king's speech rotten tomatoes

7 new to Max movies with 90% or higher on Rotten Tomatoes

Paddington 2, Aliens and more lead an incredible Max movies lineup this November

Max always has tons of great and movies in its catalog. Combined with the library of HBO shows it offers, it’s no surprise it's consistently one of the best streaming services out there. And this month Max is adding even more to its already impressive list of movies.

But some of those new movies stand out above the rest. There are even a select few that score 90% or higher on Rotten Tomatoes — truly rarified air. And this month there are more than most, but seven of these highly rated movies stood out above the rest, including a pair of the best sequels ever made.

Ready to start watching? Here are the seven best movies that are new to Max this month.

Paddington 2

When the first Paddington movie came out in 2014, Ben Whishaw’s portrayal of the marmalade-loving bear was an instant success. So it was no surprise when in 2017, a sequel was released to the clamoring masses. But what was a surprise was that Paddington 2 was even better than the original. It’s not only one of the best sequels ever made, but some would argue it's even one of the best movies ever made. It even gets a shoutout in the Nicolas Cage film The Unbearable Weight of Massive Talent when Pedro Pascal’s character declares it his third favorite movie of all time.

Starring Hugh Bonneville, Sally Hawkins and Hugh Grant amongst many other talented actors, there’s really nothing negative about the movie. A talented cast, an excellent star performance and a heartwarming story — what’s not to like? Paddington 2 is a must-watch on Max this month.

Rotten Tomatoes rating: 99% Genre: Animated comedy Stream on Max  

Speaking of incredible sequels, Aliens is right up there with Paddington 2 in terms of the greatest sequels of all time. While some (like myself) may ultimately prefer Ridley Scott’s sci-fi horror masterpiece Alien to James Cameron’s action movie follow-up, there’s no denying this movie is incredible. 

Sign up to get the BEST of Tom’s Guide direct to your inbox.

Upgrade your life with a daily dose of the biggest tech news, lifestyle hacks and our curated analysis. Be the first to know about cutting-edge gadgets and the hottest deals.

Starring Sigourney Weaver, reprising her role as Ellen Ripley from the original Alien film, Aliens has her returning with a platoon of Colonial Marines to the same moon where we first encounter the Xenomorph menace. What follows is an incredible action movie and an Academy Award-nominated performance from Weaver that’s well worth your time. Don’t miss out on Aliens while it’s available to watch on Max.

Rotten Tomatoes rating: 98% Genre: Science Fiction/Action Stream on Max

Ferris Bueller’s Day Off may be considered the most well-known Matthew Broderick performance, but don’t overlook WarGames. Starring Broderick as teenage computer whiz David Lightman, this movie starts out as just another teen comedy but quickly turns into something more sinister. What follows is a thrilling showdown between man and machine with the fate of the world at stake.

While WarGames now feels as dated as the computers used in the movie, it still holds up quite well. The movie is enjoyable to watch from start to finish and puts an interesting twist on the Cold War thriller genre. It is also apparent that people who were familiar with computers had input in the writing, which is refreshing given that technology can sometimes feel like magic rather than grounded science in movies. If you want a fast-paced thriller to watch this month, WarGames is a great option.

Rotten Tomatoes rating: 94% Genre: Thriller Stream on Max

The King’s Speech

Setting aside my personal animus that The King’s Speech beat out both Inception and The Social Network for Best Picture, there’s no denying that it’s an Oscar-worthy movie. Starring Colin Firth as King George VI of England, the movie follows his journey as he learns to overcome his crippling stutter, culminating with his first wartime address to the nation at the onset of World War II.

But the story, inspiring as it is, isn’t what makes this movie so excellent. That honor goes, without any doubt, to its cast of Firth as King George, Helena Bonham Carter as Elizabeth, The Queen Mother and Geoffrey Rush as Lionel Logue, the speech therapist who guides George to overcome his stutter. It’s their performance that makes this film Oscar-worthy and worthy of your time. I just hope that, unlike me, you don’t keep seeing Geoffrey Rush as Captain Barbossa from Pirates of the Caribbean the entire time.

Rotten Tomatoes rating: 94% Genre: Historical drama Stream on Max  

Diner is probably up there in terms of movies I know I need to see but for some reason still haven’t. Especially since it takes place in Baltimore, a city near and dear to my heart. Now that it’s on Max, it’s finally time to check it off my list.

Starring Steven Guttenberg, Daniel Stern, Mickey Rourke and Kevin Bacon as a close group of friends, this Barry Levinson comedy takes place between Christmas and New Year’s Eve in 1959 Baltimore and is considered a classic by all who love it. There are high jinks and high-strung emotions throughout the movie, but at the end, all you remember is the good times you spent over 110 minutes with the movie's incredible cast.

Rotten Tomatoes rating: 92% Genre: Dramatic comedy Stream on Max  

Starring Sylvester Stallone as the titular Rocky Balboa, Rocky would go on to win multiple Academy Awards, including Best Picture and Best Director. It would also earn Stallone two nominations for Best Actor and Best Original Screenplay, which is arguably even more remarkable than the Oscar wins the movie received. But most importantly, it’s one of the best sports movies of all time, and adding it is a major win for Max this month.

Granted, some people may complain about the movie’s ending — and if for some reason you’re left feeling unsatisfied, you can watch the entire Rocky franchise once you’re done with the original. But once you’ve seen Rocky, I think you’ll agree that the ending is perfect and part of what makes Rocky stand the test of time. Either way, you certainly won’t regret watching it.

Rotten Tomatoes rating: 92% Genre: Sports drama Stream on Max  

There are some great Stephen King adaptations out there, but Misery has to be in the Mount Rushmore for the greatest movies made of King’s works. Starring James Caan as novelist Paul Sheldon, Misery is a gripping thriller that will have you on the edge of your seat as Sheldon tries to escape his biggest fan — Annie Wilkes, played by the incredible Kathy Bates.

And when I say the incredible Kathy Bates, that’s not hyperbole. Caan’s performance as Sheldon is good and Rob Reiner does a great job adapting King’s novel, but it’s Bates who steals the show, essentially from the moment we meet her. While I may argue that The King’s Speech may have not deserved its big Oscar win, you won’t hear any complaints from me about Bates winning the Academy Award for Best Actress for her portrayal of Wilkes in Misery. Spooky season may be behind us but it’s never too late for a good horror movie, and technically Misery is a holiday movie, so you’re covered there too.

Rotten Tomatoes rating: 92% Genre: Thriller Stream on Max  

More from Tom's Guide

• Marvel Spotlight just fixed a big MCU problem — but not its biggest one
• Wes Anderson's best movie this year isn't Asteroid City — and it's on Netflix now
• 5 new to Netflix movies with 90% or higher on Rotten Tomatoes

Malcolm McMillan is a senior writer for Tom's Guide, covering all the latest in streaming TV shows and movies. That means news, analysis, recommendations, reviews and more for just about anything you can watch, including sports! If it can be seen on a screen, he can write about it. Previously, Malcolm had been a staff writer for Tom's Guide for over a year, with a focus on artificial intelligence (AI), A/V tech and VR headsets.

Before writing for Tom's Guide, Malcolm worked as a fantasy football analyst writing for several sites and also had a brief stint working for Microsoft selling laptops, Xbox products and even the ill-fated Windows phone. He is passionate about video games and sports, though both cause him to yell at the TV frequently. He proudly sports many tattoos, including an Arsenal tattoo, in honor of the team that causes him to yell at the TV the most.

How to watch 'The Jinx — Part Two' online and from anywhere — release date, TV channels

5 Max movies to watch now with 100% on Rotten Tomatoes

Man Utd vs Sheffield Utd live stream: How to watch Premier League game online

Most Popular

• 2 Razer's new Viper V3 Pro gaming mouse boasts an obscene 8000Hz polling rate
• 3 Ray-Ban Meta smart glasses just got a ton of upgrades, including new AI features and video calling
• 4 New 4K Chromecast with Google TV reportedly on the way — what we know
• 5 This 8-in-1 MagSafe charger is 30% off now — and it's the perfect desk accessory

Movie Reviews

Tv/streaming, collections, great movies, chaz's journal, contributors, the rain in sp…sp...sp....

Now streaming on:

"The King's Speech" tells the story of a man compelled to speak to the world with a stammer. It must be painful enough for one who stammers to speak to another person. To face a radio microphone and know the British Empire is listening must be terrifying. At the time of the speech mentioned in this title, a quarter of the Earth's population was in the Empire, and of course much of North America, Europe, Africa and Asia would be listening — and with particular attention, Germany.

The king was George VI. The year was 1939. Britain was entering into war with Germany. His listeners required firmness, clarity and resolve, not stammers punctuated with tortured silences. This was a man who never wanted to be king. After the death of his father, the throne was to pass to his brother Edward. But Edward renounced the throne "in order to marry the woman I love," and the duty fell to Prince Albert, who had struggled with his speech from an early age.

In "The King's Speech," director Tom Hooper opens on Albert ( Colin Firth ), attempting to open the British Empire Exhibition in 1925. Before a crowded arena and a radio audience, he seizes up in agony in efforts to make the words come out right. His father, George V ( Michael Gambon ), has always considered "Bertie" superior to Edward ( Guy Pearce ), but mourns the introduction of radio and newsreels, which require a monarch to be seen and heard on public occasions.

At that 1925 speech, we see Bertie's wife, Elizabeth (Helena Bonham Carter), her face filled with sympathy. As it becomes clear that Edward's obsession with Wallis Simpson (Eve Best) is incurable, she realizes her Bertie may face more public humiliation. He sees various speech therapists, one of whom tries the old marbles-in-the-mouth routine first recommended by Demosthenes. Nothing works, and then she seeks out a failed Australian actor named Lionel Logue ( Geoffrey Rush ), who has set up a speech therapy practice.

Logue doesn't realize at first who is consulting him. And one of the subjects of the film is Logue's attitude toward royalty, which I suspect is not untypical of Australians; he suggests to Albert that they get on a first-name basis. Albert has been raised within the bell jar of the monarchy and objects to such treatment, not because he has an elevated opinion of himself but because, well, it just isn't done. But Logue realizes that if he is to become the king's therapist, he must first become his friend.

If the British monarchy is good for nothing else, it's superb at producing the subjects of films. "The King's Speech," rich in period detail and meticulous class distinctions, largely sidesteps the story that loomed over this whole period, Edward's startling decision to give up the crown to marry a woman who was already divorced three times. Indeed, the Duke and Duchess of Windsor (as they became) would occupy an inexplicable volume of attention for years, considering they had no significance after the Duke's abdication. The unsavory thing is that Wallis Simpson considered herself worthy of such a sacrifice from the man she allegedly loved. This film finds a more interesting story about better people; Americans, who aren't always expert on British royalty, may not necessarily realize that Albert and wife Elizabeth were the parents of Queen Elizabeth II. God knows what Edward might have fathered.

Director Tom Hooper makes an interesting decision with his sets and visuals. The movie is largely shot in interiors, and most of those spaces are long and narrow. That's unusual in historical dramas, which emphasize sweep and majesty and so on. Here we have long corridors, a deep and narrow master control room for the BBC, rooms that seem peculiarly oblong. I suspect he may be evoking the narrow, constricting walls of Albert's throat as he struggles to get words out.

The film largely involves the actors Colin Firth, formal and decent, and Geoffrey Rush, large and expansive, in psychological struggle. Helena Bonham Carter, who can be merciless (as in the "Harry Potter" films), is here filled with mercy, tact and love for her husband; this is the woman who became the much-loved Queen Mother of our lifetimes, dying in 2002 at 101. As the men have a struggle of wills, she tries to smooth things (and raise her girls Elizabeth and Margaret). And in the wider sphere, Hitler takes power, war comes closer, Mrs. Simpson wreaks havoc, and the dreaded day approaches when Bertie, as George VI, will have to speak to the world and declare war.

Hooper's handling of that fraught scene is masterful. Firth internalizes his tension and keeps the required stiff upper lip, but his staff and household are terrified on his behalf as he marches toward a microphone as if it is a guillotine. It is the one scene in the film that must work, and it does, and its emotional impact is surprisingly strong. At the end, what we have here is a superior historical drama and a powerful personal one. And two opposites who remain friends for the rest of their lives.

Note: The R rating refers to Logue's use of vulgarity. It is utterly inexplicable. This is an excellent film for teenagers.

Roger Ebert

Roger Ebert was the film critic of the Chicago Sun-Times from 1967 until his death in 2013. In 1975, he won the Pulitzer Prize for distinguished criticism.

Now playing

Dad & Step-Dad

Carlos aguilar.

Apples Never Fall

Cristina escobar.

Matt Zoller Seitz

The Animal Kingdom

Monica castillo.

Glenn Kenny

Brian Tallerico

Film credits.

The King's Speech (2010)

Rated R for language

118 minutes

Directed by

• David Seidler

Latest blog posts

He's Got Something Going On: David Proval on Mean Streets, and Acting for Martin Scorsese

Girl Shy and the Birth of the Romantic Comedy

New 2025 Oscar Rules Specify New Composer Eligibility, Inclusion Requirements, No More Drive-In Eligibility

Luca Guadagnino Is Love

The Definitive Voice of Entertainment News

Subscribe for full access to The Hollywood Reporter

site categories

The king’s speech — film review.

Colin Firth, following up on his Oscar-nominated role in "A Single Man," now can claim a place among Britain's finest film actors with his performance as the man who became King George VI.

By Kirk Honeycutt

Kirk Honeycutt

• Share this article on Facebook
• Share this article on Twitter
• Share this article on Flipboard
• Share this article on Email
• Show additional share options
• Share this article on Linkedin
• Share this article on Pinit
• Share this article on Reddit
• Share this article on Tumblr
• Share this article on Whatsapp
• Share this article on Print
• Share this article on Comment

It perhaps started with The Queen , continued with Young Victoria and now achieves the most intimate glimpse inside the royal camp to date with The King’s Speech .

Each of these films features a mesmerizing central performance. Although Speech requires shared billing, with no disrespect to Geoffrey Rush ‘s spot-on work here, Colin Firth , following up on his Oscar-nominated role in A Single Man , now can claim a place among Britain’s finest film actors with his performance as the man who became King George VI.

The Bottom Line A riveting, intimate account at how a British king triumphed over a speech impediment with the help of an unorthodox speech coach.

The film is a sure winner in the British Isles and many former colonies. How its most rebellious and historically challenged colony will react when the Weinstein Co. releases the film domestically Nov. 24 is hard to gauge. Perhaps only decent box office can be anticipated.

Related Stories

Catherine mccormack joins colin firth in peacock, sky limited series 'lockerbie', colin firth to star in peacock, sky limited series 'lockerbie'.

The thing about Bertie, as George V’s second son was called by the family, is that he never is going to be king. A good thing too because he suffers from a terrible stammer and what nowadays would be called low self-esteem. Then history conspires against him.

But this is getting ahead of the story, ably written by David Seidler and directed by Tom Hooper . While dad ( Michael Gambon ) remains on his throne and his elder brother, David ( Guy Pearce ), gadding about as an international playboy, Bertie (Firth) has to give a speech. He looks like he is about to attend his own execution, and words stick in his throat so badly that what comes out is unintelligible.

His wife, Elizabeth ( Helena Bonham Carter ), seeks out speech therapists but only disaster results. Then she stumbles onto Lionel Logue (Rush).

The movie establishes him as an eccentric, lower-class and somewhat ignoble version of Henry Higgins. He and his family live in a large, oddly wallpapered flat that contains only a fraction of the furniture necessary to fill it. What’s worse, he’s Australian and a failed ham actor specializing in eloquent though thoroughly bad Shakespeare. Yet even when he realizes a royal is summoning him, he insists that it’s “his castle, his rules”: The royal must take his lessons in Lionel’s home.

Thus the movie sets up an Odd Couple dynamic that, like the famous Neil Simon play/movie/TV series, measures out comedy and drama in nearly even doses. Bertie and Lionel — the therapist insists on a first-name basis — discover common ground, quarrel bitterly, share a drink, make a breakthrough, then break off all contact. At the root of Bertie’s problem, it gradually emerges, is a wretched childhood, no matter how rich and glorious it might seem to outsiders.

Now comes history’s little trick. Brother David eventually becomes Edward VIII; you know, the irresponsible sap who decides he’d rather marry a well-traveled, twice-divorced American, Wallis Simpson, than be king of England. Following his brother’s abdication, Bertie becomes George VI, which means a lot of speech giving — especially on the eve of World War II.

The movie lets everything build to George VI’s first wartime speech. In the early days of the wireless — long before television, of course — this means a king can stand alone in a room with only a microphone and speech coach to get him through those three minutes (egged on by Beethoven’s mighty Seventh Symphony). It’s an understandably moving moment, but the film has nicely paved the way with long therapy sessions, conversations and comic fights between its couple.

A king is made into a commoner and a commoner — no, worse, an Aussie — is made into a pro that for all his lack of pedigree can rule enunciation, diction and language.

Who knows how close any of this comes to historical fact; the filmmakers’ main source appears to be the Logue family. It doesn’t really matter, though, because something about all this feels right, as do the characters.

Firth doesn’t just make a British king vulnerable and insecure, he shows the fierce courage and stamina beneath the insecurities that will see him through his kingship. It’s not just marvelous acting, it’s an actor who understands the flesh-and-blood reality of the moment and not its history. It’s an actor who admires his character not in spite of his flaws but because of them.

Rush is absolutely wonderful, and Hooper shoots him with all sorts of angles, lighting and strange positions that makes him look like an alien landed in 1930s London. Nothing much impresses him, and he is supremely confident in his own expertise, even when challenged by a star pupil and his coterie of advisers. He won’t yield an inch.

Carter is a revelation here despite a long career as a leading lady. She makes Bertie’s wife into not just a warm and caring soul but a witty and attractive woman who understands her husband much better than he does himself.

There are many supporting performances, but many, alas, are waxwork. Perhaps the worst belongs to the usually reliable Timothy Spall as Winston Churchill.

The production is a strong one. No one can do this sort of thing like the Brits. Oops, composer Alexandre Desplat is French. Oh well, in this instance let’s make him an honorary Australian.

Venue: Telluride Film Festival (The Weinstein Co.) Production: The Weinstein Co. and U.K. Film Council in association with Momentum Pictures, Aegis Film Fund, Molinare London, Filmnation Entertainment present a See Saw Films/Bedham Production Cast: Colin Firth, Geoffrey Rush, Helena Bonham Carter, Guy Pearce, Michael Gambon, Timothy Spall, Derek Jacobi, Jennifer Ehle, Anthony Andrews, Claire Bloom, Eve Best Director: Tom Hooper Screenwriter: David Seidler Producers: Iain Canning, Emile Sherman, Gareth Unwin Executive producers: Geoffrey Rush, Tim Smith, Paul Brett, Mark Foligno, Harvey Weinstein, Bob Weinstein Director of photography: Danny Cohen Production designer: Eve Stewart Music: Alexandre Desplat Costume designer: Jenny Beavan Editor: Tariq Anwar No rating, 118 minutes

THR Newsletters

Sign up for THR news straight to your inbox every day

More from The Hollywood Reporter

Hollywood forfeits up to $30b every year because of racial inequity, jane campion to receive locarno film festival honor, ryan gosling says ‘the nice guys’ didn’t get a sequel because ‘angry birds’ “destroyed us”, arnold schwarzenegger reveals his machiavellian sabotage of sylvester stallone in tmz special, glen powell credits sydney sweeney for successful ‘anyone but you’ marketing campaign, box office: the lupita nyong’o-voiced ‘wild robot’ makes small change to september release date.

Screen Rant

The king's speech review.

‘The King’s Speech’ is a competent Oscar-baiting historical drama, but does the film stammer too much for the mainstream moviegoer? Read our review to find out.

Screen Rant's Ben Kendrick Reviews The King's Speech

Since it’s debut at the Telluride Film Festival back in September, The King’s Speech has been steadily racking up award nominations as well as several wins, including: The Producers Guild of America Award for Best Theatrical Motion Picture and The Golden Globe for Best Actor (Colin Firth).

There’s no doubt that The King’s Speech - a historical drama about King George VI’s pre-World War II  rise to power - is the type of film award shows love to celebrate. However, despite being a competent and beautiful film, is director Tom Hooper’s movie too stuffy to provide mainstream moviegoers with a satisfying trip to the box office?

Fortunately, the answer is no. Despite critical acclaim, some Academy Award-nominated historical dramas never get a wide release – in large part due to their limited appeal to the greater movie-going population. The King’s Speech , however, is an intelligent film with beautiful direction by Hooper, that manages to offer a charm and sense of humor that even audiences at the megaplex will enjoy (not just the local independent theater).

If you’re still unfamiliar with the story of King George VI, or subsequently The King’s Speech , here’s the official synopsis:

After the death of his father King George V (Michael Gambon) and the scandalous abdication of King Edward VIII (Guy Pearce), Bertie (Colin Firth) who has suffered from a debilitating speech impediment all his life, is suddenly crowned King George VI of England. With his country on the brink of war and in desperate need of a leader, his wife, Elizabeth (Helena Bonham Carter), the future Queen Mother, arranges for her husband to see an eccentric speech therapist, Lionel Logue (Geoffrey Rush). After a rough start, the two delve into an unorthodox course of treatment and eventually form an unbreakable bond. With the support of Logue, his family, his government and Winston Churchill (Timothy Spall), the King will overcome his stammer and deliver a radio-address that inspires his people and unites them in battle. Based on the true story of King George VI, THE KING'S SPEECH follows the Royal Monarch's quest to find his voice.

As mentioned in the summary, the entire movie revolves around the importance of voice. With the recent invention of the wireless radio, as well as the growing threat of Nazi Germany, King George VI is forced into a unique moment in history – where a King’s radio booth is suddenly more important than his throne.

Despite being the type of role typically labeled as "Oscar-bait," Colin Firth’s performance as the stammering Prince Albert (George VI) is an honest portrayal that never oversteps the boundary between interpretation and caricature. While Firth’s stammering is certainly painful to listen to, it’s clear this is Hooper’s desired effect – and the director balances Albert’s stammers, as well as his succeeding frustration and anger, with a charming performance by Geoffrey Rush as the Australian speech therapist, Lionel Logue.

Like many dramas that revolve around a “burgeoning friendship” dynamic, many of the best moments in The King’s Speech are centered around the dynamic between the two would-be friends as Logue attempts to draw the stubborn Prince Albert down from his high horse, in order to truly address the root of the problem (Albert’s fear of being King). In the process, the audience is treated to a number of great moments: some humorous, some painful, and others that are genuinely inspiring.

That said, at times a few of these moments can follow the three act historical drama a bit too closely – resulting in several predictable character arcs. Without giving anything away, the end of the first and second acts are each punctuated with some misunderstanding or regression that tears at Lionel and Albert’s friendship. Surely the pair had their ups and downs in real life, and the framework doesn’t ruin the film or even take much away from the viewer’s enjoyment, but, because of where they’re placed, these moments end up coming across as the contrived movements of the plot, instead of the organic transition of the characters.

It’s a fine line, and certainly won’t bother most moviegoers, but in these moments it was easy to see the screenplay for The King’s Speech shining through a bit too clearly on the silver screen.

However, despite the over-obvious movie structure that, on occasion, gets forced onto the historical events depicted in the film, The King’s Speech is a terrific film with great performances by the cast, as well as an inspiring, not to mention charming, story about a man who not only finds his voice, but finds his place as one of the most important leaders in history.

If you’re still trying to make up your mind, check out the trailer for The King’s Speech below:

Also, if you’re interested in hearing the King’s speech, you can listen to King George VI’s actual September 3rd 1939 address to his people from Buckingham Palace – HERE .

Follow us on Twitter @ benkendrick and @ screenrant and let us know what you thought of the film.

The King’s Speech is currently playing in wide release.

Common Sense Media

Movie & TV reviews for parents

• For Parents
• For Educators
• Our Work and Impact

Or browse by category:

• Get the app
• Movie Reviews
• Best Movie Lists
• Best Movies on Netflix, Disney+, and More

Common Sense Selections for Movies

50 Modern Movies All Kids Should Watch Before They're 12

• Best TV Lists
• Best TV Shows on Netflix, Disney+, and More
• Common Sense Selections for TV
• Video Reviews of TV Shows

Best Kids' Shows on Disney+

Best Kids' TV Shows on Netflix

• Book Reviews
• Best Book Lists
• Common Sense Selections for Books

8 Tips for Getting Kids Hooked on Books

50 Books All Kids Should Read Before They're 12

• Game Reviews
• Best Game Lists

Common Sense Selections for Games

• Video Reviews of Games

Nintendo Switch Games for Family Fun

• Podcast Reviews
• Best Podcast Lists

Common Sense Selections for Podcasts

Parents' Guide to Podcasts

• App Reviews
• Best App Lists

Social Networking for Teens

Gun-Free Action Game Apps

Reviews for AI Apps and Tools

• YouTube Channel Reviews
• YouTube Kids Channels by Topic

Parents' Ultimate Guide to YouTube Kids

YouTube Kids Channels for Gamers

• Preschoolers (2-4)
• Little Kids (5-7)
• Big Kids (8-9)
• Pre-Teens (10-12)
• Teens (13+)
• Screen Time
• Social Media
• Online Safety
• Identity and Community

Explaining the News to Our Kids

• Family Tech Planners
• Digital Skills
• All Articles
• Latino Culture
• Black Voices
• Asian Stories
• Native Narratives
• LGBTQ+ Pride
• Best of Diverse Representation List

Celebrating Black History Month

Movies and TV Shows with Arab Leads

Celebrate Hip-Hop's 50th Anniversary

The king's speech, common sense media reviewers.

Superb drama about overcoming fears is fine for teens.

A Lot or a Little?

What you will—and won't—find in this movie.

The film has a stirring message: Our biggest limit

The three main characters serve as strong role mod

A character struggles with his temper, which is fu

A king abdicates from the throne because of his in

Strong language includes "bastard," &quo

Some social drinking (sherry, whisky, wine).

Parents need to know that The King's Speech is an engrossing, fact-based drama that's rated R primarily for a few scenes of strong language (including one "f"-word-filled outburst). It has inspiring and empowering messages about triumphing over your fears. An indie about a king who stutters…

Positive Messages

The film has a stirring message: Our biggest limitations are the voices in our head that remind us of all of our imperfections and failures. But they're only voices, and our will and perseverance are stronger than our fears. Communication, integrity, and humility are major themes. The film has some classist overtones, but they’re placed within historical context.

Positive Role Models

The three main characters serve as strong role models: Lionel Logue, though somewhat untraditional in his approach to speech therapy (at least for the movie's time period), believes in himself so much that he's able to help others do so, too. The queen is a lesson in being supportive without condescension, and King George VI is a man not to be denied his life because of his past.

Violence & Scariness

A character struggles with his temper, which is fueled by frustration.

Did you know you can flag iffy content? Adjust limits for Violence & Scariness in your kid's entertainment guide.

Sex, Romance & Nudity

A king abdicates from the throne because of his involvement with a divorcee. There are references to her "talents" behind closed doors.

Did you know you can flag iffy content? Adjust limits for Sex, Romance & Nudity in your kid's entertainment guide.

Strong language includes "bastard," "bloody," "tits," "damn," "ass," "hell," and "bugger." And in one memorable scene, a man yells out a stream of words like "s--t" and "f--k."

Did you know you can flag iffy content? Adjust limits for Language in your kid's entertainment guide.

Drinking, Drugs & Smoking

Did you know you can flag iffy content? Adjust limits for Drinking, Drugs & Smoking in your kid's entertainment guide.

Parents Need to Know

Parents need to know that The King's Speech is an engrossing, fact-based drama that's rated R primarily for a few scenes of strong language (including one "f"-word-filled outburst). It has inspiring and empowering messages about triumphing over your fears. An indie about a king who stutters might not seem like typical adolescent fare, but don't judge a movie by the brief synopsis: Teens will enjoy it as much as the grown-ups will if they give it a chance. In addition to the swearing, there's some social drinking, but that all fades in comparison to the movie's surprisingly moving themes of hope and perseverance. Note: An edited version of the movie that removes/lessens some of the strongest language has been rated PG-13 and released separately. To stay in the loop on more movies like this, you can sign up for weekly Family Movie Night emails .

Where to Watch

Videos and photos.

Community Reviews

• Parents say (65)
• Kids say (126)

Based on 65 parent reviews

Great Oscar winning about overcoming fears.

I loved this movie, what's the story.

In THE KING'S SPEECH, King George VI ( Colin Firth ), father to Queen Elizabeth II, inherited the British throne in 1936 after his brother Edward's controversial abdication to marry divorcee Wallis Simpson. Ultimately, he would lead the United Kingdom through World War II. But even before he ascended the throne, he was a man struggling with a persistent and troubling condition: He stammered. This was a source of deep despair for the soon-to-be king, who was known among friends and family members as Bertie. Despite his wife's ( Helena Bonham Carter ) best efforts and deep, abiding love, Bertie was stunted by rage and anxiety. But in this film based on true events, the king finally finds an ally in Lionel Logue ( Geoffrey Rush ), an Australian speech therapist who helps Bertie gain the confidence and will to overcome his fears and let his voice be heard, literally and metaphorically.

Is It Any Good?

It is a singularly gratifying experience to watch this film's three stars -- Firth, Bonham Carter, and Rush -- do what they do best: act. It's like watching a master class. They disappear into their characters and make them both interesting and understandable. That's not always the case with films about royalty. Often, they're a visual (and unremarkable) summary of what we know from books; here, they fascinate with their trials, triumphs, and, most of all, humanity. And for a movie steeped in a feel-good message -- "You don't need to be afraid of the things you were afraid of when you were 5," intones one man -- it's far from clichéd.

Credit, too, goes to director Tom Hooper and screenwriter David Seidler, who himself conquered a stutter and was inspired by the king. They have created characters so rich that they compel viewers to rush to the Web for some post-viewing research. We know a lot about today's royals, but they don't hold a candle to their predecessors -- or at least to the ones portrayed here. The movie makes history and self-help irresistible. Bottom line? The King's Speech is superb.

Talk to Your Kids About ...

Families can talk about the messages in The King's Speech. What are viewers meant to take away from watching?

How does the movie portray stuttering and those who suffer from it? Does it seem realistic and believable? How does Bertie's struggle with stuttering affect him?

How did the queen pave the way for the king's success? Are they positive role models? Do you think the movie portrays them accurately? Why might filmmakers change some details in a fact-based story?

How do the characters in The King's Speech demonstrate communication and perseverance ? What about integrity and humility ? Why are these important character strengths?

Movie Details

• In theaters : November 26, 2010
• On DVD or streaming : April 19, 2011
• Cast : Colin Firth , Geoffrey Rush , Helena Bonham Carter
• Director : Tom Hooper
• Inclusion Information : Female actors
• Studio : Weinstein Co.
• Genre : Drama
• Character Strengths : Communication , Humility , Integrity , Perseverance
• Run time : 111 minutes
• MPAA rating : R
• MPAA explanation : some language
• Award : Academy Award
• Last updated : March 10, 2024

Did we miss something on diversity?

Research shows a connection between kids' healthy self-esteem and positive portrayals in media. That's why we've added a new "Diverse Representations" section to our reviews that will be rolling out on an ongoing basis. You can help us help kids by suggesting a diversity update.

Suggest an Update

Our editors recommend.

Elizabeth: The Golden Age

Drama Movies That Tug at the Heartstrings

Biopic movies, related topics.

• Communication
• Perseverance

Want suggestions based on your streaming services? Get personalized recommendations

Common Sense Media's unbiased ratings are created by expert reviewers and aren't influenced by the product's creators or by any of our funders, affiliates, or partners.

• Cast & crew
• User reviews

Metacritic reviews

The king's speech.

• 100 USA Today Claudia Puig USA Today Claudia Puig Let's say it without equivocation: Colin Firth deserves an Oscar for his lead role in The King's Speech as the stammering King George VI.
• 100 NPR Bob Mondello NPR Bob Mondello It's the relationship between the two men that makes the film work: Geoffrey Rush's teacher cracking the quip, and Colin Firth so persuasive as the panicky king that by the time he gets to his crucial speech about going to war, you'll be panicking right along with him.
• 100 San Francisco Chronicle Amy Biancolli San Francisco Chronicle Amy Biancolli The King's Speech is a warm, wise film - the best period movie of the year and one of the year's best movies.
• 90 Salon Andrew O'Hehir Salon Andrew O'Hehir It's a warm, richly funny and highly enjoyable human story that takes an intriguing sideways glance at a crucial period in 20th-century history.
• 88 The Globe and Mail (Toronto) Rick Groen The Globe and Mail (Toronto) Rick Groen Yes, The King's Speech is a lively burst of populist rhetoric, superbly performed and guaranteed to please even discriminating crowds.
• 80 Los Angeles Times Kenneth Turan Los Angeles Times Kenneth Turan The gift of The King's Speech is that it allows us to look on as a pair of masterful actors re-create a monumental test of wills.
• 80 New York Magazine (Vulture) David Edelstein New York Magazine (Vulture) David Edelstein It's a prizewinning combination, terribly English and totally Hollywood, and Firth is, once more, uncanny: He evokes, in mid-stammer, existential dread.
• 80 The Hollywood Reporter Kirk Honeycutt The Hollywood Reporter Kirk Honeycutt It perhaps started with "The Queen," continued with "Young Victoria" and now achieves the most intimate glimpse inside the royal camp to date with The King's Speech.
• 80 The New Yorker Anthony Lane The New Yorker Anthony Lane The barbs of wit, delivered throughout, are like the retractable daggers used in stage productions of "Macbeth" or "Julius Caesar": they gleam enticingly, they plunge home to the hilt, but they leave no trace of a wound.
• 70 The New York Times Manohla Dargis The New York Times Manohla Dargis That film does have its attractions, notably in its two solid leads and standout support from Mr. Pearce.
• See all 41 reviews on Metacritic.com
• See all external reviews for The King's Speech

More from this title

More to explore.

Recently viewed

• Tickets & Showtimes
• Trending on RT

RT on DVD & Blu-Ray: The King's Speech and Rabbit Hole

Plus, more certified fresh gems, a martial arts flick, and jack black..

This week on home video, we’ve got quite a few great films to choose from. Four of the new releases are Certified Fresh, and this year’s Best Picture Oscar winner is among them. The others are comprised of a hard-hitting drama that earned Nicole Kidman an Oscar nod of her own, an epic journey through the Siberian wilderness, and Sofia Coppola’s latest melancholic tale of relationships. Then, we’ve got Hong Kong action star Donnie Yen’s sequel to his recent martial arts hit and a Jack Black misfire based on a classic novel, as well as the week’s new Criterion Collection releases. Check out what’s new this week below.

The King’s Speech

Let’s be honest here: Colin Firth was sort of a “that guy” for a long time, until he showed up opposite Renee Zellwegger in Bridget Jones’s Diary . But there was always a certain charisma to his personality, and people witnessed his potential in full blossom when he starred as a troubled gay man on the verge of suicide in last year’s A Single Man . Fast forward to November of the same year, and we have the culmination of more than two decades of acting in Firth’s rousing Best Actor win for portraying King George VI. But let’s not sell the movie short; The King’s Speech was nominated for a whopping 12 Oscars, and it took home four of the five major awards, including Firth’s award, Best Director (Tom Hooper), Best Original Screenplay, and Best Picture. For those who have spent the better part of the last six months avoiding mass media, the story revolves around the newly crowned King George VI, who suffers from a speech impediment, and the deep friendship he develops with his Australian speech therapist (Geoffrey Rush). Critics stamped their approval on the film in the form of a Certified Fresh 95% on the Tomatometer, and though some have complained about some of the historical inaccuracies in the film, it remains an entertaining, superbly acted, and stylishly produced film, and it arrives on home video this week.

Rabbit Hole

Our second pick this week is another Certified Fresh film, one that earned its lead actress, Nicole Kidman, an Oscar nod back in February. Directed by John Cameron Mitchell ( Hedwig and the Angry Inch ), Rabbit Hole centers on grieving couple Becca and Howie Corbett (Kidman and Aaron Eckhart, respectively) who have just lost their only son in a tragic car accident. While Becca tries desperately to move on with life, confiding in her mother (Dianne Wiest) and connecting with the young man (Miles Teller) responsible for her son’s death in an attempt to make sense of things, Howie instead chooses to dwell in the past, finding it difficult to cope and entertaining the temptation to find comfort in the arms of another woman. The film is certainly not a joyful romp, and it’s often painful to watch, but critics praised Rabbit Hole ‘s finely written script and standout performances to the tune of 87% on the Tomatometer. This is powerful, evocative drama, and those looking for a deep exploration of grief will find a lot to like here.

Gulliver’s Travels

Jonathan Swift’s novel Gulliver’s Travels is a cleverly written satirical look at human nature, a classic piece of literature taught at the highest levels of education to this day. But when you’ve got Jack Black headlining a film adaptation of the work, you can be sure the term “loosely based” applies in spades. In this particular iteration, Black plays Lemuel Gulliver, an aspiring travel writer looking for his first big break who is sent to the Bermuda Triangle to draft an article debunking its myths. Naturally, Gulliver ends up shipwrecked on Liliput, whose inhabitants lock him up as a threat to their safety until he helps rescue both the Liliputian Princess Mary (Emily Blunt) and King (Billy Connolly). Jack Black is, well, Jack Black, and there’s no one else quite like him, but critics overall had some problems with the movie’s reliance on juvenile humor and special effects at the expense of the source material’s brilliant commentary. If your fondness for classic lit isn’t compromised by giant wedgies, pee jokes, and Liliputians utilized in a giant foosball table, then hey, this is right up your alley.

Looking at the films that Sofia Coppola has directed over the years, one gets the sense that the auteur, whose work is infused with meditative ennui, could do with a trip to Disneyland or a girls’ night out with her BFFs. But whatever deep seated melancholy Coppola may be tapping into, her films are largely well-received, and this is no different for her latest effort, Somewhere , starring Stephen Dorff and Elle Fanning. Dorff plays Johnny Marco, a Hollywood star coasting through celebrity on a steady diet of pills and easy women, feeling precious little and socializing only occasionally. When his pre-teen daughter Cleo (Fanning) suddenly shows up on his doorstep to announce she’ll be staying with him full-time, the two of them begin to bond, and Cleo lends meaning to Johnny’s otherwise meaningless life. Somewhere is Coppola’s third Certified Fresh film at 72%, and critics felt that while the movie touches on familiar territory for the director, it’s nevertheless a seductively pensive meditation on the nature of celebrity and features charming performances from its two leads. Fans of Coppola and her storytelling style will undoubtedly enjoy it.

Kes – Criterion Collection

One of the most celebrated of all British films, Kes is an achingly poignant and honest coming-of-age tale. Made at the tail end of the British “kitchen sink” era of cinematic realism, Ken Loach’s first theatrical feature is the tale of a bullied, mischievous boy who finds solace by caring for a falcon. Loach’s leftist sensibilities are evident here, and he’s aided by remarkably naturalistic performances from nonprofessional actors. The result is a devastating portrait of blue-collar malaise. A swanky new Criterion disc features a new transfer of the film supervised by Loach, as well as several interviews with the director and Cathy Come Home , Loach’s 1966 made-for-television docudrama.

The Way Back

Our last Certified Fresh pick this week is another well-received, based-on-true-events story, inspired by a memoir written by Sławomir Rawicz, a polish POW who allegedly escaped from a Siberian gulag. Starring an impressive cast that includes Ed Harris, Colin Farrell, Jim Sturgess, Mark Strong, and Saoirse Ronan, the film follows roughly the same plot, as seven inmates together break free from the gulag in the midst of a blizzard and make way towards Mongolia. The ensuing story depicts the group’s struggle for survival as they battle not only the harsh wilderness that surrounds them on their journey, but also the sense of impending doom that threatens to swallow them whole and destroy their morale. Directed by Peter Weir ( Witness , Master and Commander: The Far Side of the World ), the film impressed critics, who felt that its sweeping ambition, strong performances, and grand visual spectacle deserved a Certified Fresh 75% on the Tomatometer, even if the film wasn’t as emotionally involving as it could have been. A good choice for those who enjoy epic journeys in distant lands and themes of man vs. nature, and it’s available this week.

Sweetie – Criterion Collection

After a successful career making TV movies, Jane Campion burst onto the international cinema scene with Sweetie in 1989. The auteur who would go on to make such arthouse hits as The Piano and Bright Star displayed stylistic panache and an observant eye in this portrait of a dysfunctional family that is often blind to its own internal problems. Sisters Kay and Sweetie are polar opposites in many ways ? the former is a mousy factory worker, the latter a wild child with unrealistic showbiz aspirations. This quirky character study is both sweet and sour ? and offers proof of Campion’s nascent skill. The new director-approved Criterion disc offers a commentary track from Campion, some of her early shorts, interviews, and behind-the scenes images.

Ip Man 2: Legend of the Grandmaster

In recent years, as old kung fu favorites Jackie Chan and Jet Li have started to wind down their careers a bit, Donnie Yen has stepped into the spotlight as a true force to be reckoned with. There are a few of us here in the RT office who are big martial arts fans, and we were pleasantly surprised by the quality of Yen’s Ip Man , released Stateside in 2010 in all its speed-punching, face-flattening glory. Just a few months later, Yen reprised his role as the titular master of Wing Chun in Ip Man 2: Legend of the Grandmaster , but few saw it, and this week it arrives on home video. The sequel focuses on Ip Man’s struggle to teach Wing Chun in the face of corrupt Hong Kong martial artists and an oppressive British colonial regime, culminating in visceral fight sequences between Yen and Jackie Chan contemporary Sammo Hung, as well as an East vs. West duel in a boxing ring. Now, these themes are fairly common in Hong Kong martial arts flicks, but Yen has proven himself to be capable of standing with the best in the business, and by most accounts, the action in Ip Man 2 goes a long way towards making up for any dramatic inadequacies the film may have. Fans of Donnie Yen, or high octane martial arts films in general, should get a proper kick out of this one.

Related News

All 96 Best Picture Winners, Ranked by Tomatometer

Best of the Best Pictures!

RT’s Oscar Picks

More RT on DVD

New On DVD in April: Paddington 2 , Phantom Thread , The Post and More

New On DVD in March: Thor: Ragnarok , Lady Bird , Jumanji and More

New On DVD in February: Coco , Three Billboards , Only the Brave and More

Movie & TV News

Featured on rt.

DC Animated Movies In Order: How to Watch 54 Original and Universe Films

April 23, 2024

The Best TV Seasons Certified Fresh at 100%

April 22, 2024

Weekend Box Office Results: Civil War Earns Second Victory in a Row

25 Most Popular TV Shows Right Now: What to Watch on Streaming

Top Headlines

• DC Animated Movies In Order: How to Watch 54 Original and Universe Films –
• The Best TV Seasons Certified Fresh at 100% –
• Best TV Shows of 2024: Best New Series to Watch Now –
• 25 Most Popular TV Shows Right Now: What to Watch on Streaming –
• 30 Most Popular Movies Right Now: What to Watch In Theaters and Streaming –
• Box Office 2024: Top 10 Movies of the Year –

The King’s Speech

Review by brian eggert december 27, 2010.

Long before Richard Nixon’s sweaty upper lip lost him a televised debate against John Kennedy’s good looks, it was possible for the likes of the morbidly obese William Howard Taft to be elected president. The invention of the television, and before that the radio, transformed becoming a leader into a performance art requiring not only political insight but the composed oration skills and appearance of a Hollywood actor. Since the onset of worldwide broadcasting, politicians have played their roles for the camera, and in some cases, it becomes not what they’re saying but how well and how good they look saying it.

Telling a story about the beginning of this transition, from leaders who exist by authority to those who must be showmen, The King’s Speech is deceptive in its simplicity. Though heavy with political and historical implications, the narrative is reduced to a human drama with broad appeal. The result could be compared to a sports movie, in that the film involves one man’s perseverance and ultimate triumph over his failings, and employs all the typical formulas in the process. Indeed, it comes from Tom Hooper, director of the British soccer film The Damned United , and both are stories about big goals saddled by intrapersonal conflicts.

The story begins in 1925, and the future of the British Royal Family remains in question. The failing health of King George V (Michael Gambon) leaves the eldest son, Prince Edward (Guy Pearce), expected to ascend to the throne. But Edward couldn’t be less interested in such matters. Nevertheless, this leaves Prince Albert (Colin Firth), the Duke of York, who has no desire to become King, in the clear. During his few public speeches, Albert’s embarrassing stammer crippled any desire to advance toward Buckingham Palace. His wife Elizabeth (Helena Bonham Carter) has sought out every speech coach of credible value to help her husband, but none have succeeded in eliminating the stutter.

Enter Lionel Logue (Geoffrey Rush), an Australian speech therapist known for unorthodox, if unknown methods. As a last-ditch effort, Elizabeth employs Logue, who insists on being equals with his clients, royalty or otherwise. He calls the prince by his family name, “Bertie”,  and speaks to him no differently than he would anyone else—insisting that Bertie speak about his past to reveal the root of the impediment, which was brought about by some psychological obstacle. That obstacle becomes apparent in the mocking disdain of Bertie’s father and brother, the source of his inferiority complex. But as Edward decides to abandon the throne to marry the twice-divorced Wallis Simpson (Eve Best), Bertie must assume the crown and address his empire in the first of many wartime speeches.

What emerges is an unassuming costume piece that manages to dwarf the concerns of an empire with a stirring and funny human drama about friendship and personal bravery. The social expanse between Bertie and Logue disappears between them over time, as Logue becomes something Bertie has never had, an honest friend. It seems “feel-good” when put that way, but the film’s effortlessness is its best attribute. Hooper forgoes the need for ambitious royal scenery by simplifying the production to functional, modest interiors and carefully framed close-ups. Alexander Desplat’s score feels classical, but not extravagant. This isn’t a film about majesty, but about keeping in touch with humanity in the face of royal decorum. Several scenes involve Logue demystifying royal traditions to make Bertie comfortable with them. When Bertie finds Logue sitting on a throne, he tells him “You can’t sit there.” “Why not,” the self-assured Logue replies. “It’s just a chair.”

Hooper’s polish here is only matched by his exquisite casting, which represents one of the best ensembles in recent memory. Gambon and Pearce exhibit the kind of heart-stripped figures you’d expect to come from a monarchy. Bonham Carter displays impressive sympathy, despite playing mostly villainess roles in recent years. Derek Jacobi, who played the stammering protagonist in I, Claudius , makes a notably unsympathetic Archbishop Lang. Claire Bloom is regal as the king’s proud mother, Queen Mary. Timothy Spall’s rendition of Winston Churchill has one crossing their fingers for a future biopic. And Jennifer Ehle, who starred alongside Firth in the BBC miniseries Pride and Prejudice , captures the surprise of Myrtle Logue when she finds the king and queen in her home for tea.

Of course, the entire cast stands in the shadow of their two masterful leading men, who together make The King’s Speech a sort of buddy movie. Firth deserves the many accolades he’s received for his performance after inhabiting his character so fully that he simply becomes Bertie. Much of his role depends on the pronunciation of Bertie’s stammer, which, to someone with an ingrained fear of public speaking, feels tangible in its authenticity. But it’s more than prominent W’s and getting his throat caught up on certain words; Firth puts himself into the role in such a way that few actors can. At once, he exudes profound vulnerability and courage, while also communicating an emotionally wounded figure that we respect. Yet, setting up Bertie’s every breakthrough is Rush, whose hilarious, frank approach to his client brings the film’s most delightful moments. Like his costar, Rush shows both weakness and strength, resulting in transcendent humanity. Both men deserve all the awards that are no doubt coming to them.

Though criminally rated “R” in yet another nonsensical decision by the MPAA, The King’s Speech should be seen by everyone. The rating refers to multiple uses of the F-word that are never employed nastily, but rather within the context of Logue’s therapy. After all, it’s just a word; don’t let a few “fucks” prevent you or your teenagers from seeing one of the best films in the quite dull cinema year of 2010. This is a life-affirming picture about a complex friendship and personal conviction that’s as touching as it is inspiring, and it does all this without feeling cliché or typical. With its sense of personal drama inside a grander, global scope, Hooper’s film works in every way that it should and will leave audiences wanting to cheer for its warm heart.

Related Titles

• In Theaters

Recent Reviews

• Boy Kills World 1.5 Stars ☆ ☆
• Patreon Exclusive: Tuesday 4 Stars ☆ ☆ ☆ ☆
• Rebel Moon - Part Two: The Scargiver 0.5 Star ☆
• Patreon Exclusive: Sasquatch Sunset 4 Stars ☆ ☆ ☆ ☆
• Abigail 3.5 Stars ☆ ☆ ☆ ☆
• The Ministry of Ungentlemanly Warfare 3 Stars ☆ ☆ ☆
• Challengers 4 Stars ☆ ☆ ☆ ☆
• Civil War 4 Stars ☆ ☆ ☆ ☆
• Patreon Exclusive: Kumiko, the Treasure Hunter 4 Stars ☆ ☆ ☆ ☆
• LaRoy, Texas 3 Stars ☆ ☆ ☆
• Blackout 3 Stars ☆ ☆ ☆
• Monkey Man 3 Stars ☆ ☆ ☆
• Short Take: Baghead 2 Stars ☆ ☆
• Patreon Exclusive: The Public Eye 2.5 Stars ☆ ☆ ☆
• Wicked Little Letters 3.5 Stars ☆ ☆ ☆ ☆

Recent Articles

• MSPIFF 2024 – Dispatch 3
• Guest Appearance: KARE 11 - 3 movies you need to see in theaters now
• MSPIFF 2024 - Dispatch 2
• MSPIFF 2024 – Dispatch 1
• MSPIFF 2024
• The Definitives: Ocean's Eleven
• Reader's Choice: Ocean's Twelve
• Reader's Choice: Ocean's Thirteen
• The Definitives: The Abyss
• Guest Appearance: Feature Fanatics Podcast - John Grisham Movies Retrospective

Turn Your Curiosity Into Discovery

Latest facts.

14 Facts About International Day Of Sport For Development And Peace April 6th

15 Facts About Purple Up Day April 15th

30 facts about the movie the king’s speech.

Written by Arlene Steelman

Modified & Updated: 03 Mar 2024

Reviewed by Sherman Smith

The King’s Speech is a critically acclaimed film that has captivated audiences since its release. Directed by Tom Hooper, this historical drama takes us on a journey through the life of King George VI, the father of Queen Elizabeth II, as he struggles with a debilitating stammer. The movie explores the unlikely friendship between the reluctant monarch and his eccentric speech therapist, Lionel Logue.

With its stellar cast, including Colin Firth, Geoffrey Rush, and Helena Bonham Carter , The King’s Speech has received numerous accolades, including four Academy Awards. Beyond the captivating performances, the film offers a compelling story filled with emotional depth and historical significance. In this article, we delve into 30 fascinating facts about the making of The King’s Speech, shedding light on its production, casting decisions, and its impact on audiences worldwide.

Key Takeaways:

• The King’s Speech is a movie based on the true story of King George VI’s struggle with a speech impediment. It won four Academy Awards and highlighted the importance of effective communication and perseverance.
• The film’s success sparked conversations about speech disorders and inspired audiences worldwide with its powerful portrayal of courage and determination.

Box Office Success

The King’s Speech was a critically acclaimed film that also performed well at the box office, grossing over $400 million worldwide.

Historical Accuracy

The movie portrays the true story of King George VI’s struggle with a speech impediment and his efforts to overcome it.

Oscar-Winning Performances

The film won four Academy Awards, including Best Picture, Best Director for Tom Hooper, Best Actor for Colin Firth, and Best Original Screenplay.

Colin Firth’s Preparation

Colin Firth spent months working with a speech therapist to accurately portray King George VI’s stammer.

Geoffrey Rush’s Role

Geoffrey Rush played the role of Lionel Logue, the speech therapist who helped King George VI overcome his speech impediment.

Historical Significance

The movie sheds light on the importance of effective communication and how speech can impact leadership and self-confidence.

Multiple Nominations

The King’s Speech received a total of 12 nominations at the Academy Awards, the most of any film that year.

Supporting Cast

The film also features stellar performances from Helena Bonham Carter, who played Queen Elizabeth, and Guy Pearce , who portrayed King Edward VIII.

Royal Approval

The Queen Mother, who was King George VI’s wife, reportedly gave her endorsement for the film.

Accents and Dialects

The actors underwent extensive training to master the British accents and dialects of the time period.

Emotional Journey

The movie takes viewers on an emotional journey as they witness King George VI’s struggle and eventual triumph.

Historical Context

The film is set against the backdrop of the abdication crisis of 1936, when King Edward VIII gave up the throne to marry Wallis Simpson.

Collaboration

The King’s Speech was a collaborative effort between British and Australian filmmakers, showcasing the talent from both countries.

Real Speech Recordings

The filmmakers used actual recordings of King George VI’s speeches to ensure accuracy in the movie.

Costume Design

The film’s costume designer , Jenny Beavan, won an Academy Award for her work in recreating the fashion of the 1930s.

Film Locations

The King’s Speech was primarily filmed in England and Scotland, adding to the authenticity of the period setting.

Critical Acclaim

The movie was praised by critics for its performances, screenplay, and historical accuracy.

Audience Response

The King’s Speech resonated with audiences worldwide, connecting on a human level with its themes of perseverance and self-belief.

The movie has left a lasting impact on the film industry, inspiring others to tell stories of triumph over adversity.

International Success

The King’s Speech was not only a hit in English-speaking countries but also gained popularity in international markets.

The film’s score, composed by Alexandre Desplat, received critical acclaim and added depth to the storytelling.

Positive Reviews

The King’s Speech holds a high rating on review aggregator sites like Rotten Tomatoes, with praise for its performances and storytelling.

The movie received a rating of 12A in the United Kingdom, making it suitable for a wide range of audiences.

Cultural Impact

The King’s Speech sparked conversations about speech disorders and increased awareness of the challenges faced by those who stammer.

Educational Value

The film has been used as a teaching tool in various educational institutions to explore topics such as leadership, communication, and overcoming obstacles.

Film Adaptation

The movie is based on a stage play of the same name, which was also highly acclaimed.

International Accolades

In addition to the Academy Awards, The King’s Speech received numerous accolades from film festivals around the world.

Inspirational Story

The film serves as a reminder that anyone, regardless of their status or background, can overcome personal challenges and achieve greatness.

Historical Detail

The King’s Speech captures the essence of the time period, immersing viewers in the world of British royalty during a pivotal point in history.

Lasting Legacy

The King’s Speech will continue to be remembered as a powerful and touching portrayal of courage and determination.

In conclusion, The King’s Speech is a remarkable film that captivates audiences with its gripping story and exceptional performances. Through its portrayal of King George VI’s struggle to overcome his speech impediment, the movie showcases the power of determination and the importance of finding one’s voice. With a brilliant cast led by Colin Firth , Geoffrey Rush, and Helena Bonham Carter, The King’s Speech earned critical acclaim and numerous accolades, including four Academy Awards. The film’s masterful direction, compelling script, and stunning production design make it a must-watch for any movie enthusiast. Whether you’re a fan of historical dramas, inspiring stories, or top-notch acting, The King’s Speech is sure to captivate and leave a lasting impression.

1. Who directed The King’s Speech?

The King’s Speech was directed by Tom Hooper.

2. Is The King’s Speech based on a true story?

Yes, The King’s Speech is based on the true story of King George VI of the United Kingdom and his struggle with a speech impediment.

3. How many Academy Awards did The King’s Speech win?

The King’s Speech won four Academy Awards, including Best Picture, Best Director, Best Actor (Colin Firth), and Best Original Screenplay.

4. Who played King George VI in the movie?

Colin Firth portrayed King George VI in The King’s Speech.

5. What is the significance of the title “The King’s Speech”?

The title refers to the pivotal speech that King George VI delivers to inspire and rally the British people during World War II.

6. What impact did The King’s Speech have on raising awareness about speech impediments?

The movie shed light on the struggles faced by people with speech impediments and helped raise awareness about the importance of empathy and understanding towards individuals dealing with such challenges.

7. Was the stuttering portrayed accurately in the movie?

Geoffrey Rush worked closely with speech experts to accurately portray the challenges faced by those with speech impediments. The film’s depiction of stuttering was highly praised for its authenticity.

8. Are there any other notable performances in The King’s Speech?

In addition to Colin Firth’s memorable portrayal of King George VI, Geoffrey Rush’s performance as Lionel Logue, the speech therapist, and Helena Bonham Carter’s portrayal of Queen Elizabeth were also highly praised by audiences and critics alike.

9. What awards did The King’s Speech receive?

Aside from its Academy Awards, The King’s Speech also received numerous other accolades, including multiple BAFTA Awards, Golden Globe Awards, and Screen Actors Guild Awards.

10. Can I watch The King’s Speech online?

Yes, The King’s Speech is available for streaming on various platforms, including Netflix and Amazon Prime Video.

Was this page helpful?

Our commitment to delivering trustworthy and engaging content is at the heart of what we do. Each fact on our site is contributed by real users like you, bringing a wealth of diverse insights and information. To ensure the highest standards of accuracy and reliability, our dedicated editors meticulously review each submission. This process guarantees that the facts we share are not only fascinating but also credible. Trust in our commitment to quality and authenticity as you explore and learn with us.

Share this Fact:

Why The King's Speech Didn't Deserve its Best Picture Oscar According to Critics and Hindsight

Even though The King's Speech won Best Picture, it has often been cited as an unworthy winner. Take a look at why many think it should not have won.

On February 27, 2011, The King's Speech won Best Picture at the 83rd Academy Awards. The film was critically acclaimed and holds 94% on Rotten Tomatoes, and was also a box office hit grossing $135 million domestically and $423 million worldwide. It seemed like a Best Picture winner that overlapped with what critics and audiences enjoyed. However, almost immediately after it won, the coveted award backlash to the movie grew with many regarding it as a standard Oscar-bait film beating out more daring, innovative, and worthwhile movies.

In the years since winning, the opinion on The King's Speech has only worsened with time. Now it is regarded as one of the most disappointing Best Picture wins in the Academy Awards. This is a sentiment not only shared by critics and cultural commentators but also by general audience members, even those that saw T he King's Speech in theaters and probably enjoyed it. This is why many do not think The King's Speech did not deserve its Best Picture Oscar at the time, and why the sentiment has only grown.

It Beat Out More Beloved and Critically Acclaimed Movies

One of the biggest obstacles the Best Picture winner faces is how it stacks up to its fellow nominees. Many Best Picture winners forever carry the distinction of being the "unpopular" winner, from Shakespeare in Love beating Saving Private Ryan , to the controversial win of Crash over Brokeback Mountain . Time is the ultimate judge of a Best Picture winner's place in history and if it outlasts its fellow nominees, and The King's Speech is notable for winning Best Picture over many other better movies.

Related: How The Academy Awards Could Bring Back Its Glory Days

The King's Speech's biggest opponent at the Academy Awards was The Social Network , the David Fincher film written by Aaron Sorkin about the founding of Facebook. Not only did the film receive rave reviews at the time of its release, it was also a box office hit grossing $224 million worldwide. While esteem for The King's Speech has dropped over time, praise for The Social Network has only grown, with the film often being regarded as one of if not David Fincher's best movies and being more topical as Facebook has grown and struggled in recent years. Most people would likely put The Social Network as one of the best movies of the past decade.

The King's Speech also beat out other critically acclaimed and fan-favorite movies like Toy Story 3 , Inception , and True Grit, all of which are still regarded as great films to this day that many audiences and critics likely remember more fondly than The King's Speech . The King's Speech now feels like an unworthy winner at best, and a mediocre movie at worst beating out beloved and timeless films.

Tom Hopper's Recent Films Have Put His Skill Into Question

Tom Hopper's Best Director Oscar for The King's Speech alongside the movie's Best Picture win certainly seems baffling now following the filmmaker's recent movies. He followed up his Academy Award win with the highly anticipated big-budget adaptation of Les Misérables . The fact that it was based on a popular musical with an all-star cast and an Academy Award-winning director certainly gave the movie buzz, and while it went on to become a box office hit and earn seven Academy Award nominations, many critics savaged the movie. Much attention was put on specific directorial choices of Hopper's, from his claustrophobic shot composition motivated by his decision to film all the music live, favoring star power like Russell Crowe over performers who could actually sing.

Related: Do the Oscars Need to Nominate More Popular Films?

His next film, 2015's The Danish Girl , felt like a cynical attempt to earn Academy Awards and in recent years has been shown as a troubling and disrespectful depiction of transgender women, particularly by casting a cisgender actor to play the role; intentionally or not, it had the effect of perpetuation harmful transgender stereotypes. Yet the final nail in the coffin was the disastrous release of 2019's Cats . The film's trailer was widely criticized, and the finished film was a critical and box office bomb . After starting out the decade winning the Best Director Oscar and helming the Best Picture winner, Tom Hopper spent the next decade making everybody question that decision and ended it with what many regarded as one of the worst of the decade.

How The King's Speech Won Best Picture

Arguably the biggest factor against The King's Speech is that it won the Best Picture Oscar, yet it might have done so without anyone thinking it was actually the best picture of 2010. When the Academy expanded the number of Best Picture nominees from five films to 10, they also implemented a new voting system known as the preferential ballot, or more commonly known as ranked-choice voting. This system means that voters rank their choices, rather than choosing only one to be the winner, which is the case for every other nominated category.

In 2010 there were 10 nominees, meaning Oscar voters ranked each of the nominees from one to 10. To win Best Picture, a film must receive 50% of the votes plus one to win. If no film has received that when all the votes are tallied up, the film with the least amount of number one picks is taken out of the running, and the number one slot on any ballot which had that film then goes to their second place pick. This process goes on with the smaller number of films being eliminated until a winner is determined. This means films that are divisive can lose out to safe middle-of-the-road picks that are not anyone's favorite but also nobody's least favorite.

While it is unknown if this is how The King's Speech won Best Picture, or if it immediately received the number of winning votes in the first round, the fact that this voting system was introduced just one year prior to The King's Speech win does suggest it. That's especially so when one considers the number of popular but also divisive picks like The Social Network , Toy Story 3 , and Inception that could have split ballots The King's Speech may have won by being a pretty good film that many voters liked and neither loved nor hated, hence giving it the win. It was a safe Best Picture nominee that ended up winning the top prize from better movies, and even though it won Best Picture, it will always have a shadow hanging over it.

• Action/Adventure
• Children's/Family
• Documentary/Reality
• Amazon Prime Video

The King's Speech

Latest on the king's speech.

New Shows & Movies To Watch This Weekend: 'What We Do In The Shadows' + More

New Movies & Shows To Watch This Weekend: Prime Video's 'Shotgun Wedding' + More

Get 6 Months of STARZ for $20 With Limited Time Deal

Stream It Or Skip It: 'Supernova' On Hulu, Where Stanley Tucci & Colin Firth Play A Couple Running Out Of Time

Stream It Or Skip It: ‘The Dig’ on Netflix, a British Period Drama About Archaeology and Aching Hearts

Keira Knightley to Executive Produce and Star in 'The Essex Serpent' at Apple TV+

'The King's Speech'

The 13 Oscar-Winning Movies on Netflix with the Highest Rotten Tomatoes Scores

The Top 13 Movies & Shows About Royals on Netflix with the Highest Rotten Tomatoes Scores

Colin Firth's Best Movie Isn't 'The King's Speech', It's 'What a Girl Wants'

The 17 Best Oscar-Winning Movies on Netflix by Rotten Tomato Score

The 17 Best Oscar-Nominated Movies on Netflix by Rotten Tomatoes Score

The Most BULLSHIT (!!) Oscar Wins of the Last 25 Years

What’s New On Netflix, Hulu, Amazon Prime Video, And HBO This Weekend: 'Blade Runner 2049', 'I, Tonya', 'Coco', And More

'The Crown' on Netflix: Why Are Americans Still So Obsessed With British Royalty?

Weinstein Company May Sell Off Assets In Wake Of Sexual Harassment And Abuse Scandal

Bombshell 'New Yorker' Report Alleges Harvey Weinstein Raped Multiple Women

Best Director Oscar Winners: Where To Stream Every Academy Award Winning Film

Best Actor Oscar Winners: Where To Stream Every Academy Award Winning Performance

Best Picture Oscar Winners: Where To Stream Every Academy Award Winning Best Picture

Trending now.

This story has been shared 1,797 times. 1,797

This story has been shared 1,395 times. 1,395

This story has been shared 1,161 times. 1,161

This story has been shared 844 times. 844

This story has been shared 677 times. 677

This story has been shared 562 times. 562

This story has been shared 466 times. 466

This story has been shared 428 times. 428

Stream It Or Skip It?

Stream it or skip it: 'the big door prize' season 2 on apple tv+, where the people of deerfield look to the morpho machine to figure out what's next in their lives, stream it or skip it: ‘tiger’ on disney+, a new nature doc that's positively rife with adorable tiger kittens, stream it or skip it: 'fight for paradise: who can you trust' on netflix, a german reality competition that's like 'survivor' meets 'the traitors', stream it or skip it: 'the express way with dulé hill' on pbs, where the actor travels the country and meets a diverse set of artists, stream it or skip it: 'brigands: the quest for gold' on netflix, about italian bandit groups that band together to look for stolen riches, more from decider.

Does 'Yellowstone' Return Tonight? 'Yellowstone's Season 5, Part 2 Premiere Date Updates

Are 'Chicago Med,' 'Chicago Fire' and 'Chicago P.D.' New Tonight? Here's When 'One Chicago' Returns to NBC With New Episodes

'Bob Hearts Abishola's Billy Gardell Tells ‘Live’ About His Bariatric Surgery and 170 Lb Weight Loss: "I Went From A Young Jackie Gleason To An Old Paul Newman"

Is 'Grey's Anatomy' New Tonight? Here's When The Next Episode of 'Grey's Anatomy' Is On ABC And Hulu 

Whoopi Goldberg Confronts Her 'View' Co-Hosts After Nearly All Of Them Fail To Carry Out Guest J. Lo's Request: "How Come Y'all Weren't Dancing?" 

'9-1-1's Oliver Stark Says Season 7 Fan Response Is "A Beautiful Reminder" Of The Show's Cultural Impact

Log in or sign up for Rotten Tomatoes

Trouble logging in?

By continuing, you agree to the Privacy Policy and the Terms and Policies , and to receive email from the Fandango Media Brands .

By creating an account, you agree to the Privacy Policy and the Terms and Policies , and to receive email from Rotten Tomatoes and to receive email from the Fandango Media Brands .

By creating an account, you agree to the Privacy Policy and the Terms and Policies , and to receive email from Rotten Tomatoes.

Email not verified

Let's keep in touch.

Sign up for the Rotten Tomatoes newsletter to get weekly updates on:

• Upcoming Movies and TV shows
• Trivia & Rotten Tomatoes Podcast
• Media News + More

By clicking "Sign Me Up," you are agreeing to receive occasional emails and communications from Fandango Media (Fandango, Vudu, and Rotten Tomatoes) and consenting to Fandango's Privacy Policy and Terms and Policies . Please allow 10 business days for your account to reflect your preferences.

OK, got it!

Movies / TV

No results found.

• What's the Tomatometer®?
• Login/signup

Movies in theaters

• Opening this week
• Top box office
• Coming soon to theaters
• Certified fresh movies

Movies at home

• Fandango at Home
• Netflix streaming
• Prime Video
• Most popular streaming movies
• What to Watch New

Certified fresh picks

• Challengers Link to Challengers
• Abigail Link to Abigail
• Arcadian Link to Arcadian

New TV Tonight

• The Jinx: Season 2
• Knuckles: Season 1
• The Big Door Prize: Season 2
• THEM: The Scare: Season 2
• Velma: Season 2
• Secrets of the Octopus: Season 1
• Dead Boy Detectives: Season 1
• Thank You, Goodnight: The Bon Jovi Story: Season 1
• We're Here: Season 4

Most Popular TV on RT

• Baby Reindeer: Season 1
• Fallout: Season 1
• Shōgun: Season 1
• The Sympathizer: Season 1
• Ripley: Season 1
• 3 Body Problem: Season 1
• Under the Bridge: Season 1
• Sugar: Season 1
• A Gentleman in Moscow: Season 1
• Best TV Shows
• Most Popular TV
• TV & Streaming News

Certified fresh pick

• Under the Bridge Link to Under the Bridge
• All-Time Lists
• Binge Guide
• Comics on TV
• Five Favorite Films
• Video Interviews
• Weekend Box Office
• Weekly Ketchup
• What to Watch

DC Animated Movies In Order: How to Watch 54 Original and Universe Films

The Best TV Seasons Certified Fresh at 100%

What to Watch: In Theaters and On Streaming

Awards Tour

Watch An Exclusive Pixar Studio Tour, Plus Inside Out 2 Secrets From The Set

Weekend Box Office Results: Civil War Earns Second Victory in a Row

• Trending on RT
• Rebel Moon: Part Two - The Scargiver
• The Ministry of Ungentlemanly Warfare
• Play Movie Trivia

King George VI: The Man Behind The King's Speech Reviews

This fine documentary offers a handsome tribute to an unlikely yet beloved head of state

Full Review | Original Score: 3/5 | Apr 25, 2013

Despite the not terribly artful construction, The Man Behind The King's Speech is certainly fascinating and should engage fans of the Oscar-winning film.

Full Review | Original Score: 7/10 | Dec 29, 2011