a sense of trust and connection.
• Be relatable: Share personal stories or examples that allow your audience to see themselves in your experiences, thus making your speech more relatable.
• Keep it genuine: Avoid overrehearsing or coming across as scripted. Instead, strive for authenticity and flexibility in your delivery.
• Encourage participation: Engaging your audience through questions, activities, or conversation can help build rapport and make them feel more involved.

What are some techniques for maintaining a friendly and professional tone in speeches?

To maintain a friendly and professional tone in your speeches, consider these tips:

• Balance humor and seriousness: Use humor to lighten the mood and engage your audience, but make sure to also cover the serious points in your speech.
• Speak naturally: Use your everyday vocabulary and avoid jargon or overly formal language when possible.
• Show respect: Acknowledge differing opinions and experiences, and treat your audience with courtesy and fairness.
• Provide useful information: Offer valuable insights and solutions to your audience’s concerns, ensuring they leave your speech feeling more informed and empowered.
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• Empathy: Definition, Types, and Tips for Effective Practice
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• What is Self Compassion? (Exercises, Methods, Examples)

• 17 Storytelling Ideas to Breathe Life Into Every Speech
• Uncategorized >>

With a few audience members after sharing stories in Australia

You saw the title so let’s jump right in with 17 storytelling ideas that will breathe life into your speeches and keep your audiences engaged.

Idea Number One: Start your stories in different places. You don’t have to start a story at the beginning. You can start it in the middle or even at the end. For example, I could start a story like this:

“There I was, standing on stage with the 1 st place trophy at the 1999 World Championship of Public Speaking. Life as a speaker was great! However, it didn’t start out that way. In fact, back in 1995…”

You can give the end and then work your way back to how you got there. Mix it up with each story. Don’t start them all in the same place.

Idea Number Two: Keep your audience curious from the beginning. What questions can you plant in the minds of your audience members that they’ll want answered during the story? For example, I start off one of my stories with, “You might not have realized this but…I’m black. Hold on, let me tell you how I found this out!” Along with uncovering some humor, this line makes my audience curious as to what happened and, therefore, they’re happy to come on the journey with me.

Idea Number 3 : Get to your stories quicker. There’s way too much set-up (what I call “pre-ramble”) for many of the stories I see. Get to the story quickly and then go rapidly into the conflict.

Idea Number 4: Take your time between your lines. That’s where the story lives…in the space between the lines. Don’t rush to get to your next line. Instead, find ways to milk the line you just gave. In several of my stories, the majority of the laughs come from the looks rather than the lines. However, you have to give yourself space for that.

Idea Number 5: Condense to connect. When you give a scene with two (or more) characters talking in dialogue, don’t tell us everything, just tell us something . Try not to go back and forth between characters with lines of dialogue more than 2-3 times. Otherwise, your audience will quickly grow tired. Instead, put all of the important statements in no more than a couple of lines of dialogue.

Idea Number 6: Use character dialogue (with a quick narration set-up) in order to shorten your stories and pump life into them. There’s far too much narration in many stories. Dialogue will shorten your stories.

Idea Number 7: Don’t just establish a conflict, escalate it.

Idea Number 8: Don’t be the Guru of your own story. Let us know who or what gave you the cure that changed your life for the better. You can be the hero (the person who overcame his conflict) but don’t be the Guru (the person who showed you how).

Idea Number 9: Show the emotional change in your character AFTER you overcome OR transcend your conflict. No change, no story.

Idea Number 10: Realize it’s the looks you give before, during, and/or after the lines that really tell the story. Or as my friend, Darren LaCroix, says, “Reactions tell the story.”

 Idea Number 11: Make sure you have a Foundational Phrase that your audience can easily remember and repeat. It should be rhythmic, you-focused (meaning audience-focused), and preferably fewer than 10 words. For example, one of my foundational phrases is, “Don’t get ready, stay ready.” My audiences can use that phrase as a guide moving forward.

Idea Number 12: When delivering the lines of your characters, use their posture, positioning, and a “slight” change in your voice (whether it’s pace, pitch, volume, etc.) to make that person come alive and be different from the other characters. For example, you might have a character that is stern and so he has a very stiff posture and possibly crosses his arms and frowns when he talks.

Idea Number 13: Be subtle with everything you do delivery-wise. For example, you don’t need to speak with a child’s voice when delivering the lines of a child. Instead, speak with your voice (with maybe a little higher pitch) but deliver it with the child’s expression. He or she can also look up to show that the child is talking to an adult.

Idea Number 14: Come out of your story to talk to the audience. Remember, you are NOT doing a stage-play. You’re supposed to be having a conversation with your audience. When you get into a story, you don’t have to lose that conversation. Instead, mix the story with the conversation. For example, I have a story that goes like this:

“You should have been with my wife and me 11 years ago as we took our 6 month-old daughter, Tori, to the doctors. Raise your hand if you have kids? Great, then YOU know the doctor is going to measure her length and her weight…” Even though I already started my story, I looked to find ways to keep bringing my audience members into it. I call these “You-focused check-ins.” They keep the audience on their toes because, instead of being passive spectators, they become active participants.

Idea Number 15: When your story is over and you’ve given your Foundational Phrase, you don’t need to ramble on about the point. First of all, the story actually makes the point. The Foundational Phrase makes the point memorable.  If you keep talking and trying to drive the point home, your audience will want the ride to end.

Idea Number 16: Invite your audience members into your scene. For example, I might say, ”Imagine being in my passenger’s seat as I went through the KFC drive-thru.” My audience members are now in my passenger’s seat for that story.

Idea Number 17: With a few exceptions, keep your stories short. The longer you work on a story, the shorter it should get. I try to keep most of mine under 4 minutes.

There you have it…17 storytelling ideas that will breathe life into every speech.

What are some ideas you have that have helped with your stories?

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Short Anecdotes for Speeches and Parables to Amaze Your Audience

Short anecdotes for speeches are a fantastic way to end a presentation with a bang. These stories can be fiction, actual incidents from history, or even just funny stories from your own personal life. When you deliver them well, though, they have a lasting impact. I often use these short anecdotes for speeches when I’m trying to teach something meaningful to the audience. So, in most instances, speakers use these anecdotes in training sessions or motivational speeches.

When You Use an Anecdote in a Speech, Tie the Story to the Greater Meaning of Your Presentation.

The anecdotes themselves add entertainment and humor to a speech. But when you use the story to relay a greater message, they almost have a magic quality. When you tell an anecdote in a speech, spend time at the end tying the incident back to the main point of your presentation.

When my daughter graduated from High School, a local pastor delivered her commencement address. He used a well-known anecdote in a masterful way as the start of the commencement speech. Since he was a pastor, he told the story of John the Baptist baptizing Jesus. Being a professional speaker myself, I wondered exactly how he would tie that story to a graduation ceremony.

He went on to explain how many Christians might see a “Baptism” as the ending point. However, Jesus started his public ministry at his baptism. The pastor then shared with the graduating class that many of them are likely seeing the ceremony as the end of their schooling. In reality, though, commencement means the beginning. The speaker used the anecdote really well and inspired the graduating class with the short story.

So, I thought that it might be fun to just jot down a few of the most inspirational (or just funny) short anecdotes for speeches that I have come across in my career. Perhaps you can use them in your next presentation.

Short Anecdotes for Speeches

The parable of the pebbles.

Eventually, he saw in the distance what looked like an oasis. He moved as fast as he could to what could be his salvation. Just as darkness fell, he felt cool water on his sandal.

He dropped to his knees and began cupping water into his mouth with his palm thanking God that he had survived. Then, out of the darkness, he heard a big booming voice from heaven say, “Merchant! Reach down, pick up some stones, put them into your pocket, and in the morning you will be both glad and sad.”

Well, when a big booming voice from heaven tells you to do something, you tend to do it. So, he reached into the stream, picked up a few pebbles, and put them into his pocket. He then packed up his camel as fast as he could and took off.

When he felt like he was far enough away from the voice that he was safe, he made camp.

Laying under the stars, he finally realized that he had been pretty dehydrated. So, he convinced himself that he had just imagined the voice. When he woke the next morning, he felt something in his trouser pocket. He pulled the pebbles out of his pocket in amazement. They weren’t just ordinary pebbles. They were precious gems — diamonds, emeralds, sapphires, rubies… At that moment, he was both glad and sad.

He was glad that he picked a few pebbles up…

He was also very sad, though, that he hadn’t picked up more while he was there.

The parable of the pebbles is an analogy to training sessions. When we finish a training session without putting a lot of effort into the skill development, we will often be glad that we gained some skill. However, we can often look back and wish that we had worked a little harder so that we could have developed more.

Rocks in a Jar Time Management Presentation Anecdote (Analogy)

However, he pulled out a bag of smaller pebbles like you would see in a fish tank, and poured them in as well. As he shook the jar, the smaller pebbles fell into the spaces between the large rocks. Again he asked, “So, is the jar full?” The group was more hesitant, now, though. So, they waited to see what he would pull out next.

Not to disappoint, he pulled out a bag of sand and poured it into the jar as well. “Now is the jar full?”

One of the high-achievers in the front row, learning his game said, “No, you can still pour water into the jar.”

Of course, he did.

The same woman in the front row then said, “I get it. The point is that no matter how busy our schedule is, you can always cram something else in, right?”

The consultant smiled at her and said, “Not exactly. My point is that the big items only fit into the jar at all because we put them in first. If you don’t focus on the big things like, spending time with your family and having a strong spiritual life, the little things will always seep in and take up all the space.”

Use the Rocks in a Jar Time Management parable to encourage people to focus on the most important things in life.

The Obstacle in Our Path Parable

Finally, a vegetable farmer with a small cart came by. Seeing that the boulder was a great obstacle for his fellow merchants with wagons, he decided to try to move the bolder. He pushed and strained as fellow travelers watched. Eventually, he was able to clear the boulder from the roadway. As he went back to retrieve his cart, he noticed a money bag where the boulder had been. Inside was a dozen gold coins along with a note from the king thanking him.

You can use the Obstacle in Our Path Parable to show how every obstacle in our path is an opportunity for reward. However, most people see the obstacle and go the other way.

The Ripple Effect

A troubled monk goes to his Abbott for guidance, and after listening intently, the Abbott asks the monk to join him on a walk. The arrive at a pond near the back of the monastery. The Abbott asks the monk to pick up a stone and toss it into the center of the pond. The monk complies. “Now,” said the Abbott, “as the ripples come closer to the shore, stick your finger in the water to try to stop them.” The monk tries, but as he sticks his finger in the water, the action just creates more ripples.

The confused monk looks at his mentor and says, “Abbott, I can’t. My actions just cause more ripples.”

The Abbott smiles, and says, “So, you cannot stop the ripples?”

“Correct,” said the monk.

“But could you have stopped yourself from tossing the stone into the pond in the first place”?”

This short anecdote has a ton of applications in a speech. I sometimes use it to show that often we spend a lot of time trying to mitigate a symptom versus fixing the actual problem causing the symptom. For instance, people will often come to my classes to reduce the number of times they say “uhhmm” in a speech or to avoid speaking too quickly. Those are just symptoms of nervousness, though. If you try to treat the symptom, it’s like trying to stop the ripples. However, if we help the presenter reduce the actual nervousness, the ripples go away altogether.

Tell Us Some of Your Favorite Short Parables for Presentations.

If you have a compelling story, anecdote, or parable that you like t0 use in your presentations, share it with us in the comments below. We will try to make this page a repository for great presentation anecdotes.

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• How-To Guides

How To Write Dialogue In A Story (With Examples)

One of the biggest mistakes made by writers is how they use dialogue in their stories. Today, we are going to teach you how to write dialogue in a story using some easy and effective techniques. So, get ready to learn some of the best techniques and tips for writing dialogue!

There are two main reasons why good dialogue is so important in works of fiction. First, good dialogue helps keep the reader interested and engaged in the story. Second, it makes your work easier to write, read and understand. So, if you want to write dialogue that is interesting, engaging and easy to read, keep on reading. We will be teaching you the best techniques and tips for writing dialogue in a story.

Internal vs External Dialogue

Direct vs indirect dialogue, 20 tips for formatting dialogue in stories, step 1: use a dialogue outline, step 2: write down a script, step 3: edit & review your script, step 4: sprinkle in some narrative, step 5: format your dialogue, what is dialogue .

Dialogue is the spoken words that are spoken between the characters of a story. It is also known as the conversation between the characters. Dialogue is a vital part of a story. It is the vehicle of the characters’ thoughts and emotions. Good dialogue helps show the reader how the characters think and feel. It also helps the reader better understand what is happening in the story. Good dialogue should be interesting, informative and natural. 

In a story, dialogue can be expressed internally as thoughts, or externally through conversations between characters. A character thinking to themself would be considered internal dialogue. Here there is no one else, just one character thinking or speaking to themselves:

Mary thought to herself, “what if I can do better…”

While two or more characters talking to each other in a scene would be an external dialogue:

“Watch out!” cried Sam. “What’s wrong with you?” laughed Kate.

In most cases, the words spoken by your character will be inside quotation marks. This is called direct dialogue. And then everything outside the quotation marks is called narrative:

“What do you want?” shrieked Penelope as she grabbed her notebooks. “Oh, nothing… Just checking if you needed anything,” sneered Peter as he tried to peek over at her notes.

Indirect dialogue is a summary of your dialogue. It lets the reader know that a conversation happened without repeating it exactly. For example:

She was still fuming from last night’s argument. After being called a liar and a thief, she had no choice but to leave home for good.

Direct dialogue is useful for quick conversations, while indirect dialogue is useful for summarising long pieces of dialogue. Which otherwise can get boring for the reader. Writers can combine both types of dialogue to increase tension and add drama to their stories.

Now you know some of the different types of dialogue in stories, let’s learn how to write dialogue in a story.

Here are the main tips to remember when formatting dialogue in stories or works of fiction:

• Always use quotation marks: All direct dialogue is written inside quotation marks, along with any punctuation relating to that dialogue.

• Don’t forget about dialogue tags: Dialogue tags are used to explain how a character said something.  Each tag has at least one noun or pronoun, and one verb indicating how the dialogue is spoken. For example, he said, she cried, they laughed and so on.

• Dialogue before tags: Dialogue before the dialogue tags should start with an uppercase. The dialogue tag itself begins with a lowercase.

• Dialogue after tags: Both the dialogue and dialogue tags start with an uppercase to signify the start of a conversation. The dialogue tags also have a comma afterwards, before the first set of quotation marks.

• Lowercase for continued dialogue: If the same character continues to speak after the dialogue tags or action, then this dialogue continues with a lowercase.

• Action after complete dialogue: Any action or narrative text after completed dialogue starts with an uppercase as a new sentence.

• Action interrupting dialogue: If the same character pauses their dialogue to do an action, then this action starts with a lowercase.

• Interruptions by other characters: If another character Interrupts a character’s dialogue, then their action starts with an uppercase on a new line. And an em dash (-) is used inside the quotation marks of the dialogue that was interrupted. 

• Use single quotes correctly: Single quotes mean that a character is quoting someone else.

• New paragraphs equal new speaker: When a new character starts speaking, it should be written in a new paragraph. 

• Use question marks correctly: If the dialogue ends with a question mark, then the part after the dialogue should begin with a lowercase.

• Exclamation marks: Similar to question marks, the next sentence should begin with a lowercase. 

• Em dashes equal being cut off: When a character has been interrupted or cut off in the middle of their speech, use an em dash (-).

• Ellipses mean trailing speech: When a character is trailing off in their speech or going on and on about something use ellipses (…). This is also good to use when a character does not know what to say.

• Spilt long dialogue into paragraphs: If a character is giving a long speech, then you can split this dialogue into multiple paragraphs. 

• Use commas appropriately: If it is not the end of the sentence then end the dialogue with a comma.

• Full stops to end dialogue: Dialogue ending with a full stop means it is the end of the entire sentence. 

• Avoid fancy dialogue tags: For example, ‘he moderated’ or ‘she articulated’. As this can distract the reader from what your characters are actually saying and the content of your story. It’s better to keep things simple, such as using he said or she said.
• No need for names: Avoid repeating your character’s name too many times. You could use pronouns or even nicknames. 
• Keep it informal: Think about how real conversations happen. Do people use technical or fancy language when speaking? Think about your character’s tone of voice and personality, what would they say in a given situation? 

Remember these rules, and you’ll be able to master dialogue writing in no time!

How to Write Dialogue in 5 Steps

Dialogue is tricky. Follow these easy steps to write effective dialogue in your stories or works of fiction:

A dialogue outline is a draft of what your characters will say before you actually write the dialogue down. This draft can be in the form of notes or any scribblings about your planned dialogue. Using your overall book outline , you can pinpoint the areas where you expect to see the most dialogue used in your story. You can then plan out the conversation between characters in these areas. 

A good thing about using a dialogue outline is that you can avoid your characters saying the same thing over and over again. You can also skim out any unnecessary dialogue scenes if you think they are unnecessary or pointless. 

Here is an example of a dialogue outline for a story:

You even use a spreadsheet to outline your story’s dialogue scenes.

In this step, you will just write down what the characters are saying in full. Don’t worry too much about punctuation and the correct formatting of dialogue. The purpose of this step is to determine what the characters will actually say in the scene and whether this provides any interesting information to your readers.

Start by writing down the full script of your character’s conversations for each major dialogue scene in your story. Here is an example of a dialogue script for a story:

Review your script from the previous step, and think about how it can be shortened or made more interesting. You might think about changing a few words that the characters use to make it sound more natural. Normally the use of slang words and informal language is a great way to make dialogue between characters sound more natural. You might also think about replacing any names with nicknames that characters in a close relationship would use. 

The script might also be too long with plenty of unnecessary details that can be removed or summarised as part of the narration in your story (or as indirect dialogue). Remember the purpose of dialogue is to give your story emotion and make your characters more realistic. At this point you might also want to refer back to your character profiles , to see if the script of each character matches their personality. 

Once your script has been perfected, you can add some actions to make your dialogue feel more believable to readers. Action or narrative is the stuff that your characters are actually doing throughout or in between dialogue. For example, a character might be packing up their suitcase, as they are talking about their holiday plans. This ‘narrative’ is a great way to break up a long piece of dialogue which otherwise could become boring and tedious for readers. 

You have now planned your dialogue for your story. The final step is to incorporate these dialogue scenes into your story. Remember to follow our formatting dialogue formatting rules explained above to create effective dialogue for your stories!

That’s all for today! We hope this post has taught you how to write dialogue in a story effectively. If you have any questions, please let us know in the comments below!

Marty the wizard is the master of Imagine Forest. When he's not reading a ton of books or writing some of his own tales, he loves to be surrounded by the magical creatures that live in Imagine Forest. While living in his tree house he has devoted his time to helping children around the world with their writing skills and creativity.

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10 Short Stories with Great Dialogue That Aren’t “Hills Like White Elephants”

Do you believe in life after hemingway.

Before you get excited: I have no problem with “Hills Like White Elephants.” In this classic story, Ernest Hemingway demonstrates a masterful, subtle use of dialogue—so much so that it has become, if not a totally clichéd, then at least a ubiquitous text in creative writing classrooms. I myself encountered it at least four times by the time I got to grad school—where I proceeded to teach it to my own Introduction to Creative Writing class. It’s the circle of life. This is only to say that I’m not immune—but I also know there are plenty of other stories with strong dialogue out there, and as another school year (such as it is, in 2021) gets going, they’re probably worth a look too. Just for fun, you know?

So I asked the Literary Hub staff to suggest some of their other favorite short stories that do cool things with dialogue, and I’ve collected a few of them here. Obviously this list is not exhaustive—among other things, we also shied away from some other tried-and-true dialogue-heavy classics, like “The Dead” and “What We Talk About When We Talk About Love,” and “Steady Hands at Seattle General”—and of course these stories are mostly not doing the same thing as “Hills Like White Elephants,” but they’re all doing something interesting. Just in case you want to mix it up a little this year.

Sam Lipsyte, “ The Dungeon Master ,” from The Fun Parts

Sample Dialogue:

The Dungeon Master has detention. We wait at his house by the county road. The Dungeon Master’s little brother Marco puts out corn chips and orange soda.

Marco is a paladin. He fights for the glory of Christ. Marco has been many paladins since winter break. They are all named Valentine, and the Dungeon Master makes certain they die with the least possible amount of dignity.

It’s painful enough when he rolls the dice, announces that a drunken orc has unspooled some Valentine’s guts for sport. Worse are the silly accidents. One Valentine tripped on a floor plank and cracked his head on a mead bucket. He died of trauma in the stable.

“Take it!” the Dungeon Master said that time. Spit sprayed over the top of his laminated screen. “Eat your fate,” he said. “Your thread just got the snippo!”

The Dungeon Master has a secret language that we don’t quite understand. They say he’s been treated for it.

Whenever the Dungeon Master kills another Valentine, Marco runs off and cries to their father. Dr. Varelli nudges his son back into the study, sticks his bushy head in the door, says, “Play nice, my beautiful puppies.”

“Father,” the Dungeon Master will say, “stay the fuck out of my mind realm.”

“I honor your wish, my beauty.”

Dr. Varelli says things like that. It’s not a secret language, just an embarrassing one. Maybe that’s why his wife left him, left Marco and the Dungeon Master, too. It’s not a decent reason to leave, but as the Dungeon Master hopes to teach us, the world is not a decent place to live.

Danielle Evans, “ Virgins ,” from  Before You Suffocate Your Own Fool Self

“Look what Eddie gave me,” said Cindy, all friendly. She pulled a pink teddy bear out of her purse and squeezed its belly. It sang “You Are My Sunshine” in a vibrating robot voice.

“That’s nice,” said Jasmine, her voice so high that she sounded almost like the teddy bear. Cindy smiled and walked off with Eddie, swinging her hips back and forth.

“I don’t have a teddy bear neither,” said Eddie’s friend Tre, putting an arm around Jasmine. She pushed him off. Tre was the kind of boy my mother would have said to stay away from, but she said to stay away from all men.

“C’mon, Jasmine,” Tre said. “I lost my teddy bear, can I sleep with you tonight?”

Jasmine looked at Tre like he was stupid. Michael put an arm around each of our shoulders and kissed us both on the cheek, me first, then Jasmine.

“You know these are my girls,” he said to Tre. “Leave ’em alone.”

His friends mostly left me alone anyway, because they knew I wasn’t good for anything but a little kissing. But I was glad he’d included me. Michael nodded good-bye as he and his friends walked toward their movie. Eddie and Cindy stayed there, kissing, like that’s what they had paid admission for. I grabbed Jasmine’s hand and pulled her toward the ticket counter.

“That’s nasty,” I said. “She looks nasty all up on him in public like that.”

“No one ever bought me a singing teddy bear,” said Jasmine. “Probably no one ever will buy me a singing teddy bear.”

“I’ll buy you a singing teddy bear, stupid,” I said.

“Shut up,” she said. She’d been sucking on her bottom lip so hard she’d sucked the lipstick off it, and her lips were two different colors. “Don’t you ever want to matter to somebody?”

“I matter to you. And Michael.”

Jasmine clicked her tongue. “Say Michael had to shoot either you or that Italian chick who’s letting him hit it right now. Who do you think he would save?”

“Why does he have to shoot somebody?” I said.

“He just does.”

“Well, he’d save me then. She’s just a girl who’s fucking him.”

“And you’re just a girl who isn’t,” Jasmine said. “That’s your problem, Erica. You don’t understand adult relationships.”

“Where are there adults?” I asked, turning in circles with my hand to my forehead like a sea captain looking for land.

“You’re right,” she said. “I’m tired of these little boys. Next weekend we’re going to the city. We’re gonna find some real niggas who know how to treat us.”

That was not the idea I meant for Jasmine to have.

Ottessa Moshfegh, “ The Beach Boy ,” from Homesick for Another World

The friends wanted to know what the prostitutes had looked like, how they’d dressed, what they’d said. They wanted details.

“They looked like normal people,” Marcia said, shrugging. “You know, just young, poor people, locals. But they were very complimentary. They kept saying, ‘Hello, nice people. Massage? Nice massage for nice people?’ ”

“Little did they know!” John joked, furrowing his eyebrows like a maniac. The friends laughed.

“We’d read about it in the guidebook,” Marcia said. “You’re not supposed to acknowledge them at all. You don’t even look them in the eye. If you do, they’ll never leave you alone. The beach boys. The male prostitutes, I mean. It’s sad,” she added. “Tragic. And, really, one wonders how anybody can starve in a place like that. There was food everywhere. Fruit on every tree. I just don’t understand it. And the city was rife with garbage. Rife! ” she proclaimed. She put down her fork. “Wouldn’t you say, hon?”

“I wouldn’t say ‘rife,’ ” John answered, wiping the corners of his mouth with his cloth napkin. “Fragrant, more like.”

The waiter collected the unfinished plates of pasta, then returned and took their orders of cheesecake and pie and decaffeinated coffee. John was quiet. He scrolled through photos on his cell phone, looking for a picture he’d taken of a monkey seated on the head of a Virgin Mary statue. The statue was painted in bright colors, and its nose was chipped, showing the white, chalky plaster under the paint. The monkey was black and skinny, with wide-spaced, neurotic eyes. Its tail curled under Mary’s chin. John turned the screen of his phone toward the table.

“This little guy,” he said.

“Aw!” the friends cried. They wanted to know, “Were the monkeys feral? Were they smelly? Are the people Catholic? Are they all very religious there?”

“Catholic,” Marcia said, nodding. “And the monkeys were everywhere. Cute but very sneaky. One of them stole John’s pen right out of his pocket.” She rattled off whatever facts she could remember from the nature tour they’d taken. “I think there are laws about eating the monkeys. I’m not so sure. They all spoke English,” she repeated, “but sometimes it was hard to understand them. The guides, I mean, not the monkeys.” She chuckled.

“The monkeys spoke Russian, naturally,” John said, and put away his phone.

Sarah Gerard, “ The Killer ,” from  Guernica

They paid the bill and left, gathering on the sidewalk.

Nathan said to them, “We live down the beach. Come over.”

Amy tried to decline. Benjamin held her by the elbow. She allowed him to lead her, and by the time they reached the sand behind the Pelican, she’d managed to free herself, and catch up with Carol.

They walked the waterline.

“There is another option if you don’t want to kill them yourself,” Carol told her. Then, turning to Nathan: “We can put them in touch with Chance.”

Nathan fell into step with them. He draped an arm around his wife’s waist.

“Is Chance an exterminator?” said Amy.

“I hesitate to tell you more about our relationship,” Nathan joked. “I don’t talk God or politics in mixed company.”

“I’m a registered Democrat,” said Benjamin.

“He comes out and shoots the iguanas, then disposes of the carcasses,” said Carol. “He charges a reasonable fee.”

Nathan smiled.

“He actually became somewhat notorious when he posted some pictures of one of his hunts on Facebook recently,” Carol continued. “He can guarantee up to one hundred iguanas in a single hunt. He had them all laid out in rows with their legs bound, and huge plastic bins of dead lizards, rooms and hallways full of them. Then these happy white men in t-shirts with the sleeves cut off, posing.”

“You can imagine,” said Nathan.

“Thousands of shares. People calling him a murderer.”

“He’s doing our community a service, really.”

They climbed a narrow path worn into the sea grass. It led to the screened-in pool of a stone lanai furnished in rattan. Nathan went behind the bar with his phone to his ear. He fixed their drinks out of earshot. Carol invited them to sit on a loveseat. She offered them each a cigarette. They declined.

“I suppose you know too much about the consequences of smoking.” She lit the cigarette and drew out the motion of removing it from her mouth. A slip of smoke hovered between her lips. “My father was a pack-a-day smoker until he died at ninety-two. I figure I’m immune.”

“I’m not sure that would stand up to peer review,” said Benjamin.

“You’re right. Too emotional.”

Kevin Barry, “ Fjord of Killary ,” from Dark Lies the Island

So I bought an old hotel on the fjord of Killary. It was set hard by the harbor wall, with Mweelrea Mountain across the water, and disgracefully gray skies above. It rained two hundred and eighty-seven days of the year, and the locals were given to magnificent mood swings. On the night in question, the rain was particularly violent—it came down like handfuls of nails flung hard and fast by a seriously riled sky god. I was at this point eight months in the place and about convinced that it would be the death of me.

“It’s end-of-the-fucking-world stuff out there,” I said.

The chorus of locals in the hotel’s lounge bar, as always, ignored me. I was a fretful blow-in, by their mark, and simply not cut out for tough, gnarly, West of Ireland living. They were listening, instead, to John Murphy, our alcoholic funeral director.

“I’ll bury anythin’ that fuckin’ moves,” he said.

“Bastards, suicides, tinkers,” he said.

“I couldn’t give a fuckin’ monkey’s,” he said.

Behind the bar: the Guinness tap, the Smithwicks tap, the lager taps, the line of optics, the neatly stacked rows of glasses, and a high stool that sat by a wee slit of window that had a view across the water toward Mweelrea. The iodine tang of kelp hung in the air always, and put me in mind of embalming fluid. Bill Knott looked vaguely from his Bushmills toward the water.

“Highish, all right,” he said. “But now what’d we be talkin’ about for Belmullet, would you say? Off a slow road?”

The primary interest of these people’s lives, it often seemed, was how far one place was from another, and how long it might take to complete the journey, given the state of the roads. Bill had been in haulage as a young man and considered himself expert.

“I don’t know, Bill,” I said.

“Would we say an hour twenty if you weren’t tailbacked out of Newport?”

“I said I really don’t fucking well know, Bill.”

“There are those’ll say you’d do it in an hour.” He sipped, delicately. “But you’d want to be grease fuckin’ lightnin’ coming up from Westport direction, wouldn’t you?”

“We could be swimming it yet, Bill.”

Toni Cade Bambara, “ The Lesson ,” from  Gorilla, My Love

“Will you look at this sailboat, please,” say Flyboy, cuttin her off and pointin to the thing like it was his. So once again we tumble all over each other to gaze at this magnificent thing in the toy store which is just big enough to maybe sail two kittens across the pond if you strap them to the posts tight. We all start reciting the price tag like we in assembly. “Hand-crafted sailboat of fiberglass at one thousand one hundred ninety-five dollars.”

“Unbelievable,” I hear myself say and am really stunned. I read it again for myself just in case the group recitation put me in a trance. Same thing. For some reason this pisses me off. We look at Miss Moore and she lookin at us, waiting for I dunno what.

“Who’d pay all that when you can buy a sailboat set for a quarter at Pop’s, a tube of glue for a dime, and a ball of string for eight cents? It must have a motor and a whole lot else besides,” I say. “My sailboat cost me about fifty cents.”

“But will it take water?” say Mercedes with her smart ass.

“Took mine to Alley Pond Park once,” say Flyboy. “String broke. Lost it. Pity.”

“Sailed mine in Central Park and it keeled over and sank. Had to ask my father for another dollar.”

“And you got the strap,” laugh Big Butt. “The jerk didn’t even have a string on it. My old man wailed on his behind.”

Little Q.T. was staring hard at the sailboat and you could see he wanted it bad. But he too little and somebody’d just take it from him. So what the hell.

“This boat for kids, Miss Moore?”

“Parents silly to buy something like that just to get all broke up,” say Rosie Giraffe.

“That much money it should last forever,” I figure.

“My father’d buy it for me if I wanted it.”

“Your father, my ass,” say Rosie Giraffe getting a chance to finally push Mercedes.

“Must be rich people shop here,” say Q.T.

“You are a very bright boy,” say Flyboy. “What was your first clue?” And he rap him on the head with the back of his knuckles, since Q.T. the only one he could get away with. Though Q.T. liable to come up behind you years later and get his licks in when you half expect it.

Ali Smith, “ The Child ,” from The First Person and Other Stories

You’re a really rubbish driver, a voice said from the back of the car. I could do better than that, and I can’t even drive. Are you for instance representative of all women drivers, or is it just you among all women who’s so rubbish at driving?

It was the child speaking. But it spoke with so surprisingly charming a little voice that it made me want to laugh, a voice as young and clear as a series of ringing bells arranged into a pretty melody. It said the complicated words, representative and for instance, with an innocence that sounded ancient, centuries old, and at the same time as if it had only just discovered their meaning and was trying out their usage and I was privileged to be present when it did.

I slewed the car over to the side of the motorway, switched the engine off and leaned over the front seat into the back. The child still lay there helpless, rolled up in the tartan blanket, held in place by it inside the seatbelt. It didn’t look old enough to be able to speak. It looked barely a year old.

It’s terrible. Asylum seekers come here and take all our jobs and all our benefits, it said preternaturally, sweetly. They should all be sent back to where they come from.

There was a slight endearing lisp on the “s” sounds in the words asylum and seekers and jobs and benefits and sent.

What? I said.

Can’t you hear? Cloth in your ears? it said. The real terrorists are people who aren’t properly English. They will sneak into football stadiums and blow up innocent Christian people supporting innocent English teams.

The words slipped out of its ruby-red mouth. I could just see the glint of its little coming-through teeth.

It said: The pound is our rightful heritage. We deserve our heritage. Women shouldn’t work if they’re going to have babies. Women shouldn’t work at all. It’s not the natural order of things. And as for gay weddings. Don’t make me laugh.

Then it laughed, blondly, beautifully, as if only for me. Its big blue eyes were open and looking straight up at me as if I were the most delightful thing it had ever seen.

I was enchanted. I laughed back.

ZZ Packer, “The Ant of the Self,” from Drinking Coffee Elsewhere

My father just got a DUI—again—though that didn’t stop him from asking for the keys. When I didn’t give them up, he sighed and shook his head as though I withheld keys from him daily. “C’mon, Spurge,” he’d said. “The pigs aren’t even looking.”

He’s the only person I know who still calls cops “pigs,” a holdover from what he refers to as his Black Panther days, when “the brothers” raked their globes of hair with black-fisted Afro picks, then left them stuck there like javelins. When, as he tells it, he and Huey P. Newton would meet in basements and wear leather jackets and stick it to whitey. Having given me investment advice, he now watches the world outside the Honda a little too jubilantly. I take the curve around the city, past the backsides of chain restaurants and malls, office parks and the shitty Louisville zoo.

“That’s your future,” he says winding down from his rant. “Sound investments.”

“Maybe you should ask the pigs for your bail money back,” I say. “We could invest that.”

“You keep getting money from debate, we could invest.”

When most people talk about investing, they mean stocks or bonds or mutual funds. What my father means is his friend Splo’s cockfighting arena, or some dude who goes door to door selling exercise equipment that does all the exercise for you. He’d invested in a woman who tried selling African cichlids to pet shops, but all she’d done was dye ordinary goldfish so they looked tropical. “Didn’t you just win some cash?” he asks. “From debate?”

“Bail,” I say. “I used it to pay your bail.”

He’s quiet for a while. I wait for him to stumble out a thanks. I wait for him to promise to pay me back with money he knows he’ll never have. Finally he sighs and says, “Most investors buy low and sell high. Know why they do that?” With my father there are not only trick questions, but trick answers. Before I can respond, I hear his voice, loud and naked. “I axed you, ‘Do you know why they do that?'” He’s shaking my arm as if trying to wake me. “You answer me when I ask you something.”

I twist my arm from his grasp to show I’m not afraid. We swerve out of our lane. Cars behind us swerve as well, then zoom around us and pull ahead as if we are a rock in a stream.

“Do you know who this is ?” he says. “Do you know who you’re talking to ?”

I haven’t been talking to anyone, but I keep this to myself.

Jhumpa Lahiri, “ A Temporary Matter ,” from Interpreter of Maladies

The microwave had just beeped when the lights went out, and the music disappeared.

“Perfect timing,” Shoba said.

“All I could find were birthday candles.” He lit up the ivy, keeping the rest of the candles and a book of matches by his plate.

“It doesn’t matter,” she said, running a finger along the stem of her wineglass. “It looks lovely.”

In the dimness, he knew how she sat, a bit forward in her chair, ankles crossed against the lowest rung, left elbow on the table. During his search for the candles, Shukumar had found a bottle of wine in a crate he had thought was empty. He clamped the bottle between his knees while he turned in the corkscrew. He worried about spilling, and so he picked up the glasses and held them close to his lap while he filled them. They served themselves, stirring the rice with their forks, squinting as they extracted bay leaves and cloves from the stew.

Every few minutes Shukumar lit a few more birthday candles and drove them into the soil of the pot.

“It’s like India,” Shoba said, watching him tend his makeshift candelabra. “Sometimes the current disappears for hours at a stretch. I once had to attend an entire rice ceremony in the dark. The baby just cried and cried. It must have been so hot.”

Their baby had never cried, Shukumar considered. Their baby would never have a rice ceremony, even though Shoba had already made the guest list, and decided on which of her three brothers she was going to ask to feed the child its first taste of solid food, at six months if it was a boy, seven if it was a girl.

“Are you hot?” he asked her. He pushed the blazing ivy pot to the other end of the table, closer to the piles of books and mail, making it even more difficult for them to see each other. He was suddenly irritated that he couldn’t go upstairs and sit in front of the computer.

“No. It’s delicious,” she said, tapping her plate with her fork. “It really is.”

He refilled the wine in her glass. She thanked him.

They weren’t like this before. Now he had to struggle to say something that interested her, something that made her look up from her plate, or from her proofreading files. Eventually he gave up trying to amuse her. He learned not to mind the silences.

“I remember during power failures at my grandmother’s house, we all had to say something,” Shoba continued. He could barely see her face, but from her tone he knew her eyes were narrowed, as if trying to focus on a distant object. It was a habit of hers.

“Like what?”

“I don’t know. A little poem. A joke. A fact about the world. For some reason my relatives always wanted me to tell them the names of my friends in America. I don’t know why the information was so interesting to them. The last time I saw my aunt she asked after four girls I went to elementary school with in Tucson. I barely remember them now.”

Shukumar hadn’t spent as much time in India as Shoba had. His parents, who settled in New Hampshire, used to go back without him. The first time he’d gone as an infant he’d nearly died of amoebic dysentery. His father, a nervous type, was afraid to take him again, in case something were to happen, and left him with his aunt and uncle in Concord. As a teenager he preferred sailing camp or scooping ice cream during the summers to going to Calcutta. It wasn’t until after his father died, in his last year of college, that the country began to interest him, and he studied its history from course books as if it were any other subject. He wished now that he had his own childhood story of India.

“Let’s do that,” she said suddenly.

“Say something to each other in the dark.”

“Like what? I don’t know any jokes.”

“No, no jokes.” She thought for a minute. “How about telling each other something we’ve never told before.”

Grace Paley, “ My Father Addresses Me on the Facts of Old Age ,” from  Here and Somewhere Else

My father had decided to teach me how to grow old. I said O.K. My children didn’t think it was such a great idea. If I knew how, they thought, I might do so too easily. No, no, I said, it’s for later, years from now. And, besides, if I get it right it might be helpful to you kids in time to come.

They said, Really?

My father wanted to begin as soon as possible. For God’s sake, he said, you can talk to the kids later. Now, listen to me, send them out to play. You are so distractable.

We should probably begin at the beginning, he said. Change. First there is change, which nobody likes—even men. You’d be surprised. You can do little things—putting cream on the corners of your mouth, also the heels of your feet. But here is the main thing. Oh, I wish your mother was alive—not that she had time—

But Pa, I said, Mama never knew anything about cream. I did not say she was famous for not taking care.

Forget it, he said sadly. But I must mention squinting. don’t squint. Wear your glasses. Look at your aunt, so beautiful once. I know someone has said men don’t make passes at girls who wear glasses, but that’s an idea for a foolish person. There are many handsome women who are not exactly twenty-twenty.

Please sit down, he said. Be patient. The main thing is this—when you get up in the morning you must take your heart in your two hands. You must do this every morning.

That’s a metaphor, right?

Metaphor? No, no, you can do this. In the morning, do a few little exercises for the joints, not too much. Then put your hands like a cup over and under the heart. Under the breast. He said tactfully. It’s probably easier for a man. Then talk softly, don’t yell. Under your ribs, push a little. When you wake up, you must do this massage. I mean pat, stroke a little, don’t be ashamed. Very likely no one will be watching. Then you must talk to your heart.

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15 Powerful Speech Opening Lines (And How to Create Your Own)

Hrideep barot.

• Public Speaking , Speech Writing

Powerful speech opening lines set the tone and mood of your speech. It’s what grips the audience to want to know more about the rest of your talk.

The first few seconds are critical. It’s when you have maximum attention of the audience. And you must capitalize on that!

Instead of starting off with something plain and obvious such as a ‘Thank you’ or ‘Good Morning’, there’s so much more you can do for a powerful speech opening (here’s a great article we wrote a while ago on how you should NOT start your speech ).

To help you with this, I’ve compiled some of my favourite openings from various speakers. These speakers have gone on to deliver TED talks , win international Toastmaster competitions or are just noteworthy people who have mastered the art of communication.

After each speaker’s opening line, I have added how you can include their style of opening into your own speech. Understanding how these great speakers do it will certainly give you an idea to create your own speech opening line which will grip the audience from the outset!

Alright! Let’s dive into the 15 powerful speech openings…

Note: Want to take your communications skills to the next level? Book a complimentary consultation with one of our expert communication coaches. We’ll look under the hood of your hurdles and pick two to three growth opportunities so you can speak with impact!

1. Ric Elias

Opening: “Imagine a big explosion as you climb through 3,000 ft. Imagine a plane full of smoke. Imagine an engine going clack, clack, clack. It sounds scary. Well I had a unique seat that day. I was sitting in 1D.”

How to use the power of imagination to open your speech?

Putting your audience in a state of imagination can work extremely well to captivate them for the remainder of your talk.

It really helps to bring your audience in a certain mood that preps them for what’s about to come next. Speakers have used this with high effectiveness by transporting their audience into an imaginary land to help prove their point.

When Ric Elias opened his speech, the detail he used (3000 ft, sound of the engine going clack-clack-clack) made me feel that I too was in the plane. He was trying to make the audience experience what he was feeling – and, at least in my opinion, he did.

When using the imagination opening for speeches, the key is – detail. While we want the audience to wander into imagination, we want them to wander off to the image that we want to create for them. So, detail out your scenario if you’re going to use this technique.

Make your audience feel like they too are in the same circumstance as you were when you were in that particular situation.

2. Barack Obama

Opening: “You can’t say it, but you know it’s true.”

3. Seth MacFarlane

Opening: “There’s nowhere I would rather be on a day like this than around all this electoral equipment.” (It was raining)

How to use humour to open your speech?

When you use humour in a manner that suits your personality, it can set you up for a great speech. Why? Because getting a laugh in the first 30 seconds or so is a great way to quickly get the audience to like you.

And when they like you, they are much more likely to listen to and believe in your ideas.

Obama effortlessly uses his opening line to entice laughter among the audience. He brilliantly used the setting (the context of Trump becoming President) and said a line that completely matched his style of speaking.

Saying a joke without really saying a joke and getting people to laugh requires you to be completely comfortable in your own skin. And that’s not easy for many people (me being one of them).

If the joke doesn’t land as expected, it could lead to a rocky start.

Keep in mind the following when attempting to deliver a funny introduction:

• Know your audience: Make sure your audience gets the context of the joke (if it’s an inside joke among the members you’re speaking to, that’s even better!). You can read this article we wrote where we give you tips on how you can actually get to know your audience better to ensure maximum impact with your speech openings
• The joke should suit your natural personality. Don’t make it look forced or it won’t elicit the desired response
• Test the opening out on a few people who match your real audience. Analyze their response and tweak the joke accordingly if necessary
• Starting your speech with humour means your setting the tone of your speech. It would make sense to have a few more jokes sprinkled around the rest of the speech as well as the audience might be expecting the same from you

4. Mohammed Qahtani

Opening: Puts a cigarette on his lips, lights a lighter, stops just before lighting the cigarette. Looks at audience, “What?”

5. Darren Tay

Opening: Puts a white pair of briefs over his pants.

How to use props to begin your speech?

The reason props work so well in a talk is because in most cases the audience is not expecting anything more than just talking. So when a speaker pulls out an object that is unusual, everyone’s attention goes right to it.

It makes you wonder why that prop is being used in this particular speech.

The key word here is unusual . To grip the audience’s attention at the beginning of the speech, the prop being used should be something that the audience would never expect. Otherwise, it just becomes something that is common. And common = boring!

What Mohammed Qahtani and Darren Tay did superbly well in their talks was that they used props that nobody expected them to.

By pulling out a cigarette and lighter or a white pair of underwear, the audience can’t help but be gripped by what the speaker is about to do next. And that makes for a powerful speech opening.

6. Simon Sinek

Opening: “How do you explain when things don’t go as we assume? Or better, how do you explain when others are able to achieve things that seem to defy all of the assumptions?”

7. Julian Treasure

Opening: “The human voice. It’s the instrument we all play. It’s the most powerful sound in the world. Probably the only one that can start a war or say “I love you.” And yet many people have the experience that when they speak people don’t listen to them. Why is that? How can we speak powerfully to make change in the world?”

How to use questions to open a speech?

I use this method often. Starting off with a question is the simplest way to start your speech in a manner that immediately engages the audience.

But we should keep our questions compelling as opposed to something that is fairly obvious.

I’ve heard many speakers start their speeches with questions like “How many of us want to be successful?”

No one is going to say ‘no’ to that and frankly, I just feel silly raising my hand at such questions.

Simon Sinek and Jullian Treasure used questions in a manner that really made the audience think and make them curious to find out what the answer to that question is.

What Jullian Treasure did even better was the use of a few statements which built up to his question. This made the question even more compelling and set the theme for what the rest of his talk would be about.

So think of what question you can ask in your speech that will:

• Set the theme for the remainder of your speech
• Not be something that is fairly obvious
• Be compelling enough so that the audience will actually want to know what the answer to that question will be

8. Aaron Beverley

Opening: Long pause (after an absurdly long introduction of a 57-word speech title). “Be honest. You enjoyed that, didn’t you?”

How to use silence for speech openings?

The reason this speech opening stands out is because of the fact that the title itself is 57 words long. The audience was already hilariously intrigued by what was going to come next.

But what’s so gripping here is the way Aaron holds the crowd’s suspense by…doing nothing. For about 10 to 12 seconds he did nothing but stand and look at the audience. Everyone quietened down. He then broke this silence by a humorous remark that brought the audience laughing down again.

When going on to open your speech, besides focusing on building a killer opening sentence, how about just being silent?

It’s important to keep in mind that the point of having a strong opening is so that the audience’s attention is all on you and are intrigued enough to want to listen to the rest of your speech.

Silence is a great way to do that. When you get on the stage, just pause for a few seconds (about 3 to 5 seconds) and just look at the crowd. Let the audience and yourself settle in to the fact that the spotlight is now on you.

I can’t put my finger on it, but there is something about starting the speech off with a pure pause that just makes the beginning so much more powerful. It adds credibility to you as a speaker as well, making you look more comfortable and confident on stage. 

If you want to know more about the power of pausing in public speaking , check out this post we wrote. It will give you a deeper insight into the importance of pausing and how you can harness it for your own speeches. You can also check out this video to know more about Pausing for Public Speaking:

9. Dan Pink

Opening: “I need to make a confession at the outset here. Little over 20 years ago, I did something that I regret. Something that I’m not particularly proud of. Something that in many ways I wish no one would ever know but that here I feel kind of obliged to reveal.”

10. Kelly McGonigal

Opening: “I have a confession to make. But first I want you to make a little confession to me.”

How to use a build-up to open your speech?

When there are so many amazing ways to start a speech and grip an audience from the outset, why would you ever choose to begin your speech with a ‘Good morning?’.

That’s what I love about build-ups. They set the mood for something awesome that’s about to come in that the audience will feel like they just have to know about.

Instead of starting a speech as it is, see if you can add some build-up to your beginning itself. For instance, in Kelly McGonigal’s speech, she could have started off with the question of stress itself (which she eventually moves on to in her speech). It’s not a bad way to start the speech.

But by adding the statement of “I have a confession to make” and then not revealing the confession for a little bit, the audience is gripped to know what she’s about to do next and find out what indeed is her confession.

11. Tim Urban

Opening: “So in college, I was a government major. Which means that I had to write a lot of papers. Now when a normal student writes a paper, they might spread the work out a little like this.”

12. Scott Dinsmore

Opening: “8 years ago, I got the worst career advice of my life.”

How to use storytelling as a speech opening?

“The most powerful person in the world is the storyteller.” Steve Jobs

Storytelling is the foundation of good speeches. Starting your speech with a story is a great way to grip the audience’s attention. It makes them yearn to want to know how the rest of the story is going to pan out.

Tim Urban starts off his speech with a story dating back to his college days. His use of slides is masterful and something we all can learn from. But while his story sounds simple, it does the job of intriguing the audience to want to know more.

As soon as I heard the opening lines, I thought to myself “If normal students write their paper in a certain manner, how does Tim write his papers?”

Combine such a simple yet intriguing opening with comedic slides, and you’ve got yourself a pretty gripping speech.

Scott Dismore’s statement has a similar impact. However, just a side note, Scott Dismore actually started his speech with “Wow, what an honour.”

I would advise to not start your talk with something such as that. It’s way too common and does not do the job an opening must, which is to grip your audience and set the tone for what’s coming.

13. Larry Smith

Opening: “I want to discuss with you this afternoon why you’re going to fail to have a great career.”

14. Jane McGonigal

Opening: “You will live 7.5 minutes longer than you would have otherwise, just because you watched this talk.”

How to use provocative statements to start your speech?

Making a provocative statement creates a keen desire among the audience to want to know more about what you have to say. It immediately brings everyone into attention.

Larry Smith did just that by making his opening statement surprising, lightly humorous, and above all – fearful. These elements lead to an opening statement which creates so much curiosity among the audience that they need to know how your speech pans out.

This one time, I remember seeing a speaker start a speech with, “Last week, my best friend committed suicide.” The entire crowd was gripped. Everyone could feel the tension in the room.

They were just waiting for the speaker to continue to know where this speech will go.

That’s what a hard-hitting statement does, it intrigues your audience so much that they can’t wait to hear more! Just a tip, if you do start off with a provocative, hard-hitting statement, make sure you pause for a moment after saying it.

Silence after an impactful statement will allow your message to really sink in with the audience.

Related article: 5 Ways to Grab Your Audience’s Attention When You’re Losing it!

15. Ramona J Smith

Opening: In a boxing stance, “Life would sometimes feel like a fight. The punches, jabs and hooks will come in the form of challenges, obstacles and failures. Yet if you stay in the ring and learn from those past fights, at the end of each round, you’ll be still standing.”

How to use your full body to grip the audience at the beginning of your speech?

In a talk, the audience is expecting you to do just that – talk. But when you enter the stage and start putting your full body into use in a way that the audience does not expect, it grabs their attention.

Body language is critical when it comes to public speaking. Hand gestures, stage movement, facial expressions are all things that need to be paid attention to while you’re speaking on stage. But that’s not I’m talking about here.

Here, I’m referring to a unique use of the body that grips the audience, like how Ramona did. By using her body to get into a boxing stance, imitating punches, jabs and hooks with her arms while talking – that’s what got the audience’s attention.

The reason I say this is so powerful is because if you take Ramona’s speech and remove the body usage from her opening, the entire magic of the opening falls flat.

While the content is definitely strong, without those movements, she would not have captured the audience’s attention as beautifully as she did with the use of her body.

So if you have a speech opening that seems slightly dull, see if you can add some body movement to it.

If your speech starts with a story of someone running, actually act out the running. If your speech starts with a story of someone reading, actually act out the reading.

It will make your speech opening that much more impactful.

Related article: 5 Body Language Tips to Command the Stage

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Final Words

So there it is! 15 speech openings from some of my favourite speeches. Hopefully, these will act as a guide for you to create your own opening which is super impactful and sets you off on the path to becoming a powerful public speaker!

But remember, while a speech opening is super important, it’s just part of an overall structure.

If you’re serious about not just creating a great speech opening but to improve your public speaking at an overall level, I would highly recommend you to check out this course: Acumen Presents: Chris Anderson on Public Speaking on Udemy. Not only does it have specific lectures on starting and ending a speech, but it also offers an in-depth guide into all the nuances of public speaking. 

Being the founder of TED Talks, Chris Anderson provides numerous examples of the best TED speakers to give us a very practical way of overcoming stage fear and delivering a speech that people will remember. His course has helped me personally and I would definitely recommend it to anyone looking to learn public speaking. 

No one is ever “done” learning public speaking. It’s a continuous process and you can always get better. Keep learning, keep conquering and keep being awesome!

Lastly, if you want to know how you should NOT open your speech, we’ve got a video for you:

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How to Format Dialogue in a Story

Last Updated: December 23, 2023 Fact Checked

This article was co-authored by Diya Chaudhuri, PhD . Diya Chaudhuri holds a PhD in Creative Writing (specializing in Poetry) from Georgia State University. She has over 5 years of experience as a writing tutor and instructor for both the University of Florida and Georgia State University. There are 10 references cited in this article, which can be found at the bottom of the page. This article has been fact-checked, ensuring the accuracy of any cited facts and confirming the authority of its sources. This article has been viewed 454,272 times.

Whether you are writing fiction or nonfiction, satire or drama, writing the dialogue may have its challenges. The parts of a story where characters speak stand out from the other elements of a story, starting with the quotation marks that are nearly universally applied. Here are some of the most common and established steps for making sure that your story looks right when you have to figure out how to properly format dialogue.

Things You Should Know

• Break and indent paragraphs involving 2 or more speakers.
• Use quotation marks around all words spoken by a character.
• Break a long speech into multiple paragraphs.

Getting the Punctuation Right

• Even if a speaker only utters half a syllable before they’re interrupted by someone else, that half-syllable still gets its own indented paragraph.
• In English, dialogue is read from the left side of the page to the right, so the first thing readers notice when looking at a block of text is the white space on the left margin. [2] X Research source

• A single set of quotation marks can include multiple sentences, as long as they are spoken in the same portion of dialogue. For example: Evgeny argued, "But Laura didn’t have to finish her dinner! You always give her special treatment!"
• When a character quotes someone else, use double-quotes around what your character says, then single-quotes around the speech they’re quoting. For example: Evgeny argued, “But you never yell ‘Finish your dinner’ at Laura!”
• The reversal of roles for the single and double-quotation mark is common outside of American writing. Many European and Asian languages use angle brackets (<< >>) to mark dialogue instead.

• Use a comma to separate the dialogue tag from the dialogue.
• If the dialogue tag precedes the dialogue, the comma appears before the opening quotation mark: Evgeny argued, “But Laura didn’t have to finish her dinner!”
• If the dialogue tag comes after the dialogue, the comma appears before (inside) the closing quotation mark: “But Laura didn’t have to finish her dinner,” argued Evgeny.
• If the dialogue tag interrupts the flow of a sentence of dialogue, use a pair of commas that follows the previous two rules: “But Laura,” Evgeny argued, “never has to finish her dinner!”

• If the question or exclamation ends the dialogue, do not use commas to separate the dialogue from dialogue tags. For example: "Why did you order mac-and-cheese pizza for dinner?" Fatima asked in disbelief.

• For example, use a dash to indicate an abruptly ended speech: "What are y--" Joe began.
• You can also use dashes to indicate when one person's dialogue is interrupted by another's: "I just wanted to tell you--" "Don't say it!" "--that I prefer Rocky Road ice cream."
• Use ellipses when a character has lost her train of thought or can't figure out what to say: "Well, I guess I mean..."

• For example: Evgeny argued, "But Laura didn’t have to finish her dinner!" The “b” of “But” does not technically begin the sentence, but it begins a sentence in the world of the dialogue, so it is capitalized.
• However, if the first quoted word isn’t the first word of a sentence, don’t capitalize it: Evgeny argued that Laura “never has to finish her dinner!”

• Use an opening quotation mark where you normally would, but don’t place one at the end of the first paragraph of the character’s speech. The speech isn’t over yet, so you don’t punctuate it like it is!
• Do, however, place another opening quotation mark at the beginning of the next paragraph of speech. This indicates that this is a continuation of the speech from the previous paragraph.
• Place your closing quotation mark wherever the character’s speech ends, as you normally would.

Making Your Dialogue Flow Naturally

• When you have a long dialogue that’s clearly being held between only two people, you can choose to leave out the dialogue tags entirely. In this case, you would rely on your paragraph breaks and indentations to let the reader know which character is speaking.
• You should leave out the dialogue tags when more than two characters are speaking only if you intend for the reader to be potentially confused about who is speaking. For example, if four characters are arguing with one another, you may want the reader to get the sense that they’re just hearing snatches of argument without being able to tell who’s speaking. The confusion of leaving out dialogue tags could help accomplish this.

• Place dialogue tags in the middle of a sentence, interrupting the sentence, to change the pacing of your sentence. Because you have to use two commas to set the dialogue tag apart (see Step 3 in the previous section), your sentence will have two pauses in the middle of the spoken sentence: “And how exactly,” Laura muttered under her breath, “do you plan on accomplishing that?”

• Some examples of pronouns include I, me, he, she, herself, you, it, that, they, each, few, many, who, whoever, whose, someone, everybody, and so on.
• Pronouns must always agree with the number and gender of the nouns they’re referring to. [9] X Research source [10] X Research source
• For example, the only appropriate pronouns to replace “Laura” are singular, feminine ones: she, her, hers, herself.
• The only appropriate pronouns to replace “Laura and Evgeny” are plural, gender neutral ones (because English loses gender when pluralized): they, their, theirs, themselves, them.

Community Q&A

• Remember that less is often more. One common mistake that writers make when creating dialogue is to write things in longer sentences than people would actually say them. For example, most people use contractions and drop inessential words in everyday conversation. Thanks Helpful 0 Not Helpful 0
• Be very careful if you attempt to include an accent in your dialogue. Often, this will necessitate extra punctuation to show accent sounds ( danglin' instead of dangling , for example), and can end up visually overwhelming your reader. Thanks Helpful 0 Not Helpful 0

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• ↑ http://edhelper.com/ReadingComprehension_33_85.html
• ↑ http://www.merriam-webster.com/dictionary/white%20space
• ↑ https://stlcc.edu/student-support/academic-success-and-tutoring/writing-center/writing-resources/quotation-marks-dialogue.aspx
• ↑ https://blog.reedsy.com/guide/how-to-write-dialogue/tags/
• ↑ http://learn.lexiconic.net/dialoguepunctuation.htm
• ↑ http://englishplus.com/grammar/00000106.htm
• ↑ http://www.chompchomp.com/terms/propernoun.htm
• ↑ http://www.grammarbook.com/grammar/pronoun.asp
• ↑ http://facweb.furman.edu/~moakes/Powerwrite/pronouns.htm
• ↑ https://www.sjsu.edu/writingcenter/docs/handouts/Pronouns.pdf

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10 Short Stories for Speech Therapy Practice

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Story #1 Down the Tracks

The train pulled away just after Todd stepped onto it. He was traveling to Chicago for a business meeting. The meeting was on Thursday and he wanted to explore the city for a few days before the meeting.

He pulled out his travel map and started to make plans. "I hope I have enough time to visit all of the sites I want to see" he thought.

Story #2 Store Catastrophe

While he was picking out his favorite vegetables, Conrad started to hear the loudest screaming. He wondered what happened. He walked over to the ice cream aisle and found what was causing the noise.

A little boy had dropped his ice cream cone on the floor and was very sad and upset. "Wow" thought Conrad, "dropping your ice cream isn't that big of a problem. I'm glad he isn't hurt."

Story #3 Day at the Beach

Lexie jumped into the wave and was immediately immersed in the water. She stood up and came out of the water. "I love the water, I love the waves and I love the sand," she said.

Her family was visiting the beach for 1 whole week and this was their first day. She looked forward to every minute she could spend swimming on the beach.

Story #4 The Right Ingredients

When she got home from school Gracie wanted her favorite treat, chocolate chip cookies. She mixed all of the ingredients together, put the cookie dough on the sheet and put the sheet in the oven.

After they were finished baking she pulled them out of the oven. Even though they were still hot she put a whole cookie right in her mouth. She quickly spit it out because it tasted really salty. "I guess I read the recipe wrong," she said.

Story #5 Scared Stiff

Zander was proud of his new costume. He was excited to wear it for the play on Friday night. The bones looked like a real skeleton, the eyes were beady and red, and the claws were long and sharp.

He thought it would be fun to scare his Mom, so he walked quietly down the hall toward the kitchen. Suddenly, he screamed "Ahhhhhhh!" He saw his reflection in the mirror and forgot he was wearing his costume.

SEE ALSO:   The Best Free App for Speech Therapy

Story #6 All On Account of Rain

Katie had been waiting for 5 months to see the movie, and now she was late. The rain was pouring so hard that her mother had to drive slower than usual.

When they finally parked in the theater parking lot, Katie and her mom opened their umbrellas, stepped out of the car, and ran up to the theater doors. On the doors the sign read "Closed, No Power". The storm had caused a power outage.

Story #7 Close Encounter

It was a long hike down the trail to reach the spring, but they needed more water for their group. Gabe and BJ were thirsty too. They were looking forward to a nice refreshing drink.

As they walked they came to a clearing only to see a very large moose standing 50 feet away from them. "Be quiet and walk slowly," said Gabe. When they could no longer see the moose, BJ said "Phew that was close."

Story #8 Just In Time

The score was tied with only seconds left. Kyle passed the ball to Kenny who dribbled it down the court. Instantly, three defenders swarmed around Kenny and started swiping at the ball.

The clock was winding down, 8...7...6. Kenny found an opening and passed to Tenley. She shot and easily made the basket just as the buzzer went off to end the game.

Story #9 Camp Counselors

She arrived at camp after days of driving across most of the United States. Megan was excited to meet the campers and counselors. She was greeted by counselors from over 30 different countries.

She was taken on a tour of the camp and saw where she would be working; even though the campers had not arrived yet, Megan knew that this would be a summer to remember.

Story #10 At the Speed of Light

It took 2 & 1/2 hours of waiting in line to sit at the front of the fastest roller coaster in the country.

Luke and Hollie were nervous.

The roller coaster was reported to reach a top speed of 120 mph. They fastened their seat belts and watched the lights, Yellow... Yellow... Yellow... Green! The car shot forward. Luke and Hollie let out cheers of excitement, while their cheeks flapped in the wind.

"Woohoo!" they exclaimed after the car had come to a stop, "we should definitely do that again!"

This list of functional words was  professionally selected to be the most useful  for a child or adult who has difficulty with this language principle.

We encourage you to use this list when practicing at home.

Home practice will make progress toward meeting individual language goals much faster.

Speech-Language Pathologists (SLPs) are only able to see students/clients 30-60 mins (or less) per week.

This is not enough time  or practice for someone to strengthen their understanding of this important language concept.

Every day that your loved one goes without practice  it becomes more difficult  to help them. 

SEE ALSO:   The Best Books for Speech Therapy Practice

We know life is busy , but if you're reading this you're probably someone who cares about helping their loved one as much as you can.

Practice 5-10 minutes whenever you can, but try to do it on a consistent basis (daily).

Please, please, please use this list to practice.

It will be a great benefit to you and your loved one's progress.

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What time does Joe Biden speak at the Democratic convention? How to watch and stream.

A month after announcing he would not seek reelection, President Joe Biden will take the stage during night one of the 2024 Democratic National Convention in Chicago.

The convention Monday will pay tribute to Biden, 81, who ended his reelection campaign in July and endorsed Vice President Kamala Harris , now the nominee . Former Secretary of State Hillary Clinton , who ran for president against former President Donald Trump in 2016, will also give a speech Monday.

NBC News reported that President Jimmy Carter's grandson, Jason Carter, will speak on behalf of his 99-year-old grandfather.

Former President Barack Obama is expected to speak Tuesday night, and former President Bill Clinton will deliver remarks Wednesday night before Democratic vice presidential nominee  Tim Walz , the governor of Minnesota, gives his address.

As the Democratic nominee,  Harris  will close out the convention with her acceptance speech Thursday night.

Here's what to know about tuning into Biden's address.

Black women are in charge at the DNC: Expect a different kind of convention.

What time is Joe Biden's speech?

Biden's speech comes Monday, the first night of the convention. The convention has not released the exact time for his speech, but it will likely come during the main programming portion of the evening, scheduled from 5:30-10 p.m. CT.

The speaker schedule is subject to change and a full list of speakers will be released at a later time.

How to watch Joe Biden's speech

USA TODAY is providing live coverage of Biden's address.

USA TODAY will stream every day of the Democratic National Convention this week.

Kamala Harris Addresses Economy In Speech—Here’s What To Know About Her Policy Agenda

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Vice President Kamala Harris unveiled more details about her economic agenda in a speech Friday in North Carolina, proposing an “opportunity economy” as the Democratic nominee focused on lowering the price of groceries and prescription drugs and addressing the housing crisis with an eye on bolstering the middle class.

Vice President Kamala Harris speaks at Wake Tech Community College in Raleigh, N.C., on Aug. 16.

Grocery Prices: The candidate would work in her first 100 days to help Congress pass a national ban on “price gouging” for food and groceries, as well as give the Federal Trade Commission and prosecutors authority to go after companies they determine price gouge, support small businesses in the industry, take a closer look at mergers between big grocery companies and “aggressively” investigate price-fixing in meat supply chains specifically.

Housing Costs: Harris wants to provide $25,000 in down payment assistance for first-time home buyers and is calling for the creation of three million new housing units within the next four years, proposing a tax credit for developers who build starter homes and investing $40 million in an innovation fund to tackle the housing crisis.

Rental Costs: Harris would also expand a tax credit for housing developers who build affordable housing rental units, and is calling on Congress to pass legislation that would stop predatory investors who buy up rental homes and collude with each other to raise rental prices.

Child Tax Credit: Harris proposed giving families a $6,000 tax credit for newborns in their first year of life, and restore a pandemic-era tax credit of $3,600 per child for middle and lower-class families.

Taxes: Harris also wants to expand the Earned Income Tax Credit for workers in lower-income jobs, which would cut taxes by up to $1,250, and has previously said she would continue President Joe Biden’s promise not to raise taxes on American households earning $400,000 or less annually, and does support raising taxes for high earners and corporations, according to The New York Times.

No Tax On Tips: Harris has separately endorsed a plan to get rid of taxes on tips for hospitality and service workers, echoing a proposal by former President Donald Trump—which has been criticized by some experts—though a campaign official told CNN tips would still be subject to payroll taxes, and would include an income limit and guardrails to prevent people like hedge fund managers from taking advantage of the policy.

Prescription Drug Prices: Harris proposed a $35 cap on insulin and capping out-of-pocket expenses on prescription drugs at $2,000 per year on Friday, also saying she would speed up Medicare negotiations on the price of prescription drugs—after the Biden administration announced a deal lowering costs on 10 medications—and crack down on anti-competitive practices in the pharmaceutical industry that cause higher prices.

Healthcare: The Harris campaign also announced her intention to work with states to cancel Americans’ medical debt, and she proposed expanding subsidies for Affordable Care Act plans that would save health insurance customers an average of $700 on their health insurance premiums.

Paid Leave: Harris has not released a specific paid leave proposal, but she has previously co-sponsored 12-week paid leave legislation, Politico notes, with Sen. Patty Murray, D-Wash., telling the outlet, “I absolutely believe that when they are in office, we will get a paid leave bill done finally.”

Minimum Wage: Harris called for raising the minimum wage in a Las Vegas speech earlier in August, but her campaign has not specified how high she believes it should be raised.

Fed Independence: Harris has vowed to maintain the Federal Reserve’s independence after Trump said he believed “the president should have at least [a] say” on the Federal Reserve’s decisions, with Harris telling reporters, “The Fed is an independent entity and as president I would never interfere in the decisions that the Fed makes.”

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Crucial Quote

Harris said Friday she’d be “laser focused on creating opportunities for the middle class” if elected president, calling for “an economy where everyone can compete and have a real chance to succeed.” “Now is the time to chart a new way forward, to build an America where everyone’s work is rewarded and talents are valued, where we work with labor and business to strengthen the American economy, and where everyone has the opportunity not only to get by, but to get ahead,” the vice president said.

What To Watch For

Harris said in her North Carolina speech that she intends to unveil more economic proposals in the weeks ahead. The vice president has still not issued a full policy platform or unveiled proposals for policy issues beyond the economy, and those are also expected in the near future.

How Do Harris’ Policies Compare With Biden’s?

Harris’ economic policy agenda is largely in line with Biden’s economic platform, with some tweaks to emphasize causes that are more important to her, like the child tax credit. “Same values, different vision,” a Harris aide told The Guardian. “She’s not moving far away from him on substance, she will highlight the ones that matter most to her.” The initial plans from Harris’ campaign also suggest the vice president plans to be more aggressive in her policy approaches than Biden, however, as polls have suggested voters hold dim views of how the president has handled the economy. While Biden has also opposed price gouging, Harris’ proposal to enable the FTC and U.S. attorneys to go after companies that hike up prices goes beyond what the president has proposed, Politico notes , and her proposed $40 million investment in the housing crisis is double the amount the Biden administration spent.

Harris’ economic agenda released Friday didn’t go fully in depth about her proposals, which The New York Times reports is by design. The Times reported prior to Harris’ speech that the Harris campaign has adopted a “strategic vagueness” for her economic proposals, believing that being more of a “blank slate” will help ward off attacks and attract more support from business groups.

How Do Harris’ Policies Compare With Trump’s?

Trump’s economic agenda is largely focused on raising tariffs on imported goods, which Harris has said she opposes. The ex-president has also called for cutting taxes and regulations in hopes of lowering inflation, including lowering the corporate tax rate, and has encouraged increasing oil production in order to lower energy prices. In addition to his “no tax on tips” proposal that Harris has also endorsed, Trump has called for ending taxes on Social Security benefits, which Harris has not yet responded to. Experts believe the ex-president’s proposal could speed up Social Security and Medicare becoming insolvent, with the Committee for a Responsible Federal Budget projecting exempting taxes on benefits would result in Social Security and Medicare receiving $1.6 trillion less in revenue between 2026 and 2035. The Trump campaign opposed reports of Harris’ economic proposals Wednesday, with spokesperson Steven Cheung saying in a statement, “Kamala Harris can’t hide from her disastrous record of skyrocketing inflation … Americans are struggling under the Biden-Harris economy, and now she wants to gaslight them into believing her bald-faced lies.”

42%. That’s the share of voters who trust Harris more to handle the economy, according to a Financial Times/University of Michigan poll released Sunday, versus 41% who trust Trump more. That’s down from Trump holding a six-point lead over Biden in July, though the poll also showed 42% believe a Trump presidency would leave them better off financially, while only 33% said the same for Harris.

Key Background

Harris became the presumptive Democratic presidential nominee in July after Biden stepped down suddenly from the presidential race, following weeks of pressure over mounting concerns about his mental fitness. While the vice president has quickly garnered Democrats’ support and risen in the polls, Harris has released few concrete policy proposals in the first few weeks of her campaign—drawing some criticism as a result—with her speech Friday expected to be the most substantive remarks she’s given on policy so far. Her focus on the economy comes as polling has repeatedly shown it’s the most important issue to voters in this election cycle, with the vice president hoping to attract support amid low approval ratings for Biden’s handling of the economy. Harris’ speech also comes days after news that inflation fell in July to its lowest point in more than three years, with federal data released Wednesday showing inflation at 2.9% in July, the first time it’s been below 3% since March 2021.

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Harris to lay out her vision for the economy in a policy speech in Raleigh, N.C.

Asma Khalid

Leila Fadel

Democratic presidential candidate Kamala Harris on Friday will reveal more of her plan for the economy. She’s expected to propose cutting expenses such as health care and groceries.

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Trump Says Some Migrants Are ‘Not People’ and Predicts a ‘Blood Bath’ if He Loses

In a caustic and discursive speech in Ohio, former President Donald J. Trump once again doubled down on a doomsday vision of the United States.

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Anjali Huynh reported from Vandalia, Ohio, and Michael Gold from New York.

• Published March 16, 2024 Updated March 18, 2024

Former President Donald J. Trump , at an event on Saturday ostensibly meant to boost his preferred candidate in Ohio’s Republican Senate primary race, gave a freewheeling speech in which he used dehumanizing language to describe immigrants, maintained a steady stream of insults and vulgarities and predicted that the United States would never have another election if he did not win in November.

With his general-election matchup against President Biden in clear view, Mr. Trump once more doubled down on the doomsday vision of the country that has animated his third presidential campaign and energized his base during the Republican primary.

The dark view resurfaced throughout his speech. While discussing the U.S. economy and its auto industry, Mr. Trump promised to place tariffs on cars manufactured abroad if he won in November. He added: “Now, if I don’t get elected, it’s going to be a blood bath for the whole — that’s going to be the least of it. It’s going to be a blood bath for the country.”

For nearly 90 minutes outside the Dayton International Airport in Vandalia, Ohio, Mr. Trump delivered a discursive speech, replete with attacks and caustic rhetoric. He noted several times that he was having difficulty reading the teleprompter.

The former president opened his speech by praising the people serving sentences in connection with the Jan. 6, 2021, riot at the Capitol. Mr. Trump, who faces criminal charges tied to his efforts to overturn his election loss, called them “hostages” and “unbelievable patriots,” commended their spirit and vowed to help them if elected in November. He also repeated his false claims that the 2020 election was stolen, which have been discredited by a mountain of evidence .

If he did not win this year’s presidential election, Mr. Trump said, “I don’t think you’re going to have another election, or certainly not an election that’s meaningful.”

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Biden to make a forceful case for Harris and Walz in convention speech

President Joe Biden’s role at the Democratic National Convention next week may have been dramatically reshaped by his decision to end his bid for a second term , but his message about the stakes of this election will sound familiar, according to multiple Biden officials.

The outgoing president will make the case for Vice President Kamala Harris to succeed him when he delivers Monday’s keynote address, in part by touting their accomplishments during the last four years.

But Biden will also make clear that he still believes Republican nominee Donald Trump poses a grave threat to American democracy and urge delegates in Chicago and voters watching across the country to do their part to defeat him again in November, aides say.

“After saving democracy in 2020, President Biden is determined to defeat the threat to democracy posed by Donald Trump,” one official said.

The first day of the convention in Chicago will include a series of tributes to Biden as he prepares to end a half-century career of public service. Just weeks ago, of course, the entire convention was centered around helping make the case for extending that service by four more years. But now it will offer the president another opportunity to try and shape his legacy.

The president will spend the weekend at Camp David fine-tuning his remarks with the help of senior advisers, including lead speechwriters Mike Donilon and Vinay Reddy. The remarks will build on the message he delivered in the Oval Office shortly after dropping out of the race and make a forceful case for Harris and Minnesota Gov. Tim Walz.

The speech, officials say, will be a reminder of the importance of Biden immediately endorsing Harris after announcing he would end his candidacy, helping to quickly unite a party in crisis behind her historic candidacy. Although Biden fought hard to remain in the race after his poor debate performance, his addressing the convention on the first night allows him to pass the torch to her and Walz, Biden officials told NBC News.

“The president is pleased at the momentum behind the campaign and looks forward to making his case,” an official said.

Biden aides, though, believe the convention will continue to highlight the Biden-Harris record after he leaves in order to make a contrast with the Republican ticket.

“Four years ago, America was reeling from a once-in-a-century pandemic, isolated on the world stage, crime was up, the middle class sidelined,” an official said. “Today: We are the global engine of growth, our alliances are strong, violent crime rate is at a 50-year low, border crossings are lower than when the previous administration left office, and we are making progress on the issues Americans care about most.”

Members of the Biden family will join the president and first lady,  who will speak  ahead of her husband. Longtime friends and supporters of Biden will also be traveling together on a chartered plane from Delaware to attend the speech, and several aides have organized a celebration for them and other current and former staff in Chicago on Monday night.

Other elements of the convention that had been intended to boost Biden’s candidacy will remain as tributes, starting with a convention logo that borrows from his 2020 campaign design. All convention delegates will also receive “Cup of Joe”-branded coffee, and signage around the United Center on Monday will invoke words from Biden’s Oval Office address, such as “History is in your hands,” as well as a family mantra: “Spread the faith.”

Biden will leave Chicago after his address Monday to spend the rest of the week in Southern California. There, he will huddle with top advisers who have been working for the past month to firm up plans for his remaining months in office.

A Biden official said the president “will have an extensive domestic schedule — traveling across the country to keep reminding Americans that they are going to have to choose between his vision and the vice president’s vision to move the country forward, not backward.”

“And the president will fight to make every day of his term count to build on these historic achievements,” the official added. “Expect aggressive implementation of historic legislation, actions to lower costs, and a packed foreign policy agenda.”

Mike Memoli is an NBC News correspondent. 

Monica Alba is a White House correspondent for NBC News.

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When is the DNC? How to watch Joe Biden speak at Democratic National Convention in Chicago

The Democratic National Convention is here with Vice President  Kamala Harris  and her running mate, Gov.  Tim Walz  expected to accept the nominations to lead the Democratic ticket.

The two will face former President Donald Trump and his vice president selection, Ohio Sen. JD Vance, in the November election after President Joe Biden dropped out of the race in July.

Here's what we know about the 2024 Democratic National Convention.

Staying in Delaware: Delaware's president may be out, but Kamala Harris' campaign HQ will remain in Wilmington

'Thank you, Boss': Friends, former staff pen letter to President Biden in News Journal ad

When does DNC start?

The DNC  will be held from Monday, Aug. 19 through Thursday, Aug 22.

Where is the DNC 2024?

The 2024 DNC will be held at the United Center in Chicago.

What time does the DNC start?

Each day of the convention  includes a full schedule of events for delegates , but the main programming of the DNC takes place from 6 to 10 p.m. each night of the convention.

How to watch and stream the 2024 DNC

The DNC will livestream events across multiple online platforms.

USA TODAY will provide livestream coverage on YouTube  each night of the DNC, Monday through Thursday.

Each television network will handle coverage slightly differently.

DNC speaker schedule

President Joe Biden is scheduled to speak during the opening night of the convention. The first night will pay tribute to the 81-year-old Democratic president.

Here are others schedule to speak at the DNC:

Monday: First Lady Jill Biden, former Secretary of State Hillary Clinton and Chicago Mayor Brandon Johnson.

Tuesday: Former President Barack Obama, Second Gentleman Doug Emhoff and Illinois Gov. JB Pritzker.

Wednesday: Walz, former President Bill Clinton, Speaker Emerita Nancy Pelosi and Transportation Secretary Pete Buttigieg.

Thursday: Harris accepts the convention's nomination for president

NBC News reported that President Jimmy Carter's grandson Jason Carter will speak on behalf of his grandfather. The DNC speaker schedule is subject to change and a full list of speakers will be released at a later time.

When was the last time the DNC was held in Chicago?

This is the first time the convention will be held there since 1996, when former President Bill Clinton was nominated for his second term. Before that, the last time it was held there was in 1968 when there were protests stemming from the United States' involvement in the Vietnam War.

This will be the 12th time the DNC has been held in Chicago.

Where was the last DNC held?

The last DNC was held virtually in Wilmington, Delaware, where Biden officially accepted the Democratic nomination for president.

What happens at the DNC?

Delegates for the Democratic Party will travel to the DNC to officially nominate the Democratic presidential and vice-presidential candidates for the 2024 election.  Delegates  from each state and U.S. territory will vote based on their primary election results.

Why Joe Biden dropped out of the election?

Calls for Biden to step down due the appearance of decline health began in late June following his  debate performance  against  Trump , where he stumbled over words and corrected himself with numbers. Biden's team initially attributed his  raspy voice  to a cold, but also  blamed jet lag  from recent travels overseas for his poor performance on stage.

Biden has said multiple times that he will not resign and that he is the right person for the job.

Joe Biden endorses Harris

During his announcement, Biden endorsed Harris as the Democratic nominee in a  separate statement  on X. He said he would speak to the nation later this week to provide more details about his decision.

When is the presidential election?

The 2024 presidential election will be Tuesday, Nov. 5.

Gabe Hauari contributed to this story.